The Sacred is the Profane collects nine essays written over several years by William Arnal and Russell McCutcheon, specialists in two very different areas of the field (one, a scholar of Christian origins and the other working on the history of the modern study of religion). They share a convergent perspective: not simply that both the category and concept "religion" is a construct, something that we cannot assume to be "natural" or universal, but also that the ability to think and act "religiously" is, quite specifically, a modern, political category in its origins and effects, the mere by-product of modern secularism. These collected essays, substantially rewritten for this volume, advance current scholarly debates on secularism-debates which, the authors argue, insufficiently theorize the sacred/secular, church/state, and private/public binaries by presupposing religion (often under the guise of such terms as "religiosity," "faith," or "spirituality") to historically precede the nation-state. The essays return, again and again, to the question of what "religion"-word and concept-accomplishes, now, for those who employ it, whether at the popular, political, or scholarly level. The focus here for two writers from seemingly different fields is on the efficacy, costs, and the tactical work carried out by dividing the world between religious and political, church and state, sacred and profane. As the essays make clear, this is no simple matter. Part of the reason for the incoherence and at the same time the stubborn persistence of both the word and idea of "religion" is precisely its multi-faceted nature, its plurality, its amenability to multiple and often self-contradictory uses. Offering an argument that builds as they are read, these papers explore these uses, including the work done by positing a human orientation to "religion," the political investment in both the idea of religion and the academic study of religion, and the ways in which the field of religious studies works to shape, and stumbles against, its animating conception.

The Sacred is the Profane collects nine essays written over several years by William Arnal and Russell McCutcheon, specialists in two very different areas of the field (one, a scholar of Christian origins and the other working on the history of the modern study of religion). They share a convergent perspective: not simply that both the category and concept "religion" is a construct, something that we cannot assume to be "natural" or universal, but also that the ability to think and act "religiously" is, quite specifically, a modern, political category in its origins and effects, the mere by-product of modern secularism. These collected essays, substantially rewritten for this volume, advance current scholarly debates on secularism-debates which, the authors argue, insufficiently theorize the sacred/secular, church/state, and private/public binaries by presupposing religion (often under the guise of such terms as "religiosity," "faith," or "spirituality") to historically precede the nation-state. The essays return, again and again, to the question of what "religion"-word and concept-accomplishes, now, for those who employ it, whether at the popular, political, or scholarly level. The focus here for two writers from seemingly different fields is on the efficacy, costs, and the tactical work carried out by dividing the world between religious and political, church and state, sacred and profane. As the essays make clear, this is no simple matter. Part of the reason for the incoherence and at the same time the stubborn persistence of both the word and idea of "religion" is precisely its multi-faceted nature, its plurality, its amenability to multiple and often self-contradictory uses. Offering an argument that builds as they are read, these papers explore these uses, including the work done by positing a human orientation to "religion," the political investment in both the idea of religion and the academic study of religion, and the ways in which the field of religious studies works to shape, and stumbles against, its animating conception.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>Cambridge University Library<ESTCID>T164880<Notes>Francis Walsingham = William Arnall. Mr. P. = William Pulteney, Earl of Bath.<imprintFull> Dublin]: London, printed. And, Dublin: re-printed and sold by George Faulkner, 1731. <collation>30p.; 8

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!