This innovative book takes the concept of translation beyond its traditional boundaries, adding to the growing body of literature which challenges the idea of translation as a primarily linguistic transfer. To gain a fresh perspective on the work of translation in the complex processes of meaning-making across physical, social and cultural domains (conceptualized as translationality), Piotr Blumczynski revisits one of the earliest and most fundamental senses of translation: corporeal transfer. His study of translated religious officials and translated relics reframes our understanding of translation as a process creating a sense of connection with another time, place, object or person. He argues that a promise of translationality animates a broad spectrum of cultural, artistic and commercial endeavours: it is invoked, for example, in museum exhibitions, art galleries, celebrity endorsements, and the manufacturing of musical instruments. Translationality offers a way to reimagine the dynamic entanglements of matter and meaning, space and time, past and present. This book will be of interest to students and scholars in translation studies as well as related disciplines such as the history of religion, anthropology of art, and material culture.

Migration is the talk of the town. On the whole, however, the current situation is seen as resulting from unique political upheavals. Such a-historical interpretations ignore the fact that migration is a fundamental phenomenon in human societies from the beginning and plays a crucial role in the cultural, economic, political and social developments and innovations. So far, however, most studies are limited to the last four centuries, largely ignoring the spectacular advances made in other disciplines which study the 'deep past', like anthropology, archaeology, population genetics and linguistics, and that reach back as far as 80.000 years ago. This is the first book that offers an overview of the state of the art in these disciplines and shows how historians and social scientists working in the recent past can profit from their insights.

In this book, historical narratives chart how people created forms of agriculture in the highlands of New Guinea and how these practices were transformed through time. The intention is twofold: to clearly establish New Guinea as a region of early agricultural development and plant domestication; and, to develop a contingent, practice-based interpretation of early agriculture that has broader application to other regions of the world. The multi-disciplinary record from the highlands has the potential to challenge and change long held assumptions regarding early agriculture globally, which are usually based on domestication. Early agriculture in the highlands is charted by an exposition of the practices of plant exploitation and cultivation. Practices are ontologically prior because they ultimately produce the phenotypic and genotypic changes in plant species characterised as domestication, as well as the social and environmental transformations associated with agriculture. They are also methodologically prior because they emplace plants in specific historico-geographic contexts.

The Levant: Crossroads of Late Antiquity. History, Religion, and Archaeology / Le Levant: Carrefour de l'Antiquite tardive explores the monumental, religious, and social developments that took place in the Roman province of Syria during the 3rd through 6th centuries CE. Ellen Bradshaw Aitken and John M. Fossey bring together the work of twenty scholars of archaeology, art history, religious studies, and ancient history to examine this dynamic period of change in social, cultural, and religious life. Close attention to texts and material culture, including palaeo-Christian mosaics and churches, highlights the encounters of peoples and religions, as well as the rich exchange of ideas, practices, and traditions in the Levant. The essays bring fresh perspectives on "East" and "West" in antiquity and the diversity of ancient religious movements.

The city of Emar, modern Tell Meskene in Syria, is one of the most important sites of the western ancient Near East during the Late Bronze Age that have yielded cuneiform tablets. The discovery of more than one thousand tablets and tablet fragments assures Emar's position, along with Bogazkoy-Hattusa and Ras-Shamra-Ugarit, as a major scribal center. Ephemeral documents such as wills or sale contracts, texts about rituals and cultic festivals, school texts and student exercises, and inscribed seals and their impressions enable reconstruction of the Emar scribal school institution and provide materials for investigation into the lives of more than fifty scribes whose works were found in the city. The aim of this book is to place Emar's scribal school institution within its social and historical context, to observe the participation of its teachers and students in the study of the school curriculum, to investigate the role of the scribes in the daily life of the city (in particular within the administration), and to evaluate the school's and its members' position within the network of similar institutions throughout the ancient Near East.

Archaeology can either bolster memory and tradition, or contradict the status quo and provide an alternative view of the past. An archaeology of Harpers Ferry's wartime and Victorian eras confronts time-honored historical interpretations of the past (created and perpetuated by such interest groups as historians and the National Park Service) and in so doing allows us to be more inclusive of the town's forgotten histories and provides alternative voices to a past.

From its discovery in the Columbia River shallows three years ago, reporter Roger Downey has chronicled the epic adventures of the skeleton called "Kennewick Man": first as pretext for a media feeding-frenzy, then as centerpiece of a legal circus pitting celebrated scientists against Native Americans, the Corps of Engineers, and the Clinton White House, finally, at the long last, as object of rational scientist study. The saga of Kennewick Man offers abundant opportunity to explore todays rapidly changing scientific theories about how the Americans first came to be settled, and by whom. But it also casts light on the divisions within the fields of anthropology and archaeology concerning the role of politics and race in the pursuit of scientific goals, what constitutes ethical procedure in dealing with ancient remains, and the very purpose and direction of the scientific enterprise itself.

For more than three millennia the cultures of Mesoamerica flourished, building the first cities of the Western Hemisphere and developing writing systems that could rival those of the Eastern Hemisphere in their creativity and efficiency. The Nahuatl-speaking Aztecs reigned over one of the greatest imperial civilizations the Americas had ever seen, and up until now their intricate and visually stunning hieroglyphs have been overlooked in the story of writing. In this innovative volume Gordon Whittaker provides the reader with everything they need to know to appreciate and understand Aztec hieroglyphs: a step-by-step, illustrated guide of how to read Aztec glyphs; an explanation of the special features of this writing system in comparison to others from around the globe; the story of how this enigmatic language has been deciphered; a tour through Aztec history as recorded in hieroglyphic codices; and demonstrations of how the writing system was adapted to transliterate Spanish words during the Conquest. With 300 illustrations

This is the first book to explore prehistoric warfare and violence by integrating qualitative research methods with quantitative, scientific techniques of analysis such as paleopathology, morphometry, wear analysis, and experimental archaeology. It investigates early warfare and violence from the standpoint of four broad interdisciplinary themes: skeletal markers of violence and weapon training; conflict in prehistoric rock-art; the material culture of conflict; and intergroup violence in archaeological discourse. The book has a wide-ranging chronological and geographic scope, from early Neolithic to late Iron Age and from Western Europe to East Asia. It includes world-renowned sites and artefact collections such as the Tollense Valley Bronze Age battlefield (Germany), the UNESCO World Heritage Site at Tanum (Sweden), and the British Museum collection of bronze weaponry from the late Shang period (China). Original case studies are presented in each section by a diverse international authorship. The study of warfare and violence in prehistoric and pre-literate societies has been at the forefront of archaeological debate since the publication of Keeley's provocative monograph 'War Before Civilization' (Oxford 1996). The problem has been approached from a number of standpoints including anthropological and behavioural studies of interpersonal violence, osteological examinations of sharp lesions and blunt-force traumas, wear analysis of ancient weaponry, and field experiments with replica weapons and armour. This research, however, is often confined within the boundaries of the various disciplines and specialist fields. In particular, a gap can often be detected between the research approaches grounded in the humanities and social sciences and those based on the archaeological sciences. The consequence is that, to this day, the subject is dominated by a number of undemonstrated assumptions regarding the nature of warfare, combat, and violence in non-literate societies. Moreover, important methodological questions remain unanswered: can we securely distinguish between violence-related and accidental trauma on skeletal remains? To what extent can wear analysis shed light on long-forgotten fighting styles? Can we design meaningful combat tests based on historic martial arts? And can the study of rock-art unlock the social realities of prehistoric warfare? By breaking the mould of entrenched subject boundaries, this edited volume promotes interdisciplinary debate in the study of prehistoric warfare and violence by presenting a number of innovative approaches that integrate qualitative and quantitative methods of research and analysis.

This book deals with the use of archaistic stylistic elements (i.e., those which revive or imitate features of Greek Archaic art) in free standing statuary dating from the second century B.C. to the third century A.C. The main objective of the study is to determine how the archaistic style was used, what prototypes were imitated, what subjects were represented, how the replicas of statue types were distributed, how these statues were displayed, and what prompted such stylistic anachronism.
The introductory chapter deals with general problems of archaism in ancient art and the specific questions pertaining to statuary in the round. The body of material, nearly three hundred pieces in all, is organized by type on the basis of pose and garment arrangement.
In a concluding chapter, evidence from the body of the study is collected and possible answers are suggested for the questions outlined above.
This study contributes to the currently widespread scholarly interest in stylistic revivals (especially classicism and archaism) which occurred not only in Roman times, but in earlier and later periods as well.

The ruined silhouette of the Parthenon on its hill above Athens is one of the world's most famous images. Its 'looted' Elgin Marbles are a global cause celebre. But what actually are they? In a revised and updated edition, Mary Beard, award winning writer, reviewer and leading Cambridge classicist, tells the history and explains the significance of the Parthenon, the temple of the virgin goddess Athena, the divine patroness of ancient Athens.

Wessex -- the ancient counties of Dorset, Somerset, Wiltshire, Hampshire and Berkshire -- is remarkable for its economic and social cohesion as a region, and for the extraordinary wealth of its ancient remains. In this authoritative survey, Barry Cunliffe sets the great monuments and famous sites in their full cultural context. His chief concern, however, is to interpret the landscape of the region, and the people who over so many centuries created it. In his hands it becomes an archaeological artefact as eloquent as Avebury and Stonehenge themselves.

Summer farms occur throughout the world where there are rich pastures that can only be utilised for part of the year, mainly because they are under snow and ice during the winter. In Europe transhumance is often a major event when the cattle and other livestock leave their home villages and move up into the mountains, and likewise on their return. The best known sites in Europe are perhaps those found in the Alpine areas, but they occur everywhere where there are suitable highland areas to exploit. Traditionally they have been the subject of the studies of ethnographers and anthropologists, especially in the second half of the 20th century when technological and economic changes led to the gradual abandonment of the farms and to other ways of exploiting the highlands. The last of these farmers are gradually disappearing and with them the oral records and memories. Now it is archaeologists who are leading the recording of this material and also looking at the history of such farming from prehistory and from the Bronze Age with the rise in importance of 'Secondary Products' such as cheese which could be stored for use over winter.Much of the evidence can only be gathered by surface survey and by excavation, though in some cases there are good written sources which have yet to be fully exploited. This volume provides case studies, as well as brief summaries of other projects in Europe, extending from the Black Sea in the east to northern Spain and Iceland in the west, though with a concentration on the Alpine area. One thing that emerges is the very varied nature of these sites in terms of their chronology, who went to the farms, the distances travelled, and the other activities associated with transhumance such as mining. In some cases the products were primarily for the subsistence of the agricultural population, but in other cases they were traded and could produce a large amount of profit. This is the first overview of these sites in Europe written from an archaeological point of view.

This book offers an anthropological analysis of how craft production changed in relation to the development of complex societies in northern China. It focuses on the production and use of food containers-pottery and bronze vessels-during the late prehistoric and early historic periods. A major theme is how production and use of prestige vessels changed in relation to increase in degree of social inequality. The research and writing of this book took place intermittently over a period of several years. When I first outlined the book in 1994, I planned to offer a more limited and descriptive account of social change during the late prehistoric period. In considering the human desire to display status with prestige goods, my initial approach emphasized how the case of northern China was similar to other areas of the world. I began to realize that in order to adequately explain how and why craft production changed in ancient China, it was crucial to consider the belief systems that motivated produc tion and use of food containers. Similarly, a striking characteristic of ancient China that I needed to include in the analysis was the preponderance of food containers, rather than other goods, that were buried with the deceased. I decided to investigate the social and ritual uses of food, bever ages, and containers during more than one period of Chinese history. Some strong patterns could have emerged during the late prehistoric period."

At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanted a number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities between photography as a medium to capture traces of the past as well as their absence.

This manual is designed to take the mysticism out of archaeological artifact conservation and act as both reference and guide. It is intended as a tool to assist archaeologists in stabilizing a majority of the artifacts they excavate, or those already in storage. These stabilized archaeological collections will be preserved into the future, permitting reexamination and multiple interpretations of the data as our knowledge base grows through time. In addition, conservation will permit improved in-depth primary artifact interpretation, as fully conserved artifacts reveal fabrication, wear patterns, and detail impossible to detect in non-conserved artifacts. Conservation, therefore, is a critical tool within archaeology, a tool that becomes less meaningful if it is isolated, or seen as merely a technical skill that can be farmed out to the "hard sciences." The Archaeologist's Manual for Conservation is intended as a counterpoint to the popular specialization trend. My goal in offering this manual is to put artifacts back in the hands of archaeologists or material culture specialists who can best decipher them, opening avenues of artifact or material culture interpretation that are disappearing as artifacts either decay in storage or are sent away to the "conservation professionals. - from the Introduction.

This book is the culmination of over 10 years of work and the merging, expansion, and improvement of 2 previous works: Conservator's Cookbook and Conservation of Water Soaked Materials Bibliography. Each chapter covers a particular substance: wood, iron, copper, glass, ceramic, organic artifacts, textiles, and leather, composite artifacts.

Chapters begin with a visual flowchart, walking the archaeologist through a step-by-step stabilization process, backed in the text by theoretical discussion and description. Practical methodology follows theory in each chapter giving the archaeologist a more detailed description of preserving material remains. Chapters are backed and serviced by the most comprehensive bibliographic reference available today.

The Archaeologist's Manual for Conservation was developed through extensive documentary research, laboratory trial and error, and the feedback of both underwater and terrestrial archaeologists. It will become an indispensable reference for all archaeologists, laboratory technicians, archaeology students, curators, and conservators concerned with simple, proven, non-toxic, artifact conservation procedures.