Just as E. M. Forster's novel of gay love, Maurice, remained unpublished throughout his lifetime, Glenway Wescott's long story ""A Visit to Priapus"" was also destined to be a posthumous work, buried from 1938 until this century in Wescott's massive archive of manuscripts, journals, notebooks, and letters. The autobiographical story is about a literary man, frustrated in love, who puts aside his pride and makes a date with a young artist in Maine. Lavishly rendered in Wescott's elegant prose, the tale is explicit where it needs to be, but-as is typical of Wescott-it is filled with descriptive beauty and introspective lessons about sex and sexuality, love and creativity. Previously published in anthology form in the United Kingdom, ""A Visit to Priapus"" is presented for the first time in book form in America, containing previously uncollected stories, including three never before published. The result is a candid portrayal of the gifted but enigmatic writer who was famous in youth and remained a perceptive and compassionate voice throughout his long life. Drawn together from midcentury literary journals and magazines of the 1920s and 1930s, as well as from Wescott's papers, the stories were inspired by his life, from childhood to old age, from Wisconsin farm country to New York, London, Germany, and Paris.

Queer Natures, Queer Mythologies collects in two parts the scholarly work-both published and unpublished-that Sam See had completed as of his death in 2013. In Part I, in a thorough reading of Darwin, See argues that nature is constantly and aimlessly variable, and that nature itself might be considered queer. In Part II, See proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. With essays by Scott Herring, Heather Love, and Wendy Moffat.

Queer Natures, Queer Mythologies collects in two parts the scholarly work-both published and unpublished-that Sam See had completed as of his death in 2013. In Part I, in a thorough reading of Darwin, See argues that nature is constantly and aimlessly variable, and that nature itself might be considered queer. In Part II, See proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. With essays by Scott Herring, Heather Love, and Wendy Moffat.

A "New York Times Book Review" Editors' Choice

E. M. Forster's homosexuality was the central fact of his life. Between Wilde's imprisonment and the Stonewall riots, Forster led a long, strange, and imaginative life as a gay man. He preserved a vast archive of his private life---a history of gay experience he believed would find its audience in a happier time. Seeing Forster's life through the lens of his sexuality, Wendy Moffat's biography offers us a dramatic new view---revealing his astuteness as a social critic, his political bravery, and his prophetic vision of gay intimacy. "A Great Unrecorded History "casts fresh light on one of the most beloved writers of the twentieth century.

One of the great mysteries in the life of E. M. Forster (1879-1970) is why, after the publication of A Passage to India in 1924, he never published another novel although he lived to be 90. In Wendy Moffat's biography, based on a lifetime's dedication to her subject, we gain extraordinary insights into a man with a gift for writing fiction of great humanity, warmth and humour, who realised early that the society of his time would not allow him to publish the fiction he really wanted to write. At the end of A Passage to India, his readers were left with the melancholy sight of Aziz and Fielding, friends of different races and cultures, riding out of the novel down separate paths. In real life, although frustrated at not being able to write out of his true self - it would not be until after his death that Maurice, his novel of a homosexual affair, would be published - E. M.Forster led a full and energetic life. He was a successful broadcaster, a brilliant essayist (Abinger Harvest and Two Cheers for Democracy are still must-reads) and a leading figure in Europe's intellectual life. Moffat argues that with his support for colleagues from Lowes Dickinson and Radclyffe Hall to Christopher Isherwood and Benjamin Britten, and his quiet championing of humanistic values, he helped create the more tolerant world we now enjoy. Moffat's achievement is not to show that Forster was homosexual (this is well known) but how deeply his ideas on individual freedom, tolerance, sexuality and love, permeated every act and aspect of his life.