The Greek myths are timeless classics, whose scenes and figures have captivated us since ancient times. The gods and heroes of these legends hold up a mirror to the human condition, embodying universal characteristics and truths - whether it be the courage of Perseus, the greed of Midas, the vaulting ambition of Icarus, the vengeance of Medea, or the hubris of Niobe. These traits are the basis for immortal dramas and rich narratives, as profound as they are entertaining, which form the bedrock of our culture and literature today and remain relevant and fascinating for all readers, young and old alike. This edition contains 47 tales based on the most famous episodes in Greek mythology, from Prometheus, the Argonauts, and Theseus to the Trojan War and Homer's Odyssey. The individual texts are selected from the seminal work Sagen des klassischen Altertums (Gods and Heroes: Myths and Epics of Ancient Greece) by Gustav Schwab (1792-1850), and strikingly illustrated by 29 artists, among them outstanding representatives of the Golden Age of Book Illustration and the Arts and Crafts Movement, including Walter Crane (1845-1915), Arthur Rackham (1867-1939), William Russell Flint (1880-1969), and Virginia Frances Sterrett (1900-1930). These illustrations are complemented by scene-setting vignettes for each story and a genealogical tree of Greek gods and goddesses by Clifford Harper, commissioned especially for this volume. Placing the tales in context, the book contains a historical introduction by Dr. Michael Siebler and is rounded off with biographies of all featured artists as well as an extensive glossary of ancient Greece's most famous protagonists. The heroism, tragedy, and theater of Greek mythology glimmer through each tale in this lavishly illustrated edition, awakening the gods and heroes to new life.

Fascinating texts written on small gold tablets that were deposited in graves provide a unique source of information about what some Greeks and Romans believed regarding the fate that awaited them after death, and how they could influence it. These texts, dating from the late fifth century BCE to the second century CE, have been part of the scholarly debate on ancient afterlife beliefs since the end of the nineteenth century. Recent finds and analysis of the texts have reshaped our understanding of their purpose and of the perceived afterlife. The tablets belonged to those who had been initiated into the mysteries of Dionysus Bacchius and relied heavily upon myths narrated in poems ascribed to the mythical singer Orpheus. After providing the Greek text and a translation of all the available tablets, the authors analyze their role in the mysteries of Dionysus, and present an outline of the myths concerning the origins of humanity and of the sacred texts that the Greeks ascribed to Orpheus. Related ancient texts are also appended in English translations. Providing the first book-length edition and discussion of these enigmatic texts in English, and their first English translation, this book is essential to the study of ancient Greek religion.

The heroines of Greek tragedy presented in the plays by Aeschylus, Sophocles and Euripides have long captivated audiences and critics. In this volume each of the eleven chapters discusses one of the heroines: Clytemnestra, Hecuba, Medea, Iphigenia, Alcestis, Antigone Electra, Deianeira, Phaedra, Creusa and Helen. The book focuses on characterisation and the motivations of the women, as well as on those of the male playwrights, and offers multiple viewpoints and critiques that enable readers to understand the context of each play and form their own views. Four core themes bridge the depictions of the heroines: the socio-political dynamic of ancient Greek expectations of women and their roles in society, the conflict of masculinity versus femininity, the alternation of defiance and submission, and the interplay between deceit and rhetoric. Each chapter offers clear descriptions of plot and mythical background, and builds on the text of the plays to enable reflections on language and performance. All technical terms are explained and key topics or references are pulled out into box features that provide further background information. Discussion points at the ends of chapters enable readers to explore various topics more deeply.

The heroic story of the only female Argonaut, told by Jennifer Saint, the bestselling author of ELEKTRA (UK, Sunday Times, May 2022) and ARIADNE (UK, Sunday Times, April 2021). 'A brilliant read' Women & Home | 'A spirited retelling' Times | 'Beautiful and absorbing' Fabulous | 'A vivid reimagining of Greek mythology' Harper's Bazaar | 'Jennifer Saint has done an incredible job' Red When a daughter is born to the King of Arcadia, she brings only disappointment. Left exposed on a mountainside, the defenceless infant Atalanta is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis. Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forest to join Jason's band of Argonauts. But can she carve out her own place in the legends in a world made for men? Praise for Jennifer Saint's books: 'A lyrical, insightful re-telling' Daily Mail 'Relevant and revelatory' Stylist 'Energetic and compelling' Times 'An illuminating read' Woman & Home 'A story that's impossible to forget' Culturefly

Greek mythology is known to us from various artistic and literary sources. Of the latter, the poetic sources (such as Homer and tragedy) are familiar to many readers, but the prose sources are much less so. Early Greek Mythography: Volume 2 is a detailed commentary on the texts of Early GreekMythography: Volume 1, which provided a critical edition of the twenty-nine authors of this genre of Greek prose from the late sixth to the early fourth centuries BC.
After a general introduction, this volume offers in its first part a mythological commentary on the texts, arranged according to the major topics of Greek mythology (the Trojan Cycle, Herakles, the Argonauts, etc.). The aim is to recover, so far as possible, what each writer said about the stories, with full consideration of their historical context and significance for Greek literature, mythology, and religion. The synoptic, topic-by-topic approach allows all the fragments pertinent to any given myth to be treated together, so that one can more easily identify variants and trends, and plot the history of the myth. The second part of the volume is a philological commentary on the separate authors, discussing their life, works, and contribution to the genre, as well as textual problems and non-mythological questions raised by individual fragments.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

With a focus on Asian traditions, this book examines varieties of thought and self-transformative practice that do not fit neatly on one side or another of the standard Western division between philosophy and religion. It contains chapters by experts on Buddhist, Confucian, Taoist, Hindu and Jain philosophies, as well as ancient Greek philosophy and recent contemplative and spiritual movements. The volume also problematizes the notion of a Western philosophical canon distinguished by rationality in contrast to a religious Eastern "other". These original essays creatively lay the groundwork needed to rethink dominant historical and conceptual categories from a wider perspective to arrive at a deeper, more plural and global understanding of the diverse nature of both philosophy and religion. The volume will be of keen interest to scholars and students in the Philosophy of Religion, Asian and Comparative Philosophy and Religious Studies.

The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.

Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories. And when they do, those women are often painted as monstrous, vengeful or just plain evil. But Pandora – the first woman, who according to legend unloosed chaos upon the world – was not a villain, and even Medea and Phaedra have more nuanced stories than generations of retellings might indicate.

Now, in Pandora's Jar: Women in the Greek Myths, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Pandora and her jar (the box came later) as the starting point, she puts the women of the Greek myths on equal footing with the menfolk. After millennia of stories telling of gods and men, be they Zeus or Agamemnon, Paris or Odysseus, Oedipus or Jason, the voices that sing from these pages are those of Hera, Athena and Artemis, and of Clytemnestra, Jocasta, Eurydice and Penelope.

SHORTLISTED FOR THE 2017 MERCURY MUSIC PRIZE Let Them Eat Chaos, Kae Tempest's new long poem written for live performance and heard on the album release of the same name, is both a powerful sermon and a moving play for voices. Seven neighbours inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and, one by one, we see directly into their lives: lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other - and their last chance to connect. Tempest argues that our alienation from one another has bred a terrible indifference to our own fate, but they counters this with a plea to challenge the forces of greed which have conspired to divide us, and mend the broken home of our own planet while we still have time. Let Them Eat Chaos is a cri de coeur and a call to action, and, both on the page and in Tempest's electric performance, one of the most powerful poetic statements of the year.

This book provides the first systematic study of the role of animals in different areas of the ancient Greek religious experience, including in myth and ritual, the literary and the material evidence, the real and the imaginary. An international team of renowned contributors shows that animals had a sustained presence not only in the traditionally well-researched cultural practice of blood sacrifice but across the full spectrum of ancient Greek religious beliefs and practices. Animals played a role in divination, epiphany, ritual healing, the setting up of dedications, the writing of binding spells, and the instigation of other 'magical' means. Taken together, the individual contributions to this book illustrate that ancient Greek religion constituted a triangular symbolic system encompassing not just gods and humans, but also animals as a third player and point of reference. Animals in Ancient Greek Religion will be of interest to students and scholars of Greek religion, Greek myth, and ancient religion more broadly, as well as for anyone interested in human/animal relations in the ancient world.

This volume presents a case for how and why people in archaic and classical Greece worshipped Underworld gods. These gods are often portrayed as malevolent and transgressive, giving an impression that ancient worshippers derived little or no benefit from developing ongoing relationships with them. In this book, the first book-length study that focuses on Underworld gods as an integral part of the religious landscape of the period, Mackin Roberts challenges this view and shows that Underworld gods are, in many cases, approached and 'befriended' in the same way as any other kind of god. Underworld Gods in Ancient Greek Religion provides a fascinating insight into the worship of these deities, and will be of interest to anyone working on ancient Greek religion and cult.

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Few women's voices have survived from the antiquity period, but evidence shows that, especially in the area of religion, women were influential in Greek culture. Drawing on Socrates' Symposium , Nye advances this notion by not only exploring the original religious meaning of Diotima's teaching but also how that meaning has been lost throughout time.

In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts - from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, Andre Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Leon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

Published in 1987: This posthumous publication (1902) on the important Miscellanies of Clement, includes the complete Greek text of Book Seven with English translation and detailed notes. This is preceded by an extensive introduction based on the editor's lectures, discussing Christianity and philosophy in Clement's foundational work, which relates to a Victorian debate concerning the supposed pollution of 'pure' Christianity by 'alien' Greek thought. The Editor argued that not only had Hellenism been present from the earliest days of Christianity, but also that the interaction between the two had resulted in a 'de-secularization of philosophy'. He also emphasised Clement's view that the archetypal Christian ought to live 'as much by prayer and love as by knowledge and thought'.

The book is written mainly for students to enable them better to appreciate and enjoy Euripides' Andromache. Its presentation seeks to combine depth of analysis with clarity and accessibility. It discusses Greek theatre and performance, the myth behind the play, and the literary, intellectual, and political context in which it was written and first performed. The book provides analyses of the various characters, and highlights the play's ambiguities and complexities. What makes Andromache of special interest is the fact that, of the 32 extant tragedies, it might have been originally produced outside Athens. This in turn leads the discussion of how the play's scrutiny of the Spartan characters affected the off-stage audience. Andromache is the only play that portrays the human toll caused by the Trojan War to both the Trojan and the Greek sides. After the Fall of Troy, Andromache, former wife of Hector, has been given to Neoptolemus, Achilles' son, as a war-prize. Andromache bore Neoptolemus a son, Molossus, before Neoptolemus married Hermione, the daughter of Menelaus and Helen. While Neoptolemus is away, Menelaus and Hermione attempt to kill Andromache and Molossus, causing a rift between the two families who were the major players in the War: the house of Atreus and the house of Peleus, father of Achilles. Although Neoptolemus is murdered, the play ends with a prophecy for the future of the line of descent of Peleus and Thetis in the form of the blessed kingdom of Molossia.

From Zeus and Hephaestus to Hades and Persephone, this book reveals the origins of nearly thirty Greek gods and goddesses, how they've been worshipped across the centuries, and how you can work with them in your own practice. Jason Mankey and Astrea Taylor introduce you to the gods one by one, presenting their history, unique correspondences, and a ritual or spell for connecting with them. You'll also enjoy insightful contributions from members of the Witchcraft community who actively work with these deities. Modern Witchcraft with the Greek Gods features other mythological figures as well, such as the Titans and Primordial Forces, and it explores the spell and ritual structures of ancient times. Everything you want to know about Greek gods and how to call upon them today is in this book.

Meet the Greek gods and goddesses as you have never seen them-in LEGO form! Enjoy these fascinating myths, reimagined through elaborate scenes and colorful LEGO bricks in one thousand color photographs! This book shares a unique retelling of some of the most widely known and loved Greek myths, from the stories of Athena, Poseidon, and Pandora to the twelve labors of Hercules. Watch Athena spring from the head of Zeus See Poseidon as he rules the seas with his mighty trident Maintain hope with Pandora as her curiosity gets the best of her Beware the Nemean Lion as Hercules repents for his misdeeds. Be awestruck by the amazing Mount Olympus And much more-all created with LEGO bricks! These exciting retellings of ancient tales are consistent with the mythology behind them, while also capturing the creativity and whimsy of the stories with elaborate brick scenery. Brick Greek Myths will be a delight for LEGO tinkerers of all ages, a fun introduction to the tales for young readers, and an enchanting return to the stories for even the most devoted admirer of mythology. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction-novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th-early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was- and still is-used. By studying the utilization of the theory in different periods-from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century-this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations of Euhemerus's work according to the diverse agendas of the authors and scholars who have employed his theory. In the process, certain questions are raised: What did Euhemerus actually claim? How has his theory of the origins of belief in gods been used? How can modern scholarship approach and interpret his take on religion? When referring to 'euhemerism,' whose version are we employing? An Ancient Theory of Religion assumes no prior knowledge of euhemerism and will be of interest to scholars working in classical reception, religious studies, and early Christian studies.

Theology and Existentialism in Aeschylus revivifies the complex question of fate and freedom in the tragedies of the famous Greek playwright. Starting with Sartre's insights about radical existential freedom, this book shows that Aeschylus is concerned with the ethical ramifications of surrendering our lives to fatalism (gods, curses, inherited guilt) and thoroughly interrogates the plays for their complex insights into theology and human motivation. But can we reconcile the radical freedom of existentialism and the seemingly fatal world of tragedy, where gods and curses and necessities wreak havoc on individual autonomy? If forces beyond our control or comprehension are influencing our lives, what happens to choice? How are we to conceive of ethics in a world studiously indifferent to our choices? In this book, author Ric Rader demonstrates that few understood the importance of these questions better than the tragedians, whose literature dealt with a central theological concern: What is a god? And how does god affect, impinge upon, or even enable human freedom? Perhaps more importantly: If god is dead, is everything possible, or nothing? Tragedy holds the preeminent position with regard to these questions, and Aeschylus, our earliest surviving tragedian, is the best witness to these complex theological issues.

The best-selling, essential, and straightforward translation of the Homeric Hymns, accompanied by an expanded introduction and updated expert notes. A rich source for students of Greek mythology and literature, the Homeric Hymns are also fine poetry. Attributed by the ancients to Homer, these prooimia, or preludes, were actually composed by various poets over centuries. They were performed at religious festivals as entertainment meant to stir up enthusiasm for far more ambitious compositions that followed them, namely the Iliad and Odyssey. Each of the thirty-three poems is written in honor of a Greek god or goddess. Together, the hymns provide a fascinating view into the ancients' view of deities. In this long-awaited third edition of his acclaimed translations of the hymns, Apostolos Athanassakis preserves the vigor and the magic of the ancient text while modernizing traditional renditions of certain epithets and formulaic phrases. He avoids lengthening or truncating lines, thereby crafting a symmetrical text, and makes an effort to keep to an iambic flow without sacrificing accuracy. Athanassakis enhances his classic work with a new index of names and topics, updated bibliography, revised genealogical charts, and careful and selective changes in the translations themselves. An expanded introduction addresses ancient reception of the hymns. Numerous additions to the notes, reflecting over twenty-five years of scholarship, draw on modern anthropological and archaeological research to explore prominent themes and religious syncretism within the poems. These materials all enrich the reader's experience of these ancient and influential poems. A perennial classroom favorite, The Homeric Hymns embodies thrilling new visions of antiquity.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. * Features essays from a prestigious international team of literary experts * Includes coverage of Greek myth s intersection with history, philosophy and religion * Introduces readers to topics in mythology that are often inaccessible to non-specialists * Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

Published in 1987: This posthumous publication (1902) on the important Miscellanies of Clement, includes the complete Greek text of Book Seven with English translation and detailed notes. This is preceded by an extensive introduction based on the editor's lectures, discussing Christianity and philosophy in Clement's foundational work, which relates to a Victorian debate concerning the supposed pollution of 'pure' Christianity by 'alien' Greek thought. The Editor argued that not only had Hellenism been present from the earliest days of Christianity, but also that the interaction between the two had resulted in a 'de-secularization of philosophy'. He also emphasised Clement's view that the archetypal Christian ought to live 'as much by prayer and love as by knowledge and thought'.

Delphi, although by far the most prestigious, was not the only oracular site dedicated to the god of prophecy. The Oracles of Apollo in Asia Minor, first published in 1985, presents the first unified account of these lesser-known religious establishments: at Didyma, Claros, Gryneion and Patara. Many Greek communities in Asia Minor turned to Apollo for advice on conduct in their affairs, and it is at the oracles that we can discern the most explicit interaction between normal people and their traditional religion. Oracular interventions in history are examined, as is the organisation of the shrines themselves, and the methods of consultation in the mysterious darkened passages of Didyma or on the bright headland of Claros. The Oracles of Apollo in Asia Minor is accessibly written, does not require a prior familiarity with Classical Greek, and will be of value to students of ancient religion, Greek culture and archaeology.

Artemis is a literary, iconographic, and archaeological study of the ancient Greek goddess of the hunt, who presided over the transitions and mediations between the wild and the civilized, youth and maturity, life and death. Beginning with a study of the early origins of Artemis and her cult in the Bronze and Archaic Ages, Budin explores the goddess' persona and her role in the lives of her worshippers. This volume examines her birth and childhood, her place in the divine family, her virginity, and her associations with those places where the wilds become the "cities of just men." The focus then turns to Artemis' role in the lives of children and women, particularly how she helps them navigate the transition to adulthood and, perhaps too often, death. Budin goes on to reconsider some of the more harrowing aspects of Artemis' mythology, such as plague and bloodshed, while also examining some of her kinder, oft overlooked associations. Finally, the role of Artemis in the Renaissance and modern society is addressed, from the on-going fascination with the "breasts" on the statue of Artemis of Ephesos to the Artemisian aspects of Katniss Everdeen. Written in an accessible style, Artemis is a crucial resource for students not only of Greek myth, religion and cult, but also those seeking to understand the lives and roles of girls and women in ancient Greece, as this goddess presided over their significant milestones, from maiden to wife to mother.