Lux in Tenebris is a collection of eighteen original interdisciplinary essays that address aspects of the verbal and visual symbolism in the works of significant figures in the history of Western Esotericism, covering such themes as alchemy, magic, kabbalah, angels, occult philosophy, Platonism, Rosicrucianism, and Theosophy. Part I: Middle Ages & Early Modernity ranges from Gikatilla, Ficino, Camillo, Agrippa, Weigel, Boehme, Yvon, and Swedenborg, to celestial divination in Russia. Part II: Modernity & Postmodernity moves from occultist thinkers Schwaller de Lubicz and Evola to esotericism in literature, art, and cinema, in the works of Colquhoun, Degouve de Nuncques, Bruskin, Doitschinoff, and Perez-Reverte, with an essay on esoteric theories of colour. Contributors are: Michael J.B. Allen, Susanna Akerman, Lina Bolzoni, Aaron Cheak, Robert Collis, Francesca M. Crasta, Per Faxneld, Laura Follesa, Victoria Ferentinou, Joshua Gentzke, Joscelyn Godwin, Hans Thomas Hakl, Theodor Harmsen, Elke Morlok, Noel Putnik, Jonathan Schorsch, Gyoergy Szoenyi, Carsten Wilke, and Thomas Willard.

Witches and Warlocks of New York is a collection of legends and historical accounts about witches and warlocks from the Empire State. This will be the second in a series (the first being Massachusetts publishing September 1, 2021). New York has a surprisingly rich history of witches and witchcraft. These stories are known locally in the towns where they occurred but have never been collected into one book before. Included are a history and origins of witchcraft in New York State and historical tales of "witches" across the state including Hulda and the thirteen Witches of the Catskills.

A radically new way of understanding secularism which explains why being secular can seem so strangely religious For much of America’s rapidly growing secular population, religion is an inescapable source of skepticism and discomfort. It shows up in politics and in holidays, but also in common events like weddings and funerals. In The Secular Paradox, Joseph Blankholm argues that, despite their desire to avoid religion, nonbelievers often seem religious because Christianity influences the culture around them so deeply. Relying on several years of ethnographic research among secular activists and organized nonbelievers in the United States, the volume explores how very secular people are ambivalent toward belief, community, ritual, conversion, and tradition. As they try to embrace what they share, secular people encounter, again and again, that they are becoming too religious. And as they reject religion, they feel they have lost too much. Trying to strike the right balance, secular people alternate between the two sides of their ambiguous condition: absolutely not religious and part of a religion-like secular tradition. Blankholm relies heavily on the voices of women and people of color to understand what it means to live with the secular paradox. The struggles of secular misfits—the people who mis-fit normative secularism in the United States—show that becoming secular means rejecting parts of life that resemble Christianity and embracing a European tradition that emphasizes reason and avoids emotion. Women, people of color, and secular people who have left non-Christian religions work against the limits and contradictions of secularism to create new ways of being secular that are transforming the American religious landscape. They are pioneering the most interesting and important forms of secular “religiosity” in America today.

The Jewel of Annual Astrology is an encyclopaedic treatise on Tajika or Sanskritized Perso-Arabic astrology, dealing particularly with the casting and interpretation of anniversary horoscopes. Authored in 1649 CE by Balabhadra Daivajna, court astrologer to Shah Shuja' - governor of Bengal and second son of the Mughal emperor Shah Jahan - it casts light on the historical development of the Tajika school by extensive quotations from earlier works spanning five centuries. With this first-ever scholarly edition and translation of a Tajika text, Martin Gansten makes a significant contribution not only to the study of an important but little known knowledge tradition, but also to the intellectual historiography of Asia and the transmission of horoscopic astrology in the medieval and early modern periods.

This book examines Sami shamanism in Norway as a uniquely distinctive local manifestation of a global new religious phenomenon. It takes the diversity and hybridity within shamanic practices seriously through case studies from a Norwegian setting and highlights the ethnic dimension of these currents, through a particular focus on Sami versions of shamanism. The book's thesis is that the construction of a Sami shamanistic movement makes sense from the perspective of the broader ethno-political search for a Sami identity, with respect to connections to indigenous peoples worldwide and trans-historically. It also makes sense in economic and marketing terms. Based on more than ten years of ethnographic research, the book paints a picture of contemporary shamanism in Norway in its cultural context, relating it both to the local mainstream cultures in which it is situated and to global networks. By this, the book provides the basis for a study revealing the development of inventiveness, nuances and polyphony that occur when a global religion of shamanism is merged in a Norwegian setting, colored by its own political and cultural circumstances.