This volume undertakes a fundamental reassessment of utopianism during the modernist period. It charts the rich spectrum of literary utopian projects between 1885 and 1945, and reconstructs their cultural work by locating them in the material 'spaces' in which they originated. The book brings together work by leading academics and younger scholars.

Originally published between 1938 and 1996, the volumes in this set provide a survey of German poetry, prose and fiction from the Middle Ages to the late 20th Century. In many cases no prior knowledge of German is necessary, as translations into English are provided. Many of the books focus particularly on German writers and literature from an international perspective. The books: Analyse Naturalism, Impressionism, Neo-romanticism and Expressionism as well as dealing exhaustively with Surrealism, Magic Realism and Existentialism. Include discussion of post-war Anglo-American and French literature. Provide guidebooks through the masses of periodicals and allows the English side of the Anglo-German literary relationship to be explored in detail. Present a detailed analysis of the major literary movements in Austria and Germany from the end of the nineteenth century to the collapse of the Third Reich Examine two of the central themes of medieval German mythology, the Dietrich and Nibelung legends Survey the development of political writing in the former Federal Republic of Germany, Illustrating the connections between literature and politics Elucidate the concealed meanings in some of the more obscure writings of great authors such as Goethe Provides a full survey of the best and most significant work of German writers to the First World War.

Through theologically-engaged close readings of her poetry and devotional prose, this book explores how Christina Rossetti draws on the Bible and encourages her Victorian readers to respond to its radical message of grace. Structured chronologically, each chapter investigates her participation in the formation of Tractarian theology and details how her interpretative strategies changed over the course of her lifetime. Revealing how her encounter with the biblical text is informed by devotional classics, Christina Rossetti and the Bible highlights the influence of Thomas a' Kempis, John Bunyan, George Herbert and John Donne and describes how Rossetti adapted the teaching of the Ancient and Patristic Fathers and medieval mystics. It also considers the interfaces that are established between her devotional poems and the anthology and periodical pieces alongside which they were published throughout the second half of the nineteenth-century.

This book offers both an introduction to the vibrant field of literary tourism studies and a selection of cutting-edge cross-disciplinary research. Indispensable for students and scholars of nineteenth-century literature and culture, it provides fascinating insights into the reception of, among others, Shakespeare, Dickens, Byron and Wordsworth.

This book is the first full-length biographical and critical study of the American Realist author Harold Frederic (1856-1898). As London correspondent for the New York Times and the author of nine novels, Frederic was internationally known at the time of his death; today he is remembered mainly for his novel "The Damnation of Theron Ware" (1896). Drawing on archival and published material not available to earlier writers on Frederic, Myers paints a fascinating portrait of the man and his times as an expatriate in London in the 1890s, his friendship with James, Crane, Wells, and their circle, and the scandal surrounding his death at the age of 42.

Frederic was a colorful fellow. As a correspondent in London in the 1890s, he knew Henry James, Stephen Crane, George Gissing, and a host of other literary characters. He fully lived a bohemian life, keeping a real wife and a common-law wife simultaneously, fathering broods of children, writing journalism and novels at a great rate, and dying at 42 of overwork--partly because he let his second wife talk him into refusing medical help (leading to a scandalous court case). Myers concentrates on four main themes: Frederic as an expatriate; his work as representative of the transition from realism to naturalism in American literature; Frederic as a transitional author in the shift from 19th century to 20th century styles of publishing; and Frederic as a representative of the fin de siecle. Myers has worked extensively with Frederic's correspondence as well as in publishers' archives (especially Scribner's), and he sees Frederic as a writer who flourished just as the American literary marketplace was being transformed from the rather poky 19th-century model into the faster-paced 20th-century version so familiar today. This biography will interest not just specialists and Frederic scholars, but also anyone with an interest in American literary culture in one of its defining moments.

Setting out to correct the inadequacies of many written accounts of slavery, teacher and social activist Octavia Albert added her own incisive commentary to the personal narratives of former slaves. Her early interviews, like many antebellum slave narratives, depict cruel punishments, divided families, and debilitating labour. Seeing herself as a public advocate for social change, Albert called for every Christian's personal acceptance of responsibility for slavery's legacies and lessons. As well as its historical value, the book has many merits as a work of literature, using dialogue and experiments with dialect, and incorporating songs and poems in the text.

This volume in the 21st-Century Oxford Authors series offers an authoritative, comprehensive selection of the work of Arthur Hugh Clough (1819-1861), one of the most distinctive writers of the Victorian period. The first selection to place Clough's poetry alongside his prose, it allows readers to explore how his poems are connected to his literary criticism and his lectures on literary history, to his letters and diaries, and to his writing on politics and economics. A political radical and religious sceptic, Clough emerges as a strikingly modern Victorian: he writes honestly and directly about sexuality, and his work is informed by a cosmopolitan perspective that views Victorian society in the context of other national, political, and cultural traditions. Clough's innovative poems incorporate a diverse range of voices and styles, borrowing and reimagining aspects of the epic, the drama, and the novel. And they reveal a side of Victorian culture-irreverent, iconoclastic, and self-aware-that is often ignored today. Detailed notes identify and explain Clough's comments on major political events such as the European revolutions of 1848, and his allusions to a wide array of different writers and texts. The edition includes an Introduction to the life and works of Clough, and a Chronology, which enhance the study, understanding, and enjoyment of these works.

Jane Austen and the State of the Nation explores Jane Austen's references to politics and to political economics and concludes that Austen was a liberal Tory who remained consistent in her political agenda throughout her career as a novelist. Read with this historical background, Austen's books emerge as state-of-the-nation or political novels.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Letters Of Charles Dickens: 1836-1870; Volume 3 Of The Letters Of Charles Dickens; Charles Dickens Charles Dickens, Georgina Hogarth, Mary Dickens Chapman and Hall, 1882

This engrossing book describes how four twentieth-century women writers-Carson McCullers, Flannery O'Connor, Toni Morrison, and Grace Paley-have inherited and adapted the classical tradition of American romance fiction. Emily Miller Budick argues that this tradition, exemplified by the works of Nathaniel Hawthorne, Edgar Allan Poe, Herman Melville, Henry James, William Faulkner, and Ralph Ellison, is inherently skepticist, questioning whether and how we know reality. It is also sharply critical of the patriarchal bias of American culture, which is understood by these writers as a way of evading or settling philosophical doubt. Analyzing such works as The Scarlet Letter, Moby Dick, The Portrait of a Lady, The Sound and the Fury, As I Lay Dying, and Invisible Man, Budick explores this antipatriarchal critique and shows how it enables the twentieth-century women romancers to inherit the tradition. In their writings, however-in McCullers's Heart Is a Lonely Hunter, O'Connor's The Violent Bear It Away, Morrison's Song of Solomon and Beloved, and Paley's short stories-these writers do more than further the concerns of the male authors. They also explore the idea of maternal knowledge and think through alternatives not only to the patriarchal organization of society but to matriarchal constructions as well. Budick offers provocative insights into what it means to inherit a tradition--in particular across lines of gender, but also across lines of race--as she discusses the ways these four women writers revise the genre of romance to accommodate the exigencies of modern American society.

Raff sets her study in the early nineteenth century world, depicting the cultural debates and literary fandom that provided Austen a fertile playing field. She traces Austen's increasingly libidinal narrative presence (from early experiments in the narrator-reader relationship, to the seductive appeal of Mr. Darcy and Elizabeth Bennet in Pride and Prejudice, and on to the outright authorial titillation of Emma, Persuasion, and Northanger Abbey), while simultaneously offering analysis of her biography that connects prose and life. She targets Austen's experience in 1814 as romantic advisor to her niece Fanny Knight as pivotal to her shift to teacher-cum-paramour. The revelation of Austen's thoughts about writing and love-making and of the techniques she employed to seduce readers, display Austen's command over not just her famously effervescent prose, but also her notorious fan base. Raff's original and audacious argument is combined with a lively, conspiratorial style that will delight many readers, especially Jane Austen mavens, the bewitched Janeites, who will be gratified to find out that Austen doesn't just seem to be speaking to them-she was, in fact, consciously courting their affection all along.

In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial "Chatterton" notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as "The Portrait of Mr. W. H.," The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources, Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Theophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.

Myths of Power - Anniversary Edition sets out to interpret the fiction of the Bronte sisters in light of a Marxist analysis of the historical conditions in which it was produced. Its aim is not merely to relate literary facts, but by a close critical examination of the novels, to find in them a significant structure of ideas and values which related to the Brontes' ambiguous situation within the class-system of their society. Its intention is to forge close relations between the novels, nineteenth-century ideology, and historical forces, in order to illuminate the novels themselves in a radically new perspective. When originally published in 1975 (second edition in 1988), it was the first full-length Marxist study of the Brontes and is now reissued to celebrate 30 years since its first publication. It includes a new Introduction by Terry Eagleton which reflects on the changes which have happened in Marxist literary criticism since 1988, and situates this reissue of the second edition in current debates.

A fascinating intertextual study of the classic biblical tragedy of Saul, the first king of Israel, as first narrated in biblical narrative and later reworked in Lamartine's drama Saul: Trag+--die and Thomas Hardy's novel The Mayor of Casterbridge. Plot and characterization are each explored in detail in this study, and in each of the narrations the hero's tragic fate emerges both as the result of a character flaw and also as a consequence of the ambivalent role of the deity, showing a double theme underlying not only the biblical vision but also its two very different retellings nearer to our own times.

Set around the events of the succession struggle of 1142 in medieval Bohemia the main character, Witiko, the traditional founder of the Rosenberg Family, searches for the Right, finds it and his beloved, while never losing touch with the common folk. His quest is amid the panoramic backdrop of national Bohemian politics and history, with his fate paralleling that of the acknowledged rightful duke, Wladislaw, who is also seeking the path of justice. Witiko is considered one of the most significant German historical novels of the Nineteenth Century.

"Popular Medievalism in Romantic-Era Britain" examines ways in which British writers and readers used the idea of the Middle Ages to challenge contemporary political structures and to claim historical national rights at a time when fears that Britain would follow the example of the French Revolution caused the British government to undermine individual and collective rights. Through the consideration of canonical authors such as Blake, Scott, and Wordsworth and of lesser-studied works such as radical press writings and popular drama, this study suggests that the imaginative appeal to the social structures and literary forms of the Middle Ages served as a powerful means of raising awareness of Britain's past and the tradition of freedom.

British salons, with guests such as Byron, Moore, Thackeray, and Baillie, were veritable hothouses of political and cultural agitation. In this comprehensive study of the British salon between the 1780s and the 1840s, Schmid traces the activities of three" salonnieres" Mary Berry, Lady Holland, and the Countess of Blessington. Mapping out the central place these circles held in London, this study explains to what extent they shaped intellectual debate and publishing ventures. Using a large number of sources - diaries, letters, silver-fork novels, satires, travel writing, Keepsakes, and imaginary conversations - the book establishes sociable networks of days gone by.

Ever since the fifth instalment of the Pickwick Papers in 1836 scholars have expressed amazement at the virtually overnight emergence of the 24-year-old Charles Dickens from an unknown nobody to the literary lion of the day.At one bound he leapt from nowhere to the summit of literary success and fame. How did he do it?This is the classic modern study of how Dickens staged his grand entrance. Critics of his day thought he did so without warning or fanfare. How was it possible for an obscure newspaper reporter to write, in his early twenties, such a brilliant, popular work as Pickwick? Where did he acquire the nicety of observation, the fineness of tact, the exquisite humour, the wit, heartiness, sympathy with all things good and beautiful in human nature, the perception of character, the pathos, and accuracy of description?This work is a thorough and illuminating study of this central question, and fully illuminates Dickens's early development.

This celebrated and fully illustrated work brings Dickens into close focus as a key commentator on America. He turns his satiric pen on 19th-century American society during his visits in 1842 and 1867-68. This became what G.K. Chesterton called "Dickens's great quarrel with America." It became one of the most celebrated episodes in the history of Anglo-American cultural relations. This large format, fully illustrated book traces the history of Dickens's fascination with the young republic from his first glorious anticipations, through a period of bitter disillusionment, to a final reassessment and tribute to the nation. Michael Slater, doyen of Dickens scholars and his major modern biographer, argues that Dickens was a natural American, and that he experienced the same love/hate relationship with his own country. Dickens expressed many private opinions in his letters, and public views in his books, notably American Notes (1842) and Martin Chuzzlewit (1843-44). He comments on slavery, factories, social life, manners, and the Shakers. He caricatured the boastful, grasping, swindling Americans, taking his gleeful revenge. But he relented and his triumphal reading tour of 1867-68 posed a revealing contrast to his earlier attacks.

"The Feminization of Fame 1750-1830" addresses the literary, cultural and historical questions surrounding the reconceptualization of fame between 1750-1830. As the first sustained scholarly analysis of fame in this period, this interdisciplinary book examines genres from history writing to literature, public and private memoirs to political treatises in English and in French in order to explore 'The age of personality's' obsession with instantaneous publicity. In an age of expanding print culture, the classical notion of posthumous reward was becoming increasingly open to question, as the need 'to be brilliant', as Hazlitt put it, in the contemporary moment became all.

An original and energetic examination of the relationship between theology, faith, religious history and national politics in the works of Oscar Wilde, which focuses in particular on his life-long attraction to Catholicism. Wilde's Protestant heritage is also scrutinized, and its continued influence on him, as well as his antagonism towards it, is related to the narrative modes he chose and the philosophical positions he adopted.

This book provides provocative information on poetry written in response to the most revolutionary set of events seen in Britain since the 1640s: "Peterloo," a peaceful protest that became a massacre; "Cato Street," a government scripted rebellion; and the "Queen Caroline Controversy," when the estranged wife of George IV tried to claim her crown.

Literary Networks and Dissenting Irish Print Culture examines the origins of Irish labouring-class poetry produced in the liminal space of revolutionary Ulster (1790-1815), where religious dissent fostered a unique and distinctive cultural identity.

Rufus Hallmark's book explores Robert Schumann's beloved yet controversial song cycle Frauenliebe und Leben and the poems of Adelbert von Chamisso on which it is based, setting them in the context of the challenges and social expectations faced by women in early nineteenth-century Germany. Hallmark provides the most extensive English-language study of Chamisso, a poet little known today outside Germany, including a biographical sketch and excerpts from his other poetry. He examines a range of poems about women, by Chamisso and others, and discusses the reception of the poetic and musical cycles, including illustrated editions, contemporary reviews, and other musical settings. Based on new studies of Schumann's manuscript sources and on comparative analyses of his songs and settings by Carl Loewe, Heinrich Marschner, Franz Lachner and others, Hallmark provides fresh musical and interpretive insights into each song.

At the center of Hardy's aesthetic practice is the recognition of desire as a necessary and fundamental condition of human existence. Yearning, disappointment, frustration and loss determine the relationship of his characters and poetic personae to the world and the systems in which their sense of self is expressed and constituted. Yet his work also explores the positive, dynamic and productive dimension of desire. Structured around the themes of home and homelessness; eroticism; Poor Men, Ladies and social aspiration; the transgressivity of cross dressing; the creation of "sapphic spaces;" aesthetic desire and its fulfilment in the achieved work of art, Thomas Hardy and Desire demonstrates Hardy's commitment, as an artist in pursuit of "a way to the better," to exploring how the energy of desire pushes beyond the boundaries of class, sexuality, gender and even language itself to bring new ways of being and doing into the realm of knowledge.