Written by an international cast of experts, The Materiality of Text showcases a wide range of innovative methodologies from ancient history, literary studies, epigraphy, and art history and provides a multi-disciplinary perspective on the physicality of writing in antiquity. The contributions focus on epigraphic texts in order to gauge questions of their placement, presence, and perception: starting with an analysis of the forms of writing and its perception as an act of physical and cultural intervention, the volume moves on to consider the texts' ubiquity and strategic positioning within epigraphic, literary, and architectural spaces. The contributors rethink modern assumptions about the processes of writing and reading and establish novel ways of thinking about the physical forms of ancient texts.

In this book, Alexander Parmington combines an examination of space, access control and sculptural themes and placement, to propose how images and texts controlled movement in Classic Maya cities. Using Palenque as a case study, this book analyzes specific building groups and sculptures to provide insight into the hierarchical distribution and use of ritual and administrative space in temple and palace architecture. Identifying which spaces were the more accessible and therefore more public, and which spaces were more segregated and consequently more private, Dr. Parmington demonstrates how sculptural, iconographic, and hieroglyphic content varies considerably when found in public/common or private/elite space. Drawing on specific examples from the Classic Maya and other early civilizations, he demonstrates that by examining the intent in the distribution of architecture and art, the variation and function of the artistic themes represented in sculpture and other monumental works of art can be better understood.

Syria's Monuments: their Survival and Destruction examines the fate of the various monuments in Syria (including present-day Lebanon, Jordan and Palestine/Israel) from Late Antiquity to the fall of the Ottoman Empire in the early 20th century. It examines travellers' accounts, mainly from the 17th to 19th centuries, which describe religious buildings and housing in numbers and quality unknown elsewhere. The book charts the reasons why monuments lived or died, varying from earthquakes and desertification to neglect and re-use, and sets the political and social context for the Empire's transformation toward a modern state, provoked by Western trade and example. An epilogue assesses the impact of the recent civil war on the state of the monuments, and strategies for their resurrection, with plentiful references and web links.

This illustrated book continues themes in Central European cultural history treated elsewhere with the intention of presenting an interdisciplinary study of early medieval socio-cultural developments.
A continuation of the preceding books, this volume examines the archeological evidence of the groups who settled Central Europe. It aims to amplify the information recorded during the late Roman Empire about societies, social dynamics and ethnological contexts by examining their material culture. The language of significant objects complements the literature of significant texts.
The three parts of the book inform of the historical and archeological evidence; elaborate the socio-cultural conclusions provided by archeology; examine the system of values as reflected in the forms of artistic expression. The study of objects helps clarify the contours of the Germanic populations of pre-Carolingian Central Europe.

Bringing together leading academics and practitioners from across the globe, this unique collection explores the emerging field of heritage crime studies. Moving beyond the traditional focus on illicit antiquities, the volume identifies the diversity of crimes that affect heritage and outlines various approaches to prevention.

Archaeological research has long focused on studying tangible artifacts to build a picture of the cultures it examines. Equally important to understanding a culture, however, are the intangible elements that become part of its heritage. In 2003, UNESCO adopted a convention specifically to protect intangible heritage, including the following: oral traditions and expressions, including language; performing arts (such as traditional music, dance, and theater); social practices, rituals, and festive events; knowledge and practices concerning nature and the universe; and traditional craftsmanship.

Since this convention was adopted, scholars and preservationists have struggled with how to best approach intangible heritage. This volume specifically focuses on embodied intangible heritage, or the human body as a vehicle for memory, movement, and sound. The contributors to this work examine ritual and artistic movement, theater, music, oral literature, as well as the role of the internet in cultural transmission. Globalization and particularly the internet, has a complex effect on the transmission of intangible heritage: while music, dance, and other expressions are now shared easily, the performances often lack context and may be shared with a group that does not fully understand what they are seeing or hearing.

This volume draws on case studies from around the world to examine the problems and possibilities of implementing the new UNESCO convention. The findings in this volume will be vital to both professionals and academics in anthropology, archaeology, history, museum studies, architecture, and anyone else who deals with issues of cultural heritage and preservation.

In the 12th Dynasty (ca. 1985-1773 BC) the Egyptian state sent a number of seafaring expeditions to the land of Punt, located somewhere in the southern Red Sea region, in order to bypass control of the upper Nile by the Kerma kingdom. Excavations at Mersa/Wadi Gawasis on the Red Sea coast of Egypt from 2001 to 2011 have uncovered evidence of the ancient harbor (Saww) used for these expeditions, including parts of ancient ships, expedition equipment and food - all transported ca. 150 km across the desert from Qift in Upper Egypt to the harbor. This book summarizes the results of these excavations for the organization of these logistically complex expeditions, and evidence at the harbor for the location of Punt. "[There] is no shortage of analysis relating to the Punt expeditions, much of which is likely to become the new 'standard' account of these voyages and of the huge logistical and ideological undertaking they represented. The volume will therefore be of immense value to scholars and students of ancient Egypt, and of ancient seafaring more generally." - Julian Whitewright, University of Southampton, in: The International Journal of Nautical Archaeology 48.2 (2019)

Why did the Greeks excel in geometry, but lag begin the Mesopotamians in arithmetic? How were the great pyramids of Egypt and the Han tombs in China constructed? What did the complex system of canals and dykes in the Tigris and Euphrates river valley have to do with the deforestation of Lebanon's famed cedar forests? This work presents a cross-cultural comparison of the ways in which the ancients learned about and preserved their knowledge of the natural world, and the ways in which they developed technologies that enabled them to adapt to and shape their surroundings. Covering the major ancient civilizations - those of Mesopotamia, Egypt, China, Greece, the Indus Valley, and Meso-America - Olson explores how language and numbering systems influenced the social structure, how seemingly beneficial construction projects affected a civilization's rise or decline, how religion and magic shaped both medicine and agriculture, and how trade and the resulting cultural interactions transformed the making of both everyday household items and items intended as art. Along the way, Olson delves into how scientific knowledge and its technological applications changed the daily lives of the ancients.

Writing is not the only notation system used in literate societies. Some visual communication systems are very similar to writing, but work differently. Identity marks are typical examples of such systems, and this book presents a particularly well-documented marking system used in Pharaonic Egypt as an exemplary case. From Single Sign to Pseudo-Script is the first book to fully discuss the nature and development of an ancient marking system, its historical background, and the fascinating story of its decipherment. Chapters on similar systems in other cultures and on semiotic theory help to distinguish between unique and universal features. Written by Egyptologist Ben Haring, the book addresses scholars interested in marking systems, writing, literacy, and the semiotics of visual communication. "With this publication, the author exemplified how a close familiarity with a subject enables research in areas of Egyptian society that had not been touched until now and how the resulting insight is presented properly." - Eva-Maria Engel, Humboldt-Universitat zu Berlin, in: Bibliotheca Orientalis 76.1-2 (2019) "This work should certainly become a guidebook to scholars wishing to publish ostraca of this sort, who have in the past shied away from the complex task due to the enigmatic nature of the materials. The time has arrived for this study of this hitherto neglected facet of Egyptian writing, to find its fitting place in the history of literacy and script in Ancient Egypt, as well as in the history of workmen's signs in general." - Orly Goldwasser, The Hebrew University of Jerusalem, in: Journal of Near Eastern Studies (2019, 78/2) "The technical data and Egyptological scholarship of the book are deliberately made very accessible to be of assistance in the understanding of identity marks in other periods and cultures. This is a remarkable work of social history." - George J. Brooke, in: Journal for the Study of the Old Testament 43.5 (2019)

This challenging volume offers a timely and extensive overview of the current state of archaeology in Israel. Contributed by leading scholars, the essays focus on current problems and cutting-edge issues, ranging from reviews of ongoing excavations to new analytical approaches. Of interest not only to archaeologists, but to social historians as well, the topics include archaeology and social history, archaeology and ethnicity, as well as the overarching issue of how texts and archaeological knowledge are to be combined in the reconstruction of ancient Israel.

As the most important ancient cultural relics in prehistory, rock art have become a direct basis for the reproduction of human history and ideological process. Since the late 1970s, Yinshan rock art have been found in large quantities. In this study, 2842 Yinshan rock art are collected, sorted and classified systematically. The distribution characteristics of rock art in each area and the distribution and change rules of main rock art types are summarized. This book also places Yinshan rock art into the overall framework of Chinese rock art for analysis in order to provide a more comprehensive understanding of the overall characteristics and status of Yinshan rock art, and showcases researches on the chronology are.

Golden Mummies of Egypt presents new insights and a rich perspective on beliefs about the afterlife during an era when Egypt was part of the Greek and Roman worlds (c. 300 BCE-200 CE). This beautifully illustrated book, featuring photography by Julia Thorne, accompanies Manchester Museum's first-ever international touring exhibition. Golden Mummies of Egypt is a visually spectacular exhibition that offers visitors unparalleled access to the museum's outstanding collection of Egyptian and Sudanese objects - one of the largest in the UK. -- .

It is perhaps a truism to note that ancient religion and rhetoric were closely intertwined in Greek and Roman antiquity. Religion is embedded in socio-political, legal and cultural institutions and structures, while also being influenced, or even determined, by them. Rhetoric is used to address the divine, to invoke the gods, to talk about the sacred, to express piety and to articulate, refer to, recite or explain the meaning of hymns, oaths, prayers, oracles and other religious matters and processes. The 13 contributions to this volume explore themes and topics that most succinctly describe the firm interrelation between religion and rhetoric mostly in, but not exclusively focused on, Greek and Roman antiquity, offering new, interdisciplinary insights into a great variety of aspects, from identity construction and performance to legal/political practices and a broad analytical approach to transcultural ritualistic customs. The volume also offers perceptive insights into oriental (i.e. Egyptian magic) texts and Christian literature.

A detailed and riveting account of the U.S. Navy's greatest mutiny and its wide-ranging cultural and historical impact The greatest controversy in the history of the U.S. Navy of the early American Republic was the revelation that the son of the Secretary of War had seemingly plotted a bloody mutiny that would have turned the U.S. brig Somers into a pirate ship. The plot discovered, he and his co-conspirators were hastily condemned and hanged at sea. The repercussions of those acts brought headlines, scandal, a fistfight at a cabinet meeting, a court martial, ruined lives, lost reputations, and tales of a haunted ship "bound for the devil" and lost tragically at sea with many of its crew. The "Somers affair" led to the founding of the U.S. Naval Academy and it remains the Navy's only acknowledged mutiny in its history. The story also inspired Herman Melville's White-Jacket and Billy Budd. Others connected to the Somers included Commodore Perry, a relation and defender of the Somers' captain Mackenzie; James Fenimore Cooper, whose feud with the captain, dating back to the War of 1812, resurfaced in his reportage of the affair; and Raphael Semmes, the Somers' last caption who later served in the Confederate Navy. The Curse of the Somers is a thorough recreation of this classic tale, told with the help of recently uncovered evidence. Written by a maritime historian and archaeologist who helped identify the long-lost wreck and subsequently studied its sunken remains, this is a timeless tale of life and death at sea. James P. Delgado re-examines the circumstances, drawing from a rich historical record and from the investigation of the ship's sunken remains. What surfaces is an all-too-human tale that resonates and chills across the centuries.

Critical approaches to public archaeology have been in use since the 1980s, however only recently have archaeologists begun using critical theory in conjunction with public archaeology to challenge dominant narratives of the past. This volume brings together current work on the theory and practice of critical public archaeology from Europe and the United States to illustrate the ways that implementing critical approaches can introduce new understandings of the past and reveal new insights on the present. Contributors to this volume explore public perceptions of museum interpretations as well as public archaeology projects related to changing perceptions of immigration, the working classes, and race.

All divisions of history into periods are artificial in proportion as they are precise. In history there is, strictly speaking, no end and no beginning. Each event is the product of an infinite series of causes, the starting-point of an infinite series of effects. Language and thought, government and manners, transform themselves by imperceptible degrees; with the result that every age is an age of transition, not fully intelligible unless regarded as the child of a past and the parent of a future. Even so the species of the animal and vegetable kingdoms shade off one into another until, if we only observe the marginal cases, we are inclined to doubt whether the species is more than a figment of the mind. Yet the biologist is prepared to defend the idea of species; and in like manner the historian holds that the distinction between one phase of culture and another is real enough to justify, and, indeed, to demand, the use of distingui-shing names.