When one hears the words "archaeology" or "archaeologist," often what comes to mind is an image of a romantic figure: Indiana Jones exploring exotic places in search of treasure and adventure. Indeed, novels, movies, and many popular accounts of archaeological discoveries have made this concept widespread. Tales of abandoned cities, ruined temples, primeval monuments, or mysterious ancient tombs tend to kindle the urge for adventure, exploration, or treasure hunting that seems to lie beneath the surface of even the most timid and conventional individuals. Today, however, archaeologists seek knowledge rather than objects that are intrinsically valuable. Their ultimate goal is to sweep aside the mists in which time has enveloped the past, helping us to understand vanished peoples and cultures.
In Uncovering the Past, William H. Stiebing, Jr. offers an absorbing nontechnical history of archaeology, tracing the study of ancient material culture from its beginnings in the Renaissance through its development into the sophisticated modern discipline we know today. The first study to focus on archaeology as a discipline, Stiebing has organized this concise history into the four stages of archaeological development. The first two stages (1450-1860 and 1860-1925), known as the "heroic age," focus on the exploits of colorful, dynamic excavators who have made their mark on history and our imaginations. We read accounts of Giovanni Belzoni and the removal of the seven-ton colossus of Ramesses II, which was dragged by wooden platform and transported by boat from Egypt to London; we witness the clergyman John Peters's skirmish with Arab tribesmen, who surrounded his excavation site and finally pillaged and burned his camp; and Heinrich Schliemann's quest to prove the authenticity of Homer's Iliad by searching for ancient Troy along the Turkish coast. And we watch as archaeology comes of age as an academic discipline, employing stratigraphical excavation techniques, typographical sequence dating, and stratigraphically based pottery chronology--laying the foundation for universal archaeological activity. The third phase (1925-1960) marked the era of "Modern Archaeology," a time when, using the now generally accepted stratigraphical method of excavation, scholars were able to synthesize data to define individual cultures and trace their development through time. This period saw a greater use of scientific instruments and procedures to locate, date, and interpret remains, such as aerial photography, metal detectors, and most importantly, carbon-14 dating and tree-ring chronology. Lastly, Stiebing discusses the fourth phase of development (1960-present) which introduced a greater desire and need for a more complete understanding of ancient cultures, including their ecology, and attempts to explain why certain cultural phenomena occurred. He goes on to examine the greater emphasis on a cultural revolutionary approach, coupled with technological advances in robotics and computers over the last decade and a half and their commonplace role in modern archaeology.
With over eighty photographs, illustrations, and maps, this vivid history is an outstanding introduction to the intriguing field of archaeology, chronicling the development of this former pastime of dilettantes into a rigorous science.

This volume assesses the real achievements of archaeology in increasing an understanding of the past. Without rejecting the insights either of traditional or more recent approaches, it considers the issues raised in current claims and controversies about what is appropriate theory for archaeology. The first section looks at the process of theory building and at the sources of the ideas employed. The following studies examine questions such as the interplay between expectation and evidence in ideas of human origins, social role and material practice in the formation of the archaeological record, and how the rise of states should be conceptualised; further papers cover issues of ethnoarchaeology, visual symbols, and conflicting claims to ownership of the past. The conclusion is that archaeologists need to be equally wary of naive positivism in the guise of scientific procedure, and of speculation about the unrecorded intentions of prehistoric actors.

American archaeology today encompasses a huge range of approaches and draws eclectically on a multitude of academic disciplines. Until now, however, there has been no book seeking to separate the main strands and traditions of research and present a rounded picture of American archaeological thought in all its diversity. The seventeen essays in Archaeological Thought in America describe recent theoretical advances and present substantive interpretations of prehistoric data drawn from a variety of cultures and time-frames, including Mesoamerica, Central Asia, India and China. The contributors include many of the leading North American archaeologists of this generation.

Interrogating Human Origins encourages new critical engagements with the study of human origins, broadening the range of approaches to bring in postcolonial theories, and begin to explore the decolonisation of this complex topic. The collection of chapters presented in this volume creates spaces for expansion of critical and unexpected conversations about human origins research. Authors from a variety of disciplines and research backgrounds, many of whom have strayed beyond their usual disciplinary boundaries to offer their unique perspectives, all circle around the big questions of what it means to be and become human. Embracing and encouraging diversity is a recognition of the deep complexities of human existence in the past and the present, and it is vital to critical scholarship on this topic. This book constitutes a starting point for increased interrogation of the important and wide-ranging field of research into human origins. It will be of interest to scholars across multiple disciplines, and particularly to those seeking to understand our ancient past through a more diverse lens.

Far from being a discipline focusing on the past, archaeology has boundless potential for engaging with people in the present. Encounters between archaeologists and the public with different pasts have the potential to create diverse participative dynamics. From the involvement of citizens as excavators and re-enactors to the co-organisation of research campaigns and outreach activities, public participation in archaeology has become a well-represented practice, fully incorporated into European and national cultural policies. However, the impact of this practice remains underexplored. Unforgettable Encounters demonstrates how evaluating participation can critically influence daily practice on fieldwork, enrich the academic discussion in public archaeology, and inform the decision-making process in community-based planning. The book proposes an operational workflow, aiming to serve as a benchmark for archaeologists delivering collaborative programs in excavation-based projects. It offers a flexible set of tools, analyses, and visualisation boards which can provide a range of information about public participation and can inform the daily practice of fieldwork and the development of community projects. Three Italian case studies present the application of the operational workflow, testing its flexibility and effectiveness. By focusing on Italian community archaeology, this book aims to raise awareness of the importance of evaluating public participation in a country where this commitment has always been evident—especially in excavations—but where research on community archaeology itself has developed only in the last few years.

"Forbidden Archaeology's Impact" offers readers an inside look at how mainstream science reacts with ridicule, threats, and intimidation to any challenge to its deeply held beliefs. Since 1993 the controversial book "Forbidden Archaeology" has shocked the scientific world with its extensive evidence for extreme human antiquity. "Forbidden Archaeology's" Impact documents the explosive reactions to this underground classic. It includes proactive compilation of reviews, correspondence, and media interviews.

Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not "of" but "with" art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or correspond, with one another in the generation of form.

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Making" offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from prehistoric stone tool-making to the building of medieval cathedrals, from round mounds to monuments, from flying kites to winding string, from drawing to writing. The book will appeal to students and practitioners alike, with interests in social and cultural anthropology, archaeology, architecture, art and design, visual studies and material culture."

Recycling is a basic anthropological process of humankind. The reutilization of materials or of ideas from the Past is a process determined by various natural or cultural causes. Recycling can be motivated by a crisis or by a complex symbolic cause like the incorporation of the Past into the Present. What archaeology has not insisted upon is the dimensional scale of the process, which operates from the micro-scale of the recycling of the ancestors' material, up to the macro-scale of the landscape. It is well known that there are direct relations between artefacts and landscapes in what concerns the materiality and mobility of objects. An additional relation between artefact and landscape may be the process of recycling. In many ways artefact and landscape can be considered as one aspect of material culture, perceived at a different scale, since both have the same materiality and suffer the same process of reutilisation. This book invites archaeologists to approach the significant process of recycling within the archaeological record at two different levels: of artefacts and of landscape.

Literary artefacts-the stories people tell, the songs they sing, the scenes they enact-are neither a by-product nor a side-issue in human culture. They provide a model of everything that cognition does. They refuse to separate thought from emotion, bodily responses from ethical reflection, perception from imagination, logic from desire. Above all, they demonstrate the essential fluidity and mobility of human cognition, its adaptive inventiveness. If we are astonished by the art of Chauvet or Lascaux as an early model of human cognition, then we should be continually astonished by what literature is and does as it reaches beyond itself to reimagine the world. This book argues that literary artefacts are quasi-autonomous living entities, fashioned to animate captured environments, embodied people and other creatures, ways of being and living that remain virtual. They own a freely delegated agency that allows them to speak to listeners and readers present and distant, present and future, adapting themselves and their meanings to whatever cognitive environment they encounter. Such an approach offers a way of linking a close attention to the specific properties of literary artefacts with the insights of cognitive anthropology and archaeology, and thus of satisfying the conditions for a properly interdisciplinary understanding of literature. It aims both to defend literary study against utilitarian and reductive arguments of all kinds and to argue that literary artefacts may give us new insights into how the mind (and its indispensable substratum, the brain) functions in the human ecology.

Copper is the first metal to play a large part in human history. This work is devoted to the history of metallurgical production in Northern Eurasia during the Bronze Age, based on experiments carried out by the author and analyses of ancient slag, ore and metal. It should be noted that archaeometallurgical studies include a huge range of works reflecting different fields of activity of ancient metallurgists. Often, all that unites these is the term 'metallurgy'. This work considers the problems of proper metallurgy, i.e. extracting metal from ore. A number of accompanying operations are closely connected with it, such as charcoal-burning, ore dressing, furnace constructing, and preparation of crucibles. In some instances the author touches upon these operations; however the main topic of the work is the smelting process. The closing stage of the metallurgical production is metalworking including various casting and forging operations, and also auxiliary operations: making of crucibles, casting molds, stone tools for metal forging. These problems are, as a rule, out of frameworks of this research.

Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation. A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.

This book starts from the premise that methodology - the procedures for obtaining an 'objective' knowledge of the past - has always dominated archaeology to the detriment of broader social theory. It argues that social theory is archaeological theory, and that past failure to recognise this has resulted in disembodied archaeological theory and weak disciplinary practice. Ideology, Power and Prehistory therefore seeks to reinstate the primacy of social theory and the social nature of the past worlds that archaeologists seek to understand. The contributors to this book argue that past peoples, the creators of the archaeological records, should be understood as actively manipulating their own material world to represent and misrepresent their own and others' interests. Thus the concepts of ideology and power, long discussed in social and political science yet largely ignored by archaeologists, must henceforward play a central role in our understanding of the past as a social creation. Archaeologists must now consider how the material remains they study were used to create images by past societies, which do not simply mirror or reflect but actively orientate the nature of these societies.

How should communities be engaged with archaeological research and how are new projects targeting distinctive groups and deploying innovative methods and media? In particular, how are art/archaeological interactions key to public archaeology today? This collection provides original perspectives on public archaeology's current practices and future potentials focusing on art/archaeological media, strategies and subjects. It stems from the 2nd University of Chester Archaeology Student Conference, held on 5 April 2017 at the Grosvenor Museum, Chester: Archaeo-Engage: Engaging Communities in Archaeology.

‘TephroArchaeology’ is a translation of the Japanese word kazanbai kōkogaku (lit. volcanic ash archaeology), referring to a sub-discipline of archaeology that has developed in Japan in the last few decades. The first book compilation using the term, edited by the doyen of tephroarchaeology, geologist ARAI Fusao, appeared in 1993; chapters were written by 5 geologists, 3 archaeologists, 3 geographers, an engineer, and a historian. From its beginning, this subdiscipline has been interdisciplinary in approach and applied to all time periods throughout the Japanese Islands. Honouring this tradition, a panel on TephroArchaeology was organized by Barnes & Soda at the World Archaeology Congress 8 meetings in Kyoto (August–September 2016). The scope of concern was broadened to include other parts of the world and further disciplines. Several of the papers presented at WAC8 are included here together with other invited papers that complete the North Pacific focus. Most of the chapters are case-studies written by their excavators in Japan, Canada, and the United States, but a historian and a behavioural psychologist contribute important perspectives and add world-wide content. The volume is rounded out by an extensive Preface, Introduction and Appendices by co-editor Barnes, and a historic contextualization of TephroArchaeology by co-editor Soda. A final appendix consists of a translation of the techniques of tephra identification by MACHIDA Hiroshi & ARAI Fusao, to whom the volume is dedicated. The strengths of this book are many. It was primarily designed to bring into the English-speaking world the work being done by local archaeologists in Japan whose results are usually only accessible in Japanese. In addition to the meticulous excavation methodologies, innovative analytical techniques and interpretive analyses represented herein by all the authors are the variety of problems in human history that can be addressed through tephroarchaeological investigation. This subdiscipline may spawn a more general Volcanic Archaeology or Archaeological Volcanology as adherents grow and as volcanologists themselves take heed of the archaeological record to inform on eruption processes and products.

The sixth issue of Ex Novo explores how 'peripheral' regions currently approach both the practice and theory of public archaeology placing particular emphasis on Eastern and Southern Europe and extending the analysis to usually underrepresented regions of the Mediterranean.

ArcheoFOSS XIV 2020: Open software, hardware, processes, data and formats in archaeological research collects the proceedings of the fourteenth ArcheoFOSS international conference, held online due to the outbreak of the COVID-19 pandemic. The book gathers seventeen papers on three principal topics, the main sessions of the conference: use and application of free/libre and open-source (FLOS) tools in archaeology; creation, use and promotion of open data and open formats in archaeology; and development and customization of FLOS software and hardware solutions for cultural heritage. Forty-one scholars of very diverse age, academic affiliation and geographic location, but all actively involved in the promotion of FLOS culture, open data and open science in digital archaeology and humanities, contribute. The volume is completed by a critical analysis of the contribution of these important annual meetings to the scientific and cultural activity of the ArcheoFOSS community. The opportunity offered by the pandemic-related difficulties to widen the geographical scope of the conference has been further boosted by the decision to adopt the English language for most of the papers, with the hope that this will extend the work of the ArcheoFOSS community far beyond the Italian national borders.

In this book, Sander Van der Leeuw examines how the modern world has been caught in a socio-economic dynamic that has generated the conundrum of sustainability. Combining the methods of social science and complex systems science, he explores how western, developed nations have globalized their world view and how that view has led to the sustainability challenges we are now facing. Its central theme is the co-evolution of cognition, demography, social organization, technology and environmental impact. Beginning with the earliest human societies, Van der Leeuw links the distant past with the present in order to demonstrate how the information and communications technology revolution is undermining many of the institutional pillars on which contemporary societies have been constructed. An original view of social evolution as the history of human information-processing, his book shows how the past offers insight into the present, and can help us deal with the future. This title is also available as Open Access.

How can we find alternative, sensorially rich and affective ways of engaging with the material past in the present? How can photography play a central role in archaeological narratives, beyond representation and documentation? This photo-book engages with these questions, not through conventional academic discourse but through evocative creative practice. The book is, at the same time, a site guide of sorts: a photographic guide to the archaeological site of the Sanctuary of Poseidon in Kalaureia, on the island of Poros, in Greece. Ancient and not-so-ancient stones, pine trees that were “wounded” for their resin, people who lived amongst the classical ruins, and the tensions and the clashes with the archaeological apparatus and its regulations, all become palpable, affectively close and immediate. Furthermore, the book constitutes an indirect but concrete proposal for the adoption of archaeological photo-ethnography as a research as well as public communication tool for critical heritage studies, today.

The Oxford Handbook of the Archaeology of Death and Burial reviews the current state of mortuary archaeology and its practice, highlighting its often contentious place in the modern socio-politics of archaeology. It contains forty-four chapters which focus on the history of the discipline and its current scientific techniques and methods. Written by leading, international scholars in the field, it derives its examples and case studies from a wide range of time periods, such as the middle palaeolithic to the twentieth century, and geographical areas which include Europe, North and South America, Africa, and Asia. Combining up-to-date knowledge of relevant archaeological research with critical assessments of the theme and an evaluation of future research trajectories, it draws attention to the social, symbolic, and theoretical aspects of interpreting mortuary archaeology. The volume is well-illustrated with maps, plans, photographs, and illustrations and is ideally suited for students and researchers.

The culmination of a project aimed at showcasing, in a systematic way, the potential of applying anthropological perspectives to classical studies, this volume highlights the fundamental contribution this approach has to make to our understanding of ancient Roman culture. Through the close study of themes such as myth, polytheism, sacrifice, magic, space, kinship, the gift, friendship, economics, animals, plants, riddles, metaphors, and images in Roman society (often in comparison with Greece) - where the texts of ancient culture are allowed to speak in their own terms and where the experience of the natives (rather than the horizon of the observer) is privileged - a rich panorama emerges of the worldview, beliefs, and deep structures that shaped and guided this culture.

The royal necropolis of New Kingdom Egypt, known as the Valley of the Kings (KV), is one of the most important-and celebrated-archaeological sites in the world. Located on the west bank of the Nile river, about three miles west of modern Luxor, the valley is home to more than sixty tombs, all dating to the second millennium BCE. The most famous of these is the tomb of Tutankhamun, first discovered by Howard Carter in 1922. Other famous pharaoh's interred here include Hatshepsut, the only queen found in the valley, and Ramesses II, ancient Egypt's greatest ruler. Much has transpired in the study and exploration of the Valley of the Kings over the last few years. Several major discoveries have been made, notably the many-chambered KV5 (tomb of the sons of Ramesses II) and KV 63, a previously unknown tomb found in the heart of the valley. Many areas of the royal valley have been explored for the first time using new technologies, revealing ancient huts, shrines, and stelae. New studies of the DNA, filiation, cranio-facial reconstructions, and other aspects of the royal mummies have produced important and sometimes controversial results. The Oxford Handbook of the Valley of the Kings provides an up-to-date and thorough reference designed to fill a very real gap in the literature of Egyptology. It will be an invaluable resource for scholars, teachers, and researchers with an interest in this key area of Egyptian archaeology. First, introductory chapters locate the Valley of the Kings in space and time. Subsequent chapters offer focused examinations of individual tombs: their construction, content, development, and significance. Finally, the book discusses the current status of ongoing issues of preservation and archaeology, such as conservation, tourism, and site management. In addition to recent work mentioned above, aerial imaging, remote sensing, studies of the tombs' architectural and decorative symbolism, problems of conservation management, and studies of KV-related temples are just some of the aspects not covered in any other work on the Valley of the Kings. This volume promises to become the primary scholarly reference work on this important World Heritage Site.

Archaeology: What It Is, Where It Is, and How to Do It has been written as a practical introduction on the investigation of the material remains of the past which can be interpreted with contemporary historical and literary evidence. The book also explains where to find this evidence and what to do next. Many aspects of archaeological investigation are discussed, including aerial and ground survey, excavation and fieldwork, recording methods, soil sampling and small finds.

Experimental Archaeology: Making, Understanding, Story-telling is based on the proceedings of a two-day workshop on experimental archaeology at the Irish Institute of Hellenic Studies at Athens in 2017, in collaboration with UCD Centre for Experimental Archaeology and Material Culture. Scholars, artists and craftspeople explore how people in the past made things, used and discarded them, from prehistory to the Middle Ages. The papers include discussions of the experimental archaeological reconstruction and likely past experience of medieval houses, and also about how people cast medieval bronze brooches, or sharpened Bronze Age swords, made gold ornaments, or produced fresco wall paintings using their knowledge, skills and practices. The production of ceramics is explored through a description of the links between Neolithic pottery and textiles, through the building and testing of a Bronze Age Cretan pottery kiln, and through the replication and experience of Minoan figurines. The papers in this volume show that experimental archaeology can be about making, understanding, and storytelling about the past, in the present.

Now in a revised and updated second edition, this volume provides an authoritative account of the current status of archaeological theory, as presented by some of its major exponents and innovators over recent decades. It summarizes the latest developments in the field and looks to its future, exploring some of the cutting-edge ideas at the forefront of the discipline. The volume captures the diversity of contemporary archaeological theory. Some authors argue for an approach close to the natural sciences, others for an engagement with cultural debate about representation of the past. Some minimize the relevance of culture to societal change, while others see it as central; some focus on the contingent and the local, others on long-term evolution. While few practitioners in theoretical archaeology would today argue for a unified disciplinary approach, the authors in this volume increasingly see links and convergences between their perspectives. The volume also reflects archaeology's new openness to external influences, as well as the desire to contribute to wider debates. The contributors examine ways in which archaeological evidence contributes to theories of evolutionary psychology, as well as to the social sciences in general, where theories of social relationships, agency, landscape and identity are informed by the long-term perspective of archaeology. The new edition of Archaeological Theory Today will continue to be essential reading for students and scholars in archaeology and in the social sciences more generally.

On the Borders of World-Systems: Contact Zones in Ancient and Modern Times draws on a diverse set of disciplines to explore historical, archaeological, and political interpretations of world-systems theory and geocivilizational analysis. The monograph has a prospective character, the main goal of which is the solution of a major problem – the study of worldwide practice, oriented towards the problems of the modern social world as a system. The principal focus is on the borderland - limes, which has been perceived variously as an impenetrable cordon, and as an open, interactive environment. In this locus of inter-world encounters, different civilizations developed, and an exchange of goods and ideas took place. Macrosociological issues of ancient and modern history are analyzed through five case studies of the Taurus-Caucasus region and its role as a contact zone in different periods.