Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

The bicentenary of the foundation of the Edinburgh Review has provided the foremost scholars in the field with the opportunity to re-examine the pervasive significance of the most important literary review of the Romantic period. These essays assess the controversial role played by the Edinburgh Review in the development of Romantic literature and explore its sense of "Scottishness" in the context of early 19th century British culture.

In this study of Kafka's encounter with Dostoyevsky, literary historiography is embedded within the task of interpretation. In a series of detailed readings of Kafka's works from "The Judgment" to "The Trial" and other works from late 1914, a narrative unfolds of Dostoyevsky being used both as a guide and a foil. Kafka's appropriations of the Dostoyevskian world are traced from the sympatheic emulations of the "poor folk" Dostoyevsky to problematical and parodic refractions of Dostoyevsky's religious universe.;Dostoyevsky's biography features as prominently here as his literary work, and it is contended that Kafka's response is driven not only by sympathy and empathy but also, and increasingly, by a dissenting critique of Dostoyevskian idealism. Drawing on contemporary sources and recent scholarly work, including the historical-critical edition of "The Trial", this study insists on the socio-political aspect of Kafka's fiction and examines the tensions in Kafka's work between religious and secular perspectives.

Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.

Mary Shelly's life (1797-1851) divides in to three main stages: her childhood, her time with Percy Bysshe Shelley from 1817, and her long widowhood from 1822. This chronology follows the experiences and activities of all three stages, the genesis and publications of her writings (Frankenstein and much else), her travels, friendships, and relationships with other major figures of the Romantic period.

The book offers readings of discourses about food in a wide range of sources, from canonical Victorian novels by authors such as Dickens, Gaskell, and Hardy to parliamentary speeches, royal proclamations, and Amendment Acts. It considers the cultural politics and poetics of food in relation to issues of race, class, gender, regionalism, urbanization, colonialism, and imperialism in order to discover how national identity and Otherness are constructed and internalized.

A materialist account of Wilde's writing career, based on publishing contracts and other documentation as well as detailed evidence of how he composed, this book argues that Wilde was not driven by an oppositional politics, nor was he an aesthetic 'purist'. Rather, he was thoroughly immersed in the contemporary 'commodification of culture' in which books became product. His writing practices, including his 'plagiarism', reflected the pragmatism of a professional.

Against a historical backdrop that includes eighteenth-century language theory, children's literature and education, debates on the French Revolution, Biblical interpretation, and print culture, "Blake on Language, Power, and Self-Annihilation" breaks new ground in the study of William Blake. This book analyzes the concept of self-annihilation in Blake’s work, using the language theories of Mikhail Bakhtin to elucidate the ways in which his discourse was open to the viewpoints of others, undermines institutional authority, and restores dialogue. This book not only uncovers the importance of self-annihilation to Blake's thinking about language and communication, but it also develops its centrality to Blake's poetic practice.

John Sherman is the only work of realistic fiction Yeats ever completed. The novelette contains many biographical elements and is of interest for its treatment of Yeats's recurring themes. It examines the debate between nationality and cosmopolitan and looks at the conflict between the self and the Anti-self. Dhoya depicts a liaison between a mortal and a fairy, a motif that recurs in Yeats's poetry and other works. The texts are supplemented by an introduction and detailed explanatory notes by the editor, Richard Finneran.

Kimberley Reynolds and Nicola Humble here provide a radical revision of Victorian constructions of femininity. Using a wide range of textual examples (including children's literature, sensations fiction, diaries, and autobiography) as well as visual illustrations, Victorian Heroines offers a new look at the representation of women and sexuality in nineteenth-century literature and painting.

Arguing against the conventional dyadic model that interprets Victorian fiction in terms of a rigid distinction between the good and bad, the sexual and asexual woman, the authors suggest a more complex paradigm, simultaneously concealing and revealing contradictory attitudes to Victorian womanhood.

The book explores the highly erotic fantasy elements frequently found in widely disseminated orthodox female images, and effectively demonstrates how both male and female writers used similar techniques to subvert this orthodoxy. Drawing on contemporary critical and cultural theories, "Victorian Heroines" is a lucid and accessible analysis of the depiction of women during this period, challenging the prevalent views of recent decades.

Against the backdrop of Britain’s underground 18th and early-19th century homosexual culture, mob persecutions, and executions of homosexuals, Hobson shows how Blake's hatred of sexual and religious hypocrisy and state repression, and his revolutionary social vision, led him gradually to accept homosexuality as an integral part of human sexuality. In the process, Blake rejected the antihomosexual bias of British radical tradition, revised his idealization of aggressive male heterosexuality and his male-centered view of gender, and refined his conception of the cooperative commonwealth.

Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples fromSir Walter Scott, Charles Dickens, Henry James andRudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.

The first study of the depictions of the Ancient World on the Victorian and Edwardian stage, this book analyzes plays set in and dramatising the histories of Greece, Rome, Egypt, Babylon and the Holy Land. In doing so, it seeks to locate theatre within the wider culture, tracing its links and interaction with other cultural forms.

Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Joao Guimaraes Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing.

William Blake and the Body re-evaluates Blake's central image: the human form. In Blake's designs, transparent-skinned bodies passionately contort; in his verse, metamorphic bodies burst from each other in gory, gender-bending births. The culmination is an ideal body uniting form and freedom. Connolly explores romantic-era contexts like anatomical art, embryology, miscarriage, and 20th century theorists like those of Kristeva, Douglas, and Girard to provide an innovative new analysis of Blake's transformations of body and identity.

This biography contains new disclosures and interpretations of evidence, neglecting nothing significant in Hardy's early years, and providing the relevant details of his later life. It draws from a variety of sources including his published writings, biographies of Hardy and his contemporaries, correspondence of friends and acquaintances, Emma Hardy's diaries, and many unpublished letters from her and Florence Hardy. Apart from a brief background introduction to Hardy's friends and how these influenced his career, this book adopts an analysis of Hardy and his literary work and interests. The division between him and Emma is a dominant issue of this analysis. Dr Pinion is the author of A Jane Austen Companion, A Commentary on the Poems of Thomas Hardy and A Wordsworth Companion.

New Perspectives on Thomas Hardy is a lively and varied collection of new essays on Thomas Hardy, contributed by some of the world's leading Hardy scholars. The essays range widely over Hardy's work, thought, creative methods and life, and show a variety of critical approaches. The essays collected here will appeal equally to scholars, students and non-academic Hardy enthusiasts.

From Agatha Christie to Ruth Rendell is the first book to consider seriously the hugely popular and influential works of Agatha Christie, Dorothy L. Sayers, Margery Allingham, Nag Marsh, P.D. James and Ruth Rendell/Barbara Vine. Providing studies of 42 key novels, this volume introduces these authors for students and the general reader in the context of their lives, and of critical debates on gender, colonialism, psychoanalysis, the Gothic, and feminism. It includes interviews with P.D. James and Ruth Rendell/Barbara Vine.

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

For more than thirty years, books and essays on Thomas Hardy have been at the forefront of developments in academic literary studies. This collection brings together exciting new readings of Hardy's work by established and emerging critics which also reflect on continuities and changes in contemporary literary studies. Covering a wide range of topics and approaches, "Thomas Hardy and Contemporary Literary Studies" shows how Hardy's writing continues to provoke its readers to re-examine important issues in literary criticism and critical and cultural theory. Contributors include Terry Eagleton and J. Hillis Miller.

"Consuming Texts" explores the history of reading in the British Isles during a period in which the printed word became all pervasive. Beginning with an overview of recent work, it goes on to provide a series of case studies of individual readers and the communities to which they belonged. From wealthy readers of 'amatory fiction' in the early Eighteenth century, through to men and women reading surreptitiously at the Victorian railway bookstall, it argues that a variety of new reading communities emerged during this period.

The first modern study of Hartley Coleridge, showing that he deserves our attention not as the son of Samuel Taylor Coleridge, but as a literary presence in his own right.