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Books > Humanities > History > European history > 1750 to 1900
Any miniature wargame is greatly enhanced by realistic and
evocative scenery and buildings, but commercial ready-made pieces
can be expensive. Building your own can be a cost-effective and
very rewarding alternative, another hobby in itself, but it can be
hard to know where to start. Wargames Terrain and Buildings is a
series of books aimed at giving wargamers the skills, techniques
and guidance they need to create their own stunning and practical
model buildings. In this volume, master modeller Tony Hardwood
shares his years of experience and presents the reader with a wide
range of projects for the Napoleonic era. With the aid of
step-by-step photographs, he guides the reader through building and
finishing each of these models, which are organized in three
sections of increasing complexity and encompass a range of scales
and different materials. Nine projects are included but the
techniques and skills demonstrated along the way, along with
valuable advice on tools, construction materials and paints, can be
adapted and applied to a much wider range of structures to grace
your battlefields.
Originally published in 1804 and aimed at the volunteer regiments
of the Napoleonic Era, when engagements with swords were still a
reality of warfare, The Art of Defence was written for civilians
wanting to learn to fence with the sabre, broad-sword or spadroon.
The growing interest in Historical European Martial Arts (HEMA) has
led to a world-wide increase in clubs and societies, and this text
is aimed at these new students. The content is presented in a
highly-structured way and in easily accessible language. Although
primarily aimed at the novice, the text contains a number of more
advanced techniques, from which more experienced fencers can
benefit. This newly transcribed edition puts the complete, original
text into a modern typesetting to make it easily accessible during
lessons, but is otherwise left unchanged. To ensure the
transcription will remain as compatible with other sources that
refer to specific parts of the text as the original edition, all
content has remained on the same page. All the plates, including
the foldouts, have been photographed and digitally enhanced in
order to reproduce them in as much detail as possible.
This, the fourth volume in Andrew Field's highly praised study of
the Waterloo campaign from the French perspective, depicts in vivid
detail the often neglected final phase the rout and retreat of
Napoleon's army. The text is based exclusively on French eyewitness
accounts which give an inside view of the immediate aftermath of
the battle and carry the story through to the army's disbandment in
late 1815\. Many French officers and soldiers wrote more about the
retreat than they did about the catastrophe of Waterloo itself.
Their recollections give a fascinating insight to the psyche of the
French soldier. They also provide a first-hand record of their
experiences and the range of their reactions, from those who
deserted the colours and made their way home, to those who
continued to serve faithfully when all was lost. Napoleon s own
flight from Waterloo is an essential part of the narrative, but the
main emphasis is on the fate of the beaten French army as it was
experienced by eyewitnesses who lived through the last days of the
campaign.
What became of representations of the Battle of Waterloo evoked by
a plethora of texts (history books, memoirs, novels, poetry,
theater) for two hundred years? " La Chose de Waterloo " strives to
understand the mechanisms of this phenomenon. " La Chose de
Waterloo " veut comprendre ce qu'est devenue la celebre bataille au
fur et a mesure de ses multiples evocations (livres d'histoire,
Memoires, roman, poesie, theatre) qui en precisent et en brouillent
le souvenir tout a la fois.
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