Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details.

In ancient Rome (753 BC - 476 AD) mythology was integral to various aspects of society, from religion, to politics, to the founding of the city. Today, we may encounter the legacy of these stories before we encounter the stories themselves, whether this is in day-to-day speech, the 18th century art on display at the Louvre, or the works of William Shakespeare. The Roman tendency to accept their mythology as part of history creates a degree of uncertainty around the historical basis of the figures featured in these legendary tales. Truth, fiction, or both, the significance of mythology to this people is palpable. From Romulus and Remus and the founding of Rome to Lucretia and the Republic; from Livy and the Dii Consentes to Virgil's Aeneid; from Dis Pater in the underworld to Jupiter, god of the sky. Illustrated with 180 colour and black-and-white photographs, artworks, and maps, Roman Myths is an engaging and informative book, offering an introduction to Roman mythology, its roots, and its ongoing importance.

This book offers a detailed and fascinating picture of the astonishing astronomical knowledge on which the Roman calendar, traditionally attributed to the king Numa Pompilius (reign 715-673 B.C.), was based. This knowledge, of Mesopotamian origins, related mainly to the planetary movements and to the occurrence of eclipses in the solar system. The author explains the Numan year and cycle and illustrates clearly how astronomical phenomena exerted a powerful influence over both public and private life. A series of concise chapters examine the dates of the Roman festivals, describe the related rites and myths and place the festivals in relation to the planetary movements and astronomical events. Special reference is made to the movements of the moon and Venus, their relation to the language of myth, and the particular significance that Venus was considered to have for female fertility. The book clearly demonstrates the depth of astronomical knowledge reflected in the Roman religious calendar and the designated festive days. It will appeal both to learned connoisseurs and to amateurs with a particular interest in the subject.

Who was Pandora and what was in her famous box? How did Achilles get his Achilles heel? What exactly is a Titan? And why is one computer virus known as a Trojan horse? The myths of ancient Greece and Rome can seem bewilderingly complex, yet they are so much a part of modern life and discourse that most of us know fragments of them. This comprehensive companion takes these fragments and weaves them into an accessible and enjoyable narrative, guiding the reader through the basic stories of classical myth. Philip Matyszak explains the sequences of events and introduces the major plots and characters, from the origins of the world and the labors of Hercules to the Trojan War and the voyages of Odysseus and Aeneas. He brings to life an exotic cast of heroes and monsters, wronged women and frighteningly arbitrary yet powerful gods. He also shows how the stories have survived and greatly influenced later art and culture, from Renaissance painting and sculpture to modern opera, literature, movies, and everyday products.

'Gripping ... A remarkable achievement' TLS On his deathbed in 19 BCE, Vergil asked that his epic, the Aeneid, be burned. If his wishes had been obeyed, western literature - maybe even western civilization - might have taken a different course. The Aeneid has remained a foundational text since the rise of universities, and has been invoked at key points of human history - whether by Saint Augustine to illustrate the fallen nature of the soul, by settlers to justify manifest destiny in North America, or by Mussolini in support of his Fascist regime. In this fresh and fast-paced translation of the Aeneid, Shadi Bartsch brings the poem to the modern reader. Along with the translation, her introduction will guide the reader to a deeper understanding of the epic's enduring influence.

The twenty-one studies assembled in this volume focus on the apparatus and practitioners of religions in the western Roman empire, the enclaves, temples, altars and monuments that served the cults of a wide range of divinities through the medium of priests and worshippers. Discussion focuses on the analysis or reconstruction of the centres at which devotees gathered and draws on the full range of available evidence. While literary authorities remain of primary concern, these are for the most part overshadowed by other categories of evidence, in particular archaeology, epigraphy, numismatics and iconography, sources in some cases confirmed by the latest geophysical techniques - electrical resistivity tomography or ground-probing radar. The material is conveniently presented by geographical area, using modern rather than Latin terminology: Rome, Italy, Britain, Gaul, Spain, Hungary, along with a broader section that covers the empire in general. The titles of the various articles speak for themselves but readers may find the preface of interest in so far as it sets out my ideas on the use of ancient evidence and the pitfalls of some of the approaches favoured by modern scholars. Together with the wide range of individual papers the preface makes the book of interest to all students of the Roman empire as well as those specifically concerned with the history of religions.

Focusing on the Roman west, this book examines the rituals of cursing, their cultural contexts, and their impact on the lives of those who practised them. A huge number of Roman curse tablets have been discovered, showing their importance for helping ancient people to cope with various aspects of life. Curse tablets have been relatively neglected by archaeologists and historians. This study not only encourages greater understanding of the individual practice of curse rituals but also reveals how these objects can inform ongoing debates surrounding power, agency and social relationships in the Roman provinces. McKie uses new theoretical models to examine the curse tablets and focuses particularly on the concept of 'lived religion'. This framework reconfigures our understanding of religious and magical practices, allowing much greater appreciation of them as creative processes. Our awareness of the lived experiences of individuals is also encouraged by the application of theoretical approaches from sensory and material turns and through the consideration of comparable ritual practices in modern social contexts. These stimulate new questions of the ancient evidence, especially regarding the motives and motivations behind the curses.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

What is a human being according to Augustine of Hippo? This question has occupied a group of researchers from Brazil and Europe and has been explored at two workshops during which the contributors to this volume have discussed anthropological themes in Augustine's vast corpus. In this volume, the reader will find articles on a wide spectrum of Augustine's anthropological ideas. Some contributions focus on specific texts, while others focus on specific theological or philosophical aspects of Augustine's anthropology. The authors of the articles in this volume are convinced that Augustine's anthropology is of major importance for how human beings have been understood in Western civilization for better or for worse. The topic is therefore highly relevant to present times in which humanity is under pressure from various sides.

The epics of the three Flavian poets-Silius Italicus, Statius, and Valerius Flaccus-have, in recent times, attracted the attention of scholars, who have re-evaluated the particular merits of Flavian poetry as far more than imitation of the traditional norms and patterns. Drawn from sixty years of scholarship, this edited collection is the first volume to collate the most influential modern academic writings on Flavian epic poetry, revised and updated to provide both scholars and students alike with a broad yet comprehensive overview of the field. A wide range of topics receive coverage, and analysis and interpretation of individual poems are integrated throughout. The plurality of the critical voices included in the volume presents a much-needed variety of approaches, which are used to tackle questions of intertextuality, gender, poetics, and the social and political context of the period. In doing so, the volume demonstrates that by engaging in a complex and challenging intertextual dialogue with their literary predecessors, the innovative epics of the Flavian poets respond to contemporary needs, expressing overt praise, or covert anxiety, towards imperial rule and the empire.

Roman Republican Augury: Freedom and Control proposes a new way of understanding augury, a form of Roman state divination designed to consult the god Jupiter. Previous scholarly studies of augury have tended to focus either upon its legal-constitutional effects or upon its role in maintaining and perpetuating Roman social and political structures. This volume makes a new contribution to the study of Roman religion, politics, and cultural history by focusing instead upon what augury can tell us about how Romans understood their relationship with their gods. Augury is often thought to have told Romans what they wanted to hear. This volume argues that augury left space for perceived expressions of divine will which contradicted human wishes, and that its rules and precepts did not permit human beings to create or ignore signs at will. This analysis allows the Jupiter whom Romans approached in augury to emerge as not simply a source of power to be channelled to human ends, but a person with his own interests and desires, which did not always overlap with those of his human enquirers. When human will and divine will clashed, it was the will of Jupiter which was supposed to prevail. In theory as in practice, it was the Romans, not their supreme god, who were bound by the auguries and auspices.

A vibrant, accessible social history of Rome, from 753 BCE to the fall of the Empire some 1300 years later. To support its findings the book features hundreds of translations of inscriptions and graffiti from original authors-Roman, Greek and Jewish-and evidence culled from the visual arts, curse tablets, official records and letters both private and official. Each comes with detailed commentaries, placing them into social and historical context. The result is a fascinating survey of how Roman men, women and children lived their lives on a daily basis taking in marriage, slavery, gladiators, medicine, magic, religion, superstition and the occult; sex, work and play, education, death, housing, country life and city life. There are also chapters on domestic violence, family pets and FGM. In short, 'When in Rome' gives a vivid description of what the Romans really did.

Jenny R. Labendz investigates rabbinic self-perception and self-fashioning within the non-Jewish social and intellectual world of antique Palestine, showing how the rabbis drew on Hellenistic and Roman concepts for Torah study and answering a fundamental question: was rabbinic participation in Greco-Roman society a begrudging concession or a principled choice? As Labendz demonstrates, Torah study was an intellectual arena in which rabbis were extremely unlikely to look beyond their private domain. Yet despite the highly internal and self-referential nature of rabbinic Torah study, some rabbis believed that the involvement of non-Jews in rabbinic intellectual culture enriched the rabbis' own learning and teaching. Labendz identifies a sub-genre of rabbinic texts that she terms "Socratic Torah, " which portrays rabbis engaging in productive dialogue with non-Jews about biblical and rabbinic law and narrative. In these texts, rabbinic epistemology expands to include reliance not only upon Scripture and rabbinic tradition, but upon intuitions and life experiences common to Jews and non-Jews. While most scholarly readings of rabbinic dialogues with non-Jews have focused on the polemical, hostile, or anxiety-ridden nature of the interactions, Socratic Torah reveals that the presence of non-Jews was at times a welcome opportunity for the rabbis to think and speak differently about Torah. Labendz contextualizes her explication of Socratic Torah within rabbinic literature at large, including other passages and statements about non-Jews as well as general intellectual trends in rabbinic literature, and also within cognate literatures, including Plato's dialogues, Jewish texts of the Second Temple period, and the New Testament. While she focuses on non-Jews in the Palestinian Talmud and midrashim, the book includes chapters on the Babylonian Talmud and on the liminal figures of minim and Matrona. The passages that make up the sub-genre of Socratic Torah serve as the entryway for a much broader understanding of rabbinic literature and rabbinic intellectual culture.

God, Space, and City in the Roman Imagination is a unique exploration of the relationship between the ancient Romans' visual and literary cultures and their imagination. Drawing on a vast range of ancient sources, poetry and prose, texts, and material culture from all levels of Roman society, it analyses how the Romans used, conceptualized, viewed, and moved around their city. Jenkyns pays particular attention to the other inhabitants of Rome, the gods, and investigates how the Romans experienced and encountered them, with a particular emphasis on the personal and subjective aspects of religious life. Through studying interior spaces, both secular (basilicas, colonnades, and forums) and sacred spaces (the temples where the Romans looked upon their gods) and their representation in poetry, the volume also follows the development of an architecture of the interior in the great Roman public works of the first and second centuries AD. While providing new insights into the working of the Romans' imagination, it also offers powerful challenges to some long established orthodoxies about Roman religion and cultural behaviour.

The Mythology of Venus is a collection of essays that summarizes the archaeoastronomy, calendar associations, religious and cultural icons, and myths identified with the planet Venus. The book concentrates on Western Europe, the Mediterranean, the Near East, and the East from the Paleolithic Age to the Iron Age. It reveals the archetype of a goddess associated with the planet Venus who is identified with transformation, spiritual resurrection, and enlightenment. The characteristics of the goddess are steeped in sexual metaphors which contain images of birth and re-birth, and they reveal a pattern of symbols that follows the journey of the planet Venus through its cycles in the night sky. Moreover, the journey of Venus and the corresponding icons associated with the goddess are part of an intricate pattern of symbolic language that is seen on ancient monuments and on the ancient calendars of several cultures. Temples from France and Ireland to Greece and Malta trace the journey of the planet Venus and the story of the goddess of Venus.

A compelling history of radical transformation in the fourth-century--when Christianity decimated the practices of traditional pagan religion in the Roman Empire. The Final Pagan Generation recounts the fascinating story of the lives and fortunes of the last Romans born before the Emperor Constantine converted to Christianity. Edward J. Watts traces their experiences of living through the fourth century's dramatic religious and political changes, when heated confrontations saw the Christian establishment legislate against pagan practices as mobs attacked pagan holy sites and temples. The emperors who issued these laws, the imperial officials charged with implementing them, and the Christian perpetrators of religious violence were almost exclusively young men whose attitudes and actions contrasted markedly with those of the earlier generation, who shared neither their juniors' interest in creating sharply defined religious identities nor their propensity for violent conflict. Watts examines why the "final pagan generation"-born to the old ways and the old world in which it seemed to everyone that religious practices would continue as they had for the past two thousand years-proved both unable to anticipate the changes that imperially sponsored Christianity produced and unwilling to resist them. A compelling and provocative read, suitable for the general reader as well as students and scholars of the ancient world.

The resonant ruins of Pompeii are perhaps the most direct route back to the living, breathing world of the ancient Romans. Two million visitors annually now walk the paved streets which re-emerged, miraculously preserved, from their layers of volcanic ash. Yet for all the fame and unique importance of the site, there is a surprising lack of a handy archaeological guide in English to reveal and explain its public spaces and private residences. This compact and user-friendly handbook, written by an expert in the field, helpfully fills that gap. Illustrated throughout with maps, plans, diagrams and other images, Pompeii: An Archaeological Guide offers a general introduction to the doomed city followed by an authoritative summary and survey of the buildings, artefacts and paintings themselves. The result is an unrivalled picture, derived from an intimate knowledge of Roman archaeology around the Bay of Naples, of the forum, temples, brothels, bath-houses, bakeries, gymnasia, amphitheatre, necropolis and other site buildings - including perennial favourites like the House of the Faun, named after its celebrated dancing satyr.

The Roman cult of Mithras was the most widely-dispersed and densely-distributed cult throughout the expanse of the Roman Empire from the end of the first until the fourth century AD, rivaling the early growth and development of Christianity during the same period. As its membership was largely drawn from the ranks of the military, its spread, but not its popularity is attributable largely to military deployments and re-deployments. Although mithraists left behind no written archival evidence, there is an abundance of iconographic finds. The only characteristic common to all Mithraic temples were the fundamental architecture of their design, and the cult image of Mithras slaying a bull. How were these two features so faithfully transmitted through the Empire by a non-centralized, non-hierarchical religious movement? The Minds of Mithraists: Historical and Cognitive Studies in the Roman Cult of Mithras addresses these questions as well as the relationship of Mithraism to Christianity, explanations of the significance of the tauroctony and of the rituals enacted in the mithraea, and explanations for the spread of Mithraism (and for its resistance in a few places). The unifying theme throughout is an investigation of the 'mind' of those engaged in the cult practices of this widespread ancient religion. These investigations represent traditional historical methods as well as more recent studies employing the insights of the cognitive sciences, demonstrating that cognitive historiography is a valuable methodological tool.

The Ciris is a small scale epic poem which relates the myth of Scylla, daughter of king Nisus of Megara, who betrayed her homeland for love, and was transformed into a sea-bird. It is one of the poems in the Appendix Vergiliana, a collection that has been ascribed to Virgil as his carmina minora. Earlier scholarship has mostly been concerned to prove that the Ciris is not by Virgil, and then to demonstrate that it is a late and derivative composition of little intrinsic merit. The present book argues that Ciris was composed by a contemporary of Virgil, a product of the golden age of Latin poetry. It aims to bring the poem to the attention of modern readers and to rescue it from ill-deserved neglect. The introduction presents detailed linguistic, literary and historical arguments in support of this early composition date and offers a state-of-the-art account of the textual witnesses and the manuscript tradition. The critical text and apparatus are based on a systematic, first-hand analysis of manuscript evidence as well as the rigorous application of text-critical methods. The new text, as close to the original Ciris as can be achieved, includes over one-hundred and fifty changes from previous editions. By engaging with textual scholarship on the poem from the fifteenth to the twenty-first century, the line-by-line commentary provides a comprehensive guide to the numerous textual problems, and is an important contribution to the stylistic and linguistic analysis of golden-age Latin poetry.