How do new media affect the question of social memory? Social memory is usually described as enacted through ritual, language, art, architecture, and institutions ? phenomena whose persistence over time and capacity for a shared storage of the past was set in contrast to fleeting individual memory. But the question of how social memory should be understood in an age of digital computing, instant updating, and interconnection in real time, is very much up in the air. The essays in this collection discuss the new technologies of memory from a variety of perspectives that explicitly investigate their impact on the very concept of the social. Contributors: David Berry, Ina Blom, Wolfgang Ernst, Matthew Fuller, Andrew Goffey, Liv Hausken, Yuk Hui, Trond Lundemo, Adrian Mackenzie, Sonia Matos, Richard Mills, Jussi Parikka, Eivind Rossaak, Stuart Sharples, Tiziana Terranova, Pasi Valiaho.

In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites. In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist's work, brings together essays that present Ernst's controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society. Ernst's interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems-from library catalogs to sound recordings-have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.

Die Erforschung des romischen Rechts wendet sich zunehmend den Realitaten des antiken Rechtslebens zu. Dahinter steht die Erkenntnis, dass sich auch das rechtswissenschaftliche Schrifttum der romischen Juristen zu einem erheblichen Teil auf die Vorgange des Rechtsverkehrs bezog. Zugleich erlaubt die epigraphische Uberlieferung einen unmittelbaren Einblick in die Rechtsgeschafte des antiken Alltags. Die urkundlich uberlieferte Rechtspraxis und das rechtswissenschaftliche Schrifttum der iurisconsulti sind aufeinander zu beziehen und erschliessen sich in ihrer Wechselbeziehung der heutigen Forschung. Mit diesem Blickwinkel greifen die Autoren des Bandes verschiedene Sachfragen des romischen Vertragsrechts auf. Beitrage zur Ausbreitung des romischen Rechts und zu Nachbarrechten der Antike, aber auch zur kulturellen Bedeutung des romanistischen Erbes in der europaischen Geistesgeschichte, runden den Band ab."

Wolfgang Ernst's new work, Technologos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the 'new sciences.' Ernst's invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and 'informable' matter interfere.

Das Handbuch des Römischen Privatrechts gilt dem römischen Privat- und Zivilprozessrecht von den ältesten römischen Rechtsquellen bis zur Zeit Justinians. Erstmals seit fünfzig Jahren erfolgt eine umfassende Darstellung auf der Höhe des aktuellen Forschungsstandes. Das Werk bietet sachkundige Orientierung angesichts der Vielzahl der Forschungsgegenstände und der stetig reicher werdenden Sekundärliteratur. Es dient auch Althistorikern, Klassischen Philologen, anderen Geisteswissenschaftlern und Vertretern des geltenden Rechts als Nachschlagewerk und erhebt den Anspruch, ein Bezugspunkt der internationalen römisch-rechtlichen Forschung zu sein. Der Schwerpunkt der Darstellung liegt auf der Diskussion der spätrepublikanischen und kaiserzeitlichen römischen Jurisprudenz, wobei eine intensive Bezugnahme auf den Prozess erfolgt. Die juristische Papyrologie und Epigraphik sind ebenso berücksichtigt wie die provinziale Rechtspraxis. Das Handbuch erscheint in 2 Bänden und wird nur geschlossen abgegeben.

Das Kaufrecht der kontinentalen Rechtsordnungen beruht auf dem Recht des romischen Vertrages "emptio venditio." Die antiken romischen Vorschriften sind seit dem Mittelalter Grundlagen der Rechtsentwicklung. Dazu gehort z.B. der Kauferschutz gegen Sachmangel ebenso wie der Satz vom sofortigen Ubergang der Gefahr. Die Autoren dieses Bandes untersuchen einzelne Fragen des Kaufrechts in der romischen Antike und in Rechtsordnungen der Neuzeit."

Wolfgang Ernst's new work, Technologos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the 'new sciences.' Ernst's invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and 'informable' matter interfere.

Wolfgang Ernst has demonstrated that the knowledge of time-giving ('chrono-poetical') media and their temporal essence enriches the tradition of philosophical inquiry into the nature of 'time'. This book, a translated and abridged edition of Ernst's two major volumes, Chronopoetik and Gleichursprunglichkeit, undertakes this on three levels: a close analysis of time-critical moments within media technologies; descriptions of how media temporalities affect and disrupt the traditional human sense of time; and questioning the traditional position of media time within cultural history. The book brings together two fields of inquiry: the technological analysis of media time processes and the venerable tradition of philosophical inquiry into the nature of time. Ernst argues that the scientific inquiry into the nature of time is enriched by the media-technological context. The book exposes a media theoretical approach to contemporary media culture that derives from the combination of philosophical reflection on the essence of technology and a close analysis of technological devices themselves. Ultimately Ernst addresses a fundamental concern of past, contemporary and future media culture: the position of technology in culture under the focused perspective of its tempor(e)alities.

Wolfgang Ernst has demonstrated that the knowledge of time-giving ('chrono-poetical') media and their temporal essence enriches the tradition of philosophical inquiry into the nature of 'time'. This book, a translated and abridged edition of Ernst's two major volumes, Chronopoetik and Gleichursprunglichkeit, undertakes this on three levels: a close analysis of time-critical moments within media technologies; descriptions of how media temporalities affect and disrupt the traditional human sense of time; and questioning the traditional position of media time within cultural history. The book brings together two fields of inquiry: the technological analysis of media time processes and the venerable tradition of philosophical inquiry into the nature of time. Ernst argues that the scientific inquiry into the nature of time is enriched by the media-technological context. The book exposes a media theoretical approach to contemporary media culture that derives from the combination of philosophical reflection on the essence of technology and a close analysis of technological devices themselves. Ultimately Ernst addresses a fundamental concern of past, contemporary and future media culture: the position of technology in culture under the focused perspective of its tempor(e)alities.

Like most of Wolfgang Ernst's work, Das Rumoren der Archiv explored the concept of archival and media theory from a current cultural digital context. Ernst challenges the traditional perspective of the cultural heritage institution and how it relied on media for creating, storing and disseminating digital information. Archives have a place in a digital society, and the archivist's role will be more increasingly vital in the future. As Ernst points out, his work will show a way out of the archive, away from the notion that the era of archive is coming to an end. Here is the long-awaited English translation of this seminal work exploring cultural heritage before the archives, throughout history, and from today into the future. Ernst work emphasized a need to recognize media as a method for capturing and preserving our collective cultural identity. It is vital that archivists promoted a greater awareness of how media technology augmented the creation, management, and dissemination of digital content.

Rail and road accidents are examples of new sources of harm, particularly personal injury, which arose almost simultaneously across Western Europe. The area of rail accidents provides early examples of a move away from fault liability in certain countries, but not in others. Although statutory regulation and extra-statutory standards form part of the context of liability, private law actions for damages and the plasticity of fault ideas remain central to the law's response. Insurance determines the relative importance of private law actions. Traffic liability is a field in which different solutions have been developed by different legal systems. For example, while France developed strict liability in the 1920s and 1930s and no-fault liability in 1985, English law has remained wedded to fault. The stability of each legal solution suggests that the background insurance position has been settled in the different countries, albeit in differing ways.

In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites. In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist's work, brings together essays that present Ernst's controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society. Ernst's interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems-from library catalogs to sound recordings-have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.

Seit Beginn menschlicher Kultur waren Heilkundige bemuht, Kranken auch mit geeigneten Worten zu helfen. Archaische und mittelalterliche Heilspruchtexte, bisher als magische oder per Wortakt performierende Instrumente gedeutet, werden vom Autor erstmals nach neurobiologisch moeglichen Funktionsablaufen unter die Lupe genommen. Textinhalte und Wortfiguren werden nach Kriterien emotionaler Verarbeitung per frontaler Regulierung, als Reaktion auf kognitive Inkongruenzen, als Imagination von Regression und als extro- und introversive Katharsis beschrieben. Dabei zeigt sich, dass fliessende reziproke Vermittlungen von Kultur zu Natur moeglich waren: Wort und Ritus konnten zur Aktivierung innerer Bilder und damit neuronaler Aktivitaten bis zu immunologischen Veranderungen beitragen.