A beautifully designed gift book devoted to the work of the renowned ceramics firm Wedgwood. Looking back at key moments in Wedgwood's design history, this book celebrates the visual power and great design encapsulated by Wedgwood from its founding in 1759 to the present day. The name 'Wedgwood' has come to stand for something far beyond its illustrious and energetic founder: uniting art and industry; introducing design and artistic collaborations; the iconic blue and white of Wedgwood jasper. This book tells that story through the lens of design, reflecting the continuing role that Wedgwood and its designers, artists and employees played in setting trends, responding to the market and producing high-quality, desirable ceramics for a broad range of consumers, yet tied to the traditions established by Josiah Wedgwood in the eighteenth century. It presents highlights from the V&A Wedgwood Collection, reflecting the unique proposition of Wedgwood's business: by operating in both the 'ornamental' and 'useful' markets, Wedgwood was able to bring innovative ceramic design to large areas of a captive market. These ceramics and their stories demonstrate the artistic heritage, craft and innovation that have become synonymous with the Wedgwood name.

William Morris's interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris's various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy. A pioneer of the Arts & Crafts Movement, William Morris (1834-1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker. Morris's whole approach still resonates today, and his designs are popular and much admired. Published to mark the 125th anniversary of Morris's death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy and publishing. Additional materials include a contextualized chronology of Morris's life and a list of public collections around the world where examples of Morris's work may be seen today. This study is a comprehensive, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design. With 668 illustrations in colour

Josiah Wedgwood, perhaps the greatest English potter who ever lived, epitomized the best of his age. From his kilns and workshops in Stoke-on-Trent, he revolutionized the production of ceramics in Georgian Britain by marrying technology with design, manufacturing efficiency and retail flair. He transformed the luxury markets not only of London, Liverpool, Bath and Dublin but of America and the world, and helping to usher in a mass consumer society. Tristram Hunt calls him 'the Steve Jobs of the eighteenth century'. But Wedgwood was radical in his mind and politics as well as in his designs. He campaigned for free trade and religious toleration, read pioneering papers to the Royal Society and was a member of the celebrated Lunar Society of Birmingham. Most significantly, he created the ceramic 'Emancipation Badge', depicting a slave in chains and inscribed 'Am I Not a Man and a Brother?' that became the symbol of the abolitionist movement. Tristram Hunt's hugely enjoyable new biography, strongly based on Wedgwood's notebooks, letters and the words of his contemporaries, brilliantly captures the energy and originality of Wedgwood and his extraordinary contribution to the transformation of eighteenth-century Britain.

The name Faberge has long been a byword for luxury. Combining an entrepreneurial vision for craftsmanship with innovative material sourcing and technical ability, Carl Faberge created an astonishing array of bespoke jewelled and enamelled objects at the end of the 19th and beginning of the 20th century. This beautifully illustrated book explores the history and legacy of the House of Faberge, from its origins in Russia - and its role in the glamorous world of the Romanovs - to global recognition. Much of the story is familiar, but less well known is the important part played by the London branch. Opened in 1903, and the only one outside Russia, it became a choice destination for Edwardian high society and an international clientele. Featuring over 120 pieces, from delicate flowers to Imperial Easter eggs, and with contributions from leading experts Faberge: Romance to Revolution celebrates the enduring fascination with this master craftsman's works.

Generations of children have been captivated by the exploits of Jemima Puddle-Duck, Squirrel Nutkin, Peter Rabbit and the host of other characters conjured up by Beatrix Potter. Packed with original artwork, Beatrix Potter: Drawn to Nature, looks at secrets to her success and celebrates her wider life and legacy - her passions and accomplishments - that stretch far beyond the pages of her storybooks. Charting her life, from her childhood in South Kensington, London to her later years in the Lake District, Annemarie Bilclough and Emma Laws show how Potter's exceptional affinity with nature from an early age ensured the success of her stories - underneath the costumes were real, believable, animals. Sara Glenn highlights Potter's entrepreneurial talents whilst Lucy Shaw takes readers on a Victorian holiday. Contributions from Richard Fortey and James Rebanks reveal her work in the field of mycology and transformation into a farmer, and Liz Hunter MacFarlane discusses her profound impact on the preservation of the Lake District landscape. Naturalist, creative pioneer, storyteller, determined entrepreneur - Potter has been described as 'a many-sided genius' and Beatrix Potter: Drawn to Nature allows readers a tantalising glimpse into the life of this extraordinary woman.

Now on display at the Victoria and Albert Museum, London, the Raphael Cartoons are widely considered one of the glories of the Italian Renaissance. Made as full-scale design drawings for tapestries, their survival is remarkable given their original purpose and inherent fragility. This beautiful and compelling book presents a new consideration of Raphael's achievement, shedding fresh light on the Cartoons' history from their creation, their acquisition by the English Crown in 1623, to their loan to the South Kensington Museum by Queen Victoria in 1865 in memory of Prince Albert. Illustrated with entirely new digital photography, made to mark the 500th anniversary of the artist's death, the book focuses on Raphael's artistic practice and his legacy. The Cartoons were carefully designed to be reproduced, and they are shown here as never before.

In this intriguing insight into the work and history of a museum, V&A director and historian Dr Tristram Hunt brings together ten renowned V&A curators to tell the stories behind ten of their most treasured objects. 'Tipu's Tiger' (an almost life-size wooden semi-automaton mauling a European soldier), the 'Great Bed of Ware' (an Elizabethan bed for 8 people) and a Shakespeare First Folio are among the featured highlights whose route to the V&A collections are entertainingly revealed. Through these stories, this insightful history of museum curation - a world of careful study and sometimes remarkable fortuity - shows how the priorities of a museum are shaped and change over time. Published to explore in more depth some of the stories featured in the BBC six part series Secrets of the Museum.

Frederich Engels (1820 1895) was a German businessman and political theorist renowned as one of the intellectual founders of communism. In 1842 Engels was sent to Manchester to oversee his father's textile business, and he lived in the city until 1844. This volume, first published in German in 1845, contains his classic and highly influential account of working-class life in Manchester at the height of its industrial supremacy. Engels' highly detailed descriptions of urban conditions and contrasts between the different classes in Manchester were informed from both his own observations and his contacts with local labour activists and Chartists. Extensively researched and written with sympathy for the working class, this volume is one Engels' best known works and remains a vivid portrait of contemporary urban England. This volume is reissued from the English edition of 1892, which was translated by noted social activist Florence Kelley Wischnewetzky (1859 1932).

'A wonderful book' George Orwell Robert Tressell's spirited attack on selfish capitalism is a masterpiece of wit and political passion and one of the most authentic novels of English working class life ever written. The Ragged Trousered Philanthropists tells the story of a group of working men who are joined one day by Frank Owen, a journeyman-prophet with a vision of a just society. Indicting the 'philanthropy' of the working class, who toil solely for the benefit of their masters, and initiating them into the secrets of the 'Great Money Trick' which alienates them from their labour, Owen's attacks on the greed and dishonesty of the capitalist system rouse his fellow men from their political quietism. With an Introduction by Tristram Hunt 'Some books seem to batter their way to immortality against all odds, by sheer brute artistic strength, and high up in this curious and honourable company must be counted The Ragged Trousered Philanthropists. Robert Tressell's unfailing humour mixes with an unfailing rage and the two together make a truly Swiftian impact' Evening Standard 'A brilliant and very funny book' Spectator 'The first great English novel about the class war ... witty, humourous, instinctive and full of excitement, harmony and pathos' Alan Sillitoe

Taking inspiration from classic authors from Jane Austen to Thomas Hardy, Williams shines a light on our society's changing views of the rural and industrial landscapes in which we work and live. Our collective notion of the city and country is irresistibly powerful. The city as the seat of enlightenment, sophistication, power and greed is in profound contrast with an innocent, peaceful, backward countryside. Examining literature since the sixteenth century, Williams traces the development of our conceptions of these two traditional poles of life. His groundbreaking study casts the country and city as central symbols for the social and economic changes associated with capitalist development. WITH AN INTRODUCTION BY TRISTRAM HUNT

"Written with brio, warmth, and historical understanding, this is the best biography of one of the most attractive inhabitants of Victorian England, Marx's friend, partner, and political heir."--Eric Hobsbawm

Friedrich Engels is one of the most intriguing and contradictory figures of the nineteenth century. Born to a prosperous mercantile family, he spent his life enjoying the comfortable existence of a Victorian gentleman; yet he was at the same time the co-author of The Communist Manifesto, a ruthless political tactician, and the man who sacrificed his best years so that Karl Marx could have the freedom to write. Although his contributions are frequently overlooked, Engels's grasp of global capital provided an indispensable foundation for communist doctrine, and his account of the Industrial Revolution, The Condition of the Working Class in England, remains one of the most haunting and brutal indictments of capitalism's human cost.

Drawing on a wealth of letters and archives, acclaimed historian Tristram Hunt plumbs Engels's intellectual legacy and shows us how one of the great bon viveurs of Victorian Britain reconciled his exuberant personal life with his radical political philosophy. This epic story of devoted friendship, class compromise, ideological struggle, and family betrayal at last brings Engels out from the shadow of his famous friend and collaborator.

'History writing at its compulsive best' A. N. Wilson This is a history of the ideas that shaped not only London, but Manchester, Glasgow, Liverpool, Leeds, Birmingham, Sheffield and other power-houses of 19th-century Britain. It charts the controversies and visions that fostered Britain's greatest civic renaissance. Tristram Hunt explores the horrors of the Victorian city, as seen by Dickens, Engels and Carlyle; the influence of the medieval Gothic ideal of faith, community and order espoused by Pugin and Ruskin; the pride in self-government, identified with the Saxons as opposed to the Normans; the identification with the city republics of the Italian renaissance - commerce, trade and patronage; the change from the civic to the municipal, and greater powers over health, education and housing; and finally at the end of the century, the retreat from the urban to the rural ideal, led by William Morris and the garden-city movement of Ebenezer Howard.

Almost a quarter of a million lives were lost as King and Parliament battled for their religious and political ideals in the English Civil War. England was divided between Cavaliers and Roundheads engaged in bitter struggles from Preston to Lostwithiel, Pembroke to York. Armies were on the march, villages were decimated and great dynasties destroyed: fathers and sons, uncles and cousins were pitted against each other in defence of their loyalties. The civil war led to the execution of a king, the beginnings of sectarian division in Ireland, savage clan warfare in Scotland and the roots of English socialism. Tristram Hunt avoids adding to the many, mostly transitory interpretations of the civil war and instead offers a timeless narrative based on the first-hand accounts of those who witnessed these traumatic events. In doing so he brings out the voices of the civil war generation - those who lost sons, who witnessed massacres and who fought for an ideal. In this book we see their motivations, fears and misery as the horror of war overwhelmed them. From Cromwell's letters to the memoirs of a Roundhead wife the civil war era is brought to life in all its terrible and fascinating glory.

Friedrich Engels is one of the most attractive and contradictory figures of the nineteenth century. Born to a prosperous mercantile family in west Germany, he spent his career working in the Manchester cotton industry, riding to the Cheshire hounds, and enjoying the comfortable, middle-class life of a Victorian gentleman. Yet Engels was also the co-founder of international communism - the philosophy which in the 20th century came to control one third of the human race. He was the co-author of The Communist Manifesto, a ruthless party tactician, and the man who sacrificed his best years so Karl Marx could write Das Kapital. Tristram Hunt relishes the diversity and exuberance of Engels's era: how one of the great bon viveurs of Victorian Britain reconciled his raucous personal life with this uncompromising political philosophy.

*Longlisted for the William MB Berger Prize for British Art History, 2022* A spectacular new biography of the great designer, entrepreneur, abolitionist and beacon of the Industrial Revolution, from acclaimed historian and Director of the Victoria and Albert Museum, Tristram Hunt Josiah Wedgwood, perhaps the greatest English potter who ever lived, epitomized the best of his age. From his kilns and workshops in Stoke-on-Trent, he revolutionized the production of ceramics in Georgian Britain by marrying technology with design, manufacturing efficiency and retail flair. He transformed the luxury markets not only of London, Liverpool, Bath and Dublin but of America and the world, and helping to usher in a mass consumer society. Tristram Hunt calls him 'the Steve Jobs of the eighteenth century'. But Wedgwood was radical in his mind and politics as well as in his designs. He campaigned for free trade and religious toleration, read pioneering papers to the Royal Society and was a member of the celebrated Lunar Society of Birmingham. Most significantly, he created the ceramic 'Emancipation Badge', depicting a slave in chains and inscribed 'Am I Not a Man and a Brother?' that became the symbol of the abolitionist movement. Tristram Hunt's hugely enjoyable new biography, strongly based on Wedgwood's notebooks, letters and the words of his contemporaries, brilliantly captures the energy and originality of Wedgwood and his extraordinary contribution to the transformation of eighteenth-century Britain.