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Arts & Crafts > Fine Art Supplies > Varnishes Showing 1 - 25 of 33 matches in Varnishes
Dala Deco Heat Resistant Varnish is the ultimate hard, high gloss, water based varnish suited to most art and craft projects.
Dala Deco Heat Resistant Varnish is the ultimate hard, high gloss, water based varnish suited to most art and craft projects.
Dalas Artists' Clear Varnish is a protective coat for artists oil and acrylic colour. It provides UV protection as well enhances the appearance of the colour medium.
Dalas Artists' Clear Varnish is a protective coat for artists oil and acrylic colour. It provides UV protection as well enhances the appearance of the colour medium.
Dala Deco Dead Flat Varnish is a matte, water based top coat suited to all craft and decoupage projects.
Dala Deco Heat Resistant Varnish is a matte, water based, heat resistant top coat suited to all craft and decoupage items that will come into contact with heat, such as trays, coasters, pot stands and table tops.
This is the ideal product for decorating glazed ceramics, pottery, glass, kitchen and bathroom tiles, tin and even enamel.
Dala Deco High Gloss Varnish is a glossy, water based top coat suited to all craft and decoupage projects.
Dala Deco Dead Flat Varnish is a matte, water based top coat suited to all craft and decoupage projects.
Dala Deco Heat Resistant Varnish is a matte, water based, heat resistant top coat suited to all craft and decoupage items that will come into contact with heat, such as trays, coasters, pot stands and table tops.
Dala Polyurethane Hard Varnish is the ultimate hard, high gloss varnish that is water-based, making it best suited to arts and crafts projects of all types.
Dala Deco Heat Resistant Varnish is a matte, water based, heat resistant top coat suited to all craft and decoupage items that will come into contact with heat, such as trays, coasters, pot stands and table tops.
Dala Deco High Gloss Varnish is a glossy, water based top coat suited to all craft and decoupage projects.
On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).
Water-based acrylic varnish. Appropriate for many surfaces including canvas, paper, wood, papier mache, metal and ceramic (not for varnishing oil paintings.) Transparent and very permanent (non-removable). Water-resistant once dry. Non-yellowing. Cannot be eliminated once dry. It is recommended to apply two coats of varnish. Allow an interval of at least 4 hours between coats. Quick Drying Varnish can be diluted with water if desired. UV resistant.
Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Brush apply, do not spray. Gamvar Matte gives your work a unified and protective matte surface. Gamvar Matte reduces surface sheen, while maintaining the deepest values in your painting.pdf=SDSGamvar.pdf Safety Data Sheet
Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Brush apply, do not spray. Gamvar Matte gives your work a unified and protective matte surface. Gamvar Matte reduces surface sheen, while maintaining the deepest values in your painting.
Royal Talens Retouching Varnish Spray can be used as a temporary protection for oil paintings which are still in the process of fully drying. The varnish can also be used to revive dull matt areas where the paint has sunk in.It should be applied sparingly and will dry after a few hours. It will not affect the further drying time of the paint film. As a temporary protective varnish, do not apply until after 2 to 3 months. This Retouching Varnish is colourless and non-yellowing.The product is extremely flammable - use with caution.
It is easy to use because it cures at room temperatures and is self-levelling. The resin is non-flammable, odour-free and has no solvent content. It is also free of volatile organic compounds (VOCs), is non-toxic and has non-yellowing properties. It is for use on all art surfaces including canvas, wood, MDF and photographs, and can be used over acrylic, oil, watercolour and enamel paint. This kit consists of 2kg of each component (Resin & Hardener). The Mixing Ratio is 1 : 1 Please note, the mixing ratio must be accurately followed. It is not possible to change the ratio. This would adversely affect the mechanical properties of the resin and would lead to it not drying properly. The mixture should be thoroughly stirred (mix for 3-4 mins) to ensure full homogeneity. Polymer systems tend to heat up much faster in a pot than as a thin film. Therefore mix only the necessary amount usable within the given pot life.
As with all resins, this is very sticky - we advise that you wear disposable gloves while using the product. This 500g kit consists of 250g of each component (Resin & Hardener). The Mixing Ratio is 1 : 1 Please note, the mixing ratio must be accurately followed. It is not possible to change the ratio. This would adversely affect the mechanical properties of the resin and would lead to it not drying properly. The mixture should be thoroughly stirred (mix for 3-4 mins) to ensure full homogeneity. Polymer systems tend to heat up much faster in a pot than as a thin film. Therefore mix only the necessary amount usable within the given pot life.
This kit consists of 5kg of each component (Resin & Hardener). The Mixing Ratio is 1 : 1 Please note, the mixing ratio must be accurately followed. It is not possible to change the ratio. This would adversely affect the mechanical properties of the resin and would lead to it not drying properly. The mixture should be thoroughly stirred (mix for 3-4 mins) to ensure full homogeneity. Polymer systems tend to heat up much faster in a pot than as a thin film. Therefore mix only the necessary amount usable within the given pot life.
It is easy to use because it cures at room temperatures and is self-levelling. The resin is non-flammable, odour-free and has no solvent content. It is also free of volatile organic compounds (VOCs), is non-toxic and has non-yellowing properties. It is for use on all art surfaces including canvas, wood, MDF and photographs, and can be used over acrylic, oil, watercolour and enamel paint. This kit consists of 1kg of each component (Resin & Hardener). The Mixing Ratio is 1 : 1 Please note, the mixing ratio must be accurately followed. It is not possible to change the ratio. This would adversely affect the mechanical properties of the resin and would lead to it not drying properly. The mixture should be thoroughly stirred (mix for 3-4 mins) to ensure full homogeneity. Polymer systems tend to heat up much faster in a pot than as a thin film. Therefore mix only the necessary amount usable within the given pot life.
Atelier Interactive Matte Acrylic Varnish is a water-based, self-leveling finishing varnish for acrylic paintings. It can also be used as a medium when mixed with acrylic paint to dilute the paint, increase the toughess of layers and reduce gloss. When used it will give an even, matte finish while maintaining denisty of colour. It will appear milky when first applied but dries clear. It is non-removable but can be over-painted. The varnish is mid-viscosity and made from a hard acrylic emulsion. Waterproof once dry. It can also be used as a transparent matte glue for collage or mixed media artwork.250ml bottleThis product is part of the Atelier Traditional range.The Atelier Traditional painting range allows you to use traditional acrylic techniques that have been evolving since 1965. The Atelier Traditional mediums are made of an acrylic binder that dries quickly and forms a tough water resistant skin.You can combine the Atelier Interactive range and Atelier Traditional range to create unique and interesting effects within the same painting.
On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).
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