Covering a wide range of magazine work, including editing, illustration, poetry, needlework instruction and typesetting, this book provides fresh insights into the participation of women in the nineteenth-century magazine industry.

For nearly 150 years, William Lloyd Garrison, founder of the famed antislavery newspaper The Liberator, has been represented by scholars, educators, politicians and authors as the founder of the American abolitionist movement. Yet the idea that Garrison was the leader of a coherent movement was strongly contested during his lifetime. Drawing on private letters, diaries, newspapers, novels, memoirs, eulogies, late 19th century textbooks, poetry and monuments, this study reveals the dramatic social and political forces of the postwar period which transformed our perceptions of Garrison, the abolitionist movement and the first histories of the Civil War.

The Ring and the Book, Browning's 21,000 line epic, is widely regarded as his masterpiece. This is the third, and final, volume of the Oxford edition covering this work, comprising the monologue of Johannes-Baptista Bottinius, and then the glowing conclusion to the work as a whole: the monologues of Pope Innocent XII and of Guido in his prison-cell prior to execution, and then the witty, ironic envoi of Book XII. The commentary in this edition contains a wealth of new contextual material that illuminates Browning's work in sometimes surprising ways. The copy text of 1888-9, the final edition of Browning's lifetime, has been scrupulously examined, both in relation to compositors' errors, and Browning's own final corrections to the text: eighty-nine emendations to accidentals, and nineteen emendations to substantives, produce a text as near as possible to Browning's final intentions. Appendix A presents previously unknown source material, concerning the 'cadaver synod' of 897, from Browning's father's historical notebooks. The Afterword gives a fresh view of the real history of the Franceschini murder case, based on new research in the archives in Arezzo.

Biological Time, Historical Time presents a new approach to 19th century thought and literature: by focussing on the subject of time, it offers a new perspective on the exchanges between French and German literary texts on the one hand and scientific disciplines on the other. Hence, the rivalling influences of the historical sciences and of the life sciences on literary texts are explored, texts from various scientific domains - medicine, natural history, biology, history, and multiple forms of vulgarisation - are investigated. Literary texts are analysed in their participation in and transformation of the scientific imagination. Special attention is accorded to the temporal dimension: this allows for an innovative account of key concepts of 19th century culture.

Charles Baudelaire, possibly the most influential author of nineteenth-century France, created a poetics of modernity and a thematics of the city; he transcended genre by moving between poetry and prose. He is also the most accessible of modern French poets to an American readership. These essays examine Baudelaire's poetics and the complex relationship between the poet and his twentieth-century literary heirs, including Rene Char, Yves Bonnefoy, and Michel Deguy.

The contributors, who include Deguy and Bonnefoy, are all distinguished writers or critics noted for their own poetry or for their scholarship on Baudelaire and in French studies. Their essays go to the heart of what makes Baudelaire so important: his modernity and his influence from the very beginning on other poets, including those outside of France. The essays are written in English, with citations from Baudelaire and other sources in both French and English.

This book argues that the source of Gothic terror is anxiety about the boundaries of the self: a double fear of separateness and unity that has had a special significance for women writers and readers. Exploring the psychological, religious, and epistemological context of this anxiety, DeLamotte argues that the Gothic vision focuses simultaneously on the private demons of the psyche and the social realities that helped to shape them. Her analysis includes works of English and American authors, among them Henry James, Mary Shelley, Herman Melville, Nathaniel Hawthorne, Emily Bronte, Charlotte Bronte, and a number of often neglected popular women Gothicists.

This anthology offers an introduction to the first major flowering of Russian women's writing between 1835 and 1860. The work produced during this period, like nearly all writing by Russian women, has been, until very recently, 'hidden from history'. None of the ten stories have been translated before and several have not been republished since their original publication in the nineteenth century. These works bear witness to the great, but hitherto neglected, contribution made by women to the overall development of Russian fiction in its formative period. The selection shows the diversity of women's writing in the period, as well as the inevitably interconnected nature of theme and treatment among the different authors. It will demonstrate to the reader, specialist and amateur alike, that women's writing in nineteenth-century Russia is an area that certainly repays further exploration.

In 1796 when Mary Lamb, in a sudden attack of violent frenzy, killed her mother, her brother Charles pledged himself to be responsible for her care, thus sparing her from threatened incarceration in Bedlam. For the next thirty odd years they lived, and wrote, together. Informed by feminist and psychoanalytic literary theory, this book provides an entirely new perspective on the lives and writings of Charles and Mary Lamb. It argues that the Lambs's ideological inheritance as the children of servants, their work experience as clerk and needlewoman respectively, and the role that madness and matricide played in both their lives, resulted in writings which were at variance with the spirit of their age. In particular, the intensity of their sibling bond is seen, in Charles Lamb's case, as resulting in texts stylistically and thematically opposed to the masculinist stance currently considered characteristic of Romantic writers.

In the long nineteenth century, dominant stereotypes presented people of the Mediterranean South as particularly passionate and unruly, therefore incapable of adapting to the moral and political duties imposed by European civilization and modernity. This book studies, for the first time in comparative perspective, the gender dimension of a process that legitimised internal hierarchies between North and South in the continent. It also analyses how this phenomenon was responded to from Spain and Italy, pointing to the similarities and differences between both countries. Drawing on travel narratives, satires, philosophical works, novels, plays, operas, and paintings, it shows how this transnational process affected, in changing historical contexts, the ways in which nation, gender, and modernity were imagined and mutually articulated.

A radical re-examination of Oscar Wilde's plays, Revising Wilde challenges long-established views of the writer as a dilettante and dandy, revealing him as a serious philosopher and social critic who used his plays to subvert traditional values. Sos Eltis examines early drafts of the major plays (Lady Windermere's Fan; A Woman of No Importance; An Ideal Husband; and The Importance of Being Earnest) as well as the little-known Vera; or, The Nihilists, to demonstrate that Wilde was in fact an anarchist, a socialist, and a feminist.

Jane Austen enjoyed a brief life of just 41 years and it was far from easy. The family faced financial hardship after her father's sudden death. She never married and the four novels that appeared during her lifetime were published anonymously, as was then the custom. Yet those books have seen her become one of the most widely read and respected English writers of all time. Jane Austen died all too soon, but her published work has achieved an impact for beyond its extent. Jane Austen's titles: Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1815), Northanger Abbey (1818, posthumous), Persuasion (1818, posthumous) This publication has many heartwarming and fascinating aspects, all covered in words, pictures and analysis.

The six great Romantic poets represented in this concise collection - Blake, Wordsworth, Coleridge, Byron, Shelley and Keats - are those considered essential reading for anyone with an interest in the verse of the period.
An essential selection of poetry by the six great Romantic poets.
Ideal for general readers or for students taking short courses in Romanticism.
Includes the whole of Blake's "Songs of Innocence and Experience."
Gives readers a concise overview of Romantic poetry.

This book considers Baudelaire's prose poetry as an exploration of the duality of the genre. It considers the ironic and parodic aspects of the work and, in the light of Baudelaire's own theories of the comic, argues that his prose poetry is best understood as a form of literary caricature.

This book reveals the lesser-known figure in a famous American friendship.Bewilderment often follows when one learns that Mark Twain's best friend of forty years was a minister. That Joseph Hopkins Twichell (1838-1918) was also a New Englander with Puritan roots only entrenches the ""odd couple"" image of Twain and Twichell. This biography adds new dimensions to our understanding of the Twichell-Twain relationship; more important, it takes Twichell on his own terms, revealing an elite Everyman - a genial, energetic advocate of social justice in an era of stark contrasts between America's ""haves and have-nots.""After Twichell's education at Yale and his Civil War service as a Union chaplain, he took on his first (and only) pastorate at Asylum Hill Congregational Church in Hartford, Connecticut, then the nation's most affluent city. Courtney tells how Twichell shaped his prosperous congregation into a major force for social change in a Gilded Age metropolis, giving aid to the poor and to struggling immigrant laborers as well as supporting overseas missions and cultural exchanges. It was also during his time at Asylum Hill that Twichell would meet Twain, assist at Twain's wedding, and preside over a number of the family's weddings and funerals.Courtney shows how Twichell's personality, abolitionist background, theological training, and war experience shaped his friendship with Twain, as well as his ministerial career; his life with his wife, Harmony, and their nine children; and his involvement in such pursuits as Nook Farm, the lively community whose members included Harriet Beecher Stowe and Charles Dudley Warner. This was a life emblematic of a broad and eventful period of American change. Readers will gain a clear appreciation of why the witty, profane, and skeptical Twain cherished Twichell's companionship.

In the first half of the nineteenth century most leading French Romantic authors wrote travel books. French Romantic Travel Writing is the first study exclusively devoted to surveying the travelogues they produced and the reasons for, and significance of, this trend. Whilst 'the journey' was one of Romanticism's central images, suggesting as it did a dynamic, expanding, and evermore complex world in which artists' lives were increasingly experienced as wanderings and endless quests, the fashion for Romantic travel books was more marked in France than in Germany or England. Chateaubriand, Stael, Stendhal, Nodier, Hugo, Lamartine, Nerval, Gautier, Sand, Custine, Quinet, Merimee, Dumas, and Tristan all wrote one or more travelogues, including at least four masterpieces-Hugo's Le Rhin (1842), Nerval's Voyage en Orient (1851), and Stendhal's two Rome, Naples et Florence (1817 and 1826). The book explores the reasons for this difference from England and Germany. These include French foreign and cultural policies, as well as the particular needs of Parisian publishers. It puts forward the case for the collective achievement of these Romantic travel books, compared to those of most later writers in nineteenth-century France. A distinctive feature of the survey is its belief in the value of concentrating on the text of these books as published by their authors, as opposed to manuscript and peripheral material.

'Bluebeard', in which women are slaughtered and hidden in a horrible chamber by a monstrous husband, is hair-raising; yet its happy ending gives it a utopian force. Davies's book focuses on literature in German from the eighteenth century to the 1990s, and is the first full-length study of the history of Bluebeard published in any language.

No thanks to Walter Scott, Scotland has at last regained its parliament. If this statement sounds extreme, it echoes the tone that criticism of Scott and his culture has taken through the twentieth century. Scott is supposed to have provided stories of the past that allowed his country no future--that pushed it "out of history." Scotland has become a place so absorbed in nostalgia that it could not construct a politics for a changing world.
Possible Scotlands disagrees. It argues that the tales Scott told, however romanticized, also provided for a national future. They do not tell the story of a Scotland lost in time and lacking value. Instead they open up a narrative space where the nation is always imaginable. This book reads across Scott's complex characters and plots, his many personae, his interventions in his nation's nineteenth-century politics, to reveal the author as an energetic producer of literary and national culture working to prevent a simple or singular message. Indeed, Scott invites readers into his texts to develop multiple and forward-looking interpretations of a Scotland always in formation. Scott's texts and his nation are alive in their constant retelling. Scott was an author for Scotland's new times.

Lewis Carroll is one of the world's best-loved writers. His immortal Wonderland and delightful nonsense verses have enchanted generations of children and adults alike. The wit and imagination, the wisdom, sense of absurdity and sheer fun which fill his books shine just as clearly from the many letters he wrote. '...each is a miniature Wonderland... They reveal a truly delightful man...the combination of intense goodness and unselfishness with a magic, nonsense wit is unique'. The Scotsman '...a magnificent collection of delightful and entertaining letters reflecting all that was embraced in that remarkable character...all his charm, inventive fun, wisdom, generosity, kindliness and inventive mind'. Walter Tyson, Oxford Times.

Reading Eighteenth-Century Poetry recaptures for modern readers the urgency, distinctiveness and rewarding nature of this challenging and powerful body of poetry.
An essential guide to reading eighteenth-century poetry, written by world-renowned critic, Patricia Meyer Spacks
Exposes the multiplicity of forms, tones, and topics engaged by poets during this period
Provides in-depth analysis of poems by established figures such as Alexander Pope and Jonathan Swift, as well as work by less familiar figures, including Anne Finch and Mary Leapor
A broadly chronological structure incorporates close reading alongside insightful contextual and historical detail
Captures the power and uniqueness of eighteenth-century poetry, creating an ideal guide for those returning to this period, or delving into it for the first time

This is a concise but comprehensive student guide to studying Emily Bronte's classic novel "Wuthering Heights". After its relatively modest reception in 1847, Emily Bronte's "Wuthering Heights" has become one of the most widely-read novels of the nineteenth century. Seen as one of those rare works that has transcended its literary origin to become part of the lexicon of popular culture, its uncompromising awareness of the powers of both love and selfishness, landscape and revenge has made it a popular choice of text for students. This concise but comprehensive guide to the text introduces its contexts, language, reception and adaptation from its first publication to the present. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

The first bookto investigate Jane Austen's popular significance today, Everybody's Jane considers why Austen matters to amateur readers, how they make use of hernovels, what they gain from visiting places associated with her, and why theycreate works of fiction and nonfiction inspired by her novels and life.The voices of everyday readers emerge fromboth published and unpublished sources, including interviews conducted with literary tourists and archival research into thefounding of the Jane Austen Society of North America and the exceptional Austencollection of Alberta Hirshheimer Burke of Baltimore.Additional topics include new Austenportraits; portrayals of Austen, and of Austen fans, in film and fiction; andhybrid works that infuse Austen's writings with horror, erotica, or explicitChristianity.Everybody's Jane will appeal to all those who care about Austen and will change how we think about theimportance of literature and reading today.

"Pierre Loti and the Theatricality of Desire" offers an original analysis of patterns of unconscious desire observable in the life and work of the French orientalist writer Pierre Loti. It aims to reconcile attitudes and conduct that have been regarded as contradictory and not amenable to analysis by locating the unconscious urges that motivate them. It looks at the ambiguous feelings Loti expresses towards his mother, the conflicting desires inherent in his bisexuality, and his deeply ambiguous sense of a cultural identity as expressed through his cross-cultural transvestism. The political implications of this reappraisal are also considered, offering a potential reassessment of the apparently exploitative nature of much of Loti's writing. This new reading in terms of the unconscious not only serves as a way of understanding inconsistencies, but also suggests how such new interpretations can offer an alternative way of viewing the hierarchies of power his work portrays on both a sexual and political level. This volume is consequently of interest to those interested in gender studies and sexual politics, and offers a way of appreciating writing that might otherwise appear dated and embarrassingly sexist and colonialist in content to twenty-first century readers.

The African American slave narrative is popularly viewed as the story of a lone male's flight from slavery to freedom, best exemplified by the "Narrative of the Life of Frederick Douglass, An American Slave" (1845). On the other hand, critics have also given much attention to Harriet Jacobs's "Incidents in the Life of a Slave Girl" (1861), to indicate how the form could have been different if more women had written in it. But in stressing the narratives of Douglass and Jacobs as models for the genre, scholars have ignored the formal and thematic importance of marriage and family in the slave narrative, since neither author explores slave marriage in their works.

This book examines the central role of marriage in "The Life and Adventures of Henry Bibb, an American Slave" (1849) and "Running a Thousand Miles for Freedom; or the Escape of William and Ellen Craft from Slavery" (1860). Bibb's slave wife and child account for significant innovations in the form and content of his narrative, while the Crafts' mutual dependence as a married couple results in a sustained use of dramatic irony. The volume closes by offering a thoughtful consideration of the influence of Bibb and the Crafts on the later fiction of Douglass, William Wells Brown, and Martin Delany. In doing so, it invites a critical reexamination of current assumptions about slave narratives.

This work studies in detail a heretofore much neglected aned aspect of German literature. This collection of twenty-three essays sets its sights on the points of queerness, marginality, and alterity already present within the German canon and introduces further difference and deviation in the form of openly gay Germanliterature in order to promote the always-ongoing shift in cultural representation. Queering the Canon provides new analyses, from queer perspectives, of texts by authors whose names are familiar to canonical lists, including Goethe, Schiller, Thomas and Klaus Mann, Ingeborg Bachmann, Christa Reinig, and Elfriede Jelinek. It also makes welcome room for discussions of literary works that have seldom received scholarly attention.