Bettina E. Schmidt explores experiences usually labelled as spirit possession, a highly contested and challenged term, using extensive ethnographic research conducted in Sao Paulo, the largest city in Brazil and home to a range of religions which practice spirit possession. The book is enriched by excerpts from interviews with people about their experiences. It focuses on spirit possession in Afro-Brazilian religions and spiritism, as well as discussing the notion of exorcism in Charismatic Christian communities. Spirits and Trance in Brazil: An Anthropology of Religious Experience is divided into three sections which present the three main areas in the study of spirit possession. The first section looks at the social dimension of spirit possession, in particular gender roles associated with spirit possession in Brazil and racial stratification of the communities. It shows how gender roles and racial composition have adapted alongside changes in society in the last 100 years. The second section focuses on the way people interpret their practice. It shows that the interpretations of this practice depend on the human relationship to the possessing entities. The third section explores a relatively new field of research, the Western discourse of mind/body dualism and the wide field of cognition and embodiment. All sections together confirm the significance of discussing spirit possession within a wider framework that embraces physical elements as well as cultural and social ones. Bringing together sociological, anthropological, phenomenological and religious studies approaches, this book offers a new perspective on the study of spirit possession.

A passionate, highly accessible clarion call to a world dangerously threatened by irrational superstitions of all kinds. 'Truly a book for our time' Steven Pinker 'In Sweden's public square, Christer Sturmark has done as much as anyone to uphold reason and humane critical thinking' Richard Dawkins 'As lucid and illuminating as it is warm and inspiring' Rebecca Goldstein In country after country, conspiracy theories and religious dogmas that once seemed to have been overtaken by enlightened thought are helping to lift authoritarian leaders into power. The effects are being felt by women, ethnic minorities, teachers, scientists and students - and by the environment, the ultimate victim of climate change denial. We need clear thinking now more than ever. Christer Sturmark is a crusading secular humanist as well as a Swedish publisher and entrepreneur, and The Flame of Reason is his manifesto for a better world. It provides a set of simple tools for clear thinking in the face of populist dogmas, anti-science attitudes and pseudo-philosophy, and suggestions for how we can move towards a new enlightenment. From truth to Quantum Physics, moral philosophy to the Myers-Briggs test, Sturmark offers a passionate defence of rational thought, science, tolerance and pluralism; a warm and engaging guide for anyone who wants to better navigate the modern world. Translated by and co-written with Douglas Hofstadter, celebrated cognitive scientist, physicist and author of Godel, Escher, Bach.

This book focuses on Abraham Abulafia's esoteric thought in relation to Maimonides, Maimonideans, and Islamic thought in the line of Leo Strauss' theory of the history of philosophy. A survey of Abulafia's sources leads into an analysis of the esoteric meaning on the famous parable of the three rings, considering also the possible connection between this parable, which Abdulafia inserted into a book dedicated to his student, the 13th century rabbi Nathan the wise, and the Lessing's Play "Nathan the Wise." The book also examines Abulafia's universalistic understanding of the nature of the Bible, the Hebrew language, and the people of Israel (or the Sinaic revelation). The universal aspects of Abulafia's thought have been put in relief against the more widespread Kabbalistic views which are predominantly particularistic. A number of texts have also been identified here for the first time as authored by Abulafia.

For some eighty-five years--between, roughly, 1725 and 1810--the American colonies were agitated by what can only be described as a revolutionary movement. This was not the well-known political revolution that culminated in the War of Independence, but a revolution in religious and ethical thought. Its proponents called their radical viewpoint "deism." They challenged Christian orthodoxy and instead endorsed a belief system that celebrated the power of human reason and saw nature as God's handiwork and the only revelation of divine will. This illuminating discussion of American deism presents an overview of the main tenets of deism, showing how its influence rose swiftly and for a time became a highly controversial subject of debate in the colonies. The deists were students of the Enlightenment and took a keen interest in the scientific study of nature. They were thus critical of orthodox Christianity for its superstitious belief in miracles, persecution of dissent, and suppression of independent thought and expression. At the heart of his book are profiles of six "rational infidels," most of whom are quite familiar to Americans as founding fathers or colonial patriots: Benjamin Franklin (the ambivalent deist), Thomas Jefferson (a critic of Christian supernaturalism but an admirer of its ethics), Ethan Allen (the rough-edged "frontier deist"), Thomas Paine (the arch iconoclast and author of The Age of Reason), Elihu Palmer (the tireless crusader for deism and perhaps its most influential proponent), and Philip Freneau (a poet whose popular verses combined deism with early romanticism). This is a fascinating study of America's first culture war, one that in many ways has continued to this day.

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows - the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

In the beginning, darkness caused itself to explode, causing the event science calls the big bang and Christianity refers to as creation. Many have associated darkness with nothing, but author Hyginus Mathurin describes darkness as the actual primitive state of the Creator. "Evolution of Darkness" presents a revolutionary perspective on the physical development of Darkness as it creates its physical kingdom in the universe.

Mathurin is concerned with the nature of Darkness, not as the dwelling place of the Creator, but as the actual Creator. He takes a bold step to declare that the universe is the actual Evolution of Darkness.

"Evolution of Darkness" is a declaration that the universe is perfect and could not have existed any other way. Every act and every thought is necessary for its effective operation.