Dorothy Wordsworth has a unique place in literary studies. Notoriously self-effacing, she assiduously eschewed publication, yet in her lifetime, her journals inspired William to write some of his best-known poems. Memorably depicting daily life in a particular environment (most famously, Grasmere), these journals have proven especially useful for readers wanting a more intimate glimpse of arguably the most important poet of the Romantic period.

With the rise of women's studies in the 1980s, however, came a shift in critical perspective. Scholars such as Margaret Homans and Susan Levin revaluated Dorothy's work on its own terms, as well as in relation to other female writers of the eighteenth and nineteenth centuries. Part of a larger shift in the academy, feminist-oriented analyses of Dorothy's writings take their place alongside other critical approaches emerging in the 1980s and into the next decade.

One such approach, ecocriticism, closely parallels Dorothy's changing critical fortunes in the mid-to-late 1980s. Curiously, however, the major ecocritical investigations of the Romantic period all but ignore Dorothy's work while at the same time emphasizing the relationship between ecocriticism and feminism. The present study situates Dorothy in an ongoing ecocritical dialogue through an analysis of her prose and poetry in relation to the environments that inspired it.

Robert Browning both denied and affirmed the value of biography for an understanding of literature. This book narrates the development of his controversial creative life through responses to his work by five key 19th-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin, and Matthew Arnold. It also relates Browning's sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly engaged with contemporary assumptions, yet deeply aware of the unaccountability of writing.

Mina Loy-poet, artist, exile, and luminary-was a prominent and admired figure in the art and literary circles of Paris, Florence, and New York in the early years of the twentieth century. But over time, she gradually receded from public consciousness and her poetry went out of print. As part of the movement to introduce the work of this cryptic poet to modern audiences, Poetic Salvage: Reading Mina Loy provides new and detailed explications of Loy's most redolent poems. This book helps readers gain a better understanding of the body of Loy's work as a whole by offering compelling close readings that uncover the source materials that inspired Loy's poetry, including modern artwork, Baedeker travel guides, and even long-forgotten cultural venues. Helpfully keyed to the contents of Loy's Lost Lunar Baedeker, edited by Roger Conover, this book is an essential aid for new readers and scholars alike. Mina Loy forged a legacy worthy of serious consideration-through a practice best understood as salvage work, of reclaiming what has been so long obscured. Poetic Salvage: Reading Mina Loy dives deep to bring hidden treasures to the surface.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

Now for the first time all the fiction, nonfiction, and poetry of popular Victorian author George Eliot is chronicled in one definitive reference. This exhaustive resource, by the editor of the award-winning "Everyone in Dickens", makes Eliot's complete works accessible to the general reader as well as the student and scholar. In addition to the seven Eliot novels, three novellas, and two short stories, all sixty-eight works of non-fiction are covered, and all poetry, long and short, is included. Using Eliot's own words, Newlin presents all the characters in the novels and other fiction, as well as useful plot and content summaries, and bibliographic data. All of Eliot's short poems are included complete, and her longer poetical pieces are extensively summarized and extracted. In addition, the set includes two short essays by Eliot which have been unknown to scholarship until now. There is also a chronology of the works set against a chronology of Eliot's life. This comprehensive reference includes a thematic concordance of every aspect of life written about by Eliot. Complete with more than 60 illustrations, many from the earliest editions of the Eliot works, it is the ultimate reference to the full body of George Eliot's literary output.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

Literature, Money and the Market: From Trollope to Amis, argues that literary institutions have been saturated with hostility to commerce and the market that goes back to Plato. It traces the division in English culture between the prestige values of the aristocracy and the material values of the commercial class. The book is a fresh look at both the representation of money in English literature, and the economic situation of writers.

In his study of Eliot as a psychological novelist, Michael Davis examines Eliot's writings in the context of a large volume of nineteenth-century scientific writing about the mind. Eliot, Davis argues, manipulated scientific language in often subversive ways to propose a vision of mind as both fundamentally connected to the external world and radically isolated from and independent of that world. In showing the alignments between Eliot's work and the formulations of such key thinkers as Herbert Spencer, Charles Darwin, T. H. Huxley, and G. H. Lewes, Davis reveals how Eliot responds both creatively and critically to contemporary theories of mind, as she explores such fundamental issues as the mind/body relationship, the mind in evolutionary theory, the significance of reason and emotion, and consciousness. Davis also points to important parallels between Eliot's work and new and future developments in psychology, particularly in the work of William James. In Middlemarch, for example, Eliot demonstrates more clearly than either Lewes or James the way the conscious self is shaped by language. Davis concludes by showing that the complexity of mind, which Eliot expresses through her imaginative use of scientific language, takes on a potentially theological significance. His book suggests a new trajectory for scholars exploring George Eliot's representations of the self in the context of science, society, and religious faith.

Comprises of separate volumes on the following: John Clare, Lord Alfred Tennyson, Robert Browning, Arthur Hugh Clough, Gerard Manley Hopkins and Algernon Swinburne. The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

This book offers a new and challenging look at the cultural significance of the Battle of Waterloo, and the impact it had on British Romantic culture. Drawing on a range of approaches it aims to redefine the Romantic period as an age of inter- and intra-national conflict, thus overturning conventional notions of 'The Romantic Project', and re-writing the period from first principles. Topics covered include: the impact of Waterloo on Romantic ideas of individual and national identity, the representation of the dead and wounded in poetry, painting and prose, the work of canonical and non-canonical poets.

The writings of Charlotte Bronte - a member of one of the great literary families - have inspired, fascinated and moved readers ever since their first publication in the mid-nineteenth century. In this new study, Carl Plasa elaborates a series of textually focused, historically grounded and theoretically informed analyses of the full range of the author's texts. As well as providing original readings of Bronte's four best known novels - The Professor, Jane Eyre, Shirley and Villette - attention is given to less familiar and critically neglected areas of Bronte's work, such as the Ashanti narratives, the poetry and the Belgian essays of the early 1840s. Charlotte Bronte's work has undergone a significant reassessment from a postcolonial critical perspective in recent years. By examining Bronte's textual production from its exuberant and experimental beginnings to the formal complexity of Villette, her last completed novel, Plasa offers what is the most comprehensive exploration to date of the shifts in the writer's engagement with the question of colonialism. In so doing, he brings to light the subtle relationships of continuity and transformation between the earlier and later stages of Bronte's literary career and demonstrates the extent to which that career was sparked and driven by her 'colonial imagination'.

An emblematic figure of the 'bourgeois century', the parvenu represents the Other on which a society depends. This drama of exclusion is symptomatic of nineteenth-century society: ambivalent about social mobility, oscillating between a new sense of opportunity for all and a backward-looking retrenchment to rigid social structures.

Dangerous Enthusiasm considers Blake's prophetic books written during the 1790s in the light of the French Revolution controversy raging at the time; his works are shown to be less the expressions of isolated genius than the products of a complex response to the cultural politics of his contemporaries. William Blake's work presents a stern challenge to historical criticism. Jon Mee's new study meets the challenge by investigating contexts outside the domains of standard literary histories. He traces the distinctive rhetoric of the illuminated books to the French Revolution controversy of the 1790s and Blake's fusion of the diverse currents of radicalism abroad in that decade. The study is supported by a wealth of original research which will be of interest to historians and literary critics alike. Blake emerges from these pages as a 'bricoleur' who fused the language of London's popular dissenting culture with the more sceptical radicalism of the Enlightenment. Dangerous Enthusiasm presents a more comprehensively politicized picture of Blake than any previous study.

Product information not available.

The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorre shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorre's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.

Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.

This book examines continuities and changes in narrative strategies deployed to deal with female desire in a broad range of fiction from the late sixteenth-century to the early nineteenth-century. By focussing on 'designing women' and the lengths to which they can and should go as agents of their desires, this book investigates the way generic and moral or social issues intersect in the depiction of female subjectivity. The book examines narrative strategies deployed in the representation of female desire in a broad range of fiction from the late sixteenth-century to the early-nineteenth century, discussing key texts such as Jane Eyre, Pamela, Pride and Prejudice and Arcadia

Incorporating the most recent discoveries concerning Blake's heritage and cultural context, Visionary Materialism in the Early Works of William Blake: The Intersection of Enthusiasm and Empiricism proposes a radical new reading of his early works, that sees them taking enlightenment ideas to heights never dreamed of by Locke and Priestley. Drawing on a careful analysis of key figures from both sides of the enlightenment/counter-enlightenment divide (including Boehme, Swedenborg, the Moravians, Lavater, Brothers, Erasmus Darwin), the discussion traces an alternative tradition that disrupts previous assumptions about important aspects of Blake's thought.

Edward F. Mooney takes us into the lived philosophies of Melville, Kierkegaard, Henry Bugbee, and others who write deeply in ways that bring philosophy and religion into the fabric of daily life, in its simplicities, crises, and moments of communion and joy. Along the way Mooney explores meditations on wilderness, on the enigma of self-deception, the role of maternal love and the pain of separations, and the pervasiveness of "difficult reality" where valuable things are presented to us under two (or more) aspects at once.

Long before the physical advent of Blacks in Europe, Professor Dathorne asserts they featured over and over again in literature as marginalized Others, but rarely were real Blacks present. As English developed as a language, race came into the evolution of the signifiers, so that words like darkness, blackness, and so on became heavily charged with negative connotations.

Using travel literature as well as figures on the Elizabethan and Jacobean stage and material from later writers, Dathorne shows how negative elements surrounding Blackness were transferred to Native Americans, to Indians from India, to South Pacific islanders, and others. A provocative analysis for scholars, students, and researchers involved with Ethnic Studies, Cultural Studies, and race.

The only modern collection of speeches by southerners on the themes that have shaped the history and culture of the region, this anthology, which spans eighty tumultuous years of southern history, reflects the strategies of southern orators as they attempted to defend the indefensible, as well as those few who advocated a more compassionate South. Southern leaders were judged largely by their oratorical ability and their skills in defending the southern way of life. Accordingly, they placed much emphasis on developing consummate rhetorical skills. Thus, one can read the history of the region in the speeches of its politicians, ministers, and other public figures. Beginning in 1820 with the debates over the admission of Missouri to the Union, many southerners took a defensive posture against those forces from outside the region which they saw as threats to their culture. While the rhetoric of most southern leaders was clearly defensive, one must remember that they were dealing with the difficult issues of slavery; the relationship of federal and state government; their vision of the ideal society; the coming civil war and its aftermath; and living in a defeated, desolate, war-torn region. As demagogic, defensive, and archaic as they may seem today, these speakers developed and expanded patterns of thought and rhetorical strategy that echoed throughout the region. The collective memory that they created would shape their contemporaries and affect the lives of generations to follow.

"British Victorian Women's Periodicals" explores themes and patterns of poetry publication in a variety of women's periodicals published throughout the Victorian era to answer questions about taste, style, and the significance of poetry to our understanding of women's lives in the nineteenth century. Ledbetter shows how the periodical's advice about maintaining or acquiring social respectability through appropriate fashion, good behavior, and regulation of the household is seamlessly integrated with poetry that aimed to inspire, teach, and cultivate feeling. This book questions traditional evaluations of nineteenth-century sentimental poetry, and argues for a consideration of women's poetry within its own cultural milieu.

One of the greatest American authors, Mark Twain holds a special position not only as a distinctly American cultural icon but also as a preeminent portrayer of youth. His famous writings about children and youthful themes are central to both his work and his popularity. The distinguished contributors to Mark Twain and Youth make Twain even more accessible to modern readers by fully exploring youth themes in both his life and his extensive writings. The volume's twenty-six original essays offer new perspectives on such important subjects as Twain's boyhood; his relationships with his siblings and his own children; his attitudes toward aging, gender roles, and slavery; the marketing, reception, teaching, and adaptation of his works; and youth themes in his individual novels--Adventures of Huckleberry Finn, The Adventures of Tom Sawyer, The Prince and the Pauper, Pudd'nhead Wilson, and Joan of Arc. The book also includes a revealing foreword by actor Hal Holbrook, who has performed longer as "Mark Twain" than Samuel Clemens himself did. The book includes contributions by: Lawrence Berkove, John Bird, Jocelyn A. Chadwick, Joseph Csicsila, Hugh H. Davis, Mark Dawidziak, Shelley Fisher Fishkin, James Golden, Alan Gribben, Benjamin Griffin, Ronald Jenn, Holger Kersten, Andrew Levy, Cindy Lovell, Karen Lystra, Debra Ann MacComb, Peter Messent, Linda A. Morris, K. Patrick Ober, John R. Pascal, Lucy E. Rollin, Barbara Schmidt, David E. E. Sloane, Henry Sweets, Wendelinus Wurth.