Originally published in 1987, this book contains the full Greek text of Longinus on the Sublime, alongside the English translation.

Published in 1987: In this volume, the author presents the Three Literary Letters of Dionysius of Halicarnassus. The works of Dionysius are regarded particularly for their value as histories and works of rhetoric.

Originally published in 1987, this book contains the full Greek text of Longinus on the Sublime, alongside the English translation.

Published in 1987: In this volume, the author presents the Three Literary Letters of Dionysius of Halicarnassus. The works of Dionysius are regarded particularly for their value as histories and works of rhetoric.

This is the 1907 second edition of W. Rhys Roberts' Longinus on the Sublime. The volume contains the Greek text edited after the Paris manuscript, an extensive introduction, and a thorough and accessible translation of the main text. Roberts' introduction is divided into two parts: the authorship of the Treatise, and its content and character. Roberts is careful to place On the Sublime in its critical context, challenging both the inscription and description of this classical text. The author is thought to be an unknown teacher, and not the historical Longinus, whilst the 'sublime' in this instance is not 'the sublime' as we would commonly understand it. On the Sublime is a text which dissects the problems of literary criticism and the aesthetics of Greek literature. The lively and intelligent style of the text will ensure that Roberts' edition is enjoyed by Greek scholars and general readers alike.

Probably dating from the first century AD, De Eloutione is an ancient treatise on good writing practices that draws on works by Aristotle and Theophrastus. It remained highly popular into the late Renaissance with such writers as John Milton among its exponents. This edition by William Rhys Roberts was the first English publication in 1902. The volume provides a facing-page translation of the original Greek text, supplemented with extensive notes, a glossary, and comprehensive introduction. While an important book for classicists and amateur readers of Greek, there is much here that students of rhetoric will also find interesting.

In this volume, the eminent classicist William Rhys Roberts (1858-1929) presents the Three Literary Letters of Dionysus of Halicarassus. Well established in the classical canon, the works of Dionysus are regarded particularly for their value as histories and as works of rhetoric. First published in 1901, this is an edition that encourages speakers of modern English to see Greek sources through the eyes of contemporary Greek critics. The original Greek text is printed with a facing-page English translations, and accompanied by notes, a glossary of rhetorical and grammatical terms, a bibliography, and an introductory essay on Dionysus as a literary critic. It remains an important early edition and translation of Dionysus that will be of interest to classicists and amateur readers of Greek.

This volume brings together the three most original and influential ancient Greek treatises on literature. Artistotle's Poetics contains his treatment of Greek tragedy: its history, nature, and conventions, with details on poetic diction. Stephen Halliwell makes this seminal work newly accessible with a reliable text and a translation that is both accurate and readable. His authoritative introduction traces the work's debt to earlier theorists (especially Plato), its distinctive argument, and the reasons behind its enduring relevance. The essay On the Sublime, usually attributed to "Longinus" (identity uncertain), was probably composed in the first century A.D.; its subject is the appreciation of greatness ("the sublime") in writing, with analysis of illustrative passages ranging from Homer and Sappho to Plato and Genesis. In this edition, Donald Russell has judiciously revised and newly annotated the text and translation by W. Hamilton Fyfe and provides a new introduction. The treatise On Style, ascribed to an (again unidentifiable) Demetrius, was perhaps composed during the second century B.C. It seems to reflect the theoretical energy of Hellenistic rhetorical works now lost, and is notable particularly for its theory and analysis of four distinct styles (grand, elegant, plain, and forceful). Doreen Innes' fresh rendering of the work is based on the earlier Loeb translation by W. Rhys Roberts. Her new introduction and notes represent the latest scholarship.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Aristotle's Rhetoric is an ancient Greek treatise on the art of persuasion, dating from the 4th century BC. In Greek, it is titled, in Latin Ars Rhetorica. In English, its title varies: typically it is titled Rhetoric, the Art of Rhetoric, or a Treatise on Rhetoric. Aristotle is generally credited with developing the basics of the system of rhetoric that "thereafter served as its touchstone," influencing the development of rhetorical theory from ancient through modern times. The Rhetoric is regarded by most rhetoricians as "the most important single work on persuasion ever written." Gross & Walzer concur, indicating that, just as Whitehead considered all Western philosophy a footnote to Plato, "all subsequent rhetorical theory is but a series of responses to issues raised" by Aristotle's Rhetoric. This is largely a reflection of disciplinary divisions, dating back to Peter Ramus's attacks on Aristotlean rhetoric in the late 16th century and continuing to the present.( wikipedia.org)