Offering a stimulating diversity of perspectives, this collection examines how popular culture through mass media defines the scale and character of social interaction in the Middle East. The contributors approach popular culture broadly, with an interest in how it creates new scales of communication and new dimensions of identity that affect economics, politics, aesthetics, and performance.

Reflected in these essays is the fact that mass media are as ubiquitous in Cairo and Karachi as in Los Angeles and Detroit. A music group marketed in the West as "authentically Moroccan" is both marginal to what most Moroccans regard as the mainstream of their culture, and crucially linked to the Rolling Stones. In the Pakistani city of Lahore the global cultural economy affects the moral economy of nationalist and Islamic representation. From Persian popular music in Beverly Hills to Egyptians' reaction to a recent film on Gamal Abdel Nasser; from postmodern Turkish novels to the music of an Israeli transsexual singer, the essays illustrate the multiple contexts of modern cultural production.

The unfolding of modernity in colonial and postcolonial societies has been little analyzed until now. In addressing transnational aspects of Middle Eastern societies, the contributors also challenge conventional assumptions about the region and its relation to the West. The volume will have wide appeal both to Middle Eastern scholars and to readers interested in global and cultural studies.

This path-breaking study of Egyptian popular culture provides fresh and vital insights into the long struggle of modern Egypt to define its identity. Walter Armbrust examines Egyptian television, recorded music, the press, and the cinema, revealing the delicate balance between conservative nationalist imagery and a modernist ethic. However, this balance has been put in question both by producers and consumers of the media, reflecting a sense that the way modern Egypt is represented does not reflect the real experience of Egyptians.

This path-breaking study of Egyptian popular culture provides fresh and vital insights into the long struggle of modern Egypt to define its identity. Walter Armbrust examines Egyptian television, recorded music, the press, and the cinema, revealing the delicate balance between conservative nationalist imagery and a modernist ethic. However, this balance has been put in question both by producers and consumers of the media, reflecting a sense that the way modern Egypt is represented does not reflect the real experience of Egyptians.

An important look at the hopeful rise and tragic defeat of the Egyptian Revolution of 2011 The Egyptian Revolution of 2011 began with immense hope, but was defeated in two and a half years, ushering in the most brutal and corrupt regime in modern Egyptian history. How was the passage from utmost euphoria into abject despair experienced, not only by those committed to revolutionary change, but also by people indifferent or even hostile to the revolution? In Martyrs and Tricksters, anthropologist and Cairo resident Walter Armbrust explores the revolution through the lens of liminality-initially a communal fellowship, where everything seemed possible, transformed into a devastating limbo with no exit. To make sense of events, Armbrust looks at the martyrs, trickster media personalities, public spaces, contested narratives, historical allusions, and factional struggles during this chaotic time. Armbrust shows that while martyrs became the primary symbols of mobilization, no one took seriously enough the emergence of political tricksters. Tricksters appeared in media-not the vaunted social media of a "Facebook revolution" but television-and they paved the way for the rise of Abd al-Fattah al-Sisi. In the end Egypt became a global political vanguard, but not in the way the revolutionaries intended. What initially appeared as the gateway to an age of revolution has transformed the world over into the age of the trickster. Delving into how Egyptians moved from unprecedented exhilaration to confusion and massacre, Martyrs and Tricksters is a powerful cultural biography of a tragic revolution.

The substantially revised and updated third edition of Everyday Life in the Muslim Middle East focuses on the experiences of ordinary men, women, and children from the region. Readers will gain a grassroots appreciation of Middle East life, culture, and society that recognizes the impact of wars and uprisings as well as changes to Islamic practice due to advances in technology. The book also explores the influence of social media on politics and labor relations and the changing status of women, family values, marriage, childrearing, gender, and gay rights. This dynamic and imaginative volume continues to provide a rich resource for understanding contemporary Muslim culture in the Middle East.