Including the work of 12 authors from institutions such as Colorado State University, Frostburg State University, Michigan State University, Salisbury University, Texas Woman's University, University of Birmingham, University of California; Irvine, University of California; Merced, and William Jessup University, Rocklin; California, the collection of essays explores the broad range of animals who share our planet and attempts to recognize our responsibility as humans to take their interests seriously.

This book takes a unique stance on a controversial topic: zoos. Zoos have their ardent supporters and their vocal detractors. And while we all have opinions on "what" zoos do, few people consider "how" they do it. Irus Braverman draws on more than seventy interviews conducted with zoo managers and administrators, as well as animal activists, to offer a glimpse into the otherwise unknown complexities of zooland.
"Zooland" begins and ends with the story of Timmy, the oldest male gorilla in North America, to illustrate the dramatic transformations of zoos since the 1970s. Over these decades, modern zoos have transformed themselves from places created largely for entertainment to globally connected institutions that emphasize care through conservation and education.
Zoos naturalize their spaces, classify their animals, and produce spectacular experiences for their human visitors. Zoos name, register, track, and allocate their animals in global databases. Zoos both abide by and create laws and industry standards that govern their captive animals. Finally, zoos intensely govern the reproduction of captive animals, carefully calculating the life and death of these animals, deciding which of them will be sustained and which will expire. "Zooland" takes readers behind the exhibits into the world of zoo animals and their caretakers. And in so doing, it turns its gaze back on us to make surprising interconnections between our understandings of the human and the nonhuman.

Bringing together the expertise of rhetoricians in English and communication as well as media studies scholars, Arguments about Animal Ethics delves into the rhetorical and discursive practices of participants in controversies over the use of nonhuman animals for meat, entertainment, fur, and vivisection. Both sides of the debate are carefully analyzed, as the contributors examine how stakeholders persuade or fail to persuade audiences about the ethics of animal rights or the value of using animals. The essays in this volume cover a wide range of topics, such as the campaigns waged by People for the Ethical Treatment of Animals (including the sexy vegetarian and nude campaigns), greyhound activists, the Corolla Wild Horse Fund, food manufacturers, and the biomedical research industry, as well as communication across the human-nonhuman animal boundary and the failure of the animal rights movement to protest research into genetically modifying living beings. Arguments about Animal Ethics' insightful analysis of the animal rights movement will appeal to communication scholars, as well as those interested in social change.

The ethical treatment of non-human animals is an increasingly significant issue, directly affecting how people share the planet with other creatures and visualize themselves within the natural world. The Routledge Handbook of Religion and Animal Ethics is a key reference source in this area, looking specifically at the role religion plays in the formation of ethics around these concerns. Featuring thirty-five chapters by a team of international contributors, the handbook is divided into two parts. The first gives an overview of fifteen of the major world religions' attitudes towards animal ethics and protection. The second features five sections addressing the following topics: Human Interaction with Animals Killing and Exploitation Religious and Secular Law Evil and Theodicy Souls and Afterlife This handbook demonstrates that religious traditions, despite often being anthropocentric, do have much to offer to those seeking a framework for a more enlightened relationship between humans and non-human animals. As such, The Routledge Handbook of Religion and Animal Ethics is essential reading for students and researchers in religious studies, theology, and animal ethics as well as those studying the philosophy of religion and ethics more generally.

Humans have long believed themselves to be the superior species: we consume other animals for food, experiment on them and slaughter them for sport. But as well as the ethical issues surrounding our treatment of other animals, our attitudes are responsible for massive species loss and extinctions, the extensive destruction of habitats and a growing threat of zoonotic pandemics. Drawing on philosophy and theology, art and history, Between Light and Storm is a penetrating account of our fraught relationship with animals. It is also a timely and necessary plea for a more humane approach to those with whom we share a planet.

An exploration of the various ways animals and their relations to humans have been depicted throughout the ages. This volume delves into the realm between representative images and real animals. It is a historical inquiry into human interaction with the animals we eat, pamper, experiment on, and imagine, as they have been variously domesticated, slaughtered, loved, studied, and made into icons of human invention. Common assumptions and experiences with animals have entered into the functioning and conceptualizing of life, yet these are historically and culturally contingent. The essays in this volume unveil the ways in which human-animal relationships reveal the interhuman structures of the cultures in which they are formed. By using animals as a lens, they refocus our awareness of the ways in which humans have allotted resources, gathered knowledge, and structured families. The treatment of animals is often a guide to the treatment of people within a society, while the perceived 'stewardship' of humans over animals has helped shape the broader environment that both human and nonhuman animals share. The authors tackle their subject from a variety of levels -- popular, scientific, and economic. The essays explore the vast borderland between human ideas and physical nature regarding animal representation. Contributors include Richard W. Burkhardt, Jr., Jonathan Burt, Ken C. Erickson, Katherine C. Grier, Richard C. Hoffmann, Andrew C. Isenberg, JacquelineMilliet, John Solomon Otto, Karen A. Rader, Harriet Ritvo, Nigel Rothfels, Kenneth J. Shapiro, and Edward I. Steinhart. Mary Henninger-Voss is an Associate of the Shelby Cullom Davis Center for Historical Studies, Princeton University.

The power of stories to raise our concern for animals has been postulated throughout history by countless scholars, activists, and writers, including such greats as Thomas Hardy and Leo Tolstoy. This is the first book to investigate that power and explain the psychological and cultural mechanisms behind it. It does so by presenting the results of an experimental project that involved thousands of participants, texts representing various genres and national literatures, and the cooperation of an internationally-acclaimed bestselling author. Combining psychological research with insights from animal studies, ecocriticism and other fields in the environmental humanities, the book not only provides evidence that animal stories can make us care for other species, but also shows that their effects are more complex and fascinating than we have ever thought. In this way, the book makes a groundbreaking contribution to the study of relations between literature and the nonhuman world as well as to the study of how literature changes our minds and society. "As witnessed by novels like Black Beauty and Uncle Tom's Cabin, a good story can move public opinion on contentious social issues. In Human Minds and Animal Stories a team of specialists in psychology, biology, and literature tells how they discovered the power of narratives to shift our views about the treatment of other species. Beautifully written and based on dozens of experiments with thousands of subjects, this book will appeal to animal advocates, researchers, and general readers looking for a compelling real-life detective story." - Hal Herzog, author of Some We Love, Some We Hate, Some We Eat : Why It's So Hard To Think Straight About Animals

This is the first book in the UK or the US to set on record the recent cultural phenomenon of the use of certain dog breeds - both legal and illegal - to 'convey status' to their owners. Such dogs are easily visible on social housing estates and provide acquired authority, respect, power and control. However, they are increasingly linked to urban street gangs as 'weapon dogs' and present a danger to the general public. Local and statutory authorities are now seeking to address the issue through action plans and interventions. Written in a fresh, engaging and accessible style, this unique book contextualises the phenomenon in terms of sociology, criminology and public policy. It makes essential reading for academics and policy makers in criminology and criminal justice and those working with animal rights/animal welfare groups.

As Julie Urbanik vividly illustrates, non-human animals are central to our daily human lives. We eat them, wear them, live with them, work them, experiment on them, try to save them, spoil them, abuse them, fight them, hunt them, buy and sell them, love them, and hate them. Placing Animals is the first book to bring together the historical development of the field of animal geography with a comprehensive survey of how geographers study animals today. Urbanik provides readers with a thorough understanding of the relationship between animal geography and the larger animal studies project, an appreciation of the many geographies of human-animal interactions around the world, and insight into how animal geography is both challenging and contributing to the major fields of human and nature-society geography. Through the theme of the role of place in shaping where and why human-animal interactions occur, the chapters in turn explore the history of animal geography and our distinctive relationships in the home, on farms, in the context of labor, in the wider culture, and in the wild.

As Julie Urbanik vividly illustrates, non-human animals are central to our daily human lives. We eat them, wear them, live with them, work them, experiment on them, try to save them, spoil them, abuse them, fight them, hunt them, buy and sell them, love them, and hate them. Placing Animals is the first book to bring together the historical development of the field of animal geography with a comprehensive survey of how geographers study animals today. Urbanik provides readers with a thorough understanding of the relationship between animal geography and the larger animal studies project, an appreciation of the many geographies of human-animal interactions around the world, and insight into how animal geography is both challenging and contributing to the major fields of human and nature-society geography. Through the theme of the role of place in shaping where and why human-animal interactions occur, the chapters in turn explore the history of animal geography and our distinctive relationships in the home, on farms, in the context of labor, in the wider culture, and in the wild.

Wild animals form an integral component of the human leisure experience. They are a significant part of the leisure industry and are economically valuable entities. However, as sentient beings, animals also have rights and welfare needs, and, like humans, may also have their own leisure desires and requirements. This collection provides an in-depth analysis of the rights and welfare of humans and wild animals as the two relate to one another within the sphere of leisure studies. It examines a wide array of animals, such as wolves, elephants, dolphins and apes, in a diverse range of leisure settings in international locations, from captive wild animals in zoos, hunting, swimming with dolphins and animals used as educators and for tourist entertainment. This book provides a forum for future considerations of wild animals and leisure and a voice for animal welfarist agendas that seek to improve the conditions under which wild animals interact with and are engaged with by humans.

While it is generally accepted that animal welfare matters morally, it is less clear how to morally evaluate the ending of an animal's life. It seems to matter for the animal whether it experiences pain or pleasure, or enjoyment or suffering. But does it also matter for the animal whether it lives or dies? Is a longer life better for an animal than a shorter life? If so, under what conditions is this so, and why is this the case? Is it better for an animal to live rather than never to be born at all? The Ethics of Killing Animals addresses these value-theoretical questions about animal life, death and welfare. It also discusses whether and how answers to these questions are relevant for our moral duties towards animals. Is killing animals ever morally acceptable and, if so, under what conditions? Do animals have moral rights, such as the right to life and should they be accorded legal rights? How should our moral duties towards animals inform our individual behavior and policy-making? This volume presents a collection of contributions from major thinkers in ethics and animal welfare, with a special focus on the moral evaluation of killing animals.

Animals are everywhere. They inhabit our forests, our fields, our imaginations, our dreams, and our stories. Making appearances in advertisements, television programs, movies, books, Internet memes, and art, symbolic animals do tremendous work for us selling goods, services, and ideas, as well as acting as stand-ins for our interests and ideas. Yet, does knowing animals only symbolically impact their lived experiences? Seeing Species: Re-presentations of Animals in Media & Popular Culture examines the use of animals in media, tracking species from appearances in rock art and picture books to contemporary portrayals in television programs and movies. Primary questions explored include: Where does thinking of other beings in a detached, impersonal, and objectified way come from? Do the mass media contribute to this distancing? When did humans first think about animals as other others? Main themes include examining the persistence of the human-animal divide, parallels in the treatment of otherized human beings and animals, and the role of media in either liberating or limiting real animals. This book brings together sociological, psychological, historical, cultural, and environmental ways of thinking about nonhuman animals and our relationships with them. In particular, ecopsychological thinking locates and identifies the connections between how we re-present animals and the impact on their lived experiences in terms of distancing, generating a false sense of intimacy, and stereotyping. Re-presentations of animals are discussed in terms of the role the media do or do not play in perpetuating status quo beliefs about them and their relationship with humans. This includes theories and methods such as phenomenology, semiotics, textual analysis, and pragmatism, with the goal of unpacking re-presentations of animals in order to learn not only what they say about human beings but also how we regard members of other species.

"In this brilliant study of cloned wild life, Carrie Friese adds a whole new dimension to the study of reproduction, illustrating vividly and persuasively how social and biological reproduction are inextricably bound together, and why this matters."--Sarah Franklin, author of Dolly Mixtures: the Remaking of Genealogy The natural world is marked by an ever-increasing loss of varied habitats, a growing number of species extinctions, and a full range of new kinds of dilemmas posed by global warming. At the same time, humans are also working to actively shape this natural world through contemporary bioscience and biotechnology. In Cloning Wild Life, Carrie Friese posits that cloned endangered animals in zoos sit at the apex of these two trends, as humans seek a scientific solution to environmental crisis. Often fraught with controversy, cloning technologies, Friese argues, significantly affect our conceptualizations of and engagements with wildlife and nature. By studying animals at different locations, Friese explores the human practices surrounding the cloning of endangered animals. She visits zoos--the San Diego Zoological Park, the Audubon Center in New Orleans, and the Zoological Society of London--to see cloning and related practices in action, as well as attending academic and medical conferences and interviewing scientists, conservationists, and zookeepers involved in cloning. Ultimately, she concludes that the act of recalibrating nature through science is what most disturbs us about cloning animals in captivity, revealing that debates over cloning become, in the end, a site of political struggle between different human groups. Moreover, Friese explores the implications of the social role that animals at the zoo play in the first place--how they are viewed, consumed, and used by humans for our own needs. A unique study uniting sociology and the study of science and technology, Cloning Wild Life demonstrates just how much bioscience reproduces and changes our ideas about the meaning of life itself. Carrie Friese is Lecturer in Sociology at the London School of Economics and Political Science.

This book is the first critical anthology to examine the controversial history of the zoo by focusing on its close relationship with screen media histories and technologies. Individual chapters address the representation of zoological spaces in classical and contemporary Hollywood cinema, documentary and animation, amateur and avant-garde film, popular television and online media. The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.

Reading Slaughter: Abattoir Fictions, Space, and Empathy in Late Modernity examines literary depictions of slaughterhouses from the development of the industrial abattoir in the late nineteenth century to today. The book focuses on how increasing and ongoing isolation and concealment of slaughter from the surrounding society affects readings and depictions of slaughter and abattoirs in literature, and on the degree to which depictions of animals being slaughtered creates an avenue for empathic reactions in the reader or the opportunity for reflections on human-animal relations. Through chapters on abattoir fictions in relation to narrative empathy, anthropomorphism, urban spaces, rural spaces, human identities and horror fiction, Sune Borkfelt contributes to debates in literary animal studies, human-animal studies and beyond.

From the hooves of chariot horses pounding the dust of the racetrack to the cries of elephants charging the battlefields, animals were a key part of Roman life. On memorials left to beloved dogs or in images of arena animals hammered onto coins, their stories and roles in Roman history are there for us to find. Why did the emperor Augustus always have a seal skin nearby? What was the most dangerous part of a chariot race? How could a wolf help with toothache? Take a gallop into the Roman world of chariot horses, battle elephants and rampaging rhinos. In the ancient world a bear could be weaponised and venomous snakes could change the course of a battle at sea. If you want to know exactly how to boil a crane (and who doesn't?) or how to use eels to commit murder, the Romans have the answer. They wove animals into poetry, sacrificed them and slaughtered thousands in their arenas, while animal skins reinforced shields and ivory decorated the hilts of their swords. From much-loved dogs to talking ravens, Battle Elephants and Flaming Foxes discovers who the Romans really were through the fascinating relationships they had with the creatures they lived and died alongside.

R.M. Hare was one of the most important ethical theorists of the 20th century, and one of his graduate students, Peter Singer, became famous for his writings on animals and personhood. Singer now says that he endorses Hare's "two-level utilitarianism," and he has invoked the theory's distinction between "critical thinking" and thinking in terms of "intuitive level rules" in response to certain objections to his conclusions on several issues. Hare, however, never published a systematic treatment of how his theory applies to issues in animal ethics, and he avoided the concept of "personhood." Gary Varner here fills this gap by defending the moral legitimacy of distinguishing among "persons," "near-persons," and "the merely sentient" within Harean two-level utilitarianism. He explores the implications of this distinction by applying the resulting ethical system to our treatment of animals, and shows how the results contrast with the more abolitionist conclusions reached by Singer on the same issues. In the process, he presents a new philosophical defense of two-level utilitarianism and its metaethical foundation (universal prescriptivism), and he significantly expands Hare's account of how "intuitive level rules" function in moral thinking, based on recent empirical research. The book also draws heavily on empirical research on consciousness and cognition in non-human animals as a way of approaching the question of which animals, if any, are "persons," or at least "near-persons. Philosophers, including those interested in utilitarianism in general or Hare in particular, as well as others interested in animal ethics or the debate over personhood, will find Varner's argument of great interest. "Professor Varner's earlier work, In Nature's Interests, is a very fine book. It has achieved a high level of respect from those working in the field, and is often seen as having set a new standard of debate in environmental ethics. That means that a new book by Professor Varner will be received with considerable interest. Varner draws on extensive recent empirical research regarding the degree to which animals are self-conscious and uses this information as the basis for the most serious discussion I have yet seen of whether any nonhuman animals can be considered 'persons'. There is, to my knowledge, no other book that goes into these issues anywhere near as deeply, in the context of assessing their significance for the normative issues of the wrongness of taking life, or other issues relating to ethical decision-making regarding our treatment of animals and some humans. I have no doubt that this book will, like In Nature's Interests, be seen as making an important contribution to the topics it covers." - Peter Singer, University Center for Human Values, Princeton University

This book takes a unique stance on a controversial topic: zoos. Zoos have their ardent supporters and their vocal detractors. And while we all have opinions on "what" zoos do, few people consider "how" they do it. Irus Braverman draws on more than seventy interviews conducted with zoo managers and administrators, as well as animal activists, to offer a glimpse into the otherwise unknown complexities of zooland.
"Zooland" begins and ends with the story of Timmy, the oldest male gorilla in North America, to illustrate the dramatic transformations of zoos since the 1970s. Over these decades, modern zoos have transformed themselves from places created largely for entertainment to globally connected institutions that emphasize care through conservation and education.
Zoos naturalize their spaces, classify their animals, and produce spectacular experiences for their human visitors. Zoos name, register, track, and allocate their animals in global databases. Zoos both abide by and create laws and industry standards that govern their captive animals. Finally, zoos intensely govern the reproduction of captive animals, carefully calculating the life and death of these animals, deciding which of them will be sustained and which will expire. "Zooland" takes readers behind the exhibits into the world of zoo animals and their caretakers. And in so doing, it turns its gaze back on us to make surprising interconnections between our understandings of the human and the nonhuman.

Meet the inspirational animals who went from being rescued to becoming rescuer in these incredible true stories You'll read all about... Constantine and Crystal, the guinea pigs who gave a bullied girl with autism a reason to smile Alex, the tiger who inspired a homeless drug addict to get her life back on track Angel, the horse who helped her owner to lose weight and regain her confidence Daniel, the duck who was rescued from a food market and succeeded in soothing his owner's PTSD ... as well as many other animal heroes who came to their owner's aid - whether it was helping them to recover from mental illness, relationship breakdown or bereavement. These remarkable creatures all repaid the love and appreciation that their human companions displayed in caring for them. Let these uplifting stories warm your heart, and show you that adopted animals can heal our pain and transform our lives.

This is the first book in the UK or US to set on record the recent cultural phenomenon of the use of certain dog breeds - both legal and illegal - to 'convey status' upon their owners. Such dogs are easily visible on social housing estates throughout the UK and in projects in the USA and provide acquired authority, respect, power and control. However they are increasingly linked to urban street gangs as 'Weapon Dogs' and present a danger to the ordinary public especially those using parks and open spaces with increased injuries being presented at UK hospitals. Though initially slow to react, local and statutory authorities are now seeking to address the issue through action plans and interventions. Written in a fresh, engaging and accessible style, this unique book contextualizes the phenomenon in terms of sociology, criminology and public policy. It considers a complex mix of urban and social deprivation, social control of public space and the influence of contemporary media imagery and 'gangsta' culture. It will make essential reading for academics and policy makers in criminology and criminal justice and those working with animal rights/animal welfare groups.

A "well-written, engaging detective story" (Kirkus Reviews, starred review) about a rogue who trades in rare birds and their eggs-and the wildlife detective determined to stop him. On May 3, 2010, an Irish national named Jeffrey Lendrum was apprehended at Britain's Birmingham International Airport with a suspicious parcel strapped to his stomach. Inside were fourteen rare peregrine falcon eggs snatched from a remote cliffside in Wales. So begins a "vivid tale of obsession and international derring-do" (Publishers Weekly), following the parallel lives of a globe-trotting smuggler who spent two decades capturing endangered raptors worth millions of dollars as race champions-and Detective Andy McWilliam of the United Kingdom's National Wildlife Crime Unit, who's hell bent on protecting the world's birds of prey. "Masterfully constructed" (The New York Times) and "entertaining and illuminating" (The Washington Post), The Falcon Thief will whisk you away from the volcanoes of Patagonia to Zimbabwe's Matobo National Park, and from the frigid tundra near the Arctic Circle to luxurious aviaries in the deserts of Dubai, all in pursuit of a man who is reckless, arrogant, and gripped by a destructive compulsion to make the most beautiful creatures in nature his own. It's a story that's part true-crime narrative, part epic adventure-and wholly unputdownable until the very last page.

'Killing It combines three popular, profound topics: where our food comes from, how to achieve purpose in life and how to find lasting love' - Sunday Times

After a career spent writing about food, Camas Davis came to a realization: she had never forced herself to grapple with how it actually got to her plate. Out of love with her life and with the world she found herself in, she knew she had to make a change.

And so she set off for France. There, in the rolling countryside of Gascony, she would learn the art of butchery, and with it the art of eating and drinking well. Surrounded by farmers, producers, cooks and food-lovers, eating some of the world's least processed and most lovingly made food, Camas discovered the very authenticity she'd longed for in her old life. She just needed to return to America, and bring what she'd learnt back with her . . .

Killing It is the story of one woman's quest to understand what it means to be human and what it means to be animal too.

Gender and Sexuality in Critical Animal Studies explores nonhuman animals' experiences of gender, physiological sex, and sexuality while in nature and captivity. The contributors in this collection analyze nonhuman oppression issues, such as reproductive freedom, deconstructing dichotomous thinking, and promoting animal liberation within and beyond the academy. The scholar-activists featured in this collection investigate injustice in news stories, literature, and other media that shape human perceptions and treatment toward nonhumans. Each chapter confronts notions of gender, physiological sex, or sexuality as construction by applying literary theory, cultural studies, disability studies, queer studies, ecocriticism, and more to promote justice and equity for nonhuman animals.