This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1942.

The eighteen articles collected in this volume are the results of the international workshop, "Teaching Morality in Antiquity: Wisdom Texts, Oral Traditions, and Images," held at the Bibliotheca Albertina of the University of Leipzig between November 29th and December 1st, 2016 with the financial support of the Deutsche Forschungsgemeinschaft. During the workshop, fruitful discussions on diverse issues related to the theme "wisdom texts and morality" developed regarding biblical wisdom texts and their parallels from the ancient Egypt, ancient Mesopotamia, and the ancient Levant - more specifically: moral messages and rhetoric in wisdom texts; the dissemination of wisdom teachings; teachings about the divine realm as the core of moral principles or human social order; visualization of divine authority; questions of theodicy; and modern analyses of ancient morality through the eyes of cognitive science.

The Middle Helladic period has received little attention, partially because of scholars' view of it as merely the prelude to the Mycenaean period and partially because of the dearth of archaeological evidence from the period. In this book, Helene Whittaker demonstrates that Middle Helladic Greece is far more interesting than its material culture might at first suggest. Whittaker comprehensively reviews and discusses the archaeological evidence for religion on the Greek mainland, focusing on the relationship between religious expression and ideology. The book argues that religious beliefs and rituals played a significant role in the social changes that were occurring at the time. The arguments and conclusions of this book will be relevant beyond the Greek Bronze Age and will contribute to the general archaeological debate on prehistoric religion."

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. At the Iliad's climax, the great Trojan hero Hektor falls at the hands of Achilles. But who is Hektor? He has resonated with audiences as a tragic hero, great warrior, loyal husband and father, protector of a doomed city. Yet never has a major work sought to discover how these different aspects of Hektor's character accumulate over the course of the narrative to create the devastating effect of his death. This book documents the experience of Hektor through the Iliad's serial narrative. Drawing on diverse tools from narratology, to cognitive science, but with a special focus on film character, television poetics, and performance practice, it examines how the mechanics of serial narrative construct the character of Hektor. How do we experience Hektor as the performer makes his way through the epic? How does the juxtaposition of scenes in multiple storylines contribute to character? How does the narrative work to manipulate our emotional response? How does our relationship to Hektor change over the course of the performance? Lynn Kozak demonstrates this novel approach through a careful scene-by-scene breakdown and analysis of the Iliad, focusing especially on Hektor. In doing so, she challenges and destabilises popular and scholarly assumptions about both ancient epic and the Iliad's 'other' hero.

This book opens up a new perspective on Aristophanic drama and its relationship to Greek religion. It focuses on the comedy Wealth, whose fantasy of universal enrichment is structured upon a rich and largely unexplored framework of traditional stories of Greek religious experiences, such as oracles, miracle cures, and the introduction of new gods. The book examines the form and function of these stories, and explores how the playwright adapts them for his own comic purposes, grounding his comic fantasy on stories of philanthropic divinities who dependably respond to the needs of their worshippers. The collaboration of these deities, who act in tandem with their worshippers, achieves the comic fantasy. Francisco Barrenechea also addresses the larger question of how comedy participated in the religion of its time by imagining and dramatizing beliefs, and reveals the salutary bond that can exist between humor and religion in general.

Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton.

Penguin presents the unabridged audio CD edition of Mythos written and read by Stephen Fry. THE TIMES AUDIOBOOK OF THE WEEK 'Perfect for the 21st Century. Ebullient, funny, Fry retells the Greek myths with elegance' The Times 'A cracking good story' The Times Literary Supplement 'A wondrous new immersion in ancient stories we only thought we knew. Page to page, Mythos is brilliant, funny, erudite, inventive, surprising and enthralling' Richard North Patterson 'Fry's lively writing certainly conveys his lifelong passion for Greek myths . . . It's a rollicking good read' The Independent _________ No one loves and quarrels, desires and deceives as boldly and brilliantly as Greek gods and goddesses. They are like us, only more so - their actions and adventures scrawled across the heavens above. From the birth of the universe to the creation of humankind, Stephen Fry - who fell in love with these stories as a child - retells these myths for our tragic, comic, fateful age. Witness Athena born from the cracking open of Zeus's great head and follow Persephone down into the dark realm of Hades. Experience the terrible and endless fate of Prometheus after his betrayal of Zeus and shiver as Pandora opens her jar of evil torments. The Greek gods are the best and worst of us, and in Stephen Fry's hands they tell us who we are. Mythos - smart, funny, and above all great fun - is the retelling we deserve by a man who has been entertaining the nation for over four decades. 'A cracking good story' The Times Literary Supplement

Greek and Roman mythology has fascinated people for more than two millennia, and its influence on cultures throughout Europe, America, North Africa, the Middle East, and elsewhere attests to the universal appeal of the stories. ""Encyclopedia of Greek and Roman Mythology"" examines the best-known figures of Greek and Roman mythology together with the great works of classic literature that are the sources for our mythological understanding. This new encyclopedia presents ancient mythology from a literary perspective and features numerous illustrations from both ancient and modern works of fine art to show how myths have been transmitted in visual form through the ages. The entries include: Greek and Roman gods and heroes, such as Athena, Achilles, Apollo, Heracles, Odysseus, Orpheus, Poseidon, and Zeus; Mythological creatures, such as Cerberus, the Gorgons, the Minotaur, and Pegasus; and great works of literature that provide the sources for classical mythology, including the plays of Aeschylus, Sophocles, and Euripides; the ""Aeneid of Virgil""; the ""Iliad and the Odyssey"" of Homer; and the ""Metamorphoses"" of Ovid and much more.

Women's mobility is central to understanding cultural constructions of gender. Regarding ancient cultures, including ancient Greece, a re-evaluation of women's mobility within the household and beyond it is currently taking place. This invites an informed analysis of female mobility in Greek myth, under the premise that myth may open a venue to social ideology and the imaginary. Female Mobility and Gendered Space in Ancient Greek Myth offers the first comprehensive analysis of this topic. It presents close readings of ancient texts, engaging with feminist thought and the 'mobility turn'. A variety of Olympian goddesses and mortal heroines are explored, and the analysis of their myths follows specific chronological considerations. Female mobility is presented in quite diverse ways in myth, reflecting cultural flexibility in imagining mobile goddesses and heroines. At the same time, the out-of-doors spaces that mortal heroines inhabit seem to lack a public or civic quality, with the heroines being contained behind 'glass walls'. In this respect, myth seems to reproduce the cultural limitations of ancient Greek social ideology on mobility, inviting us to reflect not only on the limits of mythic imagination but also on the timelessness of Greek myth.

Ancient and modern scholars have written many thousands of pages on resurrection in the New Testament. Fewer have examined the theme in both pagan and Jewish texts, however, and the topic remains inherently fascinating. John Granger Cook argues for two primary hypotheses: First, there is no fundamental difference between Paul's conception of the resurrection body and that of the Gospels; and second, the resurrection and translation stories of Greco-Roman antiquity probably help explain the willingness of Mediterranean people to gradually accept the Gospel of a crucified and risen savior. The use of (egeiro, wake/rise) and (anistemi, rise) and the bodily nature of resurrection in ancient Judaism and paganism warrant the first hypothesis. The second hypothesis is more speculative, but the Christian apologists' comparisons of pagan narratives with those of the New Testament renders it feasible.