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Books > Humanities > Archaeology
This volume brings together contributions from an experienced group of archaeologists and geologists whose common objective is to present thorough and current reviews of the diverse ways in which methods from the earth sciences can contribute to archaeological research. Many areas of research are addressed here, including artifact analysis and sourcing, landscape reconstruction and site formation analysis, soil micromorphology and geophysical exploration of buried sites.
Encountering evidence of postmortem examinations - dissection or autopsy in historic skeletal collections is relatively rare, but recently there has been an increase in the number of reported instances. And much of what has been evaluated has been largely descriptive and historical. The Bioarchaeology of Dissection and Autopsy brings together in a single volume the skeletal evidence of postmortem examination in the United States. Ranging from the early colonial period to the early 1900's, from a coffeehouse at Colonial Williamsburg to a Quaker burial vault in lower Manhattan, the contributions to this volume demonstrate the interpretive significance of a historically and theoretically contextualized bioarchaeology. The authors employ a wide range of perspectives, demonstrating how bioarchaeological evidence can be used to address a wide range of themes including social identity and marginalization, racialization, the nature of the body and fragmentation, and the emergence of medical practice and authority in the United States.
In much recent thinking, social and cultural realms are thought of as existing prior to-or detached from-things, materiality, and landscape. It is often assumed, for example, that things are entirely 'constructed' by social or cultural perceptions and have no existence in and of themselves. Bjornar Olsen takes a different position. Drawing on a range of theories, especially phenomenology and actor-network-theory, Olsen claims that human life is fully mixed up with things and that humanity and human history emerge from such relationships. Things, moreover, possess unique qualities that are inherent in our cohabitation with them-qualities that help to facilitate existential security and memory of the past. This important work of archaeological theory challenges us to reconsider our ideas about the nature of things, past and present, demonstrating that objects themselves possess a dynamic presence that we must take into account if we are to understand the world we and they inhabit.
This innovative book takes the concept of translation beyond its traditional boundaries, adding to the growing body of literature which challenges the idea of translation as a primarily linguistic transfer. To gain a fresh perspective on the work of translation in the complex processes of meaning-making across physical, social and cultural domains (conceptualized as translationality), Piotr Blumczynski revisits one of the earliest and most fundamental senses of translation: corporeal transfer. His study of translated religious officials and translated relics reframes our understanding of translation as a process creating a sense of connection with another time, place, object or person. He argues that a promise of translationality animates a broad spectrum of cultural, artistic and commercial endeavours: it is invoked, for example, in museum exhibitions, art galleries, celebrity endorsements, and the manufacturing of musical instruments. Translationality offers a way to reimagine the dynamic entanglements of matter and meaning, space and time, past and present. This book will be of interest to students and scholars in translation studies as well as related disciplines such as the history of religion, anthropology of art, and material culture.
Migration is the talk of the town. On the whole, however, the current situation is seen as resulting from unique political upheavals. Such a-historical interpretations ignore the fact that migration is a fundamental phenomenon in human societies from the beginning and plays a crucial role in the cultural, economic, political and social developments and innovations. So far, however, most studies are limited to the last four centuries, largely ignoring the spectacular advances made in other disciplines which study the 'deep past', like anthropology, archaeology, population genetics and linguistics, and that reach back as far as 80.000 years ago. This is the first book that offers an overview of the state of the art in these disciplines and shows how historians and social scientists working in the recent past can profit from their insights.
In this book, historical narratives chart how people created forms of agriculture in the highlands of New Guinea and how these practices were transformed through time. The intention is twofold: to clearly establish New Guinea as a region of early agricultural development and plant domestication; and, to develop a contingent, practice-based interpretation of early agriculture that has broader application to other regions of the world. The multi-disciplinary record from the highlands has the potential to challenge and change long held assumptions regarding early agriculture globally, which are usually based on domestication. Early agriculture in the highlands is charted by an exposition of the practices of plant exploitation and cultivation. Practices are ontologically prior because they ultimately produce the phenotypic and genotypic changes in plant species characterised as domestication, as well as the social and environmental transformations associated with agriculture. They are also methodologically prior because they emplace plants in specific historico-geographic contexts.
The Levant: Crossroads of Late Antiquity. History, Religion, and Archaeology / Le Levant: Carrefour de l'Antiquite tardive explores the monumental, religious, and social developments that took place in the Roman province of Syria during the 3rd through 6th centuries CE. Ellen Bradshaw Aitken and John M. Fossey bring together the work of twenty scholars of archaeology, art history, religious studies, and ancient history to examine this dynamic period of change in social, cultural, and religious life. Close attention to texts and material culture, including palaeo-Christian mosaics and churches, highlights the encounters of peoples and religions, as well as the rich exchange of ideas, practices, and traditions in the Levant. The essays bring fresh perspectives on "East" and "West" in antiquity and the diversity of ancient religious movements.
The city of Emar, modern Tell Meskene in Syria, is one of the most important sites of the western ancient Near East during the Late Bronze Age that have yielded cuneiform tablets. The discovery of more than one thousand tablets and tablet fragments assures Emar's position, along with Bogazkoy-Hattusa and Ras-Shamra-Ugarit, as a major scribal center. Ephemeral documents such as wills or sale contracts, texts about rituals and cultic festivals, school texts and student exercises, and inscribed seals and their impressions enable reconstruction of the Emar scribal school institution and provide materials for investigation into the lives of more than fifty scribes whose works were found in the city. The aim of this book is to place Emar's scribal school institution within its social and historical context, to observe the participation of its teachers and students in the study of the school curriculum, to investigate the role of the scribes in the daily life of the city (in particular within the administration), and to evaluate the school's and its members' position within the network of similar institutions throughout the ancient Near East.
Archaeology can either bolster memory and tradition, or contradict the status quo and provide an alternative view of the past. An archaeology of Harpers Ferry's wartime and Victorian eras confronts time-honored historical interpretations of the past (created and perpetuated by such interest groups as historians and the National Park Service) and in so doing allows us to be more inclusive of the town's forgotten histories and provides alternative voices to a past.
From its discovery in the Columbia River shallows three years ago, reporter Roger Downey has chronicled the epic adventures of the skeleton called "Kennewick Man": first as pretext for a media feeding-frenzy, then as centerpiece of a legal circus pitting celebrated scientists against Native Americans, the Corps of Engineers, and the Clinton White House, finally, at the long last, as object of rational scientist study. The saga of Kennewick Man offers abundant opportunity to explore todays rapidly changing scientific theories about how the Americans first came to be settled, and by whom. But it also casts light on the divisions within the fields of anthropology and archaeology concerning the role of politics and race in the pursuit of scientific goals, what constitutes ethical procedure in dealing with ancient remains, and the very purpose and direction of the scientific enterprise itself.
This is the first book to explore prehistoric warfare and violence by integrating qualitative research methods with quantitative, scientific techniques of analysis such as paleopathology, morphometry, wear analysis, and experimental archaeology. It investigates early warfare and violence from the standpoint of four broad interdisciplinary themes: skeletal markers of violence and weapon training; conflict in prehistoric rock-art; the material culture of conflict; and intergroup violence in archaeological discourse. The book has a wide-ranging chronological and geographic scope, from early Neolithic to late Iron Age and from Western Europe to East Asia. It includes world-renowned sites and artefact collections such as the Tollense Valley Bronze Age battlefield (Germany), the UNESCO World Heritage Site at Tanum (Sweden), and the British Museum collection of bronze weaponry from the late Shang period (China). Original case studies are presented in each section by a diverse international authorship. The study of warfare and violence in prehistoric and pre-literate societies has been at the forefront of archaeological debate since the publication of Keeley's provocative monograph 'War Before Civilization' (Oxford 1996). The problem has been approached from a number of standpoints including anthropological and behavioural studies of interpersonal violence, osteological examinations of sharp lesions and blunt-force traumas, wear analysis of ancient weaponry, and field experiments with replica weapons and armour. This research, however, is often confined within the boundaries of the various disciplines and specialist fields. In particular, a gap can often be detected between the research approaches grounded in the humanities and social sciences and those based on the archaeological sciences. The consequence is that, to this day, the subject is dominated by a number of undemonstrated assumptions regarding the nature of warfare, combat, and violence in non-literate societies. Moreover, important methodological questions remain unanswered: can we securely distinguish between violence-related and accidental trauma on skeletal remains? To what extent can wear analysis shed light on long-forgotten fighting styles? Can we design meaningful combat tests based on historic martial arts? And can the study of rock-art unlock the social realities of prehistoric warfare? By breaking the mould of entrenched subject boundaries, this edited volume promotes interdisciplinary debate in the study of prehistoric warfare and violence by presenting a number of innovative approaches that integrate qualitative and quantitative methods of research and analysis.
This is the fully-illustrated edition of LONDON IN FRAGMENTS. A new paperback edition is also available, published under the title A MUDLARK'S TREASURES: London in Fragments 'A beautiful book.' Daily Mail 'Exhilaratingly curious.' Evening Standard 'Gripping.' Spectator 'Brilliant.' Penelope Lively 'Indefatigably researched.' Country Life 'Beautifully illustrated.' Monocle Mudlarking, the act of searching the Thames foreshore for items of value, has a long tradition in England's capital. In the late 18th and 19th centuries, mudlarks were small boys grubbing a living from scrap. Today's mudlarks unearth relics of the past from the banks of the Thames which tell stories of Londoners throughout history. From Roman tiles to elegant Georgian pottery, presented here are modern-day mudlark Ted Sandling's most evocative finds, gorgeously photographed. Together they create a mosaic of everyday London life through the centuries, touching on the journeys, pleasures, vices, industries, adornments and comforts of a world city. This unique and stunning book celebrates the beauty of small things, and makes sense of the intangible connection that found objects give us to the individuals who lost them.
This book deals with the use of archaistic stylistic elements
(i.e., those which revive or imitate features of Greek Archaic art)
in free standing statuary dating from the second century B.C. to
the third century A.C. The main objective of the study is to
determine how the archaistic style was used, what prototypes were
imitated, what subjects were represented, how the replicas of
statue types were distributed, how these statues were displayed,
and what prompted such stylistic anachronism.
A stonemason's story of the building of Britain: part archaeological history, part deeply personal insight into an ancient craft. In his thirty-year career, stonemason Andrew Ziminski has worked on many of our greatest monuments. From Neolithic monoliths to Roman baths and temples, from the tower of Salisbury Cathedral to the engine houses, mills and aqueducts of the Industrial Revolution and beyond, The Stonemason is his very personal history of how Britain was built - from the inside out. Stone by different stone, culture by different culture, Andrew Ziminski (with his faithful whippet in tow) takes us on an unforgettable journey by river, road and sea through our countryside showing how the making of Britain's buildings offers an unexpected and new version of our island story. 'My school history lessons were focused around flat pages of facts, events and royal personalities, but for me it was the material aspects of the past, the tangible remnants left behind that were thrilling, and that it was these buildings and places, and learning how they worked, that really brought the past alive.'
Summer farms occur throughout the world where there are rich pastures that can only be utilised for part of the year, mainly because they are under snow and ice during the winter. In Europe transhumance is often a major event when the cattle and other livestock leave their home villages and move up into the mountains, and likewise on their return. The best known sites in Europe are perhaps those found in the Alpine areas, but they occur everywhere where there are suitable highland areas to exploit. Traditionally they have been the subject of the studies of ethnographers and anthropologists, especially in the second half of the 20th century when technological and economic changes led to the gradual abandonment of the farms and to other ways of exploiting the highlands. The last of these farmers are gradually disappearing and with them the oral records and memories. Now it is archaeologists who are leading the recording of this material and also looking at the history of such farming from prehistory and from the Bronze Age with the rise in importance of 'Secondary Products' such as cheese which could be stored for use over winter.Much of the evidence can only be gathered by surface survey and by excavation, though in some cases there are good written sources which have yet to be fully exploited. This volume provides case studies, as well as brief summaries of other projects in Europe, extending from the Black Sea in the east to northern Spain and Iceland in the west, though with a concentration on the Alpine area. One thing that emerges is the very varied nature of these sites in terms of their chronology, who went to the farms, the distances travelled, and the other activities associated with transhumance such as mining. In some cases the products were primarily for the subsistence of the agricultural population, but in other cases they were traded and could produce a large amount of profit. This is the first overview of these sites in Europe written from an archaeological point of view.
This book offers an anthropological analysis of how craft production changed in relation to the development of complex societies in northern China. It focuses on the production and use of food containers-pottery and bronze vessels-during the late prehistoric and early historic periods. A major theme is how production and use of prestige vessels changed in relation to increase in degree of social inequality. The research and writing of this book took place intermittently over a period of several years. When I first outlined the book in 1994, I planned to offer a more limited and descriptive account of social change during the late prehistoric period. In considering the human desire to display status with prestige goods, my initial approach emphasized how the case of northern China was similar to other areas of the world. I began to realize that in order to adequately explain how and why craft production changed in ancient China, it was crucial to consider the belief systems that motivated produc tion and use of food containers. Similarly, a striking characteristic of ancient China that I needed to include in the analysis was the preponderance of food containers, rather than other goods, that were buried with the deceased. I decided to investigate the social and ritual uses of food, bever ages, and containers during more than one period of Chinese history. Some strong patterns could have emerged during the late prehistoric period."
At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities between photography as a medium to capture traces of the past as well as their absence. |
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