Prehistoric archaeologists cannot observe their human subjects nor can they directly access their subjects' ideas. Both must be inferred from the remnants of the material objects they made and used. In recent decades this incontrovertible fact has encouraged partisan approaches to the history and method of archaeology. An empirical discipline emphasizing data, classification, and chronology has given way to a behaviorist approach that interprets finds as products of ecologically adaptive strategies, and to a postmodern alternative that relies on an idealist, cultural-relativist epistemology based on belief and cultural traditions. In "Artifacts and Ideas," now in paperback, Bruce G. Trigger challenges all partisan versions of recent developments in archaeology, while remaining committed to understanding the past from a social science perspective.

For over thirty years, Trigger has addressed fundamental epistemological issues, and opposed the influence of narrow theoretical and ideological commitments. He encourages a relativistic understanding of archaeological interpretation. Yet, as post-processual archaeology, influenced by postmodernism, became increasingly influential, Trigger countered nihilistic subjectivism by laying greater emphasis on how in the long run the constraints of evidence could be expected to produce a more comprehensive and objective understanding of the past. He has argued that while all human behavior is culturally mediated, the capacity for such mediation has evolved as a flexible and highly efficient means by which humans adapt to a world that exists independently of their will.

"a fine narrative of the development of Trigger's metaphysics in his archaeological and historical research. It is accessible, clearly written, and worth close reading."--"Journal of Field Archaeology"

"Trigger is a brilliant essayist, and "Artifacts and Ideas" brings together a number of the most incisive and keenly observed essays he has written in the course of a long and productive career."--Alison Wylie, Washington University

"Eloquent, subtly nuanced, and thoroughly grounded in the contemporary world, Trigger's essays are an essential guide to the multifaceted archeology of today."--Brian Fagan, University of California, Santa Barbara

"Bruce G. Trigger" is professor emeritus of anthropology at McGill University. His books include "The Children of Aataentsic: A History of the Huron People to 1660, A History of Archaeological Thought," and "Sociocultural Evolution."

Old Lands takes readers on an epic journey through the legion spaces and times of the Eastern Peloponnese, trailing in the footsteps of a Roman periegete, an Ottoman traveler, antiquarians, and anonymous agrarians. Following waters in search of rest through the lens of Lucretian poetics, Christopher Witmore reconstitutes an untimely mode of ambulatory writing, chorography, mindful of the challenges we all face in these precarious times. Turning on pressing concerns that arise out of object-oriented encounters, Old Lands ponders the disappearance of an agrarian world rooted in the Neolithic, the transition to urban-styles of living, and changes in communication, movement, and metabolism, while opening fresh perspectives on long-term inhabitation, changing mobilities, and appropriation through pollution. Carefully composed with those objects encountered along its varied paths, this book offers an original and wonderous account of a region in twenty-seven segments, and fulfills a longstanding ambition within archaeology to generate a polychronic narrative that stands as a complement and alternative to diachronic history. Old Lands will be of interest to historians, archaeologists, anthropologists, and scholars of the Eastern Peloponnese. Those interested in the long-term changes in society, technology, and culture in this region will find this book captivating.

Popular archaeology is a heterogeneous phenomenon: Focusing on the German archaeologist Heinrich Schliemann, Egyptian mummies, and the ruin complex Great Zimbabwe in fictional and factual texts, Susanne Duesterberg analyses the popular reception of archaeology in Victorian and Edwardian Britain. She offers an interdisciplinary and comparative view on the reception of the different archaeologies, reflecting contemporary sociocultural concerns in connection with identity formation. With its focus on popular culture as well as identity and memory studies, the book appeals to both a general public and experts from various disciplines.

Archaeological Networks and Social Interaction focuses on conceptualisations of human interaction, human-thing entanglement, material affordances and agency. Network concepts in the archaeological discipline are ubiquitous these days. They range from loose concepts, used as metaphors to address a notion of connectivity, to highly formal and mathematically complex predictions of human behaviour. These different networked worlds sometimes clash and rarely converge. Archaeologists interested in network analysis, however, have achieved a much better understanding of the implications of adopting formal methods for studying social interaction and there have been theoretical advancements realising a better synergy between different theoretical perspectives. These nascent concerns are explored further in this volume with regional specialists exploring case studies from Prehistory to the Middle Ages throughout the Ancient and New Worlds, outlining how formal network approaches contribute to studying social interaction archaeologically. This book will be of interest to archaeologists wishing to access the latest research on networks and interconnectivity and how these approaches have been productively modified to archaeological research.

Elements of Architecture explores new ways of engaging architecture in archaeology. It conceives of architecture both as the physical evidence of past societies and as existing beyond the physical environment, considering how people in the past have not just dwelled in buildings but have existed within them. The book engages with the meeting point between these two perspectives. For although archaeologists must deal with the presence and absence of physicality as a discipline, which studies humans through things, to understand humans they must also address the performances, as well as temporal and affective impacts, of these material remains. The contributions in this volume investigate the way time, performance and movement, both physically and emotionally, are central aspects of understanding architectural assemblages. It is a book about the constellations of people, places and things that emerge and dissolve as affective, mobile, performative and temporal engagements. This volume juxtaposes archaeological research with perspectives from anthropology, architecture, cultural geography and philosophy in order to explore the kaleidoscopic intersections of elements coming together in architecture. Documenting the ephemeral, relational, and emotional meeting points with a category of material objects that have defined much research into what it means to be human, Elements of Architecture elucidates and expands upon a crucial body of evidence which allows us to explore the lives and interactions of past societies.

The first book to integrate fully the archaeological study of the landscape with the concerns of colonial and postcolonial history, theory and scholarship, The Archaeology of the Colonized focuses on the experience of the colonized in their landscape setting, looking at case studies from areas of the world not often considered in the postcolonial debate. It offers original, exciting approaches to the growing area of research in archaeology and colonialism. From the pyramids of Old Kingdom Egypt to illicit whisky distilling in nineteenth-century Scotland, and from the Roman roads of Turkey to the threshing floors of Cyprus under British colonial rule, the case studies assist Dr. Given as he uses the archaeological evidence to create a vivid picture of how the lives and identities of farmers, artisans and labourers were affected by colonial systems of oppressive taxation, bureaucracy, forced labour and ideological control. This will be valuable to students, scholars or professionals investigating the relationship between local community and central control in a wide range of historical and archaeological contexts.

'A commendable and exciting work...the author's interest in imperialism is bold and timely, as is his interest in promoting a bottom-up approach...a great opportunity to advance archaeological thought about imperialism.' Charles E. Orser Jr, Illinois State University '...a talented, innovative author...the topic is very interesting and important.' John Bintliff, University of Leiden This book focuses on the experience of the colonized in their landscape setting, looking at case studies from areas of the world not often considered in the postcolonial debate. It offers original, exciting approaches to the growing area of research in archaeology and colonialism. The case studies used range from the pyramids of Old Kingdom Egypt to illicit whisky distilling in nineteenth-century Scotland, and from the Roman roads of Turkey to the threshing floors of Cyprus under British colonial rule. Dr Given uses the archaeological evidence to create a vivid picture of how the lives and identities of farmers, artisans and labourers were affected by colonial systems of oppressive taxation, bureaucracy, forced labour and ideological control.;This is the first book to integrate fully the archaeological

Scrutinizing, in detail, the relationship between archaeology, heritage and the public, this much-needed volume explores public interest and participation in archaeology as a subject worthy of academic attention in its own right.

Examining case studies from throughout the world; from North America, Britain, Egypt and Brazil to East Africa, China and beyond, Nick Merriman focuses on two key areas: communication and interpretation, and stakeholders.

Constant reports of new discoveries, protests over the destruction of sites and debates over the return of artefacts such as the Elgin marbles or indigenous remains testify to an increasing public interest in archaeology.

For students and scholars of this archaeology, and of its relationship with the public, this will prove essential reading.

Constant reports of new discoveries, protests over the destruction of sites and debates over the return of artefacts such as the Elgin marbles or indigenous remains testify to an increasing public interest in archaeology.

This much-needed volume focuses on this public interest and participation as a subject worthy of academic attention in its own right, and scrutinises in detail the relationship between archaeology, heritage and the public. Case studies are taken from throughout the world, from North America, Britain, Egypt and Brazil to East Africa, China and beyond, and focus on two key areas: communication and interpretation, and stakeholders.

Archaeologists have long recognised that they study past worlds which may be quite unlike our own. But how are we to cope with the difference of the past if our own circumstances are unique within human history? What if archaeology itself depends on ways of thinking that are specific to the modern western world? This is the first book-length study to explore the relationship between archaeology and modern thought, showing how philosophical ideas that developed in the seventeenth to nineteenth centuries still dominate our approach to the material remains of ancient societies. It discusses the modern emphasis on method rather than ethics or meaning, our understanding of change in history and nature, the role of the nation-state in forming our views of the past, and contemporary notions of human individuality, the mind, and materiality.

Some classicists still deal with the ancient world as if archaeological evidence is of little relevance to their work. This can mean that territories or subjects for which there is little textual evidence can be marginalised or not studied at all. Similarly, many historical archaeologists, dissatisfied with their ancillary role, assert that material evidence for the ancient world can and should be studied independently.
This collection of pieces from international range of contributors explores in detail the seperation of the human past into history, archaeology and their related sub-disciplines. Each piece challenges the validity of this seperation and asks how we can move to a more holistic approach. While the focus is on the ancient world, particularly Greece and Rome, the lessons that emerge are significant for the study of any time and place.

This is the first book-length study to explore the relationship between archaeology and modern thought, showing how philosophical ideas that developed in the seventeenth to nineteenth centuries still dominate our approach to the material remains of ancient societies. It discusses the modern emphasis on method rather than ethics or meaning, our understanding of change in history and nature, the role of the nation-state in forming our views of the past, and contemporary notions of human individuality, the mind, and materiality. Julian Thomas also addresses the modern preoccupation with depth, which enables archaeology to be used as a metaphor in other disciplines. The book concludes by advocating a "counter-modern" archaeology that refuses to separate material evidence from political, moral, rhetorical, and aesthetic concerns, as well as meaning.

Author Biography:
Eberhard Sauer is a British Academy Postdoctoral Fellow at Keble College and the Institute of Archaeology, University of Oxford, as well as an Honorary Lecturer at the University of Leicester's School of Archaeology and Ancient History.

In October 1860, at the culmination of the Second Opium War, British and French troops looted and destroyed one of the most important palace complexes in imperial China-the Yuanmingyuan. Known in the West as the "Summer Palace," this site consisted of thousands of buildings housing a vast art collection. It is estimated that over a million objects may have been taken from the palaces in the Yuanmingyuan-and many of these are now scattered around the world, in private collections and public museums. With contributions from leading specialists, this is the first book to focus on the collecting and display of "Summer Palace" material over the past 150 years in museums in Britain and France. It examines the way museums placed their own cultural, political and aesthetic concerns upon Yuanmingyuan material, and how displays-especially those at the Royal Engineers Museum in Kent, the National Museum of Scotland and the Musee Chinois at the Chateau of Fontainebleau-tell us more about European representations and images of China, than they do about the Yuanmingyuan itself.

Archaeologists have long given attention to landscape, especially within settlement archaeology. In recent years, however, the focus on landscape has shifted and what was once generally passive background has now assumed the foreground. This results partly from archaeologists expanding their view beyond individual sites to considering a more comprehensive distribution of human traces in and especially between specific "places of special interest."

This book offers new and diverse perspectives on the ideational qualities of past landscapes. The editors introduce several theoretical sources supporting studies of ideational landscapes and, in so doing, give definitions of key categories of landscape, as constructed, conceived, and ideational. The contributors draw on the wide range of literature on these kinds of landscape, numerous case studies and their own theoretical background and experience to provide a thematic examination of the archaeologies of landscape.

Archaeologies of Complexity addresses the nature of contemporary archaeology and the study of social change, and debates the transition from perceived simple, egalitarian societies to the complex power structures and divisions of our modern world.
Since the eighteenth century, archaeologists have examined complexity in terms of successive types of societies, from early bands, tribes and chiefdoms to states; through stages of social evolution, including 'savagery', 'barbarism' and 'civilisation', to the present state of complexity and inequality. The book explains the often ambiguous terms of 'complexity', 'hierarchy' and inequality' and provides a critical account of the Anglo-American research of the last 40 years which has heavily influenced the subject.

Archaeologies of Complexity addresses the nature of contemporary archaeology and the study of social change, and debates the transition from perceived simple, egalitarian societies to the complex power structures and divisions of our modern world.
Since the eighteenth century, archaeologists have examined complexity in terms of successive types of societies, from early bands, tribes and chiefdoms to states; through stages of social evolution, including 'savagery', 'barbarism' and 'civilisation', to the present state of complexity and inequality. The book explains the often ambiguous terms of 'complexity', 'hierarchy' and inequality' and provides a critical account of the Anglo-American research of the last 40 years which has heavily influenced the subject.

Greeted with controversy on its publication, Answer to Job has long been neglected by many serious commentators on Jung. This book offers an intellectual and cultural context for C.G.Jung's 1952 publication.
In Jung's Answer to Job: A Commentary, the author argues that such neglect is due to a failure to understand Jung's objectives in this text and offers a new way of reading the work. The book places Answer to Job in the context of biblical commentary, and then examines the circumstances surrounding its compositions and immediate reception. A detailed commentary on the work discusses the major methodological presuppositions informing it and explains how key Jungian concepts operate in the text. Jung's Answer to Job: A Commentary unravels Jung's narrative by reading it in the chronological order of the biblical events it analyses and the book to which it refers, offering a comprehensive re-reading of Jung's text. An original argument put across in a scholarly and accessible style provides an essential framework for understanding the work.
Whilst taking account of the tenets of analytical psychology, this commentary underlines Answer to Job's more general significance in terms of cultural history. It will be invaluable to students and scholars of analytical psychology, the history of ideas, intercultural studies, comparative literature, religion and religious studies.

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Archaeology and its Discontents examines the state of archaeology today and its development throughout the twentieth century, making a powerful case for new approaches. Surveying the themes of twentieth-century archaeological theory, Barrett looks at their successes, limitations, and failures. Seeing more failures and limitations than successes, he argues that archaeology has over-focused on explaining the human construction of material variability and should instead be more concerned with understanding how human diversity has been constructed. Archaeology matters, he argues, precisely because of the insights it can offer into the development of human diversity. The analysis and argument are illustrated throughout by reference to the development of the European Neolithic. Arguing both for new approaches and for the importance of archaeology as a discipline, Archaeology and its Discontents is for archaeologists at all levels, from student to professor and trainee to experienced practitioner.

Rock-art - the ancient images which still scatter the rocky landscapes of Europe - is a singular kind of archaeological evidence. Fixed in place, it does not move about as artefacts as trade objects do. Enigmatic in its meaning, it uniquely offers a direct record of how prehistoric Europeans saw and envisioned their own worlds.
European Landscapes of Rock-Art provides a number of case studies, covering arange of European locations including Ireland, Italy, Scandinavia, Scotland and Spain, which collectively address the chronology and geography of rock-art as well as providing an essential series of methodologies for future debate. Each author provides a synthesis that focuses on landscape as an essential part of rock-art construction. From the paintings and carved images of prehistoric Scandinavia to Second World War grafitti on the German Reichstag, this volume looks beyond the art to the society that made it.
The papers in this volume also challenge the traditional views of how rock-art is recorded. Throughout, there is an emphasis on informal and informed methodologies. The authors skilfully discuss subjectivity and its relationship with landscape since personal experience, from prehistoric times to the present day, plays an essential role in the interpretation of art itself. The emphasis is on location, on the intentionality of the artist, and on the needs of the audience.
This exciting volume is a crucial addition to rock-art literature and landscape archaeology. It will provide new material for a lively and greatly debated subject and as such will be essential for academics, non-academics and commentators of rock art in general.

Author Biography:
George Nash is a part-time Lecturer in European prehistory at the Centre of the Historic Environment, University of Bristol, and Senior Archaeologist with Border Archaeology.
Christopher Chippindale is a Curator in the Cambridge University Museum of Archaeology and Anthropology.

Archaeologies of the Contemporary Past turns what is usually seen as a method for investigating the distant past onto the present. In doing so, it reveals fresh ways of looking both at ourselves and modern society as well as the discipline of archaeology.
This volume represents the most recent research in this area and examines a variety of contexts including:
* Art Deco
* landfills
* miner strikes
* college fraternities
* an abandoned council house.

eBook available with sample pages: 0203185102

This work explores the relationship between, and the contribution archaeology can make to the study of what are today termed "World Religions", namely Buddhism, Christianity, Hinduism, Islam and Judaism. Divided into two parts, it first surveys each of the religions in question and then goes on to address the important themes of ethics, gender and death. The contributors consider a number of questions: can religious (sacred) texts be treated as historical documents, or do they merit special treatment?; does archaeology with its emphasis on material culture dispel notions of the ideal/divine within religious texts and what are the implications of this possible conflict?; and does the study of archaeology and religion lead to differing interpretations of the same event?;In what ways does the notion of a uniform religious identity exist, the ideal Muslim or Christian for example, and is this recognisable in the archaeological record through diet, dress, sacred buildings, burials, art and iconography, landscapes and personal possessions? Clearly written and up-to-date, this volume should be of especial significance to anyone interested in archaeology and religion.

Archaeology and World Religion is an important new work, being the first to examine these two vast topics together. The volume explores the relationship between, and the contribution archaeology can make to the study of 'World Religions'.
The contributors consider a number of questions:
* can religious (sacred) texts be treated as historical documents, or do they merit special treatment?
* Does archaeology with its emphasis on material culture dispel notions of the ideal/divine?
* Does the study of archaeology and religion lead to differing interpretations of the same event?
* In what ways does the notion of a uniform religious identity exist and is this recognisable in the archaeological record?
Clearly written and up-to-date, this volume will be an indispensable research tool for academics and specialists in these fields.

Archaeologies of the Contemporary Past turns what is usually seen as a method for investigating the distant past onto the present. In doing so, it reveals fresh ways of looking both at ourselves and modern society as well as the discipline of archaeology.
This volume represents the most recent research in this area and examines a variety of contexts including:
* Art Deco
* landfills
* miner strikes
* college fraternities
* an abandoned council house.