An Archaeology of Materials sets out a new approach to the study of raw materials. Traditional understandings of materials in archaeology (and in western thought more widely) have failed to acknowledge both the complexity and, moreover, the benefits of an analysis of materials. Here Conneller argues that materials cannot be understood independently of the practices through which they are constituted. Drawing on a number of different thinkers, and using case studies from the European early Prehistoric period, she investigates how we can rethink the properties of matter and the relationship of material and form.

What emerges from this book is the variability and the specificity of human-material interactions and the rather more active role that matter plays in these than traditionally conceived. Rather than being insignificant, a formless substrate or simply a constraint to human action, it is argued that materials are more fundamental. Tracing the processes by which the properties of past materials emerge reveals the working of past worlds, particularly articulations of the cultural, the natural and the supernatural. This book will establish a new perspective on the meaning and significance of materials, particularly those involved in mundane, daily usage, and will be a timely addition to the literature on technologies and materials.

Written in Stone: The Multiple Dimensions of Lithic Analysis demonstrates the vitality of contemporary lithics analysis by examining material from a variety of geographical locations. This edited collection is primarily concerned with the link between craft production and social complexity, the nature of trade, and the delineation of settlement patterns and manipulation of landscape. While deconstructing the present to reconstruct the past, each chapter incorporates a technological dimension shaped by the type of analysis utilized. Methods include microwear analysis, which adds significant understanding of stone tool function, to the identification of obsidian sources, which illustrates the potential of lithic provenance studies for reconstructing trade. This book verifies and expands on the notion that lithics play an integral role in our understanding of past societies at all levels of complexity, from Paleolithic hunter-gatherers to archaic states.

How can we use the past to make sense of the issues and problems that concern us in the present? Mark Leone, the leading critical theorist in historical archaeology, urges archaeologists to view their discipline as an activist pursuit. This volume is partly his autobiographical reflection on a thirty five year career, part a collection of Leone's classic writings on Annapolis, Williamsburg, Shakertown, St. Mary's, and other key sites, and part a synthesis of his current thinking on how historical archaeology can engage the cultural and political issues of our time. Critical Historical Archaeology is an important summary of the work and thinking of one of our most thoughtful, influential archaeologists.

In this book, archaeologists and ancient historians demonstrate how in diverse contexts -from the Bronze Age to Colonial times - humanity displayed an urge and an incredible capacity to connect with distant lands and people. Adopting and modifying approaches originally developed for the study of contemporary societies, it is possible to enhance our understanding of human past, not only in economic terms, but also the cultural significance of such interconnections. This book provides both the wider public and the specialist reader with a fresh point of view on global issues relating to the past. Teachers and students of world history and archaeology will find this book as a useful resource.

This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, 'popular' and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.

Death, dying and burial produce artefacts and occur in spatial contexts. The interplay between such materiality and the bereaved who commemorate the dead yields interpretations and creates meanings that can change over time. Materiality is more than simple matter, void of meaning or relevance. The apparent inanimate has meaning. It is charged with significance, has symbolic and interpretative value-perhaps a form of selfhood, which originates from the interaction with the animate. In our case, gravestones, bodily remains and the spatial order of the cemetery are explored for their material agency and relational constellations with human perceptions and actions. Consciously and unconsciously, by interacting with such materiality, one is creating meaning, while materiality retroactively provides a form of agency. Spatiality provides more than a mere context: it permits and shapes such interaction. Thus, artefacts, mementos and memorials are exteriorised, materialised, and spatialized forms of human activity: they can be understood as cultural forms, the function of which is to sustain social life. However, they are also the medium through which values, ideas and criteria of social distinction are reproduced, legitimised, or transformed. This book will explore this interplay by going beyond the consideration of simple grave artefacts on the one hand and graveyards as a space on the other hand, to examine the specific interrelationships between materiality, spatiality, the living, and the dead. The chapters in this book were originally published as a special issue of the journal Mortality.

This collection of essays explores hybridity in early modern art through two primary lenses: hybrid media and hybrid time. The varied approaches in the volume to theories of hybridity reflect the increased presence in art historical scholarship of interdisciplinary frameworks that extend art historical inquiry beyond the single time or material. The essays engage with what happens when an object is considered beyond the point of origin or as a legend of information, the implications of the juxtaposition of disparate media, how the meaning of an object alters over time, and what the conspicuous use of out-of-date styles means for the patron, artist, and/or viewer. Essays examine both canonical and lesser-known works produced by European artists in Italy, northern Europe, and colonial Peru, ca. 1400-1600. The book will be of interest to art historians, visual culture historians, and early modern historians.

What do we value about the past? In formulating policies about heritage preservation, that is the inevitable question, and deals not only with economic value but also the intangible value to individuals, communities and society as a whole. This interdisciplinary group of scholarsaanthropologists, archaeologists, architects, educators, lawyers, heritage administrators, policy analysts, and consultantsamake the first attempt to define and assess heritage values on a local, national and global level. Chapters range from the theoretical to policy frameworks to case studies of heritage practice, written by scholars from eight countries.

Archaeologists have been developing artifact typologies to understand cultural categories for as long as the discipline has existed. Dwight Read examines these attempts to systematize the cultural domains in premodern societies through a historical study of pottery typologies. He then offers a methodology for producing classifications that are both salient to the cultural groups that produced them and relevant for establishing cultural categories and timelines for the archaeologist attempting to understand the relationship between material culture and ideational culture of ancient societies. This volume is valuable to upper level students and professional archaeologists across the discipline.

Conflict Landscapes explores the long under-acknowledged and under-investigated aspects of where and how modern conflict landscapes interact and conjoin with pre-twentieth-century places, activities, and beliefs, as well as with individuals and groups. Investigating and understanding the often unpredictable power and legacies of landscapes that have seen (and often still viscerally embody) the consequences of mass death and destruction, the book shows, through these landscapes, the power of destruction to preserve, refocus, and often reconfigure the past. Responding to the complexity of modern conflict, the book offers a coherent, integrated, and sensitized hybrid approach, which calls on different disciplines where they overlap in a shared common terrain. Dealing with issues such as memory, identity, emotion, and wellbeing, the chapters tease out the human experience of modern conflict and its relationship to landscape. Conflict Landscapes will appeal to a wide range of disciplines involved in studying conflict, such as archaeology, anthropology, material culture studies, art history, cultural history, cultural geography, military history, and heritage and museum studies.

The chapters offer examples from France, the Congo, Burkina Faso, Romania, and Britain, offering students and scholars a diverse range of examples to learn from. The book shows how everyday objects played a certain kind of role in politics which is particular to material things which will enable students to expand their view of political institutions and the social history of politics. Each chapter shows, how historians change their approach to politics by incorporating objects into their methodology and offers a means to develop different approaches to understanding political history allowing students to see how to use material sources and how they can inform our understanding of the past.

The chapters offer examples from France, the Congo, Burkina Faso, Romania, and Britain, offering students and scholars a diverse range of examples to learn from. The book shows how everyday objects played a certain kind of role in politics which is particular to material things which will enable students to expand their view of political institutions and the social history of politics. Each chapter shows, how historians change their approach to politics by incorporating objects into their methodology and offers a means to develop different approaches to understanding political history allowing students to see how to use material sources and how they can inform our understanding of the past.

Assembling Past Worlds draws on new materialism and the philosophy of Gilles Deleuze to explore the potential for a posthumanist archaeology. Through specific empirical study, this book provides a detailed analysis of Neolithic Britain, a critical moment in the emergence of new ways of living, as well as new relationships between materials, people and new forms of architecture. It achieves two things. First, it identifies the major challenges that archaeology faces in the light of current theoretical shifts. New ideas place new demands on how we write and think about the past, sometimes in ways that can seem contradictory. This volume identifies seven major challenges that have emerged and sets out why they matter, why archaeology needs to engage with them and how they can be dealt with through an innovative theoretical approach. Second, it explores how this approach meets these challenges through an in-depth study of Neolithic Britain. It provides an insightful diagnosis of the issues posed by current archaeological thought and is the first volume to apply the philosophy of Gilles Deleuze to the extended analysis of a single period. Assembling Past Worlds shows how new approaches are transforming our understandings of past worlds and, in so doing, how we can meet the challenges facing archaeology today. It will be of interest to both students and researchers in archaeological theory and the Neolithic of Europe.

This book examines how contemporary artists have engaged with histories of nature, geology, and extinction within the context of the changing planet. Susan Ballard describes how artists challenge the categories of animal, mineral, and vegetable-turning to a multispecies order of relations that opens up a new vision of what it means to live within the Anthropocene. Considering the work of a broad range of artists including Francisco de Goya, J. M. W. Turner, Robert Smithson, Nancy Holt, Yhonnie Scarce, Joyce Campbell, Lisa Reihana, Katie Paterson, Taryn Simon, Susan Norrie, Moon Kyungwon and Jeon Joonho, Ken + Julia Yonetani, David Haines and Joyce Hinterding, Angela Tiatia, and Hito Steyerl and with a particular focus on artists from Australia and Aotearoa New Zealand, this book reveals the emergence of a planetary aesthetics that challenges fixed concepts of nature in the Anthropocene. The book will be of interest to scholars working in art history, visual culture, narrative nonfiction, digital and media art, and the environmental humanities.

Over the past 20 years we have seen critical design studies emerge as a springboard for scholars, activists, and those working in the creative industries. Design studies has enabled critics to link the relationship between constructions of knowledge and the emotional commitments that both practitioners and audiences bring to the making and uses of design work. A critical focus on these practices can reveal issues such as the distribution of power and emotional evocations and experiences in and through different designs. At the same time, the use of design studies has drawn on diverse fields such as art history, architecture, public policy, and Geographic Information Systems. This collected volume, the first of its kind, engages with these fields of critical inquiry with ideas and debates in post-colonial studies, and in media and cultural studies. It contributes to a growing body of scholarship that examines material culture and its relationship between design and its construction of knowledge about multicultural identities in the colonial and postcolonial periods, with a focus on South Asia. The chapters pose questions about colonial history, colonial and postcolonial cultural practices, and the aestheticization of South Asian art, design, and media forms as they inform identities in a deterritorialized global culture. The sites of the investigation by the contributors reflect the interdisciplinarity of design studies and share the insistence on emphasizing the vernacular: Indian fashion design, lithographic design in Muslim princely states, and Indian floor drawings live alongside museum exhibitions, shopping malls, and film spaces. This book was originally published as a special issue of South Asian Popular Culture.

Archaeologists have been developing artifact typologies to understand cultural categories for as long as the discipline has existed. Dwight Read examines these attempts to systematize the cultural domains in premodern societies through a historical study of pottery typologies. He then offers a methodology for producing classifications that are both salient to the cultural groups that produced them and relevant for establishing cultural categories and timelines for the archaeologist attempting to understand the relationship between material culture and ideational culture of ancient societies. This volume is valuable to upper level students and professional archaeologists across the discipline.

This book contributes to the growing body of research on the ontology of images by focusing on five main topics: ontology as a theoretical framework; the development of new concepts and methods for an ontological approach to rock art; the examination of the relationships between ontology, images and Indigenous knowledges; the development of relational models for the analysis of rock images; and the impact of ontological approaches on different rock art traditions across the world. Generating new avenues of research in ontological theory, political ontology and rock art research, this collection will be relevant to archaeologists, anthropologists, and philosophers.

Three 'windows' to spiritual maturity How can a faithful Christian avoid stagnating in their spiritual development? Moving Toward Spiritual Maturity: Psychological, Contemplative, and Moral Challenges in Christian Living explores effective ways in which Christian discipleship can grow in spiritual maturity. This thoughtful, integrative roadmap explains the journey through three interrelated perspectives, or 'windows,' psychotherapeutic psychology, prayer and contemplation, and moral theology. The author uses numerous examples from everyday life to make the reflections interesting and practical. Unlike other books on Christian spirituality, this book is more challenging and sophisticated in its depth of thought. Spiritual maturity is a process that begins when a person accepts Jesus Christ as Savior, and progresses ongoing through a Christian's life. Moving Toward Spiritual Maturity discusses in detail the challenges one must face, including the sustained, in-depth, and faithful attention to psychological wholeness, conversion to the true self, and interpersonal and social responsibility. Effective strategies are given through example and personal story, making understanding of the principles easier. This reflection on Christian maturity helps readers to focus directly on the personal issues all must face when attuning to the Spirit of Christ. Topics in Moving Toward Spiritual Maturity include: reforming the wayward self moral or guilt-based perfectionism achievement or shame-based perfectionism the two types of conversion responsibility and accountability agape and the loving of oneself three virtues at the heart of the responsible lifeintegrity, courage, and compassion virtues as habits the relationship between personal fulfillment and the Christian vocation Moving Toward Spiritual Maturity is a unique look at the path toward spiritual maturity, and is challenging, thoughtful reading for laypersons, ministers, priests, and theological students.

Three 'windows' to spiritual maturity How can a faithful Christian avoid stagnating in their spiritual development? Moving Toward Spiritual Maturity: Psychological, Contemplative, and Moral Challenges in Christian Living explores effective ways in which Christian discipleship can grow in spiritual maturity. This thoughtful, integrative roadmap explains the journey through three interrelated perspectives, or 'windows,' psychotherapeutic psychology, prayer and contemplation, and moral theology. The author uses numerous examples from everyday life to make the reflections interesting and practical. Unlike other books on Christian spirituality, this book is more challenging and sophisticated in its depth of thought. Spiritual maturity is a process that begins when a person accepts Jesus Christ as Savior, and progresses ongoing through a Christian's life. Moving Toward Spiritual Maturity discusses in detail the challenges one must face, including the sustained, in-depth, and faithful attention to psychological wholeness, conversion to the true self, and interpersonal and social responsibility. Effective strategies are given through example and personal story, making understanding of the principles easier. This reflection on Christian maturity helps readers to focus directly on the personal issues all must face when attuning to the Spirit of Christ. Topics in Moving Toward Spiritual Maturity include: reforming the wayward self moral or guilt-based perfectionism achievement or shame-based perfectionism the two types of conversion responsibility and accountability agape and the loving of oneself three virtues at the heart of the responsible lifeintegrity, courage, and compassion virtues as habits the relationship between personal fulfillment and the Christian vocation Moving Toward Spiritual Maturity is a unique look at the path toward spiritual maturity, and is challenging, thoughtful reading for laypersons, ministers, priests, and theological students.

Social Complexity and Complex Systems in Archaeology turns to complex systems thinking in search of a suitable framework to explore social complexity in Archaeology. Social complexity in archaeology is commonly related to properties of complex societies such as states, as opposed to so-called simple societies such as tribes or chiefdoms. These conceptualisations of complexity are ultimately rooted in Eurocentric perspectives with problematic implications for the field of archaeology. This book provides an in-depth conceptualisation of social complexity as the core concept in archaeological and interdisciplinary studies of the past, integrating approaches from complex systems thinking, archaeological theory, social practice theory, and sustainability and resilience science. The book covers a long-term perspective of social change and stability, tracing the full cycle of complexity trajectories, from emergence and development to collapse, regeneration and transformation of communities and societies. It offers a broad vision on social complexity as a core concept for the present and future development of archaeology. This book is intended to be a valuable resource for students and scholars in the field of archaeology and related disciplines such as history, anthropology, sociology, as well as the natural sciences studying human-environment interactions in the past.

Prehistoric archaeologists cannot observe their human subjects nor can they directly access their subjects' ideas. Both must be inferred from the remnants of the material objects they made and used. In recent decades this incontrovertible fact has encouraged partisan approaches to the history and method of archaeology. An empirical discipline emphasizing data, classification, and chronology has given way to a behaviorist approach that interprets finds as products of ecologically adaptive strategies, and to a postmodern alternative that relies on an idealist, cultural-relativist epistemology based on belief and cultural traditions. In "Artifacts and Ideas," now in paperback, Bruce G. Trigger challenges all partisan versions of recent developments in archaeology, while remaining committed to understanding the past from a social science perspective.

For over thirty years, Trigger has addressed fundamental epistemological issues, and opposed the influence of narrow theoretical and ideological commitments. He encourages a relativistic understanding of archaeological interpretation. Yet, as post-processual archaeology, influenced by postmodernism, became increasingly influential, Trigger countered nihilistic subjectivism by laying greater emphasis on how in the long run the constraints of evidence could be expected to produce a more comprehensive and objective understanding of the past. He has argued that while all human behavior is culturally mediated, the capacity for such mediation has evolved as a flexible and highly efficient means by which humans adapt to a world that exists independently of their will.

"a fine narrative of the development of Trigger's metaphysics in his archaeological and historical research. It is accessible, clearly written, and worth close reading."--"Journal of Field Archaeology"

"Trigger is a brilliant essayist, and "Artifacts and Ideas" brings together a number of the most incisive and keenly observed essays he has written in the course of a long and productive career."--Alison Wylie, Washington University

"Eloquent, subtly nuanced, and thoroughly grounded in the contemporary world, Trigger's essays are an essential guide to the multifaceted archeology of today."--Brian Fagan, University of California, Santa Barbara

"Bruce G. Trigger" is professor emeritus of anthropology at McGill University. His books include "The Children of Aataentsic: A History of the Huron People to 1660, A History of Archaeological Thought," and "Sociocultural Evolution."

After Discourse is an interdisciplinary response to the recent trend away from linguistic and textual approaches and towards things and their affects. The new millennium brought about serious changes to the intellectual landscape. Favoured approaches associated with the linguistic and the textual turn lost some of their currency, and were followed by a new curiosity and concern for things and their natures. Gathering contributions from archaeology, heritage studies, history, geography, literature and philosophy, After Discourse offers a range of reflections on what things are, how we become affected by them, and the ethical concerns they give rise to. Through a varied constellation of case studies, it explores ways of dealing with matters which fall outside, become othered from, or simply cannot be grasped through perspectives derived solely from language and discourse. After Discourse provides challenging new perspectives for scholars and students interested in other-than-textual encounters between people and the objects with which we share the world.

After Discourse is an interdisciplinary response to the recent trend away from linguistic and textual approaches and towards things and their affects. The new millennium brought about serious changes to the intellectual landscape. Favoured approaches associated with the linguistic and the textual turn lost some of their currency, and were followed by a new curiosity and concern for things and their natures. Gathering contributions from archaeology, heritage studies, history, geography, literature and philosophy, After Discourse offers a range of reflections on what things are, how we become affected by them, and the ethical concerns they give rise to. Through a varied constellation of case studies, it explores ways of dealing with matters which fall outside, become othered from, or simply cannot be grasped through perspectives derived solely from language and discourse. After Discourse provides challenging new perspectives for scholars and students interested in other-than-textual encounters between people and the objects with which we share the world.

Working with and for Ancestors examines collaborative partnerships that have developed around the study and care of Indigenous ancestral human remains. In the interest of reconciliation, museums and research institutions around the world have begun to actively seek input and direction from Indigenous descendants in establishing collections care and research policies. However, true collaboration is difficult, time-consuming, and sometimes awkward. By presenting examples of projects involving ancestral remains that are successfully engaged in collaboration, the book provides encouragement for scientists and descendant communities alike to have open and respectful discussions around the research and care of ancestral human remains. Key themes for discussion include new approaches to the care for ancestors; the development of culturally sensitive museum policies; the emergence of mutually beneficial research partnerships; and emerging issues such as those of intellectual property, digital data, and alternatives to destructive analyses. Critical discussions by leading scholars also identify the remaining challenges in the repatriation process and offer a means to continue moving forward. This volume will appeal to a broad, interdisciplinary audience interested in collaborative research and management strategies that are aimed at developing mutually beneficial relationships between researchers and descendant communities. This includes students and researchers in archaeology, anthropology, museums studies, and Indigenous communities.

Archaeological Theory in Dialogue presents an innovative conversation between five scholars from different backgrounds on a range of central issues facing archaeology today. Interspersing detailed investigations of critical theoretical issues with dialogues between the authors, the book interrogates the importance of four themes at the heart of much contemporary theoretical debate: relations, ontology, posthumanism, and Indigenous paradigms. The authors, who work in Europe and North America, explore how these themes are shaping the ways that archaeologists conduct fieldwork, conceptualize the past, and engage with the political and ethical challenges that our discipline faces in the twenty-first century. The unique style of Archaeological Theory in Dialogue, switching between detailed arguments and dialogical exchange, makes it essential reading for both scholars and students of archaeological theory and those with an interest in the politics and ethics of the past.