This important collection of writings is about, and by, women connected with social and political movements between 1799-1870. It also records the attitudes of the great radical reformers to the role of women in society and documents the vast cultural changes brought about by industrialisation.
The collection draws together the following key material:
Volume I contains an extensive collection of writings from 19th century periodicals, reflecting the high point of working class women's involvement in radical movements.
Volume II focuses on the writings of Frances Wright, an important figure in radical circles in both Britain and the US.
Volume III illustrates the debates of the period surrounding marriage, sexuality and family. Included are writings by Frances Morrison, Robert Dale Owen, William Cobbett and William Lovett.
Volume IV reprints J. D. Milne's 'Industrial Employment of Women'. This important but neglected text argues for the direct engagement of women in all areas of industrial life.
This collection will appeal to anyone with an interest in women's history and Victorian studies.

Contents:
I. Introduction
Austen in the world: postcolonial mappings Rajeswari Sunder Rajan
II. Austen in the world
Jane Austen goes to the seaside: Sanditon, English identity and the 'West Indian' schoolgirl Elaine Jordan Learning to ride at Mansfield Park Donna Landry Austen's treacherous ivory: female patriotism, domestic ideology, and empire Jon Mee Domestic retrenchment, colonial expansion, and the traffic of improvement: the property plots of Mansfield Park Clara Tuite Of windows and country walks: frames of space and movement in 1990s Austen adaptations Julianne Pidduck
III. Austen abroad
Reluctant janeites: daughterly value in Jane Austen and Sarat Chatterjee's Swami Nalini Natarajan Jane Austen goes to India: Emily Eden's home thoughts from abroad Judith Plotz Farewell to Jane Austen: uses of realism in Vikram Seths Suitable Boy Himansu Mohapatra and Jatin Nayak Father's daughters: critical realism examines patriarchy in Jane Austen's Pride and Prejudice and Pak Wanso's A Faltering Afternoon [Hwichongkorinun Ohu] You-me Park Clueless in the neocolonial world order Gayle Wald
IV. Poem
To a 'Jane Austen' class at Ibadan University Molara Ogundipe

The Routledge Companion to Humanism and Literature provides readers with a comprehensive reassessment of the value of humanism in an intellectual landscape. Offering contributions by leading international scholars, this volume seeks to define literature as a core expressive form and an essential constitutive element of newly reformulated understandings of humanism. While the value of humanism has recently been dominated by anti-humanist and post-humanist perspectives which focused on the flaws and exclusions of previous definitions of humanism, this volume examines the human problems, dilemmas, fears, and aspirations expressed in literature, as a fundamentally humanist art form and activity. Divided into three overarching categories, this companion will explore the histories, developments, debates, and contestations of humanism in literature, and deliver fresh definitions of "the new humanism" for the humanities. This focus aims to transcend the boundaries of a world in which human life is all too often defined in terms of restrictions-political, economic, theological, intellectual-and lived in terms of obedience, conformity, isolation, and fear. The Routledge Companion to Humanism and Literature will provide invaluable support to humanities students and scholars alike seeking to navigate the relevance and resilience of humanism across world cultures and literatures.

Women's Economic Writing in the Nineteenth Century is the first comprehensive collection of women's economic writing in the long nineteenth century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women's economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers' relationship to the section theme and then provides an overview of the selections contained therein. Women's Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.

Women's Economic Writing in the Nineteenth Century is the first comprehensive collection of women's economic writing in the long nineteenth century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women's economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers' relationship to the section theme and then provides an overview of the selections contained therein. Women's Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.

Women's Economic Writing in the Nineteenth Century is the first comprehensive collection of women's economic writing in the long nineteenth century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women's economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers' relationship to the section theme and then provides an overview of the selections contained therein. Women's Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.

Women's Economic Writing in the Nineteenth Century is the first comprehensive collection of women's economic writing in the long nineteenth century. The four-volume anthology includes writing from women around the world, showcases the wide variety and range of economic writing by women in the period, and establishes a tradition of women's economic writing; selections include didactic tales, fictional illustrations, poetry, economic theory, social theory, reports, letters, novels, speeches, dialogues, and self-help books. The anthology is divided into eight themed sections: political economy, feminist economics, domestic economics, labor, philanthropy and poverty, consumerism, emigration and empire, and self-help. Each section begins with an introduction that tells a story about women writers' relationship to the section theme and then provides an overview of the selections contained therein. Women's Economic Writing in the Nineteenth Century demonstrates just how common it was for women to write about economics in the nineteenth century and establishes important throughlines and trajectories within their body of work.

Cervantes' now mythical character of Don Quixote began far differently from the altruistic righter of wrongs we know today. The transformation from mad highway robber to secular saint took place in the Romantic Era, but how and where it began has just begun to be understood. France and England played major roles, but, contrary to earlier literary historians, Pascal, Racine, Rousseau and the Jansenists scooped Henry and Sarah Fielding. Jansenism, a persecuted puritanical and intellectual group linked to Pascal, identified itself with Don Quixote's virtues, excused his vices, and wrote a game-changing sequel mediated by the transformative powers of a sorcerer from Commedia dell'Arte. As an early Romantic, Rousseau was attracted to the hero's fertile imagination and tender love for Dulcinea, foregrounding the would-be knight's quest in a play and his best-selling novel, Julie. Sarah Fielding reacted similarly, basing her utopian novel David Simple on the Jansenist concept of quixotic trust in others. Colahan here reproduces and explains for the first time the extremely rare original illustrations of the French sequel to Cervantes' novel, and documents the fortunes in French culture of the magician at the heart of the Romantic Quixote.

Essential for students, researchers and fans, this unique set brings together a wide range of hard-to-find writings by relatives and friends of Charles Dickens. Contents include pieces such as "Memoirs of My Father" by Henry F. Dickens K.C.; "A Child's Memoir of Gad's" "Hill" by M.A. Dickens; "Personal Reminiscences of My Father" by Charles Dickens the Younger; and much more.

In the eight volumes of this edition I.F. Clarke presents readers with selected primary texts in the genre now generally known as future fiction. He begins with the anonymous Tory utopia, The Reign of George VI, 1900-1925 (1763). Volume by volume he reveals the entrance of new themes: coming wars, better future worlds, the marvels of engineering, the imminent triumph of women, and the end of the world. In linking passages between the selected entries he notes the changes - social, political, technological, that keep pace with the rapid development of the genre; and, in particular he shows how the unprecedented advances and inventions of the 19th century provided ideas and reasons for projections of world states, vast flying machines, perfectly planned cities, and universal peace.

It is remarkable how persistent a "minor" writer may be. He may lack the large vision and universal message of the great writer, but instead possess a clear, true, intense view of particular places, peoples, and situations that renders his work unique and irreplacable. Lafcadio Hearn (1850-1904) is such a figure in American literature. Best known as a scholar of Japanese culture, Hearn was a remarkable journalist, translator, travel writer, and perhaps second only to Poe in the literature of the macabre and supernatural. Hearn's life, as strange and colorful as his work, is brilliantly recounted in Elizabeth Stevenson's sensitive and sympathetic biography. The range of Hearn's writing is reflected in the peripatetic course of his life. The son of an Irish father and a Greek mother, he was born on the Ionian island of Leucadia, was raised in Dublin, and came to America at the age of nineteen. His early career was spent as a journalist. Without a trace of condescension or pity he entered into the lives of the dock workers of Cincinnati, the Creoles of New Orleans and Martinique, and later the common villagers of Japan, describing how they lived and worked and what they believed. No mere seeker after the exotic, Hearn's immersion in Japanese culture following his emigration in 1890 was born of a profound affinity of mind and sensibility. In Japan, the clarity and force of his expression matured. Here Hearn found a beautifully ordered, artistically sensitive society, but one indifferent to individualism. In later years, he saw a society also increasingly susceptible to modern forces of authoritarianism, militarism, and xenophobia. Horrified by the dehumanizing potential of these forces, in East and West alike, Hearn remained acutely sensitive to the most minute experience. His study of Japanese folklore and his retelling of its tales and ghost stories combine insight into the universals of the larger human world with an exquisite appreciation of how small things matter. Elizabeth Stevenson's book is as much about the writer as the man. While giving an accurate measure of the scale of Hearn's achievement, she makes a compelling case for its artistry. Her reading demonstrates that his writings are not mere aids to the understanding of various cultures but ends in themselves. Hearn did not just translate the folklore of other cultures, he recreated it. "The Grass Lark" will interest literary scholars, American studies specialists, and folklorists.

English Stage Comedy 1490-1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Alexander Leggatt demonstrates that an examination of comedy as a 'genre' can tell us much about the relationships between literature and society. English Stage Comedy 1490-1990 surveys five centuries of classic comic drama, focusing on major playwrights such as:
* Shakespeare
* Jonson
* Etherege
* Wycherley
* Congreve
* Vanbrugh
* Goldsmith
* Sheridan
* Wilde
* Shaw
* Coward
* Orton
* Ayckbourn

Makes available research from international experts
This "Encyclopedia" gathers, for the first time, information not easily found elsewhere without extensive research. The material has been distilled from a variety of sources by over 200-internationally recognized contributors-including such leading Whitman scholars as James E. Miller, Jr., Roger Asselineau, Betsy Erkkila, and Joel Myerson. Writing under the guidance of a distinguished 11-member advisory board, they provide unprecedented access to important information about Whitman.
Comprehensive A-to-Z coverage of more than 750 topics
In all, the volume comprises more than 750 signed entries arranged in convenient alphabetical format. Coverage includes:
*Biographical Information-all names, dates, places, and events important to understanding Whitman's life and career.
*Whitman's Works-essays on all eight editions of "Leaves of Grass," major poems and poem clusters, principal essays and prose works, as well as his more than two dozen short stories and the novel, "Franklin Evans."
*Prominent Themes and Concepts-essays on such major topics as democracy, slavery, the Civil War, immortality, sexuality, and the women's rights movement.
*Significant Forms and Techniques-such as prosody, symbolism, free verse, and humor.
*Important Trends and Critical Approaches in Whitman Studies-including New Historicist and cultural criticism, psychological explorations, and controversial issues of sexual identity.
*Surveys of Whitman's International Impact-as well as an assessment of his literary legacy.
A user-friendly guide
Useful for students, researchers, librarians, teachers, and Whitmandevotees, this volume features extensive cross-references, numerous photographs of the poet, a chronology, a special appendix section tracking the poet's genealogy, and a thorough index. Each entry includes a bibliography for further study.

Lyric Incarnate examines the plays of Aleksandr Blok, the pre-eminent poet of Russian Symbolism and one of the greatest poets of the twentieth century. Blok's plays have received less attention than his poetry in the West, and this book is the first and only English-language monograph devoted to Blok the playwright. In chronological succession, each of Blok's major plays is examined in detail. Special attention is accorded to Blok's relations with the major directors of his time, particularly Meyerhold and Stanislavsky. Blok's role, for instance, in Meyerhold's formulation of the theatre of the grotesque proved to be critical, and his relation to the Moscow Art Theatre just before the October Revolution helped to define the future course of that theatre. Blok's innovative dramatic technique is carefully studied at each stage in his career, from his earliest "lyric dramas," such as A Puppet Show and The Stranger, to his great tragedy The Rose and the Cross.

Provides essays on the careers, works and backgrounds of the 150 poets and over 1000 poems that are included in the Library of America anthology (1-57958-034-3). It also provides entries on specialized categories of 19th-century verse, such as hymns, folk ballads, spirituals, Civil War songs and Native American poetry. The entries, besides presenting essential factual information, amount to in-depth critical essays. A bibliography at the end of each entry directs readers to other key works by and about the poet. The encyclopaedia is keyed to the contents of the Library of America anthology.

This is the first collection that documents a comprehensive range of material from Marshall's own lifetime. Alfred Marshall is one of the most important figures in the history of economics. Although there are several collections which draw together parts of the vast critical literature that has developed on Marshall in the twentieth century, this extensive set is the first to cover the whole of Marshall's career, and draws on a very wide range of sources, many of which are extremely rare. It includes: * a selection of Marshall's own writings not previously reprinted * press reviews of Marshall's writings, including reviews of both his major and minor books, and review notices of articles and addresses * biographical material from contemporary Who's Who publications and obituaries

This three-volume set brings together all that Samuel Richardson himself published on the composition, printing and interpretation of "Clarissa". The various short works reveal Richardson's reactions to the concerns and issues raised by contemporary readers.

The author argues that in order to appreciate the extraordinary application and industry of Wordsworth, one does not need to risk forgetting the extraordinariness of Coleridge's bursts of creativity and, in order to appreciate Coleridge, one does not need to simultaneously react against a 'dull', 'dutiful' Wordsworth. The book is divided into two parts to acknowledge the dichotomy between the methodologies of Wordsworth and Coleridge - one efficient the other inefficient. In the opinion of many, each was the other's most reliable and powerful source of creative inspiration.

Series Information:
Collected Critical Heritage II

This individual volume covers American novelist Mark Twain. The 42 volumes that comprise the series covering 19th and 20th-century European and American authors are available as a complete set, mini boxed sets (by theme) or as individual volumes. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

This individual volume covers American novelist Stephen Crane. The 42 volumes that comprise the series covering 19th and 20th-century European and American authors are available as a complete set, mini boxed sets (by theme) or as individual volumes. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

The "Collected Critical Heritage II" series comprises 40 volumes covering 19th and 20th century European and American authors. These volumes are available as a complete set, mini box sets (by theme) or as individual volumes. The series gathers together a large body of critical figures in literature. These sources include contemporary reviews from both popular and literary media. In these students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers, or what Ibsen's "Doll's House" meant to the early women's movement. The series also includes little-published documentary material such as diaries and correspondence - often between authors and their publishers and critics - and significant pieces of criticism from later periods to demonstrate how an author's reputation changed over time. This volume is devoted to William Carlos Williams

This individual volume covers American novelist Fenimore Cooper. The 42 volumes that comprise the series covering 19th and 20th-century European and American authors are available as a complete set, mini boxed sets (by theme) or as individual volumes. The "Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include: contemporary reviews from both popular and literary media in which students can read about how "Lady's Chatterly's Lover" shocked contemporary reviewers or what Ibsen's "Doll's House" meant to the early women's movement. Little-published documentary material such as diaries and correspondence - often between authors and their publishers, as well as pieces of criticism from later periods that demonstrate how an author's reputation changed over time, are also incorporated into the text.

This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes.
This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995.

The "Collected Critical Heritage II" comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxes sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of "Critical Heritage" published by Routledge in October 1995. "The Critical Heritage" series gathers together a large body of critical figures in literature. These selected sources include contemporary reviews from both popular and literary media. This volume covers the American poet, Walt Whitman.