For the Celts, a rural people whose survival depended solely upon their environment, natural phenomena, the elements, and animals, especially, merited their extreme respect. The Celts made both wild and domesticated species the focus of elaborate rituals as well as the basis of profound religious beliefs. "Animals in Celtic Life and Myth" examines the intimate relationship between humans and animals, in a society in which animals were special and central to all aspects of life.
Miranda Green draws on evidence from a variety of early Celtic documents, as well as archaeology and iconography, revealing that the Celts believed many animals to be sacred, either possessing divine status in their own right or acting as mediators between gods and humans. She covers the crucial role of animals in the Celtic economy; in hunting and welfare; in Celtic art and literature; in religion and ritual. The attitude of the Celts toward animals closely connected the Celtic with the everyday: warfare was bound up with religion; the killing of animals was a ritual act; in stories, heroes talk to animals in their own language and gods change at will from human to animal form. The book covers the important period between 8 B.C. and 1 A.D., during which much of Europe, ranging from Ireland to Czechoslovakia, was turning to Christianity.
"Animals in Celtic Life and Myth" is invaluable to students of archaeology, anthropology and history, as well as to the general reader with an interest in animals.

In this book, Daniel K. Miller articulates a new vision of human and animal relationships based on the foundational love ethic within Christianity. Framed around Jesus' parable of the Good Samaritan, Animal Ethics and Theology thoughtfully examines the shortcomings of utilitarian and rights-based approaches to animal ethics. By considering the question of animals within the Christian concept of neighbourly love, Miller provides an alternative narrative for understanding the complex relationships that humans have with other animals. This book addresses significant theological questions such as: Does being created in the image of God present a meaningful distinction between humans and other animals? What does it mean for humans to have dominion (Gen. 1:28) over animals? Is meat eating a moral problem for Christians? In addition to drawing out the significance of Christian theology for field of animal ethics this book also engages environmental and feminist ethics. Miller brings a theological perspective to such questions as: Should care for animals be distinguished from care for the environment, and what role should human emotions play in our ethical dealings with other animals? As the title suggests, this book provides fresh insight into the theological significance of human relationships with other animals.

To date, philosophical discussions of animal ethics and Critical Animal Studies have been dominated by Western perspectives and Western thinkers. This book makes a novel contribution to animal ethics in showing the range and richness of ideas offered to these fields by diverse Asian traditions. Asian Perspectives on Animal Ethics is the first of its kind to include the intersection of Asian and European traditions with respect to human and nonhuman relations. Presenting a series of studies focusing on specific Asian traditions, as well as studies that put those traditions in dialogue with Western thinkers, this book looks at Asian philosophical doctrines concerning compassion and nonviolence as these apply to nonhuman animals, as well as the moral rights and status of nonhuman animals in Asian traditions. Using Asian perspectives to explore ontological, ethical and political questions, contributors analyze humanism and post-humanism in Asian and comparative traditions and offer insight into the special ethical relations between humans and other particular species of animals. This book will be of interest to students and scholars of Asian religion and philosophy, as well as to those interested in animal ethics and Critical Animal Studies.

This book provides an interdisciplinary discussion of animals as a source of food within the context of tourism. It focuses on a range of ethical issues associated with the production and consumption of animal foods, highlighting the different ways in which animals are valued and utilised within different cultural and economic contexts. This book brings together food studies of animals with tourism and ethics, forming an important contribution to the wider conversation of human-animal studies.

Meat and dairy production and consumption are in crisis. Globally, 70 billion farm animals are used for food production every year. It is well accepted that livestock production is a major contributor to greenhouse gas emissions. The Food and Agriculture Organization of the United Nations (FAO) predicts a rough doubling of meat and milk consumption in the first half of the 21st century, with particularly rapid growth occurring in the developing economies of Asia. What will this mean for the health and wellbeing of those animals, of the people who consume ever larger quantities of animal products, and for the health of the planet itself? The new edition of this powerful and challenging book explores the impacts of the global growth in the production and consumption of meat and dairy, including cultural and health factors, and the implications of the likely intensification of farming for both small-scale producers and for animals. Several chapters explore the related environmental issues, from resource use of water, cereals and soya, to the impact of livestock production on global warming and issues concerning biodiversity, land use and the impacts of different farming systems on the environment. A final group of chapters addresses ethical and policy implications for the future of food and livestock production and consumption. Since the first edition, published in 2010, all chapters have been updated, three original chapters re-written and six new chapters added, with additional coverage of dietary effects of milk and meat, antibiotics in animal production, and the economic, political and ethical dimensions of meat consumption. The overall message is clearly that we must eat less meat to help secure a more sustainable and equitable world.

This book explores how humans in the Renaissance lived with, attended to, and considered the minds, feelings, and sociality of other creatures. It examines how Renaissance literature and natural history display an unequal creaturely world: all creatures were categorized hierarchically. However, post-Cartesian readings of Shakespeare and other Renaissance literature have misunderstood Renaissance hierarchical creaturely relations, including human relations. Using critical animal studies work and new materialist theory, Bach argues that attending closely to creatures and objects in texts by Shakespeare and other writers exposes this unequal world and the use and abuse of creatures, including people. The book also adds significantly to animal studies by showing how central bird sociality and voices were to Renaissance human culture, with many believing that birds were superior to some humans in song, caregiving, and companionship. Bach shows how Descartes, a central figure in the transition to modern ideas about creatures, lived isolated from humans and other creatures and denied ancient knowledge about other creatures' minds, especially bird minds. As significantly, Bach shows how and why Descartes' ideas appealed to human grandiosity. Asking how Renaissance categorizations of creatures differ so much from modern classifications, and why those modern classifications have shaped so much animal studies work, this book offers significant new readings of Shakespeare's and other Renaissance texts. It will contribute to a range of fields, including Renaissance literature, history, animal studies, new materialism, and the environmental humanities.

Dogs have become the subject of increasing scientific study over the past two decades, chiefly due to their development of specialized social skills, seemingly a result of selection pressures during domestication to help them adapt to the human environment. "The Social Dog: Behaviour andCognition" includes chapters from leading researchers in the fields of social cognition and behavior, vocalization, evolution, and more, focusing on topics including dog-dog and dog-human interaction, bonding with humans, social behavior and learning, and more.

Dogs are being studied in comparative cognitive sciences as well as genetics, ethology, and many more areas. As the number of published studies increases, this book aims to give the reader an overview of the state of the art on dog research, with an emphasis on social behavior and socio-cognitive skills. It represents a valuable resource for students, veterinarians, dog specialists, or anyone who wants deeper knowledge of his or her canine companion.
Reviews the state of the art of research on dog social interactions and cognition

Includes topics on dog-dog as well as dog-human interactions

Features contributions from leading experts in the field, which examine current studies while highlighting the potential for future research "

From the hooves of chariot horses pounding the dust of the racetrack to the cries of elephants charging the battlefields, animals were a key part of Roman life. On memorials left to beloved dogs or in images of arena animals hammered onto coins, their stories and roles in Roman history are there for us to find. Why did the emperor Augustus always have a seal skin nearby? What was the most dangerous part of a chariot race? How could a wolf help with toothache? Take a gallop into the Roman world of chariot horses, battle elephants and rampaging rhinos. In the ancient world a bear could be weaponised and venomous snakes could change the course of a battle at sea. If you want to know exactly how to boil a crane (and who doesn't?) or how to use eels to commit murder, the Romans have the answer. They wove animals into poetry, sacrificed them and slaughtered thousands in their arenas, while animal skins reinforced shields and ivory decorated the hilts of their swords. From much-loved dogs to talking ravens, Battle Elephants and Flaming Foxes discovers who the Romans really were through the fascinating relationships they had with the creatures they lived and died alongside.

This book explores the religious language of Nonconformity used in ethical debates about animals. It uncovers a rich stream of innovative discourse from the Puritans of the seventeenth century, through the Clapham Sect and Evangelical Revival, to the nineteenth century debates about vivisection. This discourse contributed to law reform and the foundation of the RSPCA, and continues to flavour the way we talk about animal welfare and animal rights today. Shaped by the "nonconformist conscience", it has been largely overlooked. The more common perception is that Christian "dominion" authorises the human exploitation of animals, while Enlightenment humanism and Darwinian thought are seen as drawing humans and animals together in one "family". This book challenges that perception, and proposes an alternative perspective. Through exploring the shaping of animal advocacy discourses by Biblical themes of creation, fall and restoration, this book reveals the continuing importance of the nonconformist conscience as a source to enrich animal ethics today. It will appeal to the animal studies community, theologians and early modern historians.

This book offers the first transnational historical study of the creation, contention and consequences of the Australian animal movement. Largely inspired by Peter Singer and his 1975 book Animal Liberation, a new wave of animal activism emerged in Australia and across the world. In an effort to draw public and media attention to the plight of animals, such as the rearing of pigs and poultry in factory farms and the export of live animals to the Middle East and South East Asia, Australian activists were often innovative and provocative in how they made their claims. Through lobbying, disruptive methods, and vegan activism, the animal movement consistently contested the politics and culture of how animals were used and exploited. Australians not only observed and learnt from people and events overseas, but also played significant international roles. This book examines the complex and conflicting consequences of the animal movement for Australian politics, as well as its influence on broader social change.

This book advances current literature on the role and place of animals in sport and society. It explores different forms of sporting spaces, examines how figures of animals have been used to racialize the human athlete, and encourages the reader to think critically about animal ethics, animals in space, time and place, and the human-animal relationship. The chapters highlight persistent dichotomies in the use of and collaboration with animals for sport, and present strategies for moving forward in the study of interspecies relations.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

Images of animals are all around us. Yet the visibility offered by wildlife photography can't help but contribute to an image of the animal as fundamentally separate from the human. But how can we get closer to animals without making them aware of us or changing their relationship to their environment?

The Blind might be the answer. Developed for naturalists by the Institute of Critical Zoologists, the Blind is a camouflage cloak that works on the principle that an object vanishes from sight if light rays striking it are not reflected, but are instead forced to flow around as if it were not there. In fifty stunning color photographs, this volume""shows the cloak tested in nature reserves, grasslands, and urban environments. By taking the human out of the picture, "The Blind" offers an opportunity to explore how we see animals in photography.

The concept of 'modernity' is central to many disciplines, but what is modernity to animals? Susan Nance answers this question through a radical reinterpretation of the life of Jumbo the elephant. In the 1880s, consumers, the media, zoos, circuses and taxidermists, and (unknowingly) Jumbo himself, transformed the elephant from an orphan of the global ivory trade and zoo captive into a distracting international celebrity. Citizens on two continents imaged Jumbo as a sentient individual and pet, but were aghast when he died in an industrial accident and his remains were absorbed by the taxidermic and animal rendering industries reserved for anonymous animals. The case of Jumbo exposed the 'human dilemma' of modern living, wherein people celebrated individual animals to cope or distract themselves from the wholesale slaughter of animals required by modern consumerism.

This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

The Oxford Handbook of Animals in Classical Thought and Life is the first comprehensive guide to animals in the ancient world, encompassing all aspects of the topic by featuring authoritative chapters on 33 topics by leading scholars in their fields. As well as an introduction to, and a survey of, each topic, it provides guidance on further reading for those who wish to study a particular area in greater depth. Both the realities and the more theoretical aspects of the treatment of animals in ancient times are covered in chapters which explore the domestication of animals, animal husbandry, animals as pets, Aesop's Fables, and animals in classical art and comedy, all of which closely examine the nature of human-animal interaction. More abstract and philosophical topics are also addressed, including animal communication, early ideas on the origin of species, and philosophical vegetarianism and the notion of animal rights.

Is animal labour inherently oppressive, or can work be a source of meaning, solidarity, and social membership for animals? This challenging question drives this thought-provoking collection which explores the possibilities and complexities of animal labour as a site for interspecies justice. The book assembles an international and interdisciplinary group of scholars who carefully grapple with the many facets, implications, and entanglements of animal labour, and who, crucially, place animals at the heart of their analyses. Can animals engage in good work and have humane jobs? What kinds of labour rights are appropriate for animal workers? Can animals consent to work? Would recognizing animals as workers improve their legal and political status, or simply reinforce the perception that they are beasts of burden? Can a focus on labour help to create or deepen bonds between animal advocates and other social justice movements? While the authors present a range of views on these questions, their contributions make clear that labour must be taken seriously by everyone interested in more just and ethical multispecies futures.

To date, philosophical discussions of animal ethics and Critical Animal Studies have been dominated by Western perspectives and Western thinkers. This book makes a novel contribution to animal ethics in showing the range and richness of ideas offered to these fields by diverse Asian traditions. Asian Perspectives on Animal Ethics is the first of its kind to include the intersection of Asian and European traditions with respect to human and nonhuman relations. Presenting a series of studies focusing on specific Asian traditions, as well as studies that put those traditions in dialogue with Western thinkers, this book looks at Asian philosophical doctrines concerning compassion and nonviolence as these apply to nonhuman animals, as well as the moral rights and status of nonhuman animals in Asian traditions. Using Asian perspectives to explore ontological, ethical and political questions, contributors analyze humanism and post-humanism in Asian and comparative traditions and offer insight into the special ethical relations between humans and other particular species of animals. This book will be of interest to students and scholars of Asian religion and philosophy, as well as to those interested in animal ethics and Critical Animal Studies.

This book explores the similar attitudes and methods behind modern society's treatment of animals and the way humans have often treated each other, most notably during the Holocaust. The book's epigraph and title are from "The Letter Writer, " a story by the Yiddish writer and Nobel Laureate Isaac Bashevis Singer: "In relation to them, all people are Nazis; for the animals it is an eternal Treblinka." The first part of the book (Chapters 1-2) describes the emergence of human beings as the master species and their domination over the rest of the inhabitants of the earth. The second part (Chapters 3-5) examines the industrialization of slaughter (of both animals and humans) that took place in modern times. The last part of the book (Chapters 6-8) profiles Jewish and German animal advocates on both sides of the Holocaust, including Isaac Bashevis Singer himself.

The Foreword is by Lucy Rosen Kaplan, former attorney for People for the Ethical Treatment of Animals (PETA) and daughter of Holocaust survivors. Her Foreword, the Preface and After-word, excerpts from the book, chapter synopses, and an international list of supporters can be found on the book's website at: www.powerfulbook.com

Living Beings examines the vital characteristics of social interactions between living beings, including humans, other animals and trees. Many discussions of such relationships highlight the exceptional qualities of the human members of the category, insisting for instance on their religious beliefs or creativity. In contrast, the international case studies in this volume dissect views based on hierarchical oppositions between human and other living beings. Although human practices may sometimes appear to exist in a realm beyond nature, they are nevertheless subject to the pull of natural forces. These forces may be brought into prominence through a consideration of the interactions between human beings and other inhabitants of the natural world. The interplay in this book between social anthropologists, philosophers and artists cuts across species divisions to examine the experiential dimensions of interspecies engagements. In ethnographically and/or historically contextualized chapters, contributors examine the juxtaposition of human and other living beings in the light of themes such as wildlife safaris, violence, difference, mimicry, simulation, spiritual renewal, dress and language.

This collection of essays offers multifaceted explorations of animal encounters in a range of philosophical, cultural, literary, and historical contexts. Exploring Animal Encounters encourages us to think about the richness and complexity of animal lives and human-animal relations, foregrounding the intricate roles nonhuman creatures play in the always already more-than-human sphere of ethics and politics. In this way, the essays in this volume can be understood as a contribution to alternative imaginings of interspecies coexistence in a time in which the issue of human relations with earth and earth others has come to the fore with unprecedented force and severity.

"Humans and Other Animals" is about the myriad and evolving ways in which humans and animals interact, the divergent cultural constructions of humanity and animality found around the world, and individual experiences of other animals. Samantha Hurn explores the work of anthropologists and scholars from related disciplines concerned with the growing field of Anthrozoology. Case studies from a wide range of cultural contexts are discussed, and readers are invited to engage with a diverse range of human-animal interactions, including blood sports (such as hunting, fishing, and bull fighting), pet keeping and "petishism," eco-tourism and wildlife conservation, working animals, and animals as food. The idea of animal exploitation raised by the animal rights movements is considered, as well as the anthropological implications of changing attitudes towards animal personhood, and the rise of a posthumanist philosophy in the social sciences more generally. Key debates surrounding these issues are raised and assessed and, in the process, readers are encouraged to consider their own attitudes towards other animals and, by extension, what it means to be human.

"Speaking Up for Animals" highlights eighteen courageous members of a vibrant and growing international animal advocacy movement that is overwhelmingly powered by women. These remarkable activists take us with them as they lift factory farmed chickens and cows from quagmires of unconscionable filth, free gigantic sea lions caught in the death-grip of fishing gear, and secure undercover footage of dogs crying for mercy on stainless steel vivisection tables. In the process, these dedicated women expose the many ways that most of us are complicit in the suffering and exploitation of nonhuman animals, and creatively suggest a variety of ways that we might help bring change.