The life, birth, and early years of 'the Fariyaq'-the alter ego of the Arab intellectual Ahmad Faris al-Shidyaq Leg over Leg recounts the life, from birth to middle age, of 'the Fariyaq,' alter ego of Ahmad Faris al-Shidyaq, a pivotal figure in the intellectual and literary history of the modern Arab world. The always edifying and often hilarious adventures of the Fariyaq, as he moves from his native Lebanon to Egypt, Malta, Tunis, England and France, provide the author with grist for wide-ranging discussions of the intellectual and social issues of his time, including the ignorance and corruption of the Lebanese religious and secular establishments, freedom of conscience, women's rights, sexual relationships between men and women, the manners and customs of Europeans and Middle Easterners, and the differences between contemporary European and Arabic literatures. Al-Shidyaq also celebrates the genius and beauty of the classical Arabic language. Akin to Sterne and Rabelais in his satirical outlook and technical inventiveness, al-Shidyaq produced in Leg Over Leg a work that is unique and unclassifiable. It was initially widely condemned for its attacks on authority, its religious skepticism, and its "obscenity," and later editions were often abridged. This is the first English translation of the work and reproduces the original Arabic text, published under the author's supervision in 1855.

Dominic Rainsford examines ways in which literary texts may seem to comment on their authors' ethical status. Its argument develops through readings of Blake, Dickens, and Joyce, three authors who find especially vivid ways of casting doubt on their own moral authority, at the same time as they expose wider social ills. The book combines its interest in ethics with post-structuralist scepticism, and thus develops a type of radical humanism with applications far beyond the three authors immediately discussed.

In this passionate and tender book, John Jones discusses the narrative techniques and linguistic subtleties of the novels of Dostoevsky.

As its startling and aggressive title suggests, Dickens Novels as Verse is no standard work of literary criticism. It is, in fact, altogether new and original. Jordan likens the experience of some of the great Dickens novels, particularly the later ones (namely, A Tale of Two Cities, Great Expectations and Our Mutual Friend) to the experience of lyric verse. The point is not that Dickens novels could ever be mistaken for lyric poems, but that the experience of some of the best of Dickens's novels, despite their undoubted sprawl, is like the experience of lyric poems-is so because the novels are made up of the same things that make great verse great: intricate, largely unnoticeable tissues of alliteration-like patterning that net across the work and give narratively insignificant coherence to it. Dickens Novels as Verse meticulously describes these book-length patterns in clear, lucid prose. Its three chapters, each focused on a single Dickens novel, are full of close analyses that can be immediately used by teachers, students, and all other readers of Dickens to grasp why Dickens always seems to be a greater writer than the quality of his ideas might lead us to expect.

Proposes an interdisciplinary solution to the "Thoreau problem" through the connection between his ecological study of nature and his intense interest in the emerging social sciences. Recent book-length studies of Thoreau have focused either on his place in the history of the natural sciences or have applied political principles to his works. None, however, has fully addressed what ecocritic Rebecca Solnit calls "the Thoreau problem," the compartmentalizing of Thoreau's mind into either that of a hermit of nature or that of a champion of social reform. This book proposes an interdisciplinary solution to this problem through the connection between Thoreau's ecological study of nature and his intense interest in the emerging social sciences, especially the history of civilization and ethnology. The book first establishes Thoreau's "human ecology," the relation between the natural sciences and the social sciences in his thinking, exploring how his reading in contemporary books about the history of humanity and racial science shaped his thinking and connecting these emerging anthropological texts to his late nature writings. It then discusses these connections in his major works, including Walden and his "reform papers" such as "Civil Disobedience," the travel narrative A Week on the Concord and Merrimack Rivers, The Maine Woods, and Cape Cod. The concluding chapter focuses on Thoreau's attitude toward Manifest Destiny, arguing, against conventional views, that considering both his life and his writing, especially the essay "Walking," we must conclude that he both accepted and endorsed Manifest Destiny as an inevitable result of cultural succession. Richard J. Schneider is Professor Emeritus from Wartburg College. He has authored a monograph and many articles as well as edited three collections on Thoreau.

"In Four Girls at Cottage City Kelley combines conventions from spiritual autobiography with those of the sentimental novel...her aim...was to show readers how they should live....It is...fruitful to see Kelley as one precursor of the spiritual feminism that is currently resonating throughout contemporary Afro-American women's fiction..."--Deborah E. McDowell, in her Introduction

Alfred Lord Tennyson (1809-1892) has often been considered a particularly British writer in part as his official post as Poet Laureate inevitably committed him to a certain amount of patriotic writing. This volume focuses on his impact on the continent, presenting a major scholarly analysis of Tennyson's wider reception in different areas of Europe. It considers reader and critical responses and explores the effect of his poetry upon his contemporaries and later writers, as well as his influence upon illustrators, painters and musicians. The leading international contributors raise questions of translation and publication and of the choices made for this purpose along with the way in which his ideas and style influenced European writing and culture. Tennyson's reputation in Anglophone countries is now assured, following a decline in the years after his death. This volume enables us to chart the changes in Tennyson's European reputation during the later 19th, 20th and 21st centuries.

Recent revisions of the idea of separate spheres, which governed Victorian scholarship of the past two decades, have provoked considerable interest in both domestic and political fiction of the period and in the political dimensions of domestic life. This book challenges arguments about the division of the political from other fictional genres and divisions of the private from the public sphere. It shows that Victorian literature identified the household as the space in which the political rights-bearer came into being. While some thinkers maintained that the rights-bearer is defined by purely formal reasoning, this volume claims that Locke and other educational writers conceived reason as embodying emotion. It looks at works by Mary Wollstonecraft, Amelia Opie, Maria Edgeworth, Elizabeth Gaskell, and Charles Dickens to reveal how the emotional relations of the household shaped the political self and how women gained identity as rights-bearers.

The book argues that the intimate space of the household does not exist separately from public, political, and economic domains. It revises generic understandings of political fiction and shows that domestic plots are integral to political plots. This is so because domestic fiction focuses on the cultivation of the liberal self in the household and the disclosure of that self in terms of its vision of the good. The volume concludes that domestic space is the foundation of liberal polity, and that an account of the household in which the liberal self is disclosed is at the heart of both Victorian political fiction and philosophy.

This set of 42 volumes, originally published between 1965 and 2009, are authored by renowned international scholars in the field of nineteenth century literature. They explore a variety of authors such as Dickens, Hardy, Bronte, Austen, Gaskell, Zola, Meredith, Eliot, Gissing, Hawthorne, James and Wharton. The titles also examine a wide range of themes including gender, class, religion, politics, philosophy and music.

In studying performances of marriage in modern and contemporary British and American drama, Clum highlights the fact that - paradoxically - at a time when theatre was both popular entertainment and high culture, many of the most commercially and artistically successful plays about marriage were written by homosexual men. Beginning with Oscar Wilde and focusing on some of the most successful British and American playwrights of the past century, including Somerset Maugham, Noel Coward, Terence Rattigan, and Emlyn Williams in England and Clyde Fitch, George Kelly, Tennessee Williams, William Inge, and Edward Albee in the US, The Drama of Marriagelooks at how the plays they wrote about heterosexual marriage continue to impact contemporary gay playwrights and the depiction of marriage today.

In 1807 Robert Southey published a pseudonymous account of a journey made through England by a fictitious Spanish tourist, 'Don Manuel Alvarez Espriella'. Letters from England (1807) relates Espriella's travels. On his journey Espriella comments on every aspect of British society, from fashions and manners, to political and religious beliefs.

Samuel Taylor Coleridge's Opus Maximum, written in the early 1820s and first published in 2002, is a challenge to every scholar who has encountered it. Sublime Coleridge offers an entry point to this important text of British Romanticism, with a reader's guide and background information. Murray J. Evans introduces each major theme of the Opus Maximum--the Will, divine ideas, human subjectivity, and the Trinity--and shows their importance in explaining Coleridge's ideas about religion, psychology, and the sublime.

First published in 1996, The William Makepeace Thackeray Library is a collection of texts written by and about the novelist, which provide an insight into his life and works beyond his major novels such as Vanity Fair. It begins with some of Thackeray's lesser-known journalistic work and travel writings and moves on to key works written about the author in the second half of the 19th century and at the turn of the 20th century. Each volume begins with an informative introduction by Richard Pearson, providing a brief analysis of each text and presenting the context in which it was written. This set will be of keen interest to those studying William Thackeray and nineteenth-century literature more broadly.

"Shelley's German Afterlives "traces the German reception of P.B. Shelley over a time-span of nearly 200 years, considering material as diverse as anthologies, journals, biographies, poetic imitations, translations. If German readers of the 1830s and 1840s were initially fascinated by Shelley's life and death, interest in the lyrical and the political Shelley set in soon, too. "Men of England" became the model for one of the most popular German working class poems by Herwegh. In the context of the "fin de siecle" and of expressionism, Shelley's Faustian characters--Cenci and Prometheus--received acclaim.

Beyond Dracula represents an important critical departure from the customary psychoanalytical approach to the writings of Bram Stoker. Reading Stoker as a participant in Victorian and Edwardian cultural life, the volume examines the breadth of Stoker's novel-length fiction, as well as his journalism, biographical writings and short fiction. In its considerations of questions of religion, censorship, gender and medicine, the volume will interest not merely readers of the Gothic but those involved in the study of Victorian and Edwardian culture.

Traditionally Hellenism is seen as the uncontroversial and beneficial influence of Greece upon later culture. Drawing upon new ideas from culture and gender theory, Jennifer Wallace rethinks the nature of classical influence and finds that the relationship between the modern west and Greece is one of anxiety, fascination and resistance. Shelley's protean and radical writing questions and illuminates the contemporary Romantic understanding of Greece. This book will appeal to students of Romantic Literature, as well as to those interested in the classical tradition.

Many works now considered classics were scorned by critics when they were first published. While some of these works received little attention when initially released, others were enormously popular. So too, there is a large body of popular American fiction that is only now beginning to receive critical attention. This book examines the growing respect given to American fiction that was scorned by cultural gatekeepers such as librarians and educators, though these works were widely read by the American public.

The volume looks at such scorned literature as dime novels, comic books, juvenile fiction, romances novels, and pulp magazines. Expert contributors discuss what these works say about the mores and morals of the people who so avidly read them and the values of those who sought to censor them. The book covers the period from the 1830s to the 1950s and shows how popular literature reflected such concerns as feminism and anti-feminism, notions of the heroic and unheroic, and violence and racism. In doing so, the volume helps fill a gap in scholarship about literature that was clearly important to a large number of readers.

`...a valuable book for anyone wanting to move beyond critical pieties to an understanding of the relation between the Brontes' work and their society. Dr Eagleton asks questions which ought be asked.' Juliet Dusinberre, Notes and Queries `...this is a book of real stature, of cogent and steely argument and analysis....' Adrian Poole, Cambridge Review. This widely acclaimed Marxist study of the Brontes is now available in paperback. In this second edition a new introduction has been added.

First published in 1990. The book surveys of the development of German theatre from a market sideshow into an important element of cultural life and political expression. It examines Schiller as 'theatre poet' at Mannheim, Goethe's work as director of the court theatre at Weimar, and then traces the rapid commercial decline that made it difficult for Kleist and impossible for Buchner to see their plays staged in their own lifetime. Four representative texts are analysed: Schiller's The Robbers, Goethe's Iphigenia on Tauris, Kleist's The Prince of Homburg, and Buchner's Woyzeck. This title will be of interest to students of theatre and German literature.

This text provides fresh perspectives on the object world, embodied experience and materiality in nineteenth-century literature and culture. Contributors explore canonical works by Austen, Bronte, Dickens and James, alongside less-familiar texts and a range of objects including nineteenth-century automata, scrapbooks, museum exhibits and antiques.

This critical survey of George Eliot's works includes a biographical introduction and a brief account of the historical events that played a part in her fiction. Numerous quotations from her letters ensure that the most valuable aspects of Eliot's thought are adequately conveyed. An appendix dwells on Eliot's influence on Thomas Hardy.

This exciting new study looks at degeneration and deviance in nineteenth-century science and late-Victorian Gothic fiction. The questions it raises are as relevant today as they were at the nineteenth century's fin de siecle: What constitutes the norm from which a deviation has occurred? What exactly does it mean to be 'normal' or 'abnormal'?

Wordsworth's schoolmasters were enlightened, liberal and advanced, committed to the Classics and to modern literature. In their enthusiasm they shared their volumes of contemporary poetry with Wordsworth. Wordsworth developed a love for the Classics and a zeal for a poetry capable of being compared with and even daring to compete with the Classical texts. Richard Clancey's study presents biographical information on Wordsworth's classical education and facts about the education of his teachers.

What did it mean, in the rapidly changing world of Victorian England, to 'be a man'? In essays written specially for this volume, nine distinguished scholars from Britain and the USA show how Victorian novelists from the Brontes to Conrad sought to discover what made men, what broke them, and what restored them.

This set reissues 4 books on Victorian poetry originally published between 1966 and 2003. The volumes focus predominantly on the works of Emily Dickinson, Elizabeth Barrett and Robert Browning. This set will be of particular interest to students of English literature.