Popular archaeology is a heterogeneous phenomenon: Focusing on the German archaeologist Heinrich Schliemann, Egyptian mummies, and the ruin complex Great Zimbabwe in fictional and factual texts, Susanne Duesterberg analyses the popular reception of archaeology in Victorian and Edwardian Britain. She offers an interdisciplinary and comparative view on the reception of the different archaeologies, reflecting contemporary sociocultural concerns in connection with identity formation. With its focus on popular culture as well as identity and memory studies, the book appeals to both a general public and experts from various disciplines.

Material culture, the substance of much archaeological research, has only recently been studied as evidence of gender relations. Case studies, drawn from many different periods and areas, develop concepts and theories as diverse as the social context of production and artefact use in the construction of food as a gendered social medium. The international contributors to this volume critique traditional approaches and consider feminist and non-heterosexual gender perspectives.

The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organized by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of Muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebro (Hungary) and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediteranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. It is a third volume, based on the British Archaeological Association's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes.

The Westford Knight is a mysterious, controversial stone carving in Massachusetts. Some believe it is an effigy of a 14th century knight, evidence of an early European visit to the New World by Henry Sinclair, the Earl of Orkney and Lord of Roslin. In 1954, an archaeologist encountered the carving, long known to locals and ascribed a variety of origin stories, and proposed it to be a remnant of the Sinclair expedition. The story of the Westford Knight is a mix of history, archaeology, sociology, and Knights Templar lore. This work unravels the threads of the Knight's history, separating fact from fantasy.This revised edition includes a new foreword and four new chapters which add context to the myth-building that has surrounded the Westford Knight and artifacts like it.

Barrow and Greenwood refused to compromise their beliefs or conform to Anglicanism and as a consequence they died in 1593 - martyrs for their beliefs in English Congregationalism. This work features volumes five and six containing 25 pieces of manuscript material.

The History of Archaeology: An Introduction provides global coverage with chapters devoted to particular regions of the world. The regional approach allows readers to understand the similarities and differences in the history of and approach to archaeology in various parts of the world. Each chapter is written by a specialist scholar with experience of the region concerned. Thus the book focuses on the earliest beginnings of archaeology in different parts of the world, and how it developed from being a pastime for antiquarians and collectors to a serious attempt to obtain information about past societies. Woven into the text are various boxes that explore key archaeologists, sites and important discoveries in the history of archaeology enriching the story of the discipline's development. With such far ranging coverage, including an exploration of the little covered development of Russian and Chinese archaeology, The History of Archaeology is the perfect introduction to the history of archaeology for the interested reader and student alike.

The History of Archaeology: An Introduction provides global coverage with chapters devoted to particular regions of the world. The regional approach allows readers to understand the similarities and differences in the history of and approach to archaeology in various parts of the world. Each chapter is written by a specialist scholar with experience of the region concerned. Thus the book focuses on the earliest beginnings of archaeology in different parts of the world, and how it developed from being a pastime for antiquarians and collectors to a serious attempt to obtain information about past societies. Woven into the text are various boxes that explore key archaeologists, sites and important discoveries in the history of archaeology enriching the story of the discipline's development. With such far ranging coverage, including an exploration of the little covered development of Russian and Chinese archaeology, The History of Archaeology is the perfect introduction to the history of archaeology for the interested reader and student alike.

Archaeological interpretation is an imaginative act. Stratigraphy and artefacts do not tell us what the past was like; that is the task of the archaeologist. The diverse group of contributors to this volume address the relationship between archaeology and imagination through the medium of historical fiction and fictive techniques, both as consumers and as producers. The fictionalisation of archaeological research is often used to disseminate the results of scholarly or commercial archaeology projects for wider public outreach. Here, instead, the authors focus on the question of what benefits fiction and fictive techniques, as inspiration and method, can bring to the practice of archaeology itself. The contributors, a mix of archaeologists, novelists and other artists, advance a variety of theoretical arguments and examples to advance the case for the value of a reflexive engagement between archaeology and fiction. Themes include the similarities and differences in the motives and methods of archaeologists and novelists, translation, empathy, and the need to humanise the past and diversify archaeological narratives. The authors are sensitive to the epistemological and ethical issues surrounding the influence of fiction on researchers and the incorporation of fictive techniques in their work. Sometimes dismissed as distracting just-so stories, or even as dangerously relativistic narratives, the use of fictive techniques has a long history in archaeological research and examples from the scholarly literature on many varied periods and regions are considered. The volume sets out to bring together examples of these disparate applications and to focus attention on the need for explicit recognition of the problems and possibilities of such approaches, and on the value of further research about them.

Global Social Archaeologies contributes to the active engagement of contemporary social archaeology through addressing issues such as postcolonialism, community heritage, and Indigenous rights. It addresses the major challenge of breaking down global divides, especially in relation to fundamental human rights, inequality, and inequities of wealth, power, and access to knowledge. This authoritative volume, authored by the current and past presidents of the World Archaeological Congress, introduces readers to the various theoretical and methodological tools available for the investigation of the past. Taking into account the implications for contemporary societies, it offers a new framework for social archaeologies in a globalised world. By combining new data from their research with an innovative synthesis and analysis of leading research by others, the authors have developed fresh conceptualisations and understandings of archaeology as a social practice, and of the ways in which it simultaneously straddles the past, present, and future. Exploring a range of case studies and enhanced by a wealth of illustrations, Global Social Archaeologies highlights a new approach to archaeology, one that places human rights at the core of archaeological theory and practice.

Quantitative Methods in Archaeology Using R is the first hands-on guide to using the R statistical computing system written specifically for archaeologists. It shows how to use the system to analyze many types of archaeological data. Part I includes tutorials on R, with applications to real archaeological data showing how to compute descriptive statistics, create tables, and produce a wide variety of charts and graphs. Part II addresses the major multivariate approaches used by archaeologists, including multiple regression (and the generalized linear model); multiple analysis of variance and discriminant analysis; principal components analysis; correspondence analysis; distances and scaling; and cluster analysis. Part III covers specialized topics in archaeology, including intra-site spatial analysis, seriation, and assemblage diversity.

Many students view archaeological theory as a subject distinct from field research. This division is reinforced by the way theory is taught, often in stand-alone courses that focus more on logic and reasoning than on the application of ideas to fieldwork. Divorcing thought from action does not convey how archaeologists go about understanding the past. This book bridges the gap between theory and practice by looking in detail at how the authors and their colleagues used theory to interpret what they found while conducting research in northwest Honduras. This is not a linear narrative. Rather, the book highlights the open-ended nature of archaeological investigations in which theories guide research whose findings may challenge these initial interpretations and lead in unexpected directions. Pursuing those novel investigations requires new theories that are themselves subject to refutation by newly gathered data. The central case study is the writers' work in Honduras. The interrelations of fieldwork, data, theory, and interpretation are also illustrated with two long-running archaeological debates, the emergence of inequality in southern Mesopotamia and inferring the ancient meanings of Stonehenge. The book is of special interest to undergraduate Anthropology/Archaeology majors and first- and second-year graduate students, along with anyone interested in how archaeologists convert the static materials we find into dynamic histories of long-vanished people.

Black feminist thought has developed in various parts of the academy for over three decades, but has made only minor inroads into archaeological theory and practice. Whitney Battle-Baptiste outlines the basic tenets of Black feminist thought and research for archaeologists and shows how it can be used to improve contemporary historical archaeology. She demonstrates this using Andrew Jackson's Hermitage, the W. E. B. Du Bois Homesite in Massachusetts, and the Lucy Foster house in Andover, which represented the first archaeological excavation of an African American home. Her call for an archaeology more sensitive to questions of race and gender is an important development for the field.

How can we use the past to make sense of the issues and problems that concern us in the present? Mark Leone, the leading critical theorist in historical archaeology, urges archaeologists to view their discipline as an activist pursuit. This volume is partly his autobiographical reflection on a thirty five year career, part a collection of Leone's classic writings on Annapolis, Williamsburg, Shakertown, St. Mary's, and other key sites, and part a synthesis of his current thinking on how historical archaeology can engage the cultural and political issues of our time. Critical Historical Archaeology is an important summary of the work and thinking of one of our most thoughtful, influential archaeologists.

In this volume, the founder of processual archaeology, Lewis R. Binford collects and comments on the twenty-eight substantive papers published in the 1980's, the third in his set of collected papers (also Working at Archaeology and An Archaeological Perspective). This ongoing collection of self-edited papers, together with the extensive and very candid interstitial commentaries, provides an invaluable record of the development of "The New Archaeology" and a challenging view into the mind of the man who is certainly the most creative archaeological theorist of our time. A new (2009) foreword allows further reflections on his work.

From massive nuclear test sites to the more subtle material realities of everyday life, the influence of the Cold War on modern culture has been profound and global. Fearsome Legacies unites innovative work on the interpretation and management of Cold War heritage from fields including archaeology, history, art and architecture, and cultural studies. Contributors understand material culture in its broadest sense, examining objects in outer space, domestic space, landscapes, and artistic spaces. They tackle interpretive challenges and controversies, including in museum exhibits, heritage sites, archaeological sites, and other historic and public venues. With over 150 color photos and illustrations, including a photographic essay, readers can feel the profound visual impact of this material culture.

The public's fascination with archaeology has meant that archaeologists have had to deal with media more regularly than other scholarly disciplines. How archaeologists communicate their research to the public through the media and how the media view archaeologists has become an important feature in the contemporary world of academic and professional archaeologists. In this volume, a group of archaeologists, many with media backgrounds, address the wide range of questions in this intersection of fields. An array of media forms are covered including television, film, photography, the popular press, art, video games, radio and digital media with a focus on the overriding question: What are the long-term implications of the increasing exposure through and reliance upon media forms for archaeology in the contemporary world? The volume will be of interest to archaeologists and those teaching public archaeology courses.

Collection of original research articles by European scholars assessing the state of environmental archaeology and its relationship to the field; along with discussions on how to present environmental issues in prehistory to the public.

A collection of papers focusing on the links between archaeology and the study of geological sediments and soils.

A lively and accessible introduction to themes and debates in archaeological theory for students of all levels Archaeological Theory is a relatable, accessible, reader-friendly first step into the world of theory for archaeology students. Recognizing that many students shy away from the study of theory for fear that the material is too difficult or obscure, Archaeological Theory maintains that any student can develop an understanding of theory and that a knowledge of theory will lead to better practice. As one of the leading texts for introductory courses in archaeology and archaeological theory, it has provided many students with the essential foundation for a complete education in the discipline. With a focus on clarifying the history and development of archaeological theory, this valuable text serves as a roadmap to the different schools of theory in archaeology, clarifying the foundations of these schools of thought, the relationships between them, and the ideas that distinguish each from the other. Students will also learn about the relationship between archaeology and cultural and political developments, the origins of New and 'post-processual' archaeology, and current issues shaping the field. Written in a clear and informal style and incorporating examples, cartoons, and dialogues, this text provides an ideal introduction for students at all levels. The revised third edition has been updated with new and revised chapters and an expanded glossary and bibliography, as well as new readings to guide further study. Engages readers with informal and easy-to-understand prose, as well as examples, cartoons, and informal dialogues Prepares students to understand complex topics and current and perennial issues in the field such as epistemology, agency, and materiality in the context of archaeological practice Discusses current developments in associated disciplines New and revised chapters on the material turn, politics and other issues, and an expanded glossary and bibliography with updated reading suggestions Offers expanded coverage of materiality, cultural-historical archaeology, evolutionary theory, and the work of scholars of diverse backgrounds and specializations Engaging and illuminating, Archaeological Theory is an indispensable resource for undergraduate and graduate students in archaeology and related disciplines.

The public's fascination with archaeology has meant that archaeologists have had to deal with media more regularly than other scholarly disciplines. How archaeologists communicate their research to the public through the media and how the media view archaeologists has become an important feature in the contemporary world of academic and professional archaeologists. In this volume, a group of archaeologists, many with media backgrounds, address the wide range of questions in this intersection of fields. An array of media forms are covered including television, film, photography, the popular press, art, video games, radio and digital media with a focus on the overriding question: What are the long-term implications of the increasing exposure through and reliance upon media forms for archaeology in the contemporary world? The volume will be of interest to archaeologists and those teaching public archaeology courses.

As researchers bring their analytic skills to bear on contemporary archaeological tourism, they find that it is as much about the present as the past. Philip Duke's study of tourists gazing at the remains of Bronze Age Crete highlights this nexus between past and present, between exotic and mundane. Using personal diaries, ethnographic interviews, site guidebooks, and tourist brochures, Duke helps us understand the impact that archaeological sites, museums and the constructed past have on tourists' view of their own culture, how it legitimizes class inequality at home as well as on the island of Crete, both Minoan and modern.

As researchers bring their analytic skills to bear on contemporary archaeological tourism, they find that it is as much about the present as the past. Philip Duke's study of tourists gazing at the remains of Bronze Age Crete highlights this nexus between past and present, between exotic and mundane. Using personal diaries, ethnographic interviews, site guidebooks, and tourist brochures, Duke helps us understand the impact that archaeological sites, museums and the constructed past have on tourists' view of their own culture, how it legitimizes class inequality at home as well as on the island of Crete, both Minoan and modern.

From massive nuclear test sites to the more subtle material realities of everyday life, the influence of the Cold War on modern culture has been profound and global. Fearsome Legacies unites innovative work on the interpretation and management of Cold War heritage from fields including archaeology, history, art and architecture, and cultural studies. Contributors understand material culture in its broadest sense, examining objects in outer space, domestic space, landscapes, and artistic spaces. They tackle interpretive challenges and controversies, including in museum exhibits, heritage sites, archaeological sites, and other historic and public venues. With over 150 color photos and illustrations, including a photographic essay, readers can feel the profound visual impact of this material culture.

This book discusses the application of geological methods and theory to archaeology. Written as a survey text covering appropriate methods and techniques taken from geology, geophysics, geochemistry, and geochronology, it shows the student the practicality and importance of each technique's use in solving archaeological problems. Specific techniques are illustrated by practical results obtained from the authors' use on archaeological digs.
With an international geographical scope, the book draws on sites from both hemispheres, including the Franchthi Cave in Greece, St. Catherines Island in the U.S., the Roman site of Drand in France, and Monte Verde, Chile. The authors also address applications in less traditional areas such as underwater, historical, industrial, and conservation archaeology.

This book aims to understand the process of the Bronze Age societies of Northern Europe which are often regarded as the periphery and a bleak contrast to the Central European Bronze Age. The Bronze Age is the first "globalised" period with new types of societies and new modes of exchange and trade. In this context there is considerable local variation and diversity within the Bronze Age societies of Northern Europe which is poorly understood, although there have been advances and changes in this research. Therefore this book challenges some of the mainstream opinions on the Bronze Age of Northern Europe, and focus on local and regional aspects. This is done by a series of articles from significant contributors that deal with these issues on theoretical and empirical levels, with regards to differences, cultural dualism, boundaries, regions and regionality in a period of increased "globalisation". The result is a movement away from local and regional aspects toward communications, travels and contacts between northern Europe and the greater world, not only towards Central Europe and the Near East but also towards the east. Northern/Arctic Europe is often left out in these discussions, and this book will contribute to this greater picture of the Bronze Age world.