A Battle for Neutral Europe describes and analyses the forgotten story of the British government's cultural propaganda organization, the British Council, in its campaign to win the hearts and minds of people in neutral Europe during the Second World War. The book draws on a range of previously unused material from archives from across Europe and private memoirs to provide a unique insight into the work of the leading British artists, scientists, musicians and other cultural figures who travelled to Spain, Portugal, Sweden and Turkey at great personal risk to promote British life and thought in a time of war. Edward Corse shows how the British Council played a subtle but crucial role in Britain's war effort and draws together the lessons of the British Council experience to produce a new model of cultural propaganda.

The poetry of the Great War is among the most powerful ever written in the English language. Unique for its immediacy and searing honesty, it has made a fundamental contribution to our understanding of and response to war and the suffering it creates. Widely acclaimed as an indispensable guide to the Great War poets and their work, Out of Battle explores in depth the variety of responses from Rupert Brook, Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, Issac Rosenberg and Edward Thomas to the events they witnessed. Other poets discussed are Hardy, Kipling, Charles Sorely, Ivor Gurney, Herbert Read, Richard Aldington and David Jones. For the second edition of Out of Battle , a substantial new preface has been added together with an appendix on the unresolved problems concerning the Owen manuscripts. An updated bibliography provides useful guidance for further reading.

Chester Nimitz was an admiral's Admiral, considered by many to be the greatest naval leader of the last century. After the attack on Pearl Harbor, Nimitz assembled the forces, selected the leaders, and - as commander of all U.S. and Allied air, land, and sea forces in the Pacific Ocean - led the charge one island at a time, one battle at a time, toward victory. A brilliant strategist, he astounded contemporaries by achieving military victories against fantastic odds, outpacing more flamboyant luminaries like General Douglas MacArthur and Admiral "Bull" Halsey. And he was there to accept, on behalf of the United States, the surrender of the Japanese aboard the battleship USS Missouri in August 1945. In this first biography in over three decades, Brayton Harris uses long-overlooked files and recently declassified documents to bring to life one of America's greatest wartime heroes.

Master historian Edwin P. Hoyt depicts with graphic and gripping detail the conflict between revolutionary Texas and the Mexican government determined to rule. In the first paperback edition of a highly acclaimed history, Hoyt describes the well-known historical facts of the revolution, the pivotal siege of the Alamo, and the decisive aftermath, and fills them with new life. By merging a multitude of authoritative accounts of this turbulent period and the bloody clashes that shaped it, Hoyt paints a dynamic portrait of Texas rebels and Mexican authorities locked in a struggle over the fate of an untamed land. Fully illustrated with more than 120 black and white and full color images, The Alamo reveals the entire spectrum of Texas's determined bid for independence. Read of the triumph, passion, and tragedy of the valiant yet doomed defenders of the old Spanish mission.

A young officer in dingy Confederate gray rode slowly on a powerful bay horse through a forest of oak. It was a noble woodland, clear of undergrowth, the fine trees standing in rows, like those of a park. They were bare of leaves but the winter had been mild so far, and a carpet of short grass, yet green, covered the ground. To the rider's right flowed a small river of clear water, one of the beautiful streams of the great Virginia valleys. Harry Kenton threw his head back a little and drew deep breaths of the cool, crisp air. The light wind had the touch of life in it. As the cool puffs blew upon him and filled his lungs his chest expanded and his strong pulses beat more strongly. But a boy in years, he had already done a man's work, and he had been through those deeps of passion and despair which war alone brings.

Italy and the Cultural Politics of World War I dialogues with the variety of texts recently published to commemorate the Great War. It explores Italian socialist pacifism, the role of women during the conflict and a dominant cultural movement, Futurism, whose leader, Filippo Tommaso Marinetti, glorified war and enlisted in the fight. Other soldiers created documents about the war that differ from the heroic and virile endeavor that Marinetti placed at the center of his works on war. Italy and the Cultural Politics of World War I pays attention to the representations of the soldiers through an analysis of their letters, dominated by descriptions of the terrible hunger they suffered. In contrast, popular film absorbed the cultural lessons in Marinetti's writings and represented soldiers as modernist heroes in comedies and dramas. However, film did not shy away from representing cowards who could only be baffoons and fools in propaganda films. In another medium, the concern was to publish texts that would serve the fighting soldier and inform readers about ideological and historical motivations for the conflict. The publishing industry supported national propaganda efforts. Only socialism could endanger anti-war publication, but after its initial opposition to the conflict, socialists occupied a neutral position. Italian socialism still remained the only European socialist party that did not renege its pacifism in order to embrace nationalism and the war, but it was also not in favor of actions that would sabotage in the Italian war industry. ltalian socialism is only one feature of Italian culture that was dramatically changed during the war. WWI impacted every aspect of Italian and of European cultures. For instance, as an essay in Italy and the Cultural Politics of World War I explores, the war industry needed workers. The solution was to bring Chinese men France to contribute in the war effort. After the war, they moved to other countries and in Milan, Italy, they founded one of the oldest Chinatowns in Europe, dramatically changing the human landscape of Italy as they later moved to other Italian cities. Italy and the Cultural Politics of World War I supplies essential research articles to the construction of an inclusive portrayal of WWI and Italian culture by deepening our understanding of the transformative role it played in 20th century Italy and Europe.

The Gallipoli expedition was the bold and audacious plan of Winston Churchill, amongst others, to force the Dardanelles narrows, by sea and by land, to capture Constantinople from the Turks and to open the Black Sea to ships taking supplies and arms for the Russians on their immense German front. The campaign failed with catastrophic loss of life on all sides, but again and again, unbeknown to the Allies, they came close to achieving a goal that might have led to victory overall. This book, first published in 1956, is still regarded as the best and definitive account of the campaign. It won the Sunday Times Best Book of the Year Award as well as the inaugural Duff Cooper prize when the winner could choose who would present the award. Appropriately enough, Moorehead chose Churchill to make the presentation because the book demonstrated that the faults were not in the conception of the plan. Indeed, long after Churchill had resigned in disgrace, a new fleet was being assembled to again attempt to force the Dardanelles in 1919, which was cancelled when the war ceased and the Armistice was signed. Seen in the new light that Moorehead revealed, the Gallipoli campaign was no longer regarded as a blunder or a reckless gamble; it was the most imaginative conception of the war, and its potentialities were almost beyond reckoning. Certainly in its strictly military aspect its influence was enormous. It was the greatest amphibious operation which mankind had known up till then, and it took place in circumstances in which nearly everything was experimental: in the use of submarines and aircraft, in the trial of modern naval guns against artillery on the shore, in the manoeuvre of landing armies in small boats on a hostile coast, in the use of radio, or the aerial bomb, the landmine, and many other novel devices. These things lead on through Dunkirk and the Mediterranean landings to the invasion of Normandy in the Second World War. In 1940 there was very little the Allied commanders could learn from the long struggle against the Kaiser's armies in the trenches in France. But Gallipoli was a mine of information about the complexities of the modern war of manoeuvre, of the combined operation by land and sea and sky; and the correction of the errors made then was the basis of the victory of 1945. "the story of one of the great military tragedies of the twentieth century, which no writer has described better than Alan Moorehead." Sir Max Hastings.

World War I utterly transformed the lives of Jews around the world: it allowed them to display their patriotism, to dispel antisemitic myths about Jewish cowardice, and to fight for Jewish rights. Yet Jews also suffered as refugees and deportees, at times catastrophically. And in the aftermath of the war, the replacement of the Habsburg Monarchy and the Russian and Ottoman Empires with a system of nation-states confronted Jews with a new set of challenges. This book provides a fascinating survey of the ways in which Jewish communities participated in and were changed by the Great War, focusing on the dramatic circumstances they faced in Europe, North America, and the Middle East during and after the conflict.

After years of being apart, cousins Carolyn and Patty are eager to catch up with each other at a relative's wedding. They bring the letters they exchanged during World War II--when they were children--as a way to reminisce.

As the women read through the letters, they are transported back to the American home front. When they begin writing letters, Carolyn has just moved from Nebraska to Oregon, and the two girls desperately miss each other. But their communication is soon overshadowed by the events of December 7, 1941, when Pearl Harbor is bombed.

The tone of the letters changes as the girls grow preoccupied with the war. Patty tells Carolyn about how their Japanese American friends move to Canada to avoid being put into camps, while Carolyn expresses her relief that her father cannot enlist in the navy due to a blind eye.

Whether they write about gas rationing and blackout regulations or saving money to buy war stamps, Carolyn and Patty reveal the war's impact on their lives. But as the two discuss the contents of the letters at their reunion, they realize just how much the war years shaped who they are as adults.

Artfully switching between the past and the present, Letters from the Home Front is a charming novel of America during World War II.

The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.

Thanks for the Memories destroys the historical myth that young men and women went about the business of war and stayed on the straight and narrow path. Rather, World War II provided new opportunities for sexual experimentation, for hasty marriages, for flourishing prostitution-and for love connections that have stood the test of time. Young men in the military, far away from family and home, did things they might never have done. Young women, many of whom went to work for the first time, experienced a freedom and independence most women had never known. Because of the war, courtships were cut short, couples married more quickly than normal, and husbands and wives were often separated for several years. Despite attempts to get back to normal after the war and the apparent togetherness of the 1950s, World War II had set change in motion, heralding the second wave of the women's liberation movement. The collective consciousness of World War II revolved around the virtues of bravery, sacrifice, and commitment. Members of The Greatest Generation toed political and social lines in hopes of winning the war. They fell into lockstep, asking very few questions, and breaking few social and sexual mores. Or did they? In fact, World War II was-like all wars-a time of sexual experimentation and a general loosening of morals. It was a time of conflicting emotions and conflicting messages, a time of great sacrifice, and a time of discovery, when some groups, especially woman, experienced a relaxing of bonds that had kept them in check. Thanks For The Memories: Love, Sex, and World War II the true story of how the World War II generation responded to the passions of war, and how those passions changed their lives-and the relationships between the sexes-forever. But this book is more than that. As Jane Mersky Leder writes, Thanks for the Memories opens the hearts and memories of a generation that is dying, by one estimate, at the rate of more than 1,000 a day. It exposes the sexual and romantic escapades of The Greatest Generation and underscores how those four war years revolutionized relationships (including those between gays), and how it helped set the stage for the second wave of the women's liberation movement. Many who never thought their stories mattered, Leder writes, now feel the pull of limited time, and the importance of leaving an accurate account for their children and grandchildren of what it was like to be a young man or young woman during World War II. This is their collective story.

When on May 15, 1918 a French lieutenant warned Henry Johnson of the 369th to move back because of a possible enemy raid, Johnson reportedly replied: "I'm an American, and I never retreat." The story, even if apocryphal, captures the mythic status of the Harlem Rattlers, the African-American combat unit that grew out of the 15th New York National Guard, who were said to have never lost a man to capture or a foot of ground that had been taken. It also, in its insistence on American identity, points to a truth at the heart of this book--more than fighting to make the world safe for democracy, the black men of the 369th fought to convince America to live up to its democratic promise. It is this aspect of the storied regiment's history--its place within the larger movement of African Americans for full citizenship in the face of virulent racism--that "Harlem's Rattlers and the Great War" brings to the fore.

With sweeping vision, historical precision, and unparalleled research, this book will stand as the definitive study of the 369th. Though discussed in numerous histories and featured in popular culture (most famously the film "Stormy Weather" and the novel "Jazz"), the 369th has become more a matter of mythology than grounded, factually accurate history--a situation that authors Jeffrey T. Sammons and John H. Morrow, Jr. set out to right. Their book--which eschews the regiment's famous nickname, the "Harlem Hellfighters," a name never embraced by the unit itself--tells the full story of the self-proclaimed Harlem Rattlers. Combining the "fighting focus" of military history with the insights of social commentary, "Harlem's Rattlers and the Great War" reveals the centrality of military service and war to the quest for equality as it details the origins, evolution, combat exploits, and postwar struggles of the 369th.

The authors take up the internal dynamics of the regiment as well as external pressures, paying particular attention to the environment created by the presence of both black and white officers in the unit. They also explore the role of women--in particular, the Women's Auxiliary of the 369th--as partners in the struggle for full citizenship. From its beginnings in the 15th New York National Guard through its training in the explosive atmosphere in the South, its singular performance in the French army during World War I, and the pathos of postwar adjustment--this book reveals as never before the details of the Harlem Rattlers' experience, the poignant history of some of its heroes, its place in the story of both World War I and the African American campaign for equality--and its full importance in our understanding of American history.

After the Union regained control of the Mississippi River in the summer of 1863, President Lincoln ordered the commander of the Department of the Gulf, Major General Nathaniel P. Banks, to "Plant the Flag in Texas." To assist in this endeavor, the XIII Corps was transferred to Banks' department. This brought Private William A. McMillan of the 67th Indiana to Louisiana. McMillan's diary, which covers the period from late December 1863 through the end of 1864, describes his participation in the occupation of the coast of Texas, the Red River Campaign, the capture of the forts guarding the entrance to Mobile Bay, and actions in Louisiana and Arkansas.

Did Hitler mean to pursue global conquest once he had completed his mastery of Europe? In this startling reassessment of Hitler's strategic aims, Duffy argues that he fully intended to bring the war to America once his ambitions in the Eurasian heartland were achieved. Detailed here for the first time are the Third Reich's plans for a projected series of worldwide offensives using the new secret weapons emerging from wartime research. Duffy also recounts other Axis schemes to attack American cities through the use of multi-stage missiles, submarine launched rockets, and suicide missions against ships in the New York harbor. Taken together, these plans reveal just how determined the Axis powers were to attack the United States. Whether German forces could actually reach America has been long debated. What is certain is that Wehrmacht planners explored various options. In 1942 a secret plan was submitted to Hermann Goring for the use of long-range bombers against targets across the globe. The scheme, prepared by a select group within the Luftwaffe, is believed to be the result of direct discussions with Hitler. Long rumored to exist, this document was recently discovered in the military archives in Freiburg. This account provides the first detailed analysis of the plan and places it in the context of Germany's global war objectives.

First published in 1929, it is now available as a brand new book. The story is an account of the lives of ordinary soldiers. The central character, Bourne is an enigmatic character and Manning tells his own wartime experiences through him. It is forcibly written, too forcibly for the sensibilities of the time, and a censored version was produced in 1930 under the title 'Her Privates We'.

Van al die gebeure in die Kaapkolonie gedurende die Tweede Vryheidsoorlog het die teregstelling van Hans Lötter, asook dié van kmdt. Gideon Scheepers, die meeste emosie onder Afrikaners ontketen. Lötter en sy mederebelle in die Kolonie het die verbeelding van die plaaslike bevolking aangegryp en die Britte maande lank hoofbrekens besorg. Sy gevangeneming, verhoor en teregstelling deur ’n Britse vuurpeloton op Middelburg, Kaap, het groot woede en verontwaardiging veroorsaak en hom verewig as Boeremartelaar in die Afrikaner-volksoorleweringe. Nou word sy boeiende verhaal vir die eerste keer volledig vertel.

Studies of British Romanticism have traditionally tended to envisage it as an intensely local, indeed insular, phenomenon. Yet, just as the seemingly isolated British Isles became more and more central in international geo-political and economic contexts between the 1780s and the 1830s, so too literature and culture were characterized by an increasingly close and relevant dialogue with foreign and especially Continental European traditions, both past and contemporary. Diego Saglia casts new light on the significantly transformative impact of this dialogue on Britain during the years that saw a return to unimpeded cross-border cultural traffic after the end of the Napoleonic emergency. Focusing on modes of translation and appropriation in a variety of literary and cultural forms, this book reconsiders the notion of the supposed intrinsic insularity of Britain through the lens of new key questions about the national, international and transnational features of Romantic-period literature and culture.