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The Two Gentlemen of Verona - Third Series (Paperback, Revised)
Loot Price: R341
Discovery Miles 3 410
You Save: R44
(11%)
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The Two Gentlemen of Verona - Third Series (Paperback, Revised)
Series: The Arden Shakespeare Third Series
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List price R385
Loot Price R341
Discovery Miles 3 410
You Save R44 (11%)
Expected to ship within 12 - 17 working days
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"The Two Gentlemen of Verona "is commonly agreed to be
Shakespeare's first comedy, and probably his first play. A comedy
built around the confusions of doubling, cross-dressing, and
identity, it is also a play about the ideal of male friendship and
what happens to those friendships when men fall in love. William
Carroll's engaging introduction focuses on the traditions and
sources that stand behind the play and explores Shakespeare's
unique and bold treatment of them. Carroll first explores the early
modern discourse of male friendship and relates it to the play's
unsettling ending. Special attention is given to the strong female
figure of Julia and the controversial final scene. He goes on to
discuss various other relevant topics: the influence of the
Prodigal Son story on the play, the problem of using a boy in drag
(for the first time in a Shakespearean comedy) to depict Julia, and
Shakespeare's debt to Ovid and John Lyly in using the theme of
metamorphosis. Next, the editor explores the use of letters; the
portrayal and breed of Crab, the play's infamous dog; the complex
geography of the story; and the play's dramaturgy. Carroll
concludes with an extensive look at the play's theatrical and
critical afterlife, and a discussion of the original text and date.
This edition of "The Two Gentlemen of Verona" also includes one
appendix (a casting chart), and a list of abbreviations and
references. The Arden Shakespeare has developed a reputation as the
pre-eminent critical edition of Shakespeare for its exceptional
scholarship, reflected in the thoroughness of each volume. An
introduction comprehensively contextualizes the play, chronicling
the history and culture that surrounded and influenced Shakespeare
at the time of its writing and performance, and closely surveying
critical approaches to the work. Detailed appendices address
problems like dating and casting, and analyze the differing Quarto
and Folio sources. A full commentary by one or more of the play's
foremost contemporary scholars illuminates the text, glossing
unfamiliar terms and drawing from an abundance of research and
expertise to explain allusions and significant background
information. Highly informative and accessible, Arden offers the
fullest experience of Shakespeare available to a reader.
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