The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom. A foundational work of dystopian fiction, inspiration for both Orwell's Nineteen Eighty-Four and Huxley's Brave New World, WE is a book of radical imaginings - of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. In this brilliant new translation, it is both a warning and a hope for a better world.

We takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel - here presented in Hugh Aplin's crisp translation - is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.

We (1924) is a dystopian novel by Yevgeny Zamyatin. Written between 1920 and 1921, the novel reflects its author’s growing disillusionment with the Communist Party of the Soviet Union during the Russian Civil War. Smuggled out of the country, the manuscript was translated into English by Gregory Zilboorg and published in New York in 1924. In a series of diary entries, D-503, an engineer in charge of building the spaceship Integral, reflects on life in the One State. In this totalitarian society, people live within glass structures under direct, constant surveillance by the Benefactor and his operatives. When he is not working on the Integral, D-503 visits with his state-appointed lover O-90 and spends time with his friend R-13, a poet who reads his works at executions. On a walk with O-90, D-503 meets a free-spirited woman named I-330, who flirts with him and eventually convinces him to transgress the rules he has followed his whole life. Although he plans to turn her over to authorities, he cannot bring himself to betray her trust, and begins to have dreams for the first time in his life. Struggling to balance his duty to the state with his strange new feelings, D-503 moves closer and closer to the limits of law and life. With a beautifully designed cover and professionally typeset manuscript, this edition of Yevgeny Zamyatin’s We is a classic of Russian literature and dystopian science fiction reimagined for modern readers.

We (1924) is a dystopian novel by Yevgeny Zamyatin. Written between 1920 and 1921, the novel reflects its author's growing disillusionment with the Communist Party of the Soviet Union during the Russian Civil War. Smuggled out of the country, the manuscript was translated into English by Gregory Zilboorg and published in New York in 1924. In a series of diary entries, D-503, an engineer in charge of building the spaceship Integral, reflects on life in the One State. In this totalitarian society, people live within glass structures under direct, constant surveillance by the Benefactor and his operatives. When he is not working on the Integral, D-503 visits with his state-appointed lover O-90 and spends time with his friend R-13, a poet who reads his works at executions. On a walk with O-90, D-503 meets a free-spirited woman named I-330, who flirts with him and eventually convinces him to transgress the rules he has followed his whole life. Although he plans to turn her over to authorities, he cannot bring himself to betray her trust, and begins to have dreams for the first time in his life. Struggling to balance his duty to the state with his strange new feelings, D-503 moves closer and closer to the limits of law and life. With a beautifully designed cover and professionally typeset manuscript, this edition of Yevgeny Zamyatin's We is a classic of Russian literature and dystopian science fiction reimagined for modern readers.

'The best single work of science fiction yet written' Ursula K. Le Guin The dystopian masterwork that inspired George Orwell's Nineteen Eighty-Four, We depicts a futuristic totalitarian society, 'OneState', where humans have become numbers. Suppressed in Russia for decades, it is a chilling vision of a world enslaved by technology. 'Zamyatin's parable looked forward to climate change and surveillance culture ... to peer into its future is to see modernity's reflection gazing darkly back' Economist

The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom. A foundational work of dystopian fiction, inspiration for both Orwell's Nineteen Eighty-Four and Huxley's Brave New World, WE is a book of radical imaginings - of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. It is both a warning and a hope for a better world. This new edition also includes Ursula K. Le Guin's essay 'The Stalin in the Soul' on the enduring influence of Zamyatin's masterpiece, and George Orwell's 1946 review of WE.

In the One State of the great Benefactor, there are no individuals, only numbers. Life is an ongoing process of mathematical precision, a perfectly balanced equation. Primitive passions and instincts have been subdued. Even nature has been defeated, banished behind the Green Wall. But one frontier remains: outer space. Now, with the creation of the spaceship Integral, that frontier -- and whatever alien species are to be found there -- will be subjugated to the beneficent yoke of reason.

One number, D-503, chief architect of the Integral, decides to record his thoughts in the final days before the launch for the benefit of less advanced societies. But a chance meeting with the beautiful 1-330 results in an unexpected discovery that threatens everything D-503 believes about himself and the One State. The discovery -- or rediscovery -- of inner space...and that disease the ancients called the soul.

A page-turning SF adventure, a masterpiece of wit and black humor that accurately predicted the horrors of Stalinism, We is the classic dystopian novel. Its message of hope and warning is as timely at the end of the twentieth century as it was at the beginning.

A superb new translation of the classic dystopian novel Set in the twenty-sixth century AD, Zamyatin's masterpiece describes life under the regimented totalitarian society of OneState, ruled over by the all-powerful 'Benefactor'. Recognized as the inspiration for George Orwell's 1984, We is the archetype of the modern dystopia, or anti-Utopia: a great prose poem detailing the fate that might befall us all if we surrender our individual selves to some collective dream of technology and fail in the vigilance that is the price of freedom. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

Yevgeny Zamyatin's novel We, written in the early 1920s as the new government of the Soviet Union was beginning to show its authoritarian character, is one of the great classics of dystopian fiction. It presents a chilling vision of the future of the Soviet experiment and presents as well a broader picture of mechanization and conformity coming to dominate modern life as whole.Kirsten Lodge has newly translated the novel for this edition. In addition to the text itself, she provides an informative introduction and a range of background materials that help set the novel in its historical context.