Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Blending Solution creates smooth colour transitions and extends and enhances colours when working with inks.

Designed to work alongside Jackson's Alcohol Inks, these colours are fast-drying and highly saturated, producing vibrant effects on a variety of surfaces, including glass, metal, plastic, ceramic, stone, resin, clay, and more. Coated papers are also a popular surface.

Warnings:
Contains substances that can cause serious damage to the environment.
Contains flammable chemicals or substances that can ignite.
Contains substances dangerous to health that may cause irritation, dizziness, or allergic reactions.

Rohrer & Klingner pigmented calligraphy ink is produced with modern raw materials, namely acrylic resin and highly pigmented colourants. The resin is translucent and resistant against amber discoloration and age. The inks have been formulated with carefully chosen pigments to ensure maximum brilliance of colour and excellent lightfastness.

The 24 classical and modern colours are ideal for drawing, calligraphy, and wet-in-wet watercolour painting. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm, and airbrush.

Rohrer & Klingner was established in 1892 by Johann Adolf Rohrer in Leipzig, Germany, and remains one of Europe’s premier ink and tusche producers. The company boasts a fifth generation of lithography specialists and a team that has a passion for manufacturing high specification ink. Following well established recipes, each bottle of ink is produced by hand, combining naturally binding, renewable materials with the respective colourant.

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

Montana GOLD has a specially developed low-pressure system which guarantees maximum accuracy to meet the highest requirements while giving professional results. The result is a high-covering and quick-drying acrylic lacquer. Montana GOLD allows for a new level of ease and control when painting with spray cans, with no cracking or colour bleaching. The low pressure system allows perfect handling. The Montana Level Caps were precisely developed for the new low pressure system, allowing even and clean lines with the highest efficiency and accuracy. Spray widths from 0.4cm up to 25cm can be achieved depending on the users skill and experience. The lacquer of the Montana GOLD assures excellent longevity. There is no bleaching - the colour of the lacquer remains bright and full with lasting saturation and sheen. The acrylic base works perfectly on flexible surfaces such as canvas, with no cracking when dry.

Montana GOLD has a specially developed low-pressure system which guarantees maximum accuracy to meet the highest requirements while giving professional results. The result is a high-covering and quick-drying acrylic lacquer. Montana GOLD allows for a new level of ease and control when painting with spray cans, with no cracking or colour bleaching. The low pressure system allows perfect handling. The Montana Level Caps were precisely developed for the new low pressure system, allowing even and clean lines with the highest efficiency and accuracy. Spray widths from 0.4cm up to 25cm can be achieved depending on the users skill and experience. The lacquer of the Montana GOLD assures excellent longevity. There is no bleaching - the colour of the lacquer remains bright and full with lasting saturation and sheen. The acrylic base works perfectly on flexible surfaces such as canvas, with no cracking when dry.

Montana GOLD has a specially developed low-pressure system which guarantees maximum accuracy to meet the highest requirements while giving professional results. The result is a high-covering and quick-drying acrylic lacquer. Montana GOLD allows for a new level of ease and control when painting with spray cans, with no cracking or colour bleaching. The low pressure system allows perfect handling. The Montana Level Caps were precisely developed for the new low pressure system, allowing even and clean lines with the highest efficiency and accuracy. Spray widths from 0.4cm up to 25cm can be achieved depending on the users skill and experience. The lacquer of the Montana GOLD assures excellent longevity. There is no bleaching - the colour of the lacquer remains bright and full with lasting saturation and sheen. The acrylic base works perfectly on flexible surfaces such as canvas, with no cracking when dry.

Rohrer & Klingner pigmented calligraphy ink is produced with modern raw materials, namely acrylic resin and highly pigmented colourants. The resin is translucent and resistant against amber discoloration and age. The inks have been formulated with carefully chosen pigments to ensure maximum brilliance of colour and excellent lightfastness.

The 24 classical and modern colours are ideal for drawing, calligraphy, and wet-in-wet watercolour painting. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm, and airbrush.

Rohrer & Klingner was established in 1892 by Johann Adolf Rohrer in Leipzig, Germany, and remains one of Europe’s premier ink and tusche producers. The company boasts a fifth generation of lithography specialists and a team that has a passion for manufacturing high specification ink. Following well established recipes, each bottle of ink is produced by hand, combining naturally binding, renewable materials with the respective colourant.

Rohrer & Klingner pigmented calligraphy ink is produced with modern raw materials, namely acrylic resin and highly pigmented colourants. The resin is translucent and resistant against amber discoloration and age. The inks have been formulated with carefully chosen pigments to ensure maximum brilliance of colour and excellent lightfastness.

The 24 classical and modern colours are ideal for drawing, calligraphy, and wet-in-wet watercolour painting. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm, and airbrush.

Rohrer & Klingner was established in 1892 by Johann Adolf Rohrer in Leipzig, Germany, and remains one of Europe’s premier ink and tusche producers. The company boasts a fifth generation of lithography specialists and a team that has a passion for manufacturing high specification ink. Following well established recipes, each bottle of ink is produced by hand, combining naturally binding, renewable materials with the respective colourant.

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

Jackson’s Alcohol Inks are fast-drying, alcohol-based inks. They are highly saturated and produce vibrant effects on a variety of porous and non-porous surfaces. Popular surfaces include Yupo paper, Jackson's gesso panels, as well as glass, metal, plastic, ceramic, stone, resin, clay, and more.

You can also use Jackson’s Alcohol Inks for calligraphy work, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining.

Jackson’s Alcohol Inks are smudge-resistant and water-resistant when dry. As they are dye-based, artwork should be protected from sources of light to protect against fading. Once the colour dries it can be reworked with Jackson’s Blending Solution. This helps produce unique effects that can't be achieved with water-based mediums.

To protect works made with alcohol inks, we recommend several coats of a UV protectant, such as Krylon Kamar Varnish. Allow at least 24 hours or more for best results.

When cleaning brushes used with Jackson’s Alcohol Inks, we recommend using isopropyl alcohol or a blending solution. Clean brushes before they have the chance to dry out.

Each opaque colour has a metal ball in the bottle which mixes up the colouring agent when shaken.

A tear resistant and easy to cut polyester film for creating durable stencils that will withstand heavy handling and repeated use. (.005" medium weight)

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).

A portable tool that creates a great EDGE and will protect from overspray. Perfect for large areas and hard to get corners. Also available in 12".

Frisket : Masking Film : Roll : 63.5x914cm : Gloss

On some of these surfaces it is recommended a basecoat of the Polyurethane Primer (62.601) for best results. Premium colours are flexible and exceptionally durable and permit prolonged exposure to weather without fading or losing their brilliance. Premium colours have been formulated with micronized, permanent pigments and an extremely resistant, exterior grade hybrid resin-polyurethane base, which withstands impacts, resists chipping and cracking, as well as direct exposure to heat and outdoor elements without cracking or fading, and is fuel residue proof up to a least 35% Nitro. AV Premium colours have superior flow, they are self-levelling and brush on with exceptional ease. For airbrushing, the colours can be used directly from the bottle when using a nozzle size 0,3. For the metallic colours some dilution might be necessary, and for smaller nozzles (O.2mm or less) the use of the Reducer (62.068) may be required. The recommended compressor setting is 30-60psi (2-4 bar). The range consists of 20 bright opaque colours, 23 dazzling metallics and fluorescents, and 9 shimmering transparent Candy Colours. All colours are as suitable for detail work as for covering large surfaces and can be applied by brush as well as by airbrush. The range is complete with 8 auxiliary products including the Transparent Basecoat and the Reducer, Primer, Varnishes and Drying Retarder. For an automotive refinishing and as an extra protective final coating, we recommend a catalyzed urethane clear varnish (spray can or airbrush).