Trends and Turning Points presents sixteen articles, examining the discursive construction of the late antique and Byzantine world, focusing specifically on the utilisation of trends and turning points to make stuff from the past, whether texts, matter, or action, meaningful. Contributions are divided into four complementary strands, Scholarly Constructions, Literary Trends, Constructing Politics, and Turning Points in Religious Landscapes. Each strand cuts across traditional disciplinary boundaries and periodisation, placing historical, archaeological, literary, and architectural concerns in discourse, whilst drawing on examples from the full range of the medieval Roman past. While its individual articles offer numerous important insights, together the volume collectively rethinks fundamental assumptions about how late antique and Byzantine studies has and continues to be discursively constructed. Contributors are: David Barritt, Laura Borghetti, Nikolas Churik, Elif Demirtiken, Alasdair C. Grant, Stephen Humphreys, Mirela Ivanova, Hugh Jeffery, Valeria Flavia Lovato, Francesco Lovino, Kosuke Nakada, Jonas Nilsson, Theresia Raum, Maria Rukavichnikova, and Milan Vukasinovic.

A general introduction to archeogaming describing the intersection of archaeology and video games and applying archaeological method and theory into understanding game-spaces. "[T]he author's clarity of style makes it accessible to all readers, with or without an archaeological background. Moreover, his personal anecdotes and gameplay experiences with different game titles, from which his ideas often develop, make it very enjoyable reading."-Antiquity Video games exemplify contemporary material objects, resources, and spaces that people use to define their culture. Video games also serve as archaeological sites in the traditional sense as a place, in which evidence of past activity is preserved and has been, or may be, investigated using the discipline of archaeology, and which represents a part of the archaeological record. From the introduction: Archaeogaming, broadly defined, is the archaeology both in and of digital games... As will be described in the following chapters, digital games are archaeological sites, landscapes, and artifacts, and the game-spaces held within those media can also be understood archaeologically as digital built environments containing their own material culture... Archaeogaming does not limit its study to those video games that are set in the past or that are treated as "historical games," nor does it focus solely on the exploration and analysis of ruins or of other built environments that appear in the world of the game. Any video game-from Pac-Man to Super Meat Boy-can be studied archaeologically.

This book proposes a new model and scheme of analysis for complex burial material and applies it to the prehistoric archaeological record of the Liangshan region in Southwest China that other archaeologists have commonly given a wide berth, regarding it as too patchy, too inhomogeneous, and overall too unwieldy to work with. The model treats burials as composite objects, considering the various elements separately in their respective life histories. The application of this approach to the rich and diverse archaeological record of the Liangshan region serves as a test of this new form of analysis. This volume thus pursues two main aims: to advance the understanding of the archaeology of the immediate study area which has been little examined, and to present and test a new scheme of analysis that can be applied to other bodies of material.

Relying heavily on primary literary sources and archaeological scholarship, this study sheds new light on the development of towns in early England from late Roman to late Anglo-Saxon times. After a discussion of the problems of urban definition and typology, Russo examines the background of Romano-British urbanism in its prime and in its late Roman transformations. He demonstrates that late Roman towns were virtually abandoned before the Anglo-Saxon invasions. The emporia--new types of Anglo-Saxon towns--are analyzed on the basis of written and archaeological evidence and are compared with continental emporia. Finally, the origin and growth of the Anglo-Saxon burgh is considered from its eighth-century Mercian beginnings to the better known cases of King Alfred and his successors.

A timely and up-to-date account of religion in Roman Britain. Two thousand years ago, the Romans sought to absorb into their Empire what they regarded as a remote, almost mythical island on the very edge of the known world – Britain. The expeditions of Julius Caesar and the Claudian invasion of AD 43, and the continuing Roman presence up to the 5th century AD, brought fundamental and lasting changes to the island. Not least among these was the introduction of a new pantheon of Classical deities and religious systems, along with a clutch of exotic Eastern cults including Christianity. But what of Britannia and her own home-grown deities? What cults and cosmologies did the Romans encounter, and how did they react to them? Under Roman rule, the old gods and their adherents were challenged, adopted, adapted, absorbed and reconfigured. In Britain no inscriptions predate the Roman period, apart from brief coin-legends, and the divine imagery that adorned temples in the Roman world was largely lacking. But with the Romans, religion becomes much more visible. In this fresh and innovative new account Miranda Aldhouse-Green balances literary, archaeological and iconographic evidence (and scrutinizes their shortcomings) to illuminate the complexity of religion and belief in Roman Britain, and the two-way traffic of cultural exchange and interplay between imported and indigenous cults. Despite the remoteness of this period, on the cusp between prehistory and history, many of the forces, tensions, ideologies and issues of identity at work are still relevant today, as Sacred Britannia skilfully reveals.

The form and function of the 'synagogue' in the first century CE has been the focus of a great deal of recent scholarly discussion. A previous generation of scholars would have perceived a reference to a synagogue in a New Testament text as a monolithic institution with clearly defined functions principally involving worship. More recent scholarship has questioned many of these assumptions, pointing out that in the first century CE 'synagogue' should be understood as a reference to a gathering and not a building. Similarly, it is noted that many of the reconstructions of what happened in a 'synagogue' are built on evidence that dates to a period much later than the first century.The purpose of this work is to engage with primary material, both literary and archaeological, in order to assess the positions of current scholarship in the debate. It addresses the literary and archaeological evidence; the range of sacred activities that could have taken place within a first-century synagogue; and finally, the presentation of the 'synagogue' in Luke-Acts by means of case studies, to draw conclusions not only useful to NT studies in general, but also historical Jesus studies.This was formerly the Journal for the Study of the New Testament Supplement, a book series that explores the many aspects of New Testament study including historical perspectives, social-scientific and literary theory, and theological, cultural and contextual approaches. The Early Christianity in Context series, a part of JSNTS, examines the birth and development of early Christianity up to the end of the third century CE. The series places Christianity in its social, cultural, political and economic context. European Seminar on Christian Origins is also part of JSNTS. Journal for the Study of the Historical Jesus Supplement is also part of JSNTS.

What are stone circles? When were they built, and why? How come so many of them egg-shaped, or geometrically flattened? What do they have to do with the landscape, Sun, Moon and stars? In this beautifully illustrated book, megalithomaniac Hugh Newman takes us on a fascinating journey around the world, examining these mysterious monuments of the megalithic culture from Wessex to Scotland, France to Poland, North America to Africa and India to Japan. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

This book examines how computer-based programs can be used to acquire 'big' digital cultural heritage data, curate, and disseminate it over the Internet and in 3D visualization platforms with the ultimate goal of creating long-lasting "digital heritage repositories.' The organization of the book reflects the essence of new technologies applied to cultural heritage and archaeology. Each of these stages bring their own challenges and considerations that need to be dealt with. The authors in each section present case studies and overviews of how each of these aspects might be dealt with. While technology is rapidly changing, the principles laid out in these chapters should serve as a guide for many years to come. The influence of the digital world on archaeology and cultural heritage will continue to shape these disciplines as advances in these technologies facilitate new lines of research. serif">The book is divided into three sections covering acquisition, curation, and dissemination (the major life cycles of cultural heritage data). Acquisition is one of the fundamental challenges for practitioners in heritage and archaeology, and the chapters in this section provide a template that highlights the principles for present and future work that will provide sustainable models for digital documentation. Following acquisition, the next section highlights how equally important curation is as the future of digital documentation depends on it. Preservation of digital data requires preservation that can guarantee a future for generations to come. The final section focuses on dissemination as it is what pushes the data beyond the shelves of storage and allows the public to experience the past through these new technologies, but also opens new lines of investigation by giving access to these data to researchers around the globe. Digital technology promises significant changes in how we approach social sciences, cultural heritage, and archaeology. However, researchers must consider not only the acquisition and curation, but also the dissemination of these data to their colleagues and the public. Throughout the book, many of the authors have highlighted the usefulness of Structure from Motion (SfM) work for cultural heritage documentation; others the utility and excitement of crowdsourcing as a 'citizen scientist' tool to engage not only trained students and researchers, but also the public in the cyber-archaeology endeavor. Both innovative tools facilitate the curation of digital cultural heritage and its dissemination. Together with all the chapters in this volume, the authors will help archaeologists, researchers interested in the digital humanities and scholars who focus on digital cultural heritage to assess where the field is and where it is going.

Historical and Archaeological Aspects of Egyptian Funerary Culture, a thoroughly reworked translation of Les textes des sarcophages et la democratie published in 2008, challenges the widespread idea that the "royal" Pyramid Texts of the Old Kingdom after a process of "democratisation" became, in the Middle Kingdom, accessible even to the average Egyptian in the form of the Coffin Texts. Rather they remained an element of elite funerary culture, and particularly so in the Upper Egyptian nomes. The author traces the emergence here of the so-called "nomarchs" and their survival in the Middle Kingdom. The site of Dayr al-Barsha, currently under excavation, shows how nomarch cemeteries could even develop into large-scale processional landscapes intended for the cult of the local ruler. This book also provides an updated list of the hundreds of (mostly unpublished) Middle Kingdom coffins and proposes a new reference system for these.

The book covers Egyptian history from the Predynastic to the late Roman Period. It also introduces early contemporary literary references to ancient Egypt and uses a number of theoretical approaches to interrogate the archaeological and textual data.

Tools of data comparison and analysis are critical in the field of archaeology, and the integration of technological advancements such as geographic information systems, intelligent systems, and virtual reality reconstructions with the teaching of archaeology is crucial to the effective utilization of resources in the field. ""E-Learning Methodologies and Computer Applications in Archaeology"" presents innovative instructional approaches for archaeological e-learning based on networked technologies, providing researchers, scholars, and professionals a comprehensive global perspective on the resources, development, application, and implications of information communication technology in multimedia-based educational products and services in archaeology.

In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881-1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O'Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.

The open access publication of this book has been published with the support of the Swiss National Science Foundation. In Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries), Argyri Dermitzaki reconstructs the devotional experiences within the Greek realm of the Venetian Stato da Mar of Western European pilgrims sailing to Jerusalem. The author traces the evolution of the various forms of cultic sites and the perception of them as nodes of a wider network of the pilgrims' 'holy topography'. She scrutinises travelogues in conjunction with archaeological, visual and historical evidence and offers a study of the cultic phenomena and sites invested with exceptional meaning at the main ports of call of the pilgrims' galleys in the Ionian Sea, the Peloponnese and Crete.