Archaeological remains are ‘fragmented by definition’: apart from exceptional cases, the study of the human past takes into account mainly traces, ruins, discards, and debris of past civilisations. It is rare that things have been preserved as they were originally made and conceived in the past. However, not all the ancient fragmentary objects were the ‘leftovers’ from the past. A noticeable portion of them was part and parcel of the ancient materiality already in the form of a fragment or damaged item. In 2000, John Chapman, with his volume Fragmentation in Archaeology, attracted the attention of scholars on the need to reconsider broken artefacts as the result of the deliberate anthropic process of physical fragmentation. The phenomenon of fragmentation can be thus explored with more outcomes for a category of objects that played an important role inside the society: the figurines. Due to their portability and size, figurines are particularly entangled and engaged in social, spatial, temporal, and material relations, and – more than other artefacts – can easily accommodate acts of embodiment and dismemberment. The act of creation symmetrically also involves the act of destruction, which in turn is another act of creation, since from the fragmentation comes a new entity with a different ontology. Breaking contains the paradigms of life: creation and reparation, destruction and regeneration. The scope of this volume is to search for traces of any voluntary and intentional fragmentation of ancient artefacts, creating, improving, and sharpening the methods and principles for a scientific investigation that goes beyond single author impression or sensitivity. The comparative lens adopted in this volume can allow the reader to explore different fields taken from ancient societies of how we can address, assess, detect, and even discuss the action of breaking and mutilation of ancient figurines.

The future of humanity is urban, and knowledge of urbanism's deep past is critical for us all to navigate that future. The time has come for archaeologists to rethink this global phenomenon by asking what urbanism is and, more to the point, was. Can we truly understand ancient urbanism by only asking after the human element, or are the properties and qualities of landscapes, materials, and atmospheres equally causal? The nine authors of New Materialisms Ancient Urbanisms seek less anthropocentric answers to questions about the historical relationships between urbanism and humanity in Africa, Asia, and the Americas. They analyze the movements and flows of materials, things, phenomena, and beings-human and otherwise-as these were assembled to produce the kinds of complex, dense, and stratified relationships that we today label urban. In so doing, the book emerges as a work of both theory and historical anthropology. It breaks new ground in the archaeology of urbanism, building on the latest 'New Materialist', 'relational-ontological', and 'realist' trends in social theory. This book challenges a new generation of students to think outside the box, and provides scholars of urbanism, archaeology, and anthropology with a fresh perspective on the development of urban society.

This book is an ethnographic study of the travelling art exhibition Indian Highway that presented Indian contemporary art in Europe and China between 2008 and 2012, a significant period for the art world that saw the rise and fall of the national exhibition format. It analyses art exhibition as a mobile "object" and promotes the idea of art as a transcultural product by using participant observation, in-depth interviews, and multi-media studies as research method. This work encompasses voices of curators, artists, audiences, and art critics spread over different cities, sites, and art institutions to bridge the distance between Europe and India based on vignettes along the Indian Highway. The discussion in the book focuses on power relations, the contested politics of representation, and dissonances and processes of negotiation in the field of global art. It also argues for rethinking analytical categories in anthropology to identify the social role of contemporary art practices in different cultural contexts and also examines urban art and the way national or cultural values are reinterpreted in response to ideas of difference and pluralism. Rich in empirical data, this book will be useful to scholars and researchers of modern and contemporary art, Indian art, art and visual culture, anthropology, art history, mobility, and transcultural studies.

Archaeological Theory in the New Millennium provides an account of the changing world of archaeological theory and a challenge to more traditional narratives of archaeological thought. It charts the emergence of the new emphasis on relations as well as engaging with other current theoretical trends and the thinkers archaeologists regularly employ. Bringing together different strands of global archaeological theory and placing them in dialogue, the book explores the similarities and differences between different contemporary trends in theory while also highlighting potential strengths and weaknesses of different approaches. Written in a way to maximise its accessibility, in direct contrast to many of the sources on which it draws, Archaeological Theory in the New Millennium is an essential guide to cutting-edge theory for students and for professionals wishing to reacquaint themselves with this field.

Evaluating the success of hospital chaplaincy has been a difficult task, but finally an effective approach has been developed. Ministry of Hospital Chaplains: Patient Satisfaction presents the Patient Satisfaction Instrument for Pastoral Care (PSI) which measures the quality and character of spiritual care and can contribute to the establishment of professional norms. To find out whether specific changes in pastoral practices lead to increased satisfaction among patients, this test can be used periodically. As you will see, this allows managers and department heads to identify and monitor specific functions and areas in which improvement is needed.Ministry of Hospital Chaplains will help you analyze the background variables that are associated with patient satisfaction, the styles of pastoral care that are linked to better hospital outcomes, and the usefulness of different pastoral activities. In the end, you will be able to use empirical evidence to demonstrate to hospital administrators that patients appreciate pastoral care and that chaplains are helping patients recuperate, experience an easier time at the hospital, and get home more quickly. Besides discussing how to evaluate the effectiveness of chaplains, this insightful book explores: enacting continuous improvement efforts pastoral care characteristics that predict a patient's readiness to return home how attention to details can build protocols that respond to patients questionnaire responses from 2,000 discharged hospital patients in the U.S. and Canada why the need to evaluate the benefits of pastoral care exists the aspects of pastoral care most important to patientsChaplains in general and those in psychiatric hospitals, hospital administrators, managed care directors, and seminary professors of pastoral care will be glad to know that a technique for evaluating pastoral services has finally arrived. The guessing game is over. Now, you will know what your patients think of the services your hospital offers, and you can measure alternative approaches to pastoral care delivery when discontent is registered.

Artifacts are hybrids, both natural and cultural. They are also an essential component in the process of human evolution. In recent years, a wide range of disciplines, including cognitive science, sociology, art history, and anthropology, have all grappled with the nature of artifacts, leading to the emergence of a renewed interdisciplinary focus on material culture. The Reality of Artifacts: An Archaeological Perspective develops an argument for the artifact as a status conferred by human engagement with material. On this basis, artifacts are considered first in terms of their relationship to concepts and cognitive functions, and then to the physical body and sense of self. The book builds on and incorporates the latest developments in archaeological research, particularly from the archaeology of human evolution, and integrates this wealth of new archaeological data with new research in fields such as cognitive science, haptics, and material culture studies. Making the latest research available for the general reader interested in material culture, while also providing archaeologists with new theoretical perspectives built on a synthesis of interdisciplinary research, this book is suitable for courses taught at both graduate and undergraduate students, and is broadly accessible.

How can archaeologists interpret ancient art and images if they do not treat them as symbols or signifiers of identity? Traditional approaches to the archaeology of art have borrowed from the history of art and the anthropology of art by focusing on iconography, meaning, communication and identity. This puts the archaeology of art at a disadvantage as an understanding of iconography and meaning requires a detailed knowledge of historical or ethnographic context unavailable to many archaeologists. Rather than playing to archaeology's weaknesses, the authors argue that an archaeology of art should instead play to archaeology's strength: the material character of archaeological evidence. Using case studies - examining rock art, figurines, beadwork, murals, coffin decorations, sculpture and architecture from Europe, the Americas, Asia, Australia, and north Africa -the authors develop an understanding of the affective and effective nature of ancient art and imagery. An analysis of a series of material-based practices, from gesture and improvisation to miniaturisation and gigantism, assembly and disassembly and the use of distinctions in colour enable key concepts, such as style and meaning, to be re-imagined as affective practices. Recasting the archaeology of art as the study of affects offers a new prospectus for the study of ancient art and imagery.

Large-scale disasters mobilize heritage professionals to a narrative of heritage-at-risk and a standardized set of processes to counter that risk. Trinidad Rico's critical ethnography analyses heritage practices in the aftermath of the tsunami that swamped Banda Aceh, Indonesia, in 2004 and the post-destruction narratives that accompanied it, showing the sociocultural, historical, and political agendas these discourses raise. Countering the typical Western ideology and practice of ameliorating heritage-at-risk were local, post-colonial trajectories that permitted the community to construct its own meaning of heritage. This book documents the emergence of local heritage places, practices, and debates countering the globalized versions embraced by the heritage professions offering a critical paradigm for post-destruction planning and practice that incorporates alternative models of heritage. Constructing Deconstruction will be of value to scholars, professionals, and advanced students in Heritage Studies, Anthropology, Geography, and Disaster Studies.

Henderson's illustrated work is an accessible textbook which should be useful reading for practical archaeologists. With clear sections on a range of materials including ceramics, glass, metals and stone, this work examines the foundations of archaeological study. The concise introduction provides a general overview as well as a brief insight into the history of this type of research. Finally, the inclusion of case studies such as Roman Glass and the Stonehenge Bluestones provides an example of how such materials were used in the past and how archaeologists analyze them now.

How can archaeologists interpret ancient art and images if they do not treat them as symbols or signifiers of identity? Traditional approaches to the archaeology of art have borrowed from the history of art and the anthropology of art by focusing on iconography, meaning, communication and identity. This puts the archaeology of art at a disadvantage as an understanding of iconography and meaning requires a detailed knowledge of historical or ethnographic context unavailable to many archaeologists. Rather than playing to archaeology's weaknesses, the authors argue that an archaeology of art should instead play to archaeology's strength: the material character of archaeological evidence. Using case studies - examining rock art, figurines, beadwork, murals, coffin decorations, sculpture and architecture from Europe, the Americas, Asia, Australia, and north Africa -the authors develop an understanding of the affective and effective nature of ancient art and imagery. An analysis of a series of material-based practices, from gesture and improvisation to miniaturisation and gigantism, assembly and disassembly and the use of distinctions in colour enable key concepts, such as style and meaning, to be re-imagined as affective practices. Recasting the archaeology of art as the study of affects offers a new prospectus for the study of ancient art and imagery.

James Douglas (1753-1819) was a polymath, well ahead of his time in both the fields of archaeology and earth-sciences. His examinations of fossils from the London Clay and other geological formations caused him to conclude that the Earth was much older than the 4004 BC allotted to it by his contemporaries. He had come to this conclusion by 1785 and published these findings in that year, long before other researchers in the same field. His Nenia Britannica, published in 1793, reveals a remarkably accurate grasp of the dating of Anglo- Saxon burials; further illuminated by the contents of his common-place book for 1814-16, discovered by the author in a second-hand bookshop. This common-place book, correspondence with his contemporaries and other sources resulted in the present publication recounting his archaeological and other activities in Sussex during the first two decades of the 19th century.

The Living Inca Town presents a rich case study of tourism in Ollantaytambo, a rapidly developing destination in the southern Peruvian Andes and the starting point for many popular treks to Machu Picchu. Tourism is generally welcomed in Ollantaytambo, as it provides a steady stream of work for local businesses, particularly those run by women. However, the obvious material inequalities between locals and tourists affect many interactions and have contributed to conflict and aggression throughout the tourist zones. Based on a number of research visits over the course of fifteen years, The Living Inca Town examines the experiences and interactions of locals, visitors, and tourism brokers. The book makes room for unique perspectives and uses innovative visual methods, including photovoice images and pen and ink drawings, to represent different viewpoints of day-to-day tourist encounters. The Living Inca Town vividly illustrates how tourism can perpetuate gendered and global inequalities, while also exploring new avenues to challenge and renegotiate these roles.

Why are some things valuable while others are not? How much effort does it take to produce valuable objects? How can one explain the different appraisal of certain things in different temporal horizons and in different cultures? Cultural processes on how value is attached to things, and how value is re-established, are still little understood. The case studies in this volume, originating from anthropology and archaeology, provide innovative and differentiated answers to these questions. However, for all contributions there are some common basic assumptions. One of these concerns the understanding that it is rarely the value of the material itself that matters for high valuation, but rather the appreciation of the (assumed or constructed) origin of certain objects or their connection with certain social structures. A second of these shared insights addresses the ubiquity of phenomena of 'value in things'. There is no society without valued objects. As a rule, valuation is something negotiated or even disputed. Value arises through social action, whereby it is always necessary to ask anew which actors are interested in the value of certain objects (or in their appreciation). This also works the other way round: Who are those actors who question corresponding objective values and why?

Women, Gender and Identity in Third Intermediate Period Egypt clarifies the role of women in Egyptian society during the first millennium BCE, allowing for more nuanced discussions of women in the Third Intermediate Period. It is an intensive study of a corpus that is both geographically and temporally localized around the city of Thebes, which was the cultural and religious centre of Egypt during this period and home to a major national necropolis. Unlike past studies which have relied heavily on literary evidence, Li presents a refreshing material culture-based analysis of identity construction in elite female burial practices. This close examination of the archaeology of women's burial presents an opportunity to investigate the social, professional and individual identities of women beyond the normative portrayals of the subordinate wife, mother and daughter. Taking a methodological and material culture-based approach which adds new dimensions to scholarly and popular understandings of ancient Egyptian women, this fascinating and important study will aid scholars of Egyptian history and archaeology, and anyone with an interest in women and gender in the ancient world.

This book helps readers to see the value of archaeological theory and beyond what is sometimes thought to be just the use of indigestible jargon. Key theories and concepts are introduced to the reader. Among the main questions discussed are the following: What is theory and why do we need it? What major areas of theory are, and have been, used and debated in archaeology? What do they tell us about themes including human society, evolution, culture, identity and agency? How might archaeological theory change in the future? This book is written mainly for readers new to archaeology and will help them to understand archaeological theory. It assumes no prior knowledge of archaeological theory and presents it in a selective and clear way, with case studies showing how theory is used in practice

What is archaeology, and why should we do it? Tom King, arguably the best-known heritage management consultant in the United States, answers the basic question of every introductory student from the unique perspective of one who actively uses archaeology for cultural resource management. Designed as a supplement for introduction to archaeology classes, this brief and breezy book runs the reader through the major principles of archaeology, using examples from the author's own field work and that of others. King shows how contemporary archaeology, as part of the larger cultural resource management endeavor, acts to help preserve and protect prehistoric and historic sites in the United States and elsewhere. Brief biographies of other CRM archaeologists help students envision career paths they might emulate. The bookends with an exploration of some of the thorny problems facing the contemporary archaeologist to help foster class discussion. An ideal ice-breaker for introductory college classes in archaeology, one that will get students engaged in the subject and thinking about its challenges.

Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not "of" but "with" art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or correspond, with one another in the generation of form.

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Making" offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from prehistoric stone tool-making to the building of medieval cathedrals, from round mounds to monuments, from flying kites to winding string, from drawing to writing. The book will appeal to students and practitioners alike, with interests in social and cultural anthropology, archaeology, architecture, art and design, visual studies and material culture."

Focusing on the geographies between the Mekong and the Indus, this book brings objects to the centre of enquiry in the understanding of modern Asian frontiers. It explores how a range of objects have historically been significant bearers and agents of frontier making. For instance, how are objects connected to aspects of state making, social change, everyday life, diplomacy, political and ecological worlds, capital, forms of violence, resistances, circulations, and aesthetic expressions? This book seeks to interrogate and understand the dynamism of frontiers from the vantage point of objects such as salt, rubber, tea, guns, silk scarves, horses, and opium. It attempts to explore objects as sites of encounter, mediation, or dislocation between the social and the spatial. The book not only locates objects in the specificities of frontier spaces, but it also looks at how they are produced, circulated, and come to be intricately linked to a wide range of people, institutions, networks, and geographies. In the process, it explores how objects traverse and come to inhabit multiple historical, cultural, and geographical scales. This book will be of interest to researchers and academics working in areas of history, social and cultural anthropology, Asian studies, frontiers and borderland studies, cultural studies, political and economic studies, and museum studies.

Palaeopathology is an evidence-based guide to the principal types of pathological lesions often found in human remains and how to diagnose them. Tony Waldron presents an innovative method of arriving at a diagnosis in the skeleton by applying what he refers to as 'operational definitions'. The method ensures that those who study bones will use the same criteria for diagnosing disease, thereby enabling valid comparisons to be made between studies. Waldron's book is based on modern clinical knowledge and provides background information on the natural history of bone disease. In addition, the volume demonstrates how results from studies should be analysed, methods of determining the frequency of disease, and other types of epidemiological analysis. This edition includes new chapters on the development of palaeopathology, basic concepts, health and disease, diagnosis, and spinal pathology. Chapters on analysis and interpretation have been thoroughly revised and enlarged.

The beginning of the Neolithic in Britain is a topic of perennial interest in archaeology, marking the end of a hunter-gatherer way of life with the introduction of domesticated plants and animals, pottery, polished stone tools, and a range of new kinds of monuments, including earthen long barrows and megalithic tombs. Every year, numerous new articles are published on different aspects of the topic, ranging from diet and subsistence economy to population movement, architecture, and seafaring. Thomas offers a treatment that synthesizes all of this material, presenting a coherent argument to explain the process of transition between the Mesolithic-Neolithic periods. Necessarily, the developments in Britain are put into the context of broader debates about the origins of agriculture in Europe, and the diversity of processes of change in different parts of the continent are explored. These are followed by a historiographic treatment of debates on the transition in Britain. Chapters cover the Mesolithic background, processes of contact and interaction, monumental architecture and timber halls, portable artefacts, and plants and animals. The concluding argument is that developments in the economy and material culture must be understood as being related to fundamental social transformations.

The environment has always been a central concept for archaeologists and, although it has been conceived in many ways, its role in archaeological explanation has fluctuated from a mere backdrop to human action, to a primary factor in the understanding of society and social change. Archaeology also has a unique position as its base of interest places it temporally between geological and ethnographic timescales, spatially between global and local dimensions, and epistemologically between empirical studies of environmental change and more heuristic studies of cultural practice. Drawing on data from across the globe at a variety of temporal and spatial scales, this volume resituates the way in which archaeologists use and apply the concept of the environment. Each chapter critically explores the potential for archaeological data and practice to contribute to modern environmental issues, including problems of climate change and environmental degradation. Overall the volume covers four basic themes: archaeological approaches to the way in which both scientists and locals conceive of the relationship between humans and their environment, applied environmental archaeology, the archaeology of disaster, and new interdisciplinary directions.The volume will be of interest to students and established archaeologists, as well as practitioners from a range of applied disciplines.

Change and Archaeology explores how archaeologists have historically described, interpreted, and explained change, and argues that change has been under-theorised. The study of change is central to the discipline of archaeology, but change is complex, and this makes it challenging to write about in nuanced ways that effectively capture the nature of our world. Relational approaches offer archaeologists more scope to explore change in complex and subtle ways. Change and Archaeology presents a posthumanist, post-anthropocentric, new materialist approach to change. It argues that our world is constantly in the process of becoming and always on the move. By recasting change as the norm rather than the exception and distributing it between both humans and non-humans, this book offers a new theoretical framework for exploring change in the past that allows us to move beyond block-time approaches where change is located only in transitional moments and periods are characterised by blocks of stasis. Archaeologists, scholars, anthropologists and historians interested in the theoretical frameworks we use to interpret the past will find this book a fascinating new insight into the way our world changes and evolves. The approaches presented within will be of use to anyone studying and writing about the way societies and their environs move through time.

Pilgrims in Place, Pilgrims in Motion: Sacred Travel in the Ancient Mediterranean brings together exciting interdisciplinary scholarship on the connected poles of pilgrimage: the sanctuaries being visited, and the journeys to get there. Contributions investigate different concepts of place, community, social tensions and expectations of pilgrim behaviour; long-term meanings of place as embodied in memory and topography; mobility, migration and place-making; connectivity and its relationship to pilgrimage. Individual chapters discuss shrines, sanctuaries and sacred places as well as journeys and mobility across Greek, Roman and late antique contexts, framed as part of a key debate within the study of pilgrimage, the central tension between place and motion.

Widely regarded as major visible field monuments of the Iron Age, hillforts are central to an understanding of later prehistoric communities in Britain and Europe from the later Bronze Age. With such a range of variants represented, no single explanation of their function or social significance could satisfy all possible interpretations of their role. While they are conventionally viewed as defence settlements or regional centres controlled by a social elite, this role has been challenged in recent years, and instead hillforts are being considered primarily as expressions of social identity with strong ritual and cosmological associations. Current hillfort interpretations are in danger of reflecting contemporary social sensitivities more strongly than any recognizable Iron Age priorities, and the need for critical analysis of basic archaeological evidence is paramount. Critically reviewing the evidence of hillforts in Britain, in the wider context of Ireland and continental Europe, the volume focuses on their structural features, chronology, landscape context, and their social, economic and symbolic functions, and is well illustrated throughout with site plans, reconstruction drawings, and photographs. Harding reviews the changing perceptions of hillforts and the future prospects for hillfort research, highlighting aspects of contemporary investigation and interpretation.

Richard Bradley investigates the idea of circular buildings - whether houses or public architecture - which, though unfamiliar in the modern West, were a feature of many parts of prehistoric Europe. Why did so many people build circular monuments? Why did they choose to live in circular houses, when other communities rejected them? Why was it that those who preferred to inhabit a world of rectangular dwellings often buried their dead in round mounds and worshipped their gods in circular temples? Why did people who lived in roundhouses decorate their pottery and metalwork with rectilinear motifs, and why was it that the inhabitants of longhouses placed so much emphasis on curvilinear designs? Although their distinctive character has engaged the interest of alternative archaeologists, the significance of circular structures has rarely been discussed in a rigorous manner. The Idea of Order uses archaeological evidence, combined with insights from anthropology, to investigate the creation, use, and ultimate demise of circular architecture in prehistoric Europe. Concerned mainly with the prehistoric period from the origins of farming to the early first millennium AD, but extending to the medieval period, the volume considers the role of circular features from Turkey to the Iberian Peninsula and from Sardinia through Central Europe to Sweden. It places emphasis on the Western Mediterranean and the Atlantic coastline, where circular dwellings were particularly important, and discusses the significance of prehistoric enclosures, fortifications, and burial mounds in regions where longhouse structures were dominant.