In 1968, Suzuki Seijun-a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast-was unceremoniously fired by Nikkatsu Studios. Soon to be known as the "Suzuki Seijun Incident," his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema. William Carroll offers a new account of Suzuki's career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki's work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki's films, and he explores how both Suzuki's works and unheralded Japanese film theorists offer new ways of understanding world cinema. This book presents both a major reinterpretation of Suzuki's work-which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino-and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki's filmography along with never-before-discussed information about his unfinished film projects.

Sustainable Green Chemistry, the 1st volume of Green Chemical Processing, covers several key aspects of modern green processing. The scope of this volume goes beyond bio- and organic chemistry, highlighting the ecological and economic benefits of enhanced sustainability in such diverse fields as petrochemistry, metal production and wastewater treatment. The authors discuss recent progresses and challenges in the implementation of green chemical processes as well as their transfer from academia to industry and teaching at all levels. Selected successes in the greening of established processes and reactions are presented, including the use of switchable polarity solvents, actinide recovery using ionic liquids, and the removal of the ubiquitous bisphenol A molecule from effluent streams by phytodegradation.

This is a co-authored book of all new material on the topic of media democracy and activism.
The authors consider the ways in which media, particularly broadcast media is made by and for a narrow audience of white, middle-class, heterosexual, Westerners that conform to the ideal values of the governing body. They consider how certain demographics are denied representation in the news, how they are unable to afford new technologies (digitalization, the internet, broadband) and cannot afford the education in order to get employment in the media industries and thus gain equality in choosing content. The authors call this the democratic deficit of mainstream media and look at alternate forms of activism to redress the imbalance in the media. They consider ways in which new media like the internet could be used to allow multiple perspectives of the same event, rather than only one side of the story being broadcast, and then consider how this still negates the reason for the activism as the internet is not available to all.
The text considers the key concepts of political media theory. The main cast are all here: Gramsci, Bourdieu, Habermas, Baudrillard etc as well as the new activism groups - CPBF, Media Alliance, FAIR.
Freedom of speech and the importance of freedom of the media is more at debate now than ever before with the issuance of special journalism visas for British journalists to enter the USA and the whole BBC sexing up Iraq debacle, so the book will be quite topical if the authors deliver on time.

"The Two Gentlemen of Verona "is commonly agreed to be Shakespeare's first comedy, and probably his first play. A comedy built around the confusions of doubling, cross-dressing, and identity, it is also a play about the ideal of male friendship and what happens to those friendships when men fall in love. William Carroll's engaging introduction focuses on the traditions and sources that stand behind the play and explores Shakespeare's unique and bold treatment of them. Carroll first explores the early modern discourse of male friendship and relates it to the play's unsettling ending. Special attention is given to the strong female figure of Julia and the controversial final scene. He goes on to discuss various other relevant topics: the influence of the Prodigal Son story on the play, the problem of using a boy in drag (for the first time in a Shakespearean comedy) to depict Julia, and Shakespeare's debt to Ovid and John Lyly in using the theme of metamorphosis. Next, the editor explores the use of letters; the portrayal and breed of Crab, the play's infamous dog; the complex geography of the story; and the play's dramaturgy. Carroll concludes with an extensive look at the play's theatrical and critical afterlife, and a discussion of the original text and date. This edition of "The Two Gentlemen of Verona" also includes one appendix (a casting chart), and a list of abbreviations and references. The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play's foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.

In 1968, Suzuki Seijun-a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast-was unceremoniously fired by Nikkatsu Studios. Soon to be known as the "Suzuki Seijun Incident," his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema. William Carroll offers a new account of Suzuki's career that highlights the intersections of film theory, film production, cinephile culture, and politics in 1960s Japan. Carroll places Suzuki's work between two factions that claimed him as one of their own after 1968: the New Left and its politicized theoretical practice on one hand, and the apparently apolitical cinephiles and their formalist criticism on the other. He considers how both of these strands of film theory shed light on the distinctive qualities of Suzuki's films, and he explores how both Suzuki's works and unheralded Japanese film theorists offer new ways of understanding world cinema. This book presents both a major reinterpretation of Suzuki's work-which influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino-and a new lens on postwar Japanese film culture and industry. Suzuki Seijun and Postwar Japanese Cinema also includes a complete production history of Suzuki's filmography along with never-before-discussed information about his unfinished film projects.

In the harsh winter of 1779, as the leader of a flotilla of settlers, John Donelson loaded his family and thirty slaves into a forty-foot flatboat at the present site of Kingsport, Tennessee. Their journey into the wilderness led to the founding of a settlement now known as Nashville-over one thousand river miles away. In the fall of 2016, photographer John Guider retraced the Donelson party's journey in his hand-built fourteen-and-a-half-foot motorless rowing sailboat (named Adventure II after Donelson's boat) while making a visual documentation of the river as it currently exists 240 years later. This photo book contains more than 120 striking images from the course of the journey, allowing the reader to see how much has changed and how much has remained untouched in the two and a half centuries since Donelson first took to the water. Equally significant, the essays include long-ignored contemporary histories of both the Cherokee whom Donelson encountered and the slaves he brought with him, some of whom did not survive the journey. From his platform just a few feet above the waterline, Guider, a professional photographer, created images of the thousand-mile trip along three of Tennessee's most notable rivers.

Many will ignore this book as it does not contain contrived limitations about living within our complicated world of today. For this is New Age Philosophy, the merging of Mind, Body and Spirit to enhance potential joys of life without borders or confining dogma. More than 350 aphorisms fill the following pages, There's no Table of Contents, Index, or Chapters, to influence your selection of those most helpful. So enjoy this book slowly for you'll find there are obtuse "thinkers" to puzzle over. And skip beyond others which do not blend with your future. For you, and you alone, are the only person who can manage to plan tomorrow as The Best Day You'll Ever Have. From birth to death, our critical choice is how we live. Excuses won't help. Knowledge will. Read with care for the winning aphorisms you could use to be happier and achieve your desires . . . after making just one decision. Where are you going? .

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Treatment Of Smut In Wheat Joseph Charles Arthur, Charles Sumner Plumb, William Carroll Latta Purdue University Agricultural Experiment Station, 1890 Technology & Engineering; Agriculture; Agronomy; Crop Science; Fertilizers; Smut diseases; Technology & Engineering / Agriculture / Agronomy / Crop Science; Technology & Engineering / Agriculture / General; Wheat