"The short story remains a crucial if neglected - part of British literary heritage. This accessible and up-to-date critical overview maps out the main strands and figures that shaped the British short story and novella from the 1850s to the present. It offers new readings of both classic and forgotten texts in a clear, jargon-free way"--Provided by publisher.

Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of "popular literature." One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture.
Victorian Print Media: A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organized into ten thematically arranged sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.

The twenty-first-century's turn away from fidelity-based adaptations toward more innovative approaches has allowed adapters from Spain, Argentina, and the United States to draw upon Spain's rich body of nineteenth-century classics to address contemporary concerns about gender, sexuality, race, class, disability, celebrity, immigration, identity, social justice, and domestic violence. This book provides a snapshot of visual adaptations in the first two decades of the new millennium, examining how novelistic material from the past has been remediated for today's viewers through film, television, theater, opera, and the graphic novel. Its theoretical approach refines the binary view of adapters as either honoring or opposing their source texts by positing three types of adaptation strategies: salvaging (which preserves old stories by giving them renewed life for modern audiences), utilizing (which draws upon a pre-existing text for an alternative purpose, building upon the story and creating a shift in emphasis without devaluing the source material), and appropriation (which involves a critique of the source text, often with an attempt to dismantle its authority). Special attention is given to how adapters address audiences that are familiar with the source novels, and those that are not. This examination of the vibrant afterlife of classic literature will be of interest to scholars and educators in the fields of adaptation, media, Spanish literature, cultural studies, performance, and the graphic arts.

Sherlock Holmes is an iconic figure within cultural narratives. More recently, Conan Doyle has also appeared as a fictional figure in contemporary novels and films, confusing the boundaries between fiction and reality. This collection investigates how Holmes and Doyle have gripped the public imagination to become central figures of modernity.

"Americans have cherished and magnified versions of an idealized Mark Twain. We admire and are amused by the celebrity, who sold his pseudonym and his carefully composed face to advertise pipe tobacco, cigarettes, whiskey, and postcards. The extent to which the received images are authentic or inauthentic is, however, in doubt. Common images must be modified when we examine the thoughts and emotions important to the mind and heart of Samuel L. Clemens, the private man."-from the Introduction No writer has been more frequently identified with America than Mark Twain, an emblematic figure often supposed to represent the essential qualities that make America most admirably American. In a fresh appraisal, supported by evidence from both the life and the writings, Guy Cardwell convincingly revises our images of this cultural icon. He portrays an exceptionally complex man who experienced debilitating tensions and neuroses. Caldwell finds that even before the comedian from the West met and married Olivia Langdon, the heiress from Elmira, New York, he was ambitious to join and conquer the world of Eastern affluence and gentility. Yet Clemens's jokes (in his private notebooks) aggressing against women and blacks suggest that his acculturation to gentility was never complete. This book throws new light on Clemens's relations with his wife and her family and on his attitudes toward business, money, art, sex, and the little girls whose company he sought compulsively during his later years. It argues persuasively that in the end Twain was hardly the robust and genial representative of America's mythic frontier past. Alienated from society and from his own writings, he was much more the prototype of the overstrung, exploitatively individualistic modern American.

Established accounts of the child in nineteenth century literature tend to focus on those who occupy a central position within narratives. This book is concerned with children who are not so easily recognized or remembered, the peripheral or overlooked children to be read in works by Dickens, Bronte, Austen and Rossetti.

This Hopkins Chronology describes the poet's family and early education, then gives a day-by-day account of what he was doing, reading and writing, and the people he met. Drawing on some material not published before, it illustrates the working life of a priest-poet whose work was not made public until more than thirty years after his death. There are additional sections on the religious and political background of a major Victorian writer whose life was essentially enigmatic and private.

Romanticism on the Road challenges critical orthodoxy by arguing that Wordsworth rejected the political dogmas of his age. Refusing to ally with either radicals or conservatives after the French Revolution, the poet seizes on vagrants to attack the binary thinking dominating public affairs and to question the value of the Georgian domestic ideal. Drawing on current and historical discussions of homelessness, the study offers a cultural history of vagrancy and explains why Wordsworth chose the homeless to bear his message.

Rosemary Ashton's acclaimed biography presents Samuel Taylor Coleridge - poet, critic, thinker, plagiarist, cultural omnivore, enchanting companion, feckless husband, fabled conversationalist, guilt-ridden opium addict - in all his complexity. Ashton shows how Coleridge's writings in verse and prose are especially directly expressive of his opinions and emotions and traces his development through friendship and marriage. An authority on nineteenth-century Anglo-German cultural relations, she maps and measures the profound influence of German philosophy upon Coleridge's thinking and theorizing in illuminating detail, thus placing Coleridge's reputation within the context of both British and German Romanticism.

This book explores the relationship between H.G. Wells's scientific romances and the discourses of science in the 1890s and early years of the twentieth century. It investigates how Wells utilizes his early fiction to participate in a range of topical scientific disputes and, increasingly, as a means to instigate social reform.

This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.

This bundle brings together 29 prominent works examining and exploring areas of 19th literature. The collection includes volumes on Charles Dickens, Elizabeth Gaskell, The Brontes, Tolstoy and Joseph Conrad, as well as a critical look at key issues during this time, including Darwinism, orientalism, 19th century Romanticism, and scientific advancement during the period. The collection focuses on a variety of regions including Victorian England, Russia and the US, and explores the literary styles of the period from the provincial and comedic novel to new explorations of the psyche in the literature, as well as the industrial, technological and scientific advancements of the period. This comprehensive collection provides an essential and complete look at literature during the nineteenth century, and will be a useful and fascinating collection for any students of literature and history in particular those studying the Victorian period.

This literary biographical study examines the life and works of the mid-Victorian woman novelist, Elizabeth Gaskell, whose popularity is now well established. It places her writing in the context of her attitudes towards creative production, her relationship with publishers, and her literary friendships, as well as examining those events of her life which fed into her work. It pays particular attention to the ways in which she sought to reconcile the conflicting demands made upon her, as woman and as artist.

THE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's favourite English Literature Study Guides. York Notes for AS & A2 are specifically designed for AS & A2 students to help you get the very best grade you can. They are comprehensive, easy to use, packed with valuable features and written by experienced experts to give you an in-depth understanding of the text, critical approaches and the all-important exam. An enhanced exam skills section which includes essay plans, expert guidance on understanding questions and sample answers. You'll know exactly what you need to do and say to get the best grades. A wealth of useful content like key quotations, revision tasks and vital study tips that'll help you revise, remember and recall all the most important information. The widest coverage and the best, most in-depth analysis of characters, themes, language, form, context and style to help you demonstrate an exhaustive understanding of all aspects of the text. York Notes for AS & A2 are available for these popular titles: The Bloody Chamber (9781447913153) Doctor Faustus (9781447913177) Frankenstein (9781447913214) The Great Gatsby (9781447913207) The Kite Runner (9781447913160) Macbeth (9781447913146) Othello (9781447913191) Wuthering Heights (9781447913184) Jane Eyre (9781447948834) Hamlet (9781447948872) A Midsummer Night's Dream (9781447948841) Northanger Abbey (9781447948858 Pride & Prejudice (9781447948865) Twelfth Night (9781447948889)

Anxieties of Experience: The Literatures of the Americas from Whitman to Bolano offers a new interpretation of US and Latin American literature from the nineteenth century to the present. Revisiting longstanding debates in the hemisphere about whether the source of authority for New World literature derives from an author's first-hand contact with American places and peoples or from a creative (mis)reading of existing traditions, the book charts a widening gap in how modern US and Latin American writers defined their literary authority. In the process, it traces the development of two distinct literary strains in the Americas: the "US literature of experience" and the "Latin American literature of the reader." Reinterpreting a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolano's 2666, Anxieties of Experience shows how this hemispheric literary divide fueled a series of anxieties, misunderstandings, and "misencounters" between US and Latin American authors. In the wake of recent calls to rethink the "common grounds" approach to literature across the Americas, Jeffrey Lawrence advocates a comparative approach that highlights the distinct logics of production and legitimation in the US and Latin American literary fields. Anxieties of Experience closes by exploring the convergence of the literature of experience and the literature of the reader in the first decades of the twenty-first century, arguing that the post-Bolano moment has produced the strongest signs of a truly reciprocal literature of the Americas in more than a hundred years.

Black Neo-Victoriana is the first book-length study on contemporary re-imaginations of Blackness in the long nineteenth century. Located at the intersections of postcolonial studies, Black studies, and neo-Victorian criticism, this interdisciplinary collection engages with the global trend to reimagine and rewrite Black Victorian subjectivities that have been continually marginalised in both historical and cultural discourses. Contributions cover a range of media, from novels and drama to film, television and material culture, and draw upon cultural formations such as Black fandom, Black dandyism, or steamfunk. The book evidences how neo-Victorian studies benefits from reading re-imaginations of the long nineteenth century vis-a-vis Black epistemologies, which unhinge neo-Victorianism's dominant spatial and temporal axes and reroute them to conceive of the (neo-)Victorian through Blackness.

This book examines the highly complex relationship of women writers to Hellenism in the late-nineteenth century, arguing that the proliferation of Greek subjects in women's literature from the middle of the century suggest a collective movement into the classical tradition by women writers and scholars rather than comprehensive exclusion from it.

Grounded in historical sources and informed by recent work in cultural, sociological, geographical and spatial studies, Romantic Geography illuminates the nexus between imaginative literature and geography in William Wordsworth's poetry and prose. It shows that eighteenth-century social and political interest groups contested spaces through maps, geographical commentaries and travel literature; and that by configuring 'utopian' landscapes Wordsworth himself participated in major social and political controversies in post-French Revolutionary England.

James Mussell provides an accessible account of the digitization of nineteenth-century newspapers and periodicals. As studying this material is essential to understand the period, he argues that we have no choice but to engage with the new digital resources that have transformed how we access the print archive.

Meredith is a novelist whom many readers have discovered with excitement, drawn to his radical portrayal of social and personal relations, especially of gender. Neil Robert's book is the first full-length study for ten years, and is the first to examine the novels in the light of modern literary theory, especially the work of Mikhail Bakhtin, showing that Meredith is a writer who engages profoundly with the ideological discourses of his time and is a still not fully discovered precursor of the modernist novel.

This is the first study to argue that Jewish Mysticism influenced not only her Jewish novel, Daniel Deronda, but all of George Eliot's novels. The reader is left with a very different George Eliot from that assumed by most previous criticism. Though previous studies have attempted to qualify the still-dominant view that Eliot is firmly a part of the realistic tradition, this study goes further by demonstrating that a cohesive mythic structure with its basis in Jewish mysticism is identifiable in her fiction.

This publication examines over 125 American, English, Irish and Anglo-Indian plays by 70 dramatists which were published in 14 American general interest periodicals aimed at the middle-class reader and consumer.