"One of my proudest moments as President occurred on July 26, 1990--the day I signed the Americans with Disabilities Act into law. With its passage, a shameful wall of exclusion came tumbling down. This landmark legislation was the culmination of the dedicated efforts of so many, and I salute the bipartisan leadership of the Congress--as well as the countless advocates from all parts of society who contributed to our success. It was a team effort. With the ADA, our country took a dramatic step toward eliminating the physical barriers that existed and the social barriers that were accepted. Much work lies ahead, but I am confident that we will finish the wonderful work already begun. After all, it's the right thing to do." --Former President George BushIn 1990, despite resistance from the business sector and state and local governments, disability groups and activists, together with responsive government leaders, succeeded in passing the most significant civil rights bill in decades. A Look Back: The Birth of the Americans with Disabilities Act takes you to the unique moment in American history when persons of many different backgrounds and with different disabilities united to press Congress for full recognition and protection of their rights as American citizens. The ADA recalls the promise of earlier civil rights legislation and advocacy. A Look Back will remind you that people are people before they are disabled and that they deserve to be acknowledged as individuals, rather than stereotyped on the basis of their physical conditions. You'll witness this firsthand through the inspirational example the Reverend Harold Wilke has set through his own personal struggles, triumphs, and ministry. A witness to the signing of the ADA on the lawn of the White House, he played a key role as a vocal activist in the transformation of self-image for persons with disabilities and in the fight for this bill.In this book, you will see the progress that has been made since the ADA was passed and that, despite the headway made for empowering persons with disabilities, there is much to be done before all individuals are aware of their rights, responsibilities, and protection under the ADA. A Look Back contends that through public education, pastoral care, and open, sensitive congregations, bridges can be built between religion, secular society, and persons with disabilities. This will result in persons with disabilities becoming full participants in daily American life.

Robert Harrison and Robert Browne were the initiators of the principles of English Separatism and Congregationalism. Unlike the Presbytero-Puritans, these nonconformists sought to establish local churches that were independent of the state. Although they encountered fierce opposition from the clergy, state officials and Anglican bishops, they persisted in their practices. As a result, the ideas of these two men profoundly influenced the Puritan movement both of England and America. In this volume, scarce and little known works, as well as new material derived from manuscripts and tracts are collected into one volume.

This volume contains the great Separatist's solus writings from 1590-1591. It includes texts taken from manuscript sources, and rare tracts that have been reprinted here for the first time.

Palaeopathology is an evidence-based guide to the principal types of pathological lesions often found in human remains and how to diagnose them. Tony Waldron presents an innovative method of arriving at a diagnosis in the skeleton by applying what he refers to as 'operational definitions'. The method ensures that those who study bones will use the same criteria for diagnosing disease, thereby enabling valid comparisons to be made between studies. Waldron's book is based on modern clinical knowledge and provides background information on the natural history of bone disease. In addition, the volume demonstrates how results from studies should be analysed, methods of determining the frequency of disease, and other types of epidemiological analysis. This edition includes new chapters on the development of palaeopathology, basic concepts, health and disease, diagnosis, and spinal pathology. Chapters on analysis and interpretation have been thoroughly revised and enlarged.

The question of ethnicity is highly controversial in contemporary archaeology. Indigenous and nationalist claims to territory, often rely on reconstructions of the past based on the traditional identification of 'cultures' from archaeological remains. However, many argue that such associations of remains with past ethnic groups is hopelessly inadequate. This study calls into question how such evidence is used and what conclusions can legitimately be drawn from it.
Sian Jones responds to the need for a reassessment of the ways in which social groups are identified in the archaeological record, with a comprehensive and critical synthesis of recent theories of ethnicity in the human sciences. In doing so, she argues for a fundamentally different view of ethnicity, as a complex dynamic form of identification, requiring radical changes in archaeological analysis and interpretation.

eBook available with sample pages: PB:0415141583 EB:0203438736

Archaeology's links to international relations are well known: launching and sustaining international expeditions requires the honed diplomatic skills of ambassadors. U.S. foreign policy depends on archaeologists to foster mutual understanding, mend fences, and build bridges. This book explores how international partnerships inherent in archaeological legal instruments and policies, especially involvement with major U.S. museums, contribute to the underlying principles of U.S. cultural diplomacy. Archaeology forms a critical part of the U.S. State Department's diplomatic toolkit. Many, if not all, current U.S.-sponsored and directed archaeological projects operate within U.S. diplomatic agendas. U.S. Cultural Diplomacy and Archaeology is the first book to evaluate museums and their roles in presenting the past at national and international levels, contextualizing the practical and diplomatic processes of archaeological research within the realm of cultural heritage. Drawing from analyses and discussion of several U.S. governmental agencies' treatment of international cultural heritage and its funding, the history of diplomacy-entangled research centers abroad, and the necessity of archaeologists' involvement in diplomatic processes, this seminal work has implications for the fields of cultural heritage, anthropology, archaeology, museum studies, international relations, law, and policy studies.

The Constructed Past presents group of powerful images of the past, termed in the book construction sites. At these sites, full scale, three-dimensional images of the past have been created for a variety of reasons including archaeological experimentation, tourism and education. Using various case studies, the contributors frankly discuss the aims, problems and mistakes experienced with reconstruction. They encourage the need for on-going experimentation and examine the various uses of the sites; political, economical and educational.

In this latest collection of his articles, of which seven are written especially for this volume, Ian Hodder captures and continues the lively controversy of the 1980s over symbolic and structural approaches to archaeology. The book acts as an overview of the developments in the discipline over the last decade; yet Hodder's brief is far wider. His aim is to break down the division between the intellectual and the "dirt" archaeologist to demonstrate that in this discipline more than any other, theory must be related to practice to save effectively our rapidly diminishing heritage.

Archaeologies of "Us" and "Them" explores the concept of indigeneity within the field of archaeology and heritage and in particular examines the shifts in power that occur when 'we' define 'the other' by categorizing 'them' as indigenous. Recognizing the complex and shifting distinctions between indigenous and non-indigenous pasts and presents, this volume gives a nuanced analysis of the underlying definitions, concepts and ethics associated with this field in order to explore Indigenous archaeology as a theoretical, ethical and political concept. Indigenous archaeology is an increasingly important topic discussed worldwide, and as such critical analyses must be applied to debates which are often surrounded by political correctness and consensus views. Drawing on an international range of global case studies, this timely and sensitive collection significantly contributes to the development of archaeological critical theory.

Hunter-gatherer societies are constrained by their environment and the technologies available to them. However, until now the role of culture in foraging communities has not been widely considered. 'Structured Worlds' examines the role of cosmology, values, and perceptions in the archaeological histories of hunter-fisher-gatherers. The essays examine a range of cultures - Mesolithic Europe, Siberia, Jomon Japan, the Northwest Coast, the northern Plains, and High Arctic of North America - to show the role of conceptual frameworks in subsistence and settlement, technology, mobility, migration, demography, and social organization. Spanning from the early Holocene period to the present day, 'Structured Worlds' draws on archaeology and ethnography to explore the role of beliefs, ritual, and social values in the interaction between foragers and their physical and social landscape. Material culture, animal bones and settlement patterns show that the behaviours of hunter-gatherers were shaped as much by cultural concepts as by material need.

The Archaeology and Anthropology of Landscape contributes to the development of theory in archaeology and anthropology, provides new and varied case studies of landscape and environment from five continents, and raises important policy issues concerning development and the management of heritage.

Traditional methods of making archaeological data available are becoming increasingly inadequate. Thanks to improved techniques for examining data from multiple viewpoints, archaeologists are now in a position to record different kinds of data, and to explore that data more fully than ever before. The growing availablility of computer networks and other technologies means that communication should become increasingly available to international archaeologists. Will this result in the democratisation of archaeological knowledge on a global basis? Contributors from Western and Eastern Europe, the Far East, Africa and the Americas seek to answer this and other questions about the way in which modern technology is revolutionising archaeological knowledge.

Black feminist thought has developed in various parts of the academy for over three decades, but has made only minor inroads into archaeological theory and practice. Whitney Battle-Baptiste outlines the basic tenets of Black feminist thought and research for archaeologists and shows how it can be used to improve contemporary historical archaeology. She demonstrates this using Andrew Jackson's Hermitage, the W. E. B. Du Bois Homesite in Massachusetts, and the Lucy Foster house in Andover, which represented the first archaeological excavation of an African American home. Her call for an archaeology more sensitive to questions of race and gender is an important development for the field.

Is current archaeological theory stuck at an impasse? Sandra Wallace argues that archaeological theory has become mired as a result of logical and ontological contradictions. By showing that these contradictions are a result of common underlying philosophical assumptions and fallacies this book is able to show how a fresh approach to this discipline is necessary to resolve them, even if this requires re-examining some of the tenants of orthodox archaeology. This fresh approach is achieved by using Critical Realism as an "under labourer" to philosophically evaluate archaeological theory. Starting by assessing the historical impact of philosophy on the discipline and then looking at the current relationship between archaeology and the ontology of the material this book facilitates the construction of discipline specific theory by archaeologists. The result is an approach to archaeology that allows both students and practitioners to free themselves from endemic contradictions and re-discover their approach to archaeological theory.

This book argues that the provenance of early modern and medieval objects from Islamic lands was largely forgotten until the "long" eighteenth century, when the first efforts were made to reconnect them with the historical contexts in which they were produced. For the first time, these Islamicate objects were read, studied and classified - and given a new place in history. Freed by scientific interest, they were used in new ways and found new homes, including in museums. More generally, the process of "rediscovery" opened up the prehistory of the discipline of Islamic art history and had a significant impact on conceptions of cultural boundaries, differences and identity. The book will be of interest to scholars working in the history of art, the art of the Islamic world, early modern history and art historiography.

Borrowing from the feminist scholar Karen Barad, the authors ask what happens when we diffract the formal techniques of archaeological digital imaging through a different set of disciplinary concerns and practices. Diffracting exposes the differences between archaeologists, heritage practitioners and artists and foregrounds how their differing practices and approaches enrich and inform each other. How might the digital imaging techniques used by archaeologists be adopted by digital artists, and what are the potentials associated with this adoption? Under the gaze of fine artists, what happens to the fidelity of the digital images made by archaeologists, and what new questions do we ask of the digital image? How can the critical approaches and practices of fine artists inform the future practice of digital imaging in archaeology and cultural heritage? Diffracting Digital Images will be of interest to students and scholars in archaeology, cultural heritage studies, anthropology, fine art, digital humanities, and media theory.

This volume develops new theoretical and methodological approaches to the archaeology of households pursuing three critical themes: household diversity in human residential communities with and without archaeologically identifiable houses, interactions within and between households that explicitly considers impacts of kin and non-kin relationships and lastly change as a process that involves the choices made by members of households in the context of larger societal constraints. Authors explore the role of social ties and their material manifestations how the household relates to other social units, how households consolidate power and control over resources, and how these changes manifest at multiple scales. The case studies presented in this volume have broader implications for understanding the drivers of change, the ways households create the contexts for change, and how households serve as spaces for invention, reaction, and/or resistance.

Building on discussions in Contemporary Archaeology this book challenges the border between material and discursive culture, advocating for a novel conception of capitalism's artifacts. The artifacts examined within (temperatures) are instantaneous electric pulses, algorithmic outputs, and momentary fluctuations in mercury. The artifacts of the capitalized never sit still, operating at subatomic and solar scales. Temperatures, as numerical materials precariously straddling the colonially constructed nature-culture divide, exemplify the abstraction necessary to pursue the perpetually accelerating asymmetrical growth of wealth-a pursuit that engenders multiple environmental and economic calamities. This book offers indispensable contributions to science studies, urban geography, semiotics, the philosophy of materiality, the history of thermodynamics, heterodox economics, performative scholarship, and queer ecocriticism.

An Archaeology of Materials sets out a new approach to the study of raw materials. Traditional understandings of materials in archaeology (and in western thought more widely) have failed to acknowledge both the complexity and, moreover, the benefits of an analysis of materials. Here Conneller argues that materials cannot be understood independently of the practices through which they are constituted. Drawing on a number of different thinkers, and using case studies from the European early Prehistoric period, she investigates how we can rethink the properties of matter and the relationship of material and form.

What emerges from this book is the variability and the specificity of human-material interactions and the rather more active role that matter plays in these than traditionally conceived. Rather than being insignificant, a formless substrate or simply a constraint to human action, it is argued that materials are more fundamental. Tracing the processes by which the properties of past materials emerge reveals the working of past worlds, particularly articulations of the cultural, the natural and the supernatural. This book will establish a new perspective on the meaning and significance of materials, particularly those involved in mundane, daily usage, and will be a timely addition to the literature on technologies and materials.

Written in Stone: The Multiple Dimensions of Lithic Analysis demonstrates the vitality of contemporary lithics analysis by examining material from a variety of geographical locations. This edited collection is primarily concerned with the link between craft production and social complexity, the nature of trade, and the delineation of settlement patterns and manipulation of landscape. While deconstructing the present to reconstruct the past, each chapter incorporates a technological dimension shaped by the type of analysis utilized. Methods include microwear analysis, which adds significant understanding of stone tool function, to the identification of obsidian sources, which illustrates the potential of lithic provenance studies for reconstructing trade. This book verifies and expands on the notion that lithics play an integral role in our understanding of past societies at all levels of complexity, from Paleolithic hunter-gatherers to archaic states.

How can we use the past to make sense of the issues and problems that concern us in the present? Mark Leone, the leading critical theorist in historical archaeology, urges archaeologists to view their discipline as an activist pursuit. This volume is partly his autobiographical reflection on a thirty five year career, part a collection of Leone's classic writings on Annapolis, Williamsburg, Shakertown, St. Mary's, and other key sites, and part a synthesis of his current thinking on how historical archaeology can engage the cultural and political issues of our time. Critical Historical Archaeology is an important summary of the work and thinking of one of our most thoughtful, influential archaeologists.

In this book, archaeologists and ancient historians demonstrate how in diverse contexts -from the Bronze Age to Colonial times - humanity displayed an urge and an incredible capacity to connect with distant lands and people. Adopting and modifying approaches originally developed for the study of contemporary societies, it is possible to enhance our understanding of human past, not only in economic terms, but also the cultural significance of such interconnections. This book provides both the wider public and the specialist reader with a fresh point of view on global issues relating to the past. Teachers and students of world history and archaeology will find this book as a useful resource.

This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, 'popular' and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.

Death, dying and burial produce artefacts and occur in spatial contexts. The interplay between such materiality and the bereaved who commemorate the dead yields interpretations and creates meanings that can change over time. Materiality is more than simple matter, void of meaning or relevance. The apparent inanimate has meaning. It is charged with significance, has symbolic and interpretative value-perhaps a form of selfhood, which originates from the interaction with the animate. In our case, gravestones, bodily remains and the spatial order of the cemetery are explored for their material agency and relational constellations with human perceptions and actions. Consciously and unconsciously, by interacting with such materiality, one is creating meaning, while materiality retroactively provides a form of agency. Spatiality provides more than a mere context: it permits and shapes such interaction. Thus, artefacts, mementos and memorials are exteriorised, materialised, and spatialized forms of human activity: they can be understood as cultural forms, the function of which is to sustain social life. However, they are also the medium through which values, ideas and criteria of social distinction are reproduced, legitimised, or transformed. This book will explore this interplay by going beyond the consideration of simple grave artefacts on the one hand and graveyards as a space on the other hand, to examine the specific interrelationships between materiality, spatiality, the living, and the dead. The chapters in this book were originally published as a special issue of the journal Mortality.

This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400-1600. The book will be of interest to art historians, visual culture historians, and early modern historians.