Jill Dudley describes how Apollo came to Delphi and killed the Python/Dragoness, then claimed for himself the magnificent sacred site on the foothills of Mt. Parnassus. She describes some of the more important buildings, and writes about the ancient ritual of enquiry; she also lists some of the oracle's responses, including those regarding Christianity. It is as it says on the back cover: All you need to know about the sacred site, its myths, legends and its gods.

Most people have heard of the Judgement of Paris, but who was Paris? Why was there a judgement, and what or who was he judging? The answers to these questions are to be found in this Put it in Your Pocket booklet.

Most people have heard of Odysseus from Homer's Odyssey, but few know who he was or where he came from, or what part he played in the Trojan War. In this sixth Put it in Your Pocket booklet his cunning and heroism are described, as are the adventures he experienced on his homeward journey, each one testing his strength and endurance to their limit

'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.

Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

God is unbounded. God became flesh. While these two assertions are equally viable parts of Western Christian religious heritage, they stand in tension with one another. Fearful of reducing God's majesty with shallow anthropomorphisms, philosophy and religion affirm that God, as an eternal being, stands wholly apart from creation. Yet the legacy of the incarnation complicates this view of the incorporeal divine, affirming a very different image of God in physical embodiment. While for many today the idea of an embodied God seems simplisticaeven pedestrianaChristoph Markschies reveals that in antiquity, the educated and uneducated alike subscribed to this very idea. More surprisingly, the idea that God had a body was held by both polytheists and monotheists. Platonic misgivings about divine corporeality entered the church early on, but it was only with the advent of medieval scholasticism that the idea that God has a body became scandalous, an idea still lingering today. In God's Body Markschies traces the shape of the divine form in late antiquity. This exploration follows the development of ideas of God's corporeality in Jewish and Greco-Roman traditions. In antiquity, gods were often like humans, which proved to be important for philosophical reflection and for worship. Markschies considers how a cultic environment nurtured, and transformed, Jewish and Christian descriptions of the divine, as well as how philosophical debates over the connection of body and soul in humanity provided a conceptual framework for imagining God. Markschies probes the connections between this lively culture of religious practice and philosophical speculation and the christological formulations of the church to discover how the dichotomy of an incarnate God and a fleshless God came to be. By studying the religious and cultural past, Markschies reveals a Jewish and Christian heritage alien to modern sensibilities, as well as a God who is less alien to the human experience than much of Western thought has imagined. Since the almighty God who made all creation has also lived in that creation, the biblical idea of humankind as image of God should be taken seriously and not restricted to the conceptual world but rather applied to the whole person.

Exploring Greek Myth offers an extensive discussion of variant forms of myths and lesser-known stories, including important local myths and local versions of PanHellenic myths. Clark also discusses approaches to understanding myths, allowing students to gain an appreciation of the variety in one volume. * Guides students from an introductory understanding of myths to a wide-ranging exploration of current scholarly approaches on mythology as a social practice and as an expression of thought * Written in an informal conversational style appealing to students by an experienced lecturer in the field * Offers extensive discussion of variant forms of myths and many lesser known, but deserving, stories * Investigates a variety of approaches to the study of myth including: the sources of our knowledge of Greek myth, myth and ritual in ancient Greek society, comparative myth, myth and gender, hero cult, psychological interpretation of myth, and myth and philosophy * Includes suggestions in each chapter for essays and research projects, as well as extensive lists of books and articles for further reading * The author draws on the work of many leading scholars in the field in his exploration of topics throughout the text

The Greek myths are characteristically fabulous; they are full of monsters, metamorphoses, and the supernatural. However, they could be told in other ways as well. This volume charts ancient dissatisfaction with the excesses of myth, and the various attempts to cut these stories down to size by explaining them as misunderstood accounts of actual events. In the hands of ancient rationalizers, the hybrid forms of the Centaurs become early horse-riders, seen from a distance; the Minotaur the result of an illicit liaison, not an inter-species love affair; and Cerberus, nothing more than a notorious snake with a lethal bite. Such approaches form an indigenous mode of ancient myth criticism, and show Greeks grappling with the value and utility of their own narrative traditions. Rationalizing interpretations offer an insight into the practical difficulties inherent in distinguishing myth from history in ancient Greece, and indeed the fragmented nature of myth itself as a conceptual entity. By focusing on six Greek authors (Palaephatus, Heraclitus, Excerpta Vaticana, Conon, Plutarch, and Pausanias) and tracing the development of rationalistic interpretation from the fourth century BC to the Second Sophistic (first to second centuries AD) and beyond, Rationalizing Myth in Antiquity shows that, far from being marginalized as it has been in the past, rationalization should be understood as a fundamental component of the pluralistic and shifting network of Greek myth as it was experienced in antiquity.

Readers coming to the Odyssey for the first time are often dazzled and bewildered by the wealth of material it contains which is seemingly unrelated to the central story: the main plot of Odysseus' return to Ithaca is complicated by myriad secondary narratives related by the poet and his characters, including Odysseus' own fantastic tales of Lotus Eaters, Sirens, and cannibal giants. Although these 'para-narratives' are a source of pleasure and entertainment in their own right, each also has a special relevance to its immediate context, elucidating Odysseus' predicament and also subtly influencing and guiding the audience's reception of the main story. By exploring variations on the basic story-shape, drawing on familiar tales, anecdotes, and mythology, or inserting analogous situations, they create illuminating parallels to the main narrative and prompt specific responses in readers or listeners. This is the case even when details are suppressed or altered, as the audience may still experience the reverberations of the better-known version of the tradition, and it also applies to the characters themselves, who are often provided with a model of action for imitation or avoidance in their immediate contexts.

Originally published in 1921, this book was written by Jane Ellen Harrison (1850-1928). A pioneering British classical scholar and linguist, she was also prominent in the development of the early feminist movement. The text summarises the results of Harrison's work on the origins of Greek religion and indicates the bearing of these results on modern religious questions. It is divided into three main sections: 'Primitive ritual', Primitive theology', and 'The religion of to-day'. Notes are incorporated throughout. This book will be of value to anyone with an interest in the works of Harrison, anthropology and Ancient Greece.

Sanctuaries were at the heart of Greek religious, social, political, and cultural life, however, we have a limited understanding of how sanctuary spaces, politics, and rituals intersected in the Greek cities of the Hellenistic and Republican periods. This edited collection focuses on the archaeological material of this era and how it can elucidate the complex relationship between the various forces operating on, and changing the physical space of, sanctuaries. Material such as archaeological remains, sculptures, and inscriptions provides us with concrete evidence of how sanctuaries functioned as locations of memory in a social environment dominated by the written word, and gives us insight into political choices and decisions. It also reveals changes unrecorded in surviving local or political histories. Each case study explored by this volume's contributors employs archaeology as the primary means of investigation: from art-historical approaches, to surveys and fieldwork, to re-evaluation of archival material. Hellenistic Sanctuaries represents a significant contribution to the existing bibliography on ancient Greek religion, history, and archaeology, and provides new ways of thinking about politics, rituals, and sanctuary spaces in Greece.

Originally published in 1934, this book contains the Cromer Greek Prize-winning essay for that year on the subject of the still little-understood Greek religion Orphism. Watmough examines Orpheus and Orphism through a distinctly Protestant lens, arguing that both were religions 'of reform' sharing similar views on asceticism and the wages of sin in the afterlife. This book will be of value to anyone with an interest in Greek mysticism and ancient religion.

The heroic story of the only female Argonaut, told by Jennifer Saint, the bestselling author of ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021). 'A brilliant read' Women & Home | 'A spirited retelling' Times | 'Beautiful and absorbing' Fabulous | 'A vivid reimagining of Greek mythology' Harper's Bazaar | 'Jennifer Saint has done an incredible job' Red When a daughter is born to the King of Arcadia, she brings only disappointment. Left exposed on a mountainside, the defenceless infant Atalanta is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis. Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forest to join Jason's band of Argonauts. But can she carve out her own place in the legends in a world made for men? Praise for Jennifer Saint's books: 'A lyrical, insightful re-telling' Daily Mail 'Relevant and revelatory' Stylist 'Energetic and compelling' Times 'An illuminating read' Woman & Home 'A story that's impossible to forget' Culturefly

Animal sacrifice has been critical to the study of ancient Mediterranean religions since the nineteenth century. Recently, two theories have dominated the subject of sacrifice: the psychological and ethological approach of Walter Burkert and the sociological and cultural approach of Jean-Pierre Vernant and Marcel Detienne. These writers have argued that sacrifice allays feelings of guilt at the slaughter of sacrificial animals and that it promotes solidarity. None of them leaves much room for the role of priests or gods, or compares animal sacrifice to other oblations offered to the gods. F. S. Naiden redresses the omission of these features to show that, far from being an attempt to assuage guilt or foster solidarity, animal sacrifice is an attempt to make contact with a divine being, and that it is so important-and perceived to be so risky-for the worshippers that it becomes subject to regulations of unequaled extent and complexity. Smoke Signals for the Gods addresses these regulations as well as literary texts, while drawing on recent archaeological work on faunal remains. It also seeks to explain how mistaken views of sacrifice arose, and traces them as far back as early Christianity. This many-sided study provides a new picture of ancient Greek animal sacrifice and of the religion of which sacrifice was a part.

Originally published in 1902, this book provides an extensive survey of the tradition of votive offerings in ancient Greece. Rouse details the various motives behind offerings, including propitiation, tithes, and domestic purposes, drawing on the evidence of inscriptions and ancient eyewitnesses, and also examines ancient votive formulae. Thirteen indices containing an exhaustive list of epigraphical references to votive offerings at various shrines are also included. This well-written and richly-illustrated book will be of value to anyone with an interest in ancient Greek religion and the history of votive offerings.

Myths are not simple narrative plots. In ancient Greece, as in other traditional societies, these tales existed only in the poetic or artistic forms in which they were set down. To read them from an anthropological point of view means to study their meaning according to their forms of expression - epic recitation, ritual celebration of the victory of an athlete, tragic performance, erudite Alexandrian poetry, antiquarian prose text; in other words, to study the functions of Greek myths in their permanent retelling and reshaping. Falling between social reality and cultural fiction, Greek myths were evolving creations, constantly adapting themselves to new conditions of performance. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame presents an overview of Greek mythology as a category inseparable from the literature in which so much of it is found. The French edition of this book was first published in 2000.

The 'Orphic' gold tablets, tiny scraps of gold foil found in graves throughout the ancient Greek world, are some of the most fascinating and baffling pieces of evidence for ancient Greek religion. This collection brings together a number of previously published and unpublished studies from scholars around the world, making accessible to a wider audience some of the new methodologies being applied to the study of these tablets. The volume also contains an updated edition of the tablet texts, reflecting the most recent discoveries and accompanied by English translations and critical apparatus. This survey of trends in the scholarship, with an up-to-date bibliography, not only provides an introduction to the serious study of the tablets, but also illuminates their place within scholarship on ancient Greek religion.

First published in 1900, this book contains the text of two lectures delivered at the Royal Institution of Great Britain on the subject of the temples of Asklepios found in Athens and Epidauros. The text is accompanied by photographs of statuary and buildings from both sites, as well as drawings with suggested reproductions of how the temples would have looked in antiquity. This book will be of value to anyone with an interest in ancient religion.

This book examines the fragmentary and contradictory evidence for Orpheus as the author of rites and poems to redefine Orphism as a label applied polemically to extra-ordinary religious phenomena. Replacing older models of an Orphic religion, this richer and more complex model provides insight into the boundaries of normal and abnormal Greek religion. The study traces the construction of the category of 'Orphic' from its first appearances in the Classical period, through the centuries of philosophical and religious polemics, especially in the formation of early Christianity and again in the debates over the origins of Christianity in the nineteenth and twentieth centuries. A paradigm shift in the study of Greek religion, this study provides scholars of classics, early Christianity, ancient religion and philosophy with a new model for understanding the nature of ancient Orphism, including ideas of afterlife, cosmogony, sacred scriptures, rituals of purification and initiation, and exotic mythology.

Originally published in 1926, this book contains the ancient Greek text of the fourth-century treatise Concerning the Gods and the Universe by Sallustius. Nock provides an English translation on each facing page, as well as a critical apparatus and a detailed set of prolegomena on the historical background, sources, style and transmission of the philosophical essay. This book will be of value to anyone with an interest in late Roman philosophy and in the pagan response to early Christianity.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

SHORTLISTED FOR THE 2017 MERCURY MUSIC PRIZE Let Them Eat Chaos, Kae Tempest's new long poem written for live performance and heard on the album release of the same name, is both a powerful sermon and a moving play for voices. Seven neighbours inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and, one by one, we see directly into their lives: lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other - and their last chance to connect. Tempest argues that our alienation from one another has bred a terrible indifference to our own fate, but they counters this with a plea to challenge the forces of greed which have conspired to divide us, and mend the broken home of our own planet while we still have time. Let Them Eat Chaos is a cri de coeur and a call to action, and, both on the page and in Tempest's electric performance, one of the most powerful poetic statements of the year.

Greek myth has played an unparalleled role in the formation of Western visual traditions, for which it has provided a nearly inexhaustible source of forms, symbols, and narratives. This richly illustrated book examines the legacy of Greek mythology in Western art from the classical era to the present. It reveals the range and variety with which individual Greek myths, motifs, and characters have been treated throughout the history of the visual arts in the West. Tracing the emergence, survival, and transformation of key mythological figures and motifs from ancient Greece through the modern era, it explores the enduring importance of such myths for artists and viewers in their own time and over the millennia that followed.

From the age of Homer until late antiquity the culture of ancient Greece and Rome was permeated by images of Greek myths. Gods and heroes were represented as statues, on vase and wall paintings, on temples, on sarcophagi as well as on other media. This book offers, for the first time, a concise introduction into the interpretation of images of Greek myths. Its main aim is to make the pictorial versions of the myths comprehensible on their own terms. Ancient artists were well aware of the potential but also the limitations of these 'silent' images and of the strategies that made them 'speak' to the audience/viewer. The book combines detailed explanation of theoretical and methodological issues with exhaustive discussion of case studies. It will be useful and stimulating for all undergraduate and graduate students taking courses in classical mythology and ancient art."