Myths are not simple narrative plots. In ancient Greece, as in other traditional societies, these tales existed only in the poetic or artistic forms in which they were set down. To read them from an anthropological point of view means to study their meaning according to their forms of expression - epic recitation, ritual celebration of the victory of an athlete, tragic performance, erudite Alexandrian poetry, antiquarian prose text; in other words, to study the functions of Greek myths in their permanent retelling and reshaping. Falling between social reality and cultural fiction, Greek myths were evolving creations, constantly adapting themselves to new conditions of performance. Using myths such as those of Persephone, Bellerophon, Helen and Teiresias, Claude Calame presents an overview of Greek mythology as a category inseparable from the literature in which so much of it is found. The French edition of this book was first published in 2000.

Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns. Featuring contributions by an international group of scholars from a number of disciplines, the volume offers a cutting-edge, interdisciplinary approach to contemporary literature from around the world. Analysing a range of significant authors and works, not usually brought together in one place, the book introduces readers to some less-familiar fiction, while demonstrating the central place that classical literature can claim in the global literary curriculum of the third millennium. The modern fiction covered is as varied as the acclaimed North American television series The Wire, contemporary Arab fiction, the Japanese novels of Haruki Murakami and the works of New Zealand's foremost Maori writer, Witi Ihimaera.

Find out what happened when King Midas was granted his wish, how Icarus flew too close to the sun, and relive the adventures of Jason and the Argonauts in these stories of love, betrayal, infatuation and punishment. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Greek myths have been part of Western culture since they were first set down by the ancients and, as there is no one definitive account, the stories have been ripe for reinterpretation through the centuries. Classicist and writer Jean Menzies has brought together fifteen retellings of famous myths from the likes of Andrew and Jean Lang, Nathaniel Hawthorne and Emilie Kip Baker, each chosen for its clarity and vivacity. The result? An enlightening and lively volume of stories and a treat for all fans of Greek mythology.

In this book, Jo Graham introduces you to the history and mythology of seven Hellenistic goddesses and teaches you how to work with each one in your spiritual practice. With the help of these powerful deities, you can improve your luck, resilience, teamwork, transformation, and more. Through stories, journal prompts, meditations, and rituals, Jo encourages you to explore your personal connection to each goddess. Draw on Athena's wisdom to bring clarity to your endeavors. Embody the power of a ruling queen with a rite to honor Atargatis. And, enjoy all shades of love under Aphrodite's guidance. With this book, you can apply the ancient but still relevant lessons of Tyche, Isis, Epona, Cebele, and others for a more inspired devotional experience and empowered life.

Who was Pandora and what was in her famous box? How did Achilles get his Achilles heel? What exactly is a Titan? And why is one computer virus known as a Trojan horse? The myths of ancient Greece and Rome can seem bewilderingly complex, yet they are so much a part of modern life and discourse that most of us know fragments of them. This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth. Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

**The mesmerising retelling from the woman at the heart of one of Ancient Greece's most famous myths.** 'I absolutely adored this book and am encouraging everyone I know to buy a copy.' REAL READER REVIEW 'The last few pages will easily become tear soaked. I loved every minute of this book' REAL READER REVIEW 'A lyrical, insightful re-telling' - Daily Mail 'If you like Madeline Miller's Circe and Song of Achilles, you will eat up Ariadne [. . .] Saint makes it a page-turner' - Glamour 'Exquisitely written and exceptionally moving, this is a mythical retelling to savour.' - Elodie Harper, author of THE WOLF DEN 'ARIADNE gives voice to the misused Princess of Crete who betrayed her father to save Theseus from the Minotaur. Relevant and revelatory.' - Stylist Ariadne, Princess of Crete and daughter of the fearsome King Minos, grows up hearing stories of gods and heroes. But beneath the golden palace something else stirs, the hoofbeats and bellows echoing from the Labyrinth below. Every year its captive, the Minotaur - Ariadne's brother - demands blood. When Theseus, Prince of Athens, arrives as a sacrifice to the beast, Ariadne sees in him her chance to escape. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that drawing the attention of the mercurial gods may cost her everything. In a world where women are nothing more than the pawns of powerful men, will Ariadne's decision to risk everything for love ensure her happy ending? Or will she find herself sacrificed for her lover's ambition? ARIADNE gives a voice to the forgotten women of one of the most famous Greek myths. Beautifully written and completely immersive, this exceptional debut novel is perfect for fans of CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS. 'With her wonderfully executed debut that reimagines the classic tale of Theseus, Adriane and the Minotaur, Jennifer Saint joins the likes of Madeline Miller and Pat Barker in forging mesmerising retellings of ancient Greek myths from a female perspective.' - Waterstones.com 'Saint's immersive novel thrusts the reader straight into the heart of Greek mythology with this wonderful reimagining of the story of Ariadne.' - iPaper 'What happens after the monster is defeated and the princess leaves with the hero? Jennifer Saint's ARIADNE is a shimmering tapestry of two sisters bound by deceit and the shadows of family history. . .With a fresh voice and keen insight, Saint adds flesh and bone to an ancient myth, drawing the reader into an uneasy world of ever-afters.' - Yangsze Choo, New York Times bestselling author of THE NIGHT TIGER WHAT THE READERS ARE SAYING... 'Stunning writing, fabulous storytelling and surprisingly real characters who you could empathise with' 'This is an essential book in the new and rising volume of retelling from the women's point of view - so revealing and questioning. The ending 5 pages of this book killed me.' 'So real, so matter of fact, like a good chat on a girls' night out.'

Papers collected in this volume try to illuminate various aspects of philosophical theology dealt with by different Jewish and early Christian authors and texts (e.g. the Acts of the Apostles, Philo, Origen, Gregory of Nazianzus), rooted in and influenced by the Hellenistic religious, cultural, and philosophical context, and they also focus on the literary and cultural traditions of Hellenized Judaism and its reception (e.g. Sibylline Oracles, Prayer of Manasseh), including material culture ("Elephant Mosaic Panel" from Huqoq synagogue). By studying the Hellenistic influences on early Christianity, both in response to and in reaction against early Hellenized Judaism, the volume intends not only to better understand Christianity, as a religious and historical phenomenon with a profound impact on the development of European civilization, but also to better comprehend Hellenism and its consequences which have often been relegated to the realm of political history.

This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.

Athens at the time of the Peloponnesian war was the arena for a dramatic battle between politics and religion in the hearts and minds of the people. Fear and Loathing in Ancient Athens, originally published in German but now available for the first time in an expanded and revised English edition, sheds new light on this dramatic period of history and offers a new approach to the study of Greek religion. The book explores an extraordinary range of events and topics, and will be an indispensable study for students and scholars studying Athenian religion and politics.

The dazzling companion volume to the bestselling MYTHOS. There are heroes - and then there are Greek heroes.

Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes.

In this companion to his bestselling Mythos, Stephen Fry brilliantly retells these dramatic, funny, tragic and timeless tales. Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta - who was raised by bears - outrun any man before being tricked with golden apples. Witness wily Oedipus solve the riddle of the Sphinx and discover how Bellerophon captures the winged horse Pegasus to help him slay the monster Chimera.

Heroes is the story of what we mortals are truly capable of - at our worst and our very best.

Finally sort out who's who in Greek mythology-from gods, goddesses, heroes, monsters, and everyone in between! Greek mythology continues to appear in popular movies and books today but have you ever wondered about where these characters started out? Discover the origins of your favorite characters from Greek mythology with this collection of profiles to tell you who's who in classical lore! In Greek Mythology, you will discover the backstories of the heroes, villains, gods, and goddesses that enjoy popularity in today's shows and films. With comprehensive entries that outline each character's name, roles, related symbols, and foundational myths, you can get to know the roots of these personas and better understand the stories they inspire today. With this character-focused, handy reference, you will never be confused about Ancient Greece!

Now in its eighth edition, this magisterial work offers a comprehensive survey of the stories of Greek myth, from the Olympian gods, through the lesser gods and deities, to the heroes, adventures, and foundation myths of the ancient Greek world. The Routledge Handbook of Greek Mythology sets out to provide a comprehensive history of the divine order and mythical prehistory of Greece, as systematized on a genealogical basis by Hesiod and the ancient mythographers, while also taking into account the ways in which individual myths have changed and evolved over time in different genres of literature. This new edition has been extensively rewritten and reorganized to make it more accessible to readers who may have no particular knowledge of the ancient world and Greek mythology, and to ensure that information on each myth or mythical figure is easy to find within the book. This new edition of the handbook continues to offer an essential reference resource for all students of Greek mythology, and it provides an accessible and comprehensive overview of these stories for anyone with an interest in the classical world.

Drakon: Dragon Myth and Serpent Cult in the Greek and Roman Worlds is the first substantial survey to be focally devoted to the 'dragon' or the supernatural serpent, the drakon or draco, in Greek and Roman myth and religion. Almost every major myth cycle of the Greek and Roman worlds featured a dragon-fight at its heart, including the sagas of Heracles, Jason, Perseus, Cadmus, and Odysseus. Asclepius, the single most beloved and influential of the pagan gods from the late Classical period until Late Antiquity, was often manifest as a giant serpent and even in his humanoid aspect carried a serpent on his staff. Detailed and authoritative, but lucidly presented, this volume incorporates analyses of all of antiquity's major dragon-slaying myths, and offers comprehensive accounts of the rich sources, literary and iconographic. Ogden also explores matters of cult and the initially paradoxical association of dragons and serpents with the most benign of deities, not only those of health and healing, like Asclepius and Hygieia, but also those of wealth and good luck, such as Zeus Meilichios and Agathos Daimon. The concluding chapter considers the roles of both pagan dragon-slaying narratives and pagan serpent cults in shaping the beginnings of the tradition of the saintly dragon- and serpent-slaying tales we cherish still, the tradition that culminates in our own stories of Saints George and Patrick.

Oedipus Tyrannus by the great tragedian Sophocles is one of the most famous works of ancient Greek literature. The play has always been admired for the tight unity of its plot; every bit of every scene counts towards the dramatic effect. The action is concentrated into a single day in Oedipus' life; his heinous crimes of unwittingly killing his father and marrying his mother all lie long ago in the past, and now, in the action of this one day, there awaits for him only the discovery of the truth. Oedipus is portrayed as a noble king, deeply devoted to his people and they to him. Proud of his earlier defeat of the Sphinx, he is determined to save his city once again, and he unflinchingly pursues the truth of who he is and what he has done, unaware that it will bring him to disaster. The spectators, familiar with Oedipus' story, wait in horrified suspense for that terrible moment of realisation to arrive. And when it does, Oedipus survives it: he takes full responsibility for what he has done, accepts the grief and the pain, and carries on, remaining indomitable to the end. Sophocles gives no answer as to why Oedipus is made to suffer his tragic fate. He simply shows us how human life is; how even a great and good man can be brought to the utmost misery through no fault of his own. The gods may, for no apparent reason, deal out unbelievable suffering, but humankind can survive it. Jenny March's new facing-page translation brings alive the power and complexities of Sophocles' writing, with a substantial introduction and a detailed commentary.

Was Ancient Greek religion really 'mere ritualism'? Early Christians denounced the pagans for the disorderly plurality of their cults, and reduced Greek religion to ritual and idolatry; protestant theologians condemned the pagan 'religion of form' (with Catholicism as its historical heir). For a long time, scholars tended to conceptualize Greek religion as one in which belief did not matter, and religiosity had to do with observance of rituals and religious practices, rather than with worshipers' inner investment. But what does it mean when Greek texts time and again speak of purity of mind, soul, and thoughts? This book takes a radical new look at the Ancient Greek notions of purity and pollution. Its main concern is the inner state of the individual worshipper as they approach the gods and interact with the divine realm in a ritual context. It is a book about Greek worshippers' inner attitudes towards the gods and rituals, and about what kind of inner attitude the Greek gods were envisaged to expect from their worshippers. In the wider sense, it is a book about the role of belief in ancient Greek religion. By exploring the Greek notions of inner purity and pollution from Hesiod to Plato, the significance of intrinsic, faith-based elements in Greek religious practices is revealed - thus providing the first history of the concepts of inner purity and pollution in early Greek religion.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers. This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis' role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis' mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen. Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.

The heroines of Greek tragedy presented in the plays by Aeschylus, Sophocles and Euripides have long captivated audiences and critics. In this volume each of the eleven chapters discusses one of the heroines: Clytemnestra, Hecuba, Medea, Iphigenia, Alcestis, Antigone Electra, Deianeira, Phaedra, Creusa and Helen. The book focuses on characterisation and the motivations of the women, as well as on those of the male playwrights, and offers multiple viewpoints and critiques that enable readers to understand the context of each play and form their own views. Four core themes bridge the depictions of the heroines: the socio-political dynamic of ancient Greek expectations of women and their roles in society, the conflict of masculinity versus femininity, the alternation of defiance and submission, and the interplay between deceit and rhetoric. Each chapter offers clear descriptions of plot and mythical background, and builds on the text of the plays to enable reflections on language and performance. All technical terms are explained and key topics or references are pulled out into box features that provide further background information. Discussion points at the ends of chapters enable readers to explore various topics more deeply.

Greek mythology is known to us from various artistic and literary sources. Of the latter, the poetic sources (such as Homer and tragedy) are familiar to many readers, but the prose sources are much less so. Early Greek Mythography: Volume 2 is a detailed commentary on the texts of Early GreekMythography: Volume 1, which provided a critical edition of the twenty-nine authors of this genre of Greek prose from the late sixth to the early fourth centuries BC.
After a general introduction, this volume offers in its first part a mythological commentary on the texts, arranged according to the major topics of Greek mythology (the Trojan Cycle, Herakles, the Argonauts, etc.). The aim is to recover, so far as possible, what each writer said about the stories, with full consideration of their historical context and significance for Greek literature, mythology, and religion. The synoptic, topic-by-topic approach allows all the fragments pertinent to any given myth to be treated together, so that one can more easily identify variants and trends, and plot the history of the myth. The second part of the volume is a philological commentary on the separate authors, discussing their life, works, and contribution to the genre, as well as textual problems and non-mythological questions raised by individual fragments.

Few women's voices have survived from the antiquity period, but evidence shows that, especially in the area of religion, women were influential in Greek culture. Drawing on Socrates' Symposium , Nye advances this notion by not only exploring the original religious meaning of Diotima's teaching but also how that meaning has been lost throughout time.