Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book's emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.

Kate Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music. Brand New Ancients is the tale of two families and their intertwining lives, set against the background of the city and braided with classical myth. Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love - and that our lives make tales no less dramatic and powerful than those of the old gods.

Originally published in 1894, this book contains an exhaustive amount of information on the gods and characters in ancient Greek and Roman Myths. This is the original 1st edition by E M Berens. It includes his original notes and a pronunciation index for every uncommon word or name in the book which is not in most reprints. This is not a blurry, scanned copy of the original. It is a fresh and perfectly printed book.

*The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths* 'Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below...' These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature. The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right.

Of all the divinities of classical antiquity, the Greek Hermes (Mercury in his Roman alter ego) is the most versatile, enigmatic, complex, and ambiguous. The runt of the Olympian litter, he is the god of lies and tricks, yet is also kindly towards mankind and a bringer of luck. His functions embrace both the marking of boundaries and their transgression, but also extend to commerce, lucre, and theft, as well as rhetoric and practical jokes. In another guise, he plays the role of mediator between all realms of human and divine activity, embracing heaven, earth, and the netherworld. Pursuing this elusive divinity requires a truly multidisciplinary approach, reflecting his prismatic nature, and the twenty contributions to this volume draw on a wide range of fields to achieve this, from Greek and Roman literature (epic, lyric, and drama), epigraphy, cult, and religion, to vase painting and sculpture. In offering an overview of the myriad aspects of Hermes/Mercury-including his origins, patronage of the gymnasium, and relation to other trickster figures-the volume attempts to track the god's footprints across the many domains in which he partakes. Moreover, in keeping with his deep connection to exchange, commerce, and dialogue, it aims to exemplify and further encourage discourse between Latinists and Hellenists, as well as between scholars of literary and material cultures.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

With her repulsive face and head full of living, venomous snakes, Medusa is petrifying--quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dali and was the emblem of the Jacobins after the French Revolution. Today, she's viewed by feminists as a noble victim of patriarchy and used by Versace in the designer's logo for men's underwear, haute couture, and exotic dinnerware. She even gives her name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us? David Leeming seeks to answer this question in "Medusa," a biography of the mythical creature. Searching for the origins of Medusa's myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to "Clash of the Titans" and "Dungeons and Dragons," he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era. Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.

This classic book comprehensively details the myths of Greece and Rome. Beautifully illustrated and with many chapters including 'Neptune', 'The Trojan War' and an 'Analysis of Myths', this book would be an excellent addition to the bookshelf of anyone with an interest in the subject. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities and Athenian polytheism itself remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives political and economic, as well as spiritual that prompted them to introduce new gods."

In the beginning, everything was fine.* And then along came Zeus. *more or less Ahh Greek myths. Those glorious tales of heroism, honour and... petty squabbles, soap-opera drama and more weird sex than Fifty Shades of Grey could shake a stick at! It's about time we stopped respecting myths and started laughing at them. Did you know Aphrodite, goddess of love and beauty, was born of some discarded genitals? Or that Hera threw her own son off a mountain because he was ugly? Or that Apollo once kidnapped a boat full of people while pretending to be a dolphin? And let's not even get started on Zeus - king of the gods, ruler of the skies and a man who's never heard of self-control. In fact, if there's one thing most Greek myths have in common, it's that all the drama could have been avoided if SOMEONE could keep it in their toga... Horrible Histories writer Susie Donkin takes us on a hilarious romp through mythology and the many times the gods (literally) screwed everything up! Stephen Fry's Mythos by way of Drunk History, Zeus is a Dick is perfect for those who like their myths with a heavy dollop of satire. 'Who knew mythology was so bonkers? I am grateful - it had me laughing from the first page to the last.' - Miranda Hart 'It's about time someone called him out on all this' - Hera, goddess of marriage, wife of Zeus 'Worst. Father. Ever.' - Artemis, goddess of the hunt, daughter of Zeus 'Oh yeah, focus on him. I never did anything wrong. Nothing to see here' - Poseidon, god of the seas, brother of Zeus 'Just a real dick, honestly' - Many, many people

The religious imagination of the Greeks, Robert Garland observes, was populated by divine beings whose goodwill could not be counted upon, and worshipers faced a heavy burden of choice among innumerable deities to whom they might offer their devotion. These deities and Athenian polytheism itself remained in constant flux as cults successively came into favor and waned. Examining the means through which the Athenians established and marketed cults, this handsomely illustrated book is the first to illuminate the full range of motives political and economic, as well as spiritual that prompted them to introduce new gods."

Religion was integral to the conduct of war in the ancient world and the Greeks were certainly no exception. No campaign was undertaken, no battle risked, without first making sacrifice to propitiate the appropriate gods (such as Ares, god of War) or consulting oracles and omens to divine their plans. Yet the link between war and religion is an area that has been regularly overlooked by modern scholars examining the conflicts of these times. This volume addresses that omission by drawing together the work of experts from across the globe. The chapters have been carefully structured by the editors so that this wide array of scholarship combines to give a coherent, comprehensive study of the role of religion in the wars of the Archaic and Classical Greek world. Aspects considered in depth will include: Greek writers on religion and war; declarations of war; fate and predestination, the sphagia and pre-battle sacrifices; omens, oracles and portents, trophies and dedications to cult centres; militarized deities; sacred truces and festivals; oaths and vows; religion & Greek military medicine.

The Derveni Papyrus is the oldest known European "book." It was meant to accompany the cremated body in Derveni Tomb A but, by a stroke of luck, did not burn completely. Considered the most important discovery for Greek philology in the twentieth century, the papyrus was found accidentally in 1962 during a public works project in an uninhabited place about 10 km from Thessaloniki, and it is now preserved in the Archaeological Museum of Thessaloniki. The papers in Poetry as Initiation discuss a number of open questions: Who was the author of the papyrus? What is the date of the text? What is the significance of burying a book with a corpse? What was the context of the peculiar chthonic ritual described in the text? Who were its performers? What is the relationship of the author and the ritual to the so-called Orphic texts?

In German-speaking countries, the role of the diaconate has been strongly influenced by nineteenth-century ideas of diakonia as service towards the poor. As important as the social initiatives stemming from this perspective have been, in order to correctly understand deacons and diakonia in the early church, we must go back to the sources. For this volume, focused on the first two centuries of Christianity, scholars from a range of backgrounds consider the use of diakonos and related words in the New Testament and extra-biblical sources, both Christian and otherwise. These texts reveal what deacons actually did, helping us to understand the past and giving guidance for the present, particularly in ecumenical discussions concerning the ministry.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1942.

Penguin presents the CD edition of Heroes written and read by Stephen Fry. Mortals and Monsters. Quests and Adventures . . . __________ There are Heroes - and then there are Greek Heroes. Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes. In this companion to his bestselling Mythos, Stephen Fry brilliantly retells these dramatic, funny, tragic and timeless tales. Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta - who was raised by bears - outrun any man before being tricked with golden apples. Witness wily Oedipus solve the riddle of the Sphinx and discover how Bellerophon captures the winged horse Pegasus to help him slay the monster Chimera. Filled with white-knuckle chases and battles, impossible puzzles and riddles, acts of base cowardice and real bravery, not to mention murders and selfless sacrifices, Heroes is the story of what we mortals are truly capable of - at our worst and our very best. ___________ 'Ebullient and funny' The Times 'Entertaining and edifying' Daily Telegraph 'A rollicking good read' Independent 'Fry exhibits enormous erudition and enthusiasm' Mail on Sunday 'The Greek gods of the past become relatable as pop culture, modern literature and music are woven throughout. Joyfully informal yet full of the literary legacy' Guardian

Brought to you by Penguin. Following the bestselling retellings of the Greek myths in Mythos and Heroes, Stephen Fry's bewitching third volume Troy - concerning love and war, passion and power - is now ready for ordering. The story of Troy speaks to all of us - the kidnapping of Helen, a queen celebrated for her beauty, sees the Greeks launch a thousand ships against the city of Troy, to which they will lay siege for ten whole and very bloody years. It is Zeus, the king of the gods, who triggers the war when he asks the Trojan prince Paris to judge the fairest goddess of them all. Aphrodite bribes Paris with the heart of Helen, wife of King Menelaus of the Greeks, and, naturally, nature takes its course. It is a terrible, brutal war with casualties on all sides as well as strained relations between allies. The Greek's most fearsome warrior, Achilles, argues with King Agamemnon, his commander, over another woman, the Trojan slave Briseis. The consequences lead to terrible tragedies. In Troy you will find heroism and hatred, love and loss, revenge and regret, desire and despair. It is these human passions, written bloodily in the sands of a distant shore, that still speak to us today. It is a myth in which we seek the truth about ourselves and which Stephen Fry brings breathtakingly to life. Praise for Heroes and Mythos: 'Ebullient and funny' The Times 'Entertaining and edifying' Daily Telegraph 'The Greek gods of the past become relatable as pop culture, modern literature and music are woven throughout. Joyfully informal yet full of literary legacy' Guardian 'An odyssey through Greek mythology. Brilliant . . . all hail Stephen Fry' Daily Mail 'A romp through the lives of ancient Greek gods. Fry is his story-telling best . . . the gods will be pleased' The Times (c) Stephen Fry 2020 (P) Penguin Audio 2020

The last major work of the giant of the field. Martin P. Nilsson set himself the task of tracing the elements of Greekmythology, as they appear in Homer's Iliad, to their source in Mycenaean culture, a much earlier period. His conclusions, drawn from a very limited empirical material - archaeology, very few relevant Linear B texts - are remarkably compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

This book uses the mythological hero Heracles as a lens for investigating the nature of heroic violence in Archaic and Classical Greek literature, from Homer through to Aristophanes. Heracles was famous for his great victories as much as for his notorious failures. Driving each of these acts is his heroic violence, an ambivalent force that can offer communal protection as well as cause grievous harm. Drawing on evidence from epic, lyric poetry, tragedy, and comedy, this work illuminates the strategies used to justify and deflate the threatening aspects of violence. The mixed results of these strategies also demonstrate how the figure of Heracles inherently - and stubbornly - resists reform. The diverse character of Heracles' violent acts reveals an enduring tension in understanding violence: is violence a negative individual trait, that is to say the manifestation of an internal state of hostility? Or is it one specific means to a preconceived end, rather like an instrument whose employment may or may not be justified? Katherine Lu Hsu explores these evolving attitudes towards individual violence in the ancient Greek world while also shedding light on timeless debates about the nature of violence itself.

The last major work of the giant of the field. Martin P. Nilsson set himself the task of tracing the elements of Greekmythology, as they appear in Homer's Iliad, to their source in Mycenaean culture, a much earlier period. His conclusions, drawn from a very limited empirical material - archaeology, very few relevant Linear B texts - are remarkably compelling. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.

Packed with action, adventure, and intrigue, Jason is perfect for fans of Christian Cameron and Madeline Miller. They may have won the prize, but will any of them make it home alive? Jason has fulfilled the mission set him by his uncle, the scheming King Pelias of Iolkos: he and the Argonauts have won the fabled Golden Fleece of Colchis. Jason dreams of glory - of taking his uncle's throne, rightfully his - and, like his warrior shipmates, of home. But it is not only Pelias who wishes Jason ill. Before the Argonauts can make it back to Iolkos, they must contend with a legion of foes who would see them dead - and a web of allies who are not quite what they seem. Jason and his warriors must outwit the recondite Circe and the spies of mighty Troy, overcome hostile tribes beyond the Danube, and sail the troubled waters of the Archipelagos, where the Sirens wait to snare unwary seafarers. Yet Jason's perils are only beginning, for he will soon discover that a truer evil lies closer to home... 'A bold and thrilling voyage that plunges you deep into the world of ancient myth with every stroke of Jason's oar. Knowles's storytelling captured my imagination from the very first page. It is wonderfully atmospheric' Daisy Dunn, editor of ARGO: A Hellenic Review, and author of Of Gods and Men: 100 Stories from Ancient Greece & Rome Reviewers on Mark Knowles: 'A deeply researched historical epic, so brilliantly brought to life I could taste the salt air on my tongue' Adam Lofthouse 'What a spectacular triumph! Knowles has taken a reassuringly familiar legend and elevated it into a new, realistic and engrossing story' Sam Taw

It is unknown, of course, who wrote the Iliad and the Odyssey, since, in general, no reliable contemporary description of how these two epics came into being is to be found. Such sources as there are - first and foremost, the two poems themselves - must be interpreted in a comparative framework built on experience from societies in the modern world that are in some respects similar to archaic Greece in order to reach a coherent picture of the process. The oral-formulaic theory, formed by Milman Parry (1902-1935) and Albert B. Lord (1912-1991), not only revolutionized Homeric studies, but also had an impact on anthropology and folklore. This led to an increased interest in oral epic traditions, and fieldworkers changed their methods towards a focus on composition in performance. The individual singer and his handling of the tradition gained importance. When possible, more than one performance of the "same" song was recorded - by the same singer on different occasions or by different singers - and interaction with the audience was documented. Traditions of the oral epic still exist in many parts of the world, and, during recent decades, quite a few of them have been documented and analyzed by innovative fieldworkers, leading to an overwhelming expansion of accessible knowledge of how oral epic works. Writing Homer explores what this means to the Parry-Lord-theory in general and the 'Homeric Question' in particular. The relationship between the Iliad, the Odyssey, and the Homeric Hymns, with the tradition of which they are part, can now be described with much more precision than before. It turns out that there is nothing unusual in very long oral epics; what is unusual is that such poems are recorded in writing. The process by which this must have taken place is discussed in detail. Old problems, such as the fact that neither illustrations of Trojan stories nor early 'quotations' agree with the written poems, can be solved. Writing Homer achieves a deeper understanding of the methods at work in the oral epic for building a likely social context of the Iliad and the Odyssey, and especially for speculating on the circumstances of the writing of the two great poems. Long oral narratives are flexible, and accordingly, the dictation to scribes that must be at the origin of the texts, which have been preserved in writing to this day, was a process of the utmost importance as was the composition in performance of the Iliad and the Odyssey. Writing Homer is directed at classical scholars, but will also be of interest to a much broader readership: folklorists, anthropologists, and whoever enjoys reading Homer in Greek, as well as in translation.