In ancient Rome (753 BC - 476 AD) mythology was integral to various aspects of society, from religion, to politics, to the founding of the city. Today, we may encounter the legacy of these stories before we encounter the stories themselves, whether this is in day-to-day speech, the 18th century art on display at the Louvre, or the works of William Shakespeare. The Roman tendency to accept their mythology as part of history creates a degree of uncertainty around the historical basis of the figures featured in these legendary tales. Truth, fiction, or both, the significance of mythology to this people is palpable. From Romulus and Remus and the founding of Rome to Lucretia and the Republic; from Livy and the Dii Consentes to Virgil's Aeneid; from Dis Pater in the underworld to Jupiter, god of the sky. Illustrated with 180 colour and black-and-white photographs, artworks, and maps, Roman Myths is an engaging and informative book, offering an introduction to Roman mythology, its roots, and its ongoing importance.

Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details.

The epics of the three Flavian poets-Silius Italicus, Statius, and Valerius Flaccus-have, in recent times, attracted the attention of scholars, who have re-evaluated the particular merits of Flavian poetry as far more than imitation of the traditional norms and patterns. Drawn from sixty years of scholarship, this edited collection is the first volume to collate the most influential modern academic writings on Flavian epic poetry, revised and updated to provide both scholars and students alike with a broad yet comprehensive overview of the field. A wide range of topics receive coverage, and analysis and interpretation of individual poems are integrated throughout. The plurality of the critical voices included in the volume presents a much-needed variety of approaches, which are used to tackle questions of intertextuality, gender, poetics, and the social and political context of the period. In doing so, the volume demonstrates that by engaging in a complex and challenging intertextual dialogue with their literary predecessors, the innovative epics of the Flavian poets respond to contemporary needs, expressing overt praise, or covert anxiety, towards imperial rule and the empire.

Roman Republican Augury: Freedom and Control proposes a new way of understanding augury, a form of Roman state divination designed to consult the god Jupiter. Previous scholarly studies of augury have tended to focus either upon its legal-constitutional effects or upon its role in maintaining and perpetuating Roman social and political structures. This volume makes a new contribution to the study of Roman religion, politics, and cultural history by focusing instead upon what augury can tell us about how Romans understood their relationship with their gods. Augury is often thought to have told Romans what they wanted to hear. This volume argues that augury left space for perceived expressions of divine will which contradicted human wishes, and that its rules and precepts did not permit human beings to create or ignore signs at will. This analysis allows the Jupiter whom Romans approached in augury to emerge as not simply a source of power to be channelled to human ends, but a person with his own interests and desires, which did not always overlap with those of his human enquirers. When human will and divine will clashed, it was the will of Jupiter which was supposed to prevail. In theory as in practice, it was the Romans, not their supreme god, who were bound by the auguries and auspices.

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

This book offers a detailed and fascinating picture of the astonishing astronomical knowledge on which the Roman calendar, traditionally attributed to the king Numa Pompilius (reign 715-673 B.C.), was based. This knowledge, of Mesopotamian origins, related mainly to the planetary movements and to the occurrence of eclipses in the solar system. The author explains the Numan year and cycle and illustrates clearly how astronomical phenomena exerted a powerful influence over both public and private life. A series of concise chapters examine the dates of the Roman festivals, describe the related rites and myths and place the festivals in relation to the planetary movements and astronomical events. Special reference is made to the movements of the moon and Venus, their relation to the language of myth, and the particular significance that Venus was considered to have for female fertility. The book clearly demonstrates the depth of astronomical knowledge reflected in the Roman religious calendar and the designated festive days. It will appeal both to learned connoisseurs and to amateurs with a particular interest in the subject.

Who was Pandora and what was in her famous box? How did Achilles get his Achilles heel? What exactly is a Titan? And why is one computer virus known as a Trojan horse? The myths of ancient Greece and Rome can seem bewilderingly complex, yet they are so much a part of modern life and discourse that most of us know fragments of them. This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth. Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

The twenty-one studies assembled in this volume focus on the apparatus and practitioners of religions in the western Roman empire, the enclaves, temples, altars and monuments that served the cults of a wide range of divinities through the medium of priests and worshippers. Discussion focuses on the analysis or reconstruction of the centres at which devotees gathered and draws on the full range of available evidence. While literary authorities remain of primary concern, these are for the most part overshadowed by other categories of evidence, in particular archaeology, epigraphy, numismatics and iconography, sources in some cases confirmed by the latest geophysical techniques - electrical resistivity tomography or ground-probing radar. The material is conveniently presented by geographical area, using modern rather than Latin terminology: Rome, Italy, Britain, Gaul, Spain, Hungary, along with a broader section that covers the empire in general. The titles of the various articles speak for themselves but readers may find the preface of interest in so far as it sets out my ideas on the use of ancient evidence and the pitfalls of some of the approaches favoured by modern scholars. Together with the wide range of individual papers the preface makes the book of interest to all students of the Roman empire as well as those specifically concerned with the history of religions.

Drakon: Dragon Myth and Serpent Cult in the Greek and Roman Worlds is the first substantial survey to be focally devoted to the 'dragon' or the supernatural serpent, the drakon or draco, in Greek and Roman myth and religion. Almost every major myth cycle of the Greek and Roman worlds featured a dragon-fight at its heart, including the sagas of Heracles, Jason, Perseus, Cadmus, and Odysseus. Asclepius, the single most beloved and influential of the pagan gods from the late Classical period until Late Antiquity, was often manifest as a giant serpent and even in his humanoid aspect carried a serpent on his staff. Detailed and authoritative, but lucidly presented, this volume incorporates analyses of all of antiquity's major dragon-slaying myths, and offers comprehensive accounts of the rich sources, literary and iconographic. Ogden also explores matters of cult and the initially paradoxical association of dragons and serpents with the most benign of deities, not only those of health and healing, like Asclepius and Hygieia, but also those of wealth and good luck, such as Zeus Meilichios and Agathos Daimon. The concluding chapter considers the roles of both pagan dragon-slaying narratives and pagan serpent cults in shaping the beginnings of the tradition of the saintly dragon- and serpent-slaying tales we cherish still, the tradition that culminates in our own stories of Saints George and Patrick.

Ovid's Fasti is a journey through ancient Rome, using the calendar as a guide. The reader of this poem tours the monuments of the Augustan-era city, witnesses both urban and rustic seasonal festivals, and commemorates the epic events of long-past history. The reader also experiences the passage of the year, as measured by the natural world: the rising and setting of constellations, the migration of birds, and the comforting rhythms of agriculture. Throughout, Ovid enlivens the narrative with myths, including Romulus and Remus, Callisto and Jupiter, Lucretia and Tarquinius, Hercules and Cacus, and many more. In doing so, he evokes the questions of what constitutes justice, or glory, or patriotism. The result is a lively tour of the Roman year-sometimes thoughtful, sometimes tragic, sometimes triumphant or even farcical-that interweaves human customs into the natural world, and gives occasional glimpses of awe-inspiring divinities on the streets of Rome. This volume covers the first half of the Fasti (Books I-III), including the original Latin text and also a new translation in clear, idiomatic prose on facing pages. An introduction on Ovid's life and Augustan literature, as well as an incisive commentary with up-to-date bibliography, give the reader extensive background to interpret the text.

Focusing on the Roman west, this book examines the rituals of cursing, their cultural contexts, and their impact on the lives of those who practised them. A huge number of Roman curse tablets have been discovered, showing their importance for helping ancient people to cope with various aspects of life. Curse tablets have been relatively neglected by archaeologists and historians. This study not only encourages greater understanding of the individual practice of curse rituals but also reveals how these objects can inform ongoing debates surrounding power, agency and social relationships in the Roman provinces. McKie uses new theoretical models to examine the curse tablets and focuses particularly on the concept of 'lived religion'. This framework reconfigures our understanding of religious and magical practices, allowing much greater appreciation of them as creative processes. Our awareness of the lived experiences of individuals is also encouraged by the application of theoretical approaches from sensory and material turns and through the consideration of comparable ritual practices in modern social contexts. These stimulate new questions of the ancient evidence, especially regarding the motives and motivations behind the curses.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The history of Roman imperial religion is of fundamental importance to the history of religion in Europe. Emerging from a decade of research, From Jupiter to Christ demonstrates that the decisive change within the Roman imperial period was not a growing number of religions or changes in their ranking and success, but a modification of the idea of 'religion' and a change in the social place of religious practices and beliefs. Religion is shown to be transformed from a medium serving the individual necessities - dealing with human contingencies like sickness, insecurity, and death - and a medium serving the public formation of political identity, into an encompassing system of ways of life, group identities, and political legitimation. Instead of offering an encyclopaedic presentation of religious beliefs, symbols, and practices throughout the period, the volume thematically presents the media that manifested and diffused religion (institutions, texts, and law), and analyses representative cases. It asks how religion changed in processes of diffusion and immigration, how fast (or how slow) practices and institutions were appropriated and modified, and reveals how these changes made Roman religion 'exportable', creating those forms of intellectualisation and enscripturation which made religion an autonomous area, different from other social fields.

The Mythology of Venus is a collection of essays that summarizes the archaeoastronomy, calendar associations, religious and cultural icons, and myths identified with the planet Venus. The book concentrates on Western Europe, the Mediterranean, the Near East, and the East from the Paleolithic Age to the Iron Age. It reveals the archetype of a goddess associated with the planet Venus who is identified with transformation, spiritual resurrection, and enlightenment. The characteristics of the goddess are steeped in sexual metaphors which contain images of birth and re-birth, and they reveal a pattern of symbols that follows the journey of the planet Venus through its cycles in the night sky. Moreover, the journey of Venus and the corresponding icons associated with the goddess are part of an intricate pattern of symbolic language that is seen on ancient monuments and on the ancient calendars of several cultures. Temples from France and Ireland to Greece and Malta trace the journey of the planet Venus and the story of the goddess of Venus.

A vibrant, accessible social history of Rome, from 753 BCE to the fall of the Empire some 1300 years later. To support its findings the book features hundreds of translations of inscriptions and graffiti from original authors-Roman, Greek and Jewish-and evidence culled from the visual arts, curse tablets, official records and letters both private and official. Each comes with detailed commentaries, placing them into social and historical context. The result is a fascinating survey of how Roman men, women and children lived their lives on a daily basis taking in marriage, slavery, gladiators, medicine, magic, religion, superstition and the occult; sex, work and play, education, death, housing, country life and city life. There are also chapters on domestic violence, family pets and FGM. In short, 'When in Rome' gives a vivid description of what the Romans really did.

This is an illustrated reference to the art, architecture, religion, society and culture of the Roman world with over 450 pictures, maps and artworks. How the Romans lived: an authoritative and highly accessible exploration of Roman society. It is beautifully illustrated with over 450 photographs of painting and sculpture, architecture and art, artworks and maps that explore the glory that was Rome. You can find out how people in the ancient Roman Empire lived, worked, played and behaved during one of the cultural peaks of world history. This wonderfully illustrated history celebrates the great public buildings, palaces and villas of the Roman Empire, including the Colosseum, the Pantheon and other World Heritage buildings. Daily life in ancient Rome is explored through contemporary accounts of sports and games in the arenas, work and play at the baths, the forum and the woman's world of home. You can discover the scandalous lives of such notorious emperors as Caligula and Nero. With its wealth of pictures and artworks, and an authoritative and enthusiastic text, this is the perfect book for study projects or anyone planning to visit Italy or other sites of the ancient Roman world.

A compelling history of radical transformation in the fourth-century--when Christianity decimated the practices of traditional pagan religion in the Roman Empire. The Final Pagan Generation recounts the fascinating story of the lives and fortunes of the last Romans born before the Emperor Constantine converted to Christianity. Edward J. Watts traces their experiences of living through the fourth century's dramatic religious and political changes, when heated confrontations saw the Christian establishment legislate against pagan practices as mobs attacked pagan holy sites and temples. The emperors who issued these laws, the imperial officials charged with implementing them, and the Christian perpetrators of religious violence were almost exclusively young men whose attitudes and actions contrasted markedly with those of the earlier generation, who shared neither their juniors' interest in creating sharply defined religious identities nor their propensity for violent conflict. Watts examines why the "final pagan generation"-born to the old ways and the old world in which it seemed to everyone that religious practices would continue as they had for the past two thousand years-proved both unable to anticipate the changes that imperially sponsored Christianity produced and unwilling to resist them. A compelling and provocative read, suitable for the general reader as well as students and scholars of the ancient world.

The twenty-one studies assembled in this volume focus on the apparatus and practitioners of religions in the western Roman empire, the enclaves, temples, altars and monuments that served the cults of a wide range of divinities through the medium of priests and worshippers. Discussion focuses on the analysis or reconstruction of the centres at which devotees gathered and draws on the full range of available evidence. While literary authorities remain of primary concern, these are for the most part overshadowed by other categories of evidence, in particular archaeology, epigraphy, numismatics and iconography, sources in some cases confirmed by the latest geophysical techniques - electrical resistivity tomography or ground-probing radar. The material is conveniently presented by geographical area, using modern rather than Latin terminology: Rome, Italy, Britain, Gaul, Spain, Hungary, along with a broader section that covers the empire in general. The titles of the various articles speak for themselves but readers may find the preface of interest in so far as it sets out my ideas on the use of ancient evidence and the pitfalls of some of the approaches favoured by modern scholars. Together with the wide range of individual papers the preface makes the book of interest to all students of the Roman empire as well as those specifically concerned with the history of religions.

'Gripping ... A remarkable achievement' TLS On his deathbed in 19 BCE, Vergil asked that his epic, the Aeneid, be burned. If his wishes had been obeyed, western literature - maybe even western civilization - might have taken a different course. The Aeneid has remained a foundational text since the rise of universities, and has been invoked at key points of human history - whether by Saint Augustine to illustrate the fallen nature of the soul, by settlers to justify manifest destiny in North America, or by Mussolini in support of his Fascist regime. In this fresh and fast-paced translation of the Aeneid, Shadi Bartsch brings the poem to the modern reader. Along with the translation, her introduction will guide the reader to a deeper understanding of the epic's enduring influence.