Ibn Babawayh - also known as al-Shaykh al-Saduq - was a prominent Twelver Shi'i scholar of hadith. Writing within the first century after the vanishing of the twelfth imam, al-Saduq represents a pivotal moment in Twelver hadith literature, as this Shi'i community adjusted to a world without a visible imam and guide, a world wherein the imams could only be accessed through the text of their remembered words and deeds. George Warner's study of al-Saduq's work examines the formation of Shi'i hadith literature in light of these unique dynamics, as well as giving a portrait of an important but little-studied early Twelver thinker. Though almost all of al-Saduq's writings are collections of hadith, Warner's approach pays careful attention to how these texts are selected and presented to explore what they can reveal about their compiler, offering insight into al-Saduq's ideas and suggesting new possibilities for the wider study of hadith.

The Franklin Book Programs (FBP) was a private not-for-profit U.S. organization founded in 1952 during the Cold War and was subsidized by the United States' government agencies as well as private corporations. The FBP was initially intended to promote U.S. liberal values, combat Soviet influence and to create appropriate markets for U.S. books in 'Third World' of which the Middle East was an important part, but evolved into an international educational program publishing university textbooks, schoolbooks, and supplementary readings. In Iran, working closely with the Pahlavi regime, its activities included the development of printing, publishing, book distribution, and bookselling institutions. This book uses archival sources from the FBP, US intelligence agencies and in Iran, to piece together this relationship. Put in the context of wider cultural diplomacy projects operated by the US, it reveals the extent to which the programme shaped Iran's educational system. Together the history of the FBP, its complex network of state and private sector, the role of U.S. librarians, publishers, and academics, and the joint projects the FBP organized in several countries with the help of national ministries of education, financed by U.S. Department of State and U.S. foundations, sheds new light on the long history of education in imperialist social orders, in the context here of the ongoing struggle for influence in the Cold War.

French rule over Syria and Lebanon was premised on a vision of a special French protectorate established through centuries of cultural activity: archaeological, educational and charitable. Initial French methods of organising and supervising cultural activity sought to embrace this vision and to implement it in the exploitation of antiquities, the management and promotion of cultural heritage, the organisation of education and the control of public opinion among the literate classes. However, an examination of the first five years of the League of Nations-assigned mandate, 1920-1925, reveals that French expectations of a protectorate were quickly dashed by widespread resistance to their cultural policies, not simply among Arabists but also among minority groups initially expected to be loyal to the French. The violence of imposing the mandate 'de facto', starting with a landing of French troops in the Lebanese and Syrian coast in 1919 - and followed by extension to the Syrian interior in 1920 - was met by consistent violent revolt. Examining the role of cultural institutions reveals less violent yet similarly consistent contestation of the French mandate. The political discourses emerging after World War I fostered expectations of European tutelages that prepared local peoples for autonomy and independence. Yet, even among the most Francophile of stakeholders, the unfolding of the first years of French rule brought forth entirely different events and methods. In this book, Idir Ouahes provides an in-depth analysis of the shifts in discourses, attitudes and activities unfolding in French and locally-organised institutions such as schools, museums and newspapers, revealing how local resistance put pressure on cultural activity in the early years of the French mandate.

The Kurds are one of the largest stateless nations in the world, numbering more than 20 million people. Their homeland lies mostly within the present-day borders of Turkey, Iraq and Iran as well as parts of Syria, Armenia and Azerbaijan. Yet until recently the 'Kurdish question' - that is, the question of Kurdish self-determination - seemed, to many observers, dormant. It was only after the so-called Arab Spring, and with the rise of the Islamic State, that they emerged at the centre of Middle East politics. But what is the future of the Kurdish national movement? How do the Kurds themselves understand their community and quest for political representation? This book analyses the major problems, challenges and opportunities currently facing the Kurds. Of particular significance, this book shows, is the new Kurdish society that is evolving in the context of a transforming Middle East. This is made of diverse communities from across the region who represent very different historical, linguistic, political, social and cultural backgrounds that are yet to be understood. This book examines the recent shifts and changes within Kurdish societies and their host countries, and argues that the Kurdish national movement requires institutional and constitutional recognition of pluralism and diversity. Featuring contributions from world-leading experts on Kurdish politics, this timely book combines empirical case studies with cutting-edge theory to shed new light on the Kurds of the 21st century.

""Is there jazz in China?"" This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980s with the start of China's opening to the world under Premier Deng Xiaoping. Covering a span of almost one hundred years, Marlow focuses on a variety of subjects--the musicians who initiated jazz performances in China, the means by which jazz was incorporated into Chinese culture, and the musicians and venues that now present jazz performances. Featuring unique, face-to-face interviews with leading indigenous jazz musicians in Beijing and Shanghai, plus interviews with club owners, promoters, expatriates, and even diplomats, Marlow marks the evolution of jazz in China as it parallels China's social, economic, and political evolution through the twentieth and into the twenty-first century. Also featured is an interview with one of the extant members of the Jimmy King Big Band of the 1940s, one of the first major all-Chinese jazz big bands in Shanghai. Ultimately, Jazz in China: From Dance Hall Music to Individual Freedom of Expression is a cultural history that reveals the inexorable evolution of a democratic form of music in a Communist state.