"Santo Daime: A New World Religion" deals with a young, exotic and controversial religious movement. Emerging in the Brazilian Amazon in the 1930s, Santo Daime has since spread to many of the world's major cities. Santo Daime is a mixture of indigenous, popular Catholic, Afro-Brazilian, esoteric, Spiritist, and new age beliefs and activities. Ritual practice is centred on the consumption of a psychotropic beverage called 'Daime' which members believe enhances their interaction with the supernatural world. Because Daime is treated as an illegal narcotic in many parts of the world, outside of its Brazilian homeland most Santo Daime rituals are practised clandestinely. This book unites extensive fieldwork experience with an established theoretical background and makes a significant contribution to understanding the contemporary interface of religion and late-modern society. Individualization and religious subjectivism, pluralization and religious hybridism, transformation and detraditionalization, globalization and religious identity, and commoditization and religious consumption are among the many issues engaged by this book. "Santo Daime: A New World Religion" is an accessible and multi-disciplinary book suitable for undergraduate students and researchers working in Religious Studies, Sociology of Religion, Anthropology, Cultural Studies and Latin American Studies.

Shawn wrote this book based upon his life experiences as a struggling business owner trying to remain spiritually grounded in 2013. His personal relations with an angel appearing as his ex-girlfriend had a profound impact on his life. He felt driven to share this unique story with the world. He lives eight months out of the year in Homer Glen, Illinois. The extended winter months, he lives at different locations in Hawaii. His personal life is always an adventure. He enjoys spending time with the angels, while doing his best to stay on a clairvoyant path. Dream and reality merge, and "Dreamality" forms while experiencing God's pace in his life.

In Algonquin Indian lore, Manitou is a supernatural power that permeates the world, a power that can assume the form of a deity referred to as The Great Manitou or The Great Spirit, creator of all things and giver of life. In that sense, Manitou can be considered the counterpart of the Christian God. From early times, the belief in Manitou extended from the Algonquins in Eastern Canada to other tribal nations--the Odawa, Ojibwa, Oglala, and even the Cheyenne in the Western plains. As European settlers made their way across the land, the confrontation between Christianity and Native American religions revealed itself in various ways. That confrontation continues to this day. In Manitou and God, Thomas describes American Indian religions as they compare with principal features of Christian doctrine and practice. He traces the development of sociopolitical and religious relations between American Indians and the European immigrants who, over the centuries, spread across the continent, captured Indian lands and decimated Indian culture in general and religion in particular. He identifies the modern-day status of American Indians and their religions, including the progress Indians have made toward improving their political power, socioeconomic condition, and cultural/religious recovery and the difficulties they continue to face in their attempts to better their lot. Readers will gain a better sense of the give and take between these two cultures and the influence each has had on the other.

Monsters in Greek literature are often thought of as creatures which exist in mythological narratives, however, as this book shows, they appear in a much broader range of ancient sources and are used in creation narratives, ethnographic texts, and biology to explore the limits of the human body and of the human world. This book provides an in-depth examination of the role of monstrosity in ancient Greek literature. In the past, monsters in this context have largely been treated as unimportant or analysed on an individual basis. By focusing on genres rather than single creatures, the book provides a greater understanding of how monstrosity and abnormal bodies are used in ancient sources. Very often ideas about monstrosity are used as a contrast against which to examine the nature of what it is to be human, both physically and behaviourally. This book focuses on creation narratives, ethnographic writing, and biological texts. These three genres address the origins of the human world, its spatial limits, and the nature of the human body; by examining monstrosity in these genres we can see the ways in which Greek texts construct the space and time in which people exist and the nature of our bodies. This book is aimed primarily at scholars and students undertaking research, not only those with an interest in monstrosity, but also scholars exploring cultural representations of time (especially the primordial and mythological past), ancient geography and ethnography, and ancient philosophy and science. As the representation of monsters in antiquity was strongly influential on medieval, renaissance, and early modern images and texts, this book will also be relevant to people researching these areas.

A Wolf Song is a healing story about a multidimensional, dual-life journey of tragedy, gratitude and forgiveness. Its key characters-Hanna and Margaret; their "spirit" wolves, Nano and Nala; family members; and teacher Trudy Goodenough-meet every ten years under Trudy's guidance and the wolves' whims. The story begins at childbirth; the girls meet nearing their tenth birthday and discover their wolf spirits under a jump rope. Each chapter contains a verse which reveals the lessons of each chapter. Ordered to meet every ten years by the wolves, Hanna and Margaret meet at twenty in Wales and in New York City at thirty. Nano and Nala are not necessarily balanced. Their karmic rites spill over into the young women's lives. One of the wolf spirits wreaks havoc at a public event, and a battle between light and darkness ensues. "Lisa Osina's book brings you into an enduring balance between the physical world and the world of spirit." Lynn Andrews, shaman and author of Medicine Woman and 27 other spiritual and self-empowerment books.