The conclusion of W.T Massey's Middle Eastern theatre trilogy
The final book in Massey's trilogy concerns the drive through Palestine into Syria, the conquest of Damascus and the harrying of the defeated Turkish and German forces as their broken armies retreated northwards towards and beyond Aleppo and the borders of Turkey itself. In the pages of this excellent account-written as part history, part first hand account by one who was there-the reader will find many familiar and famous figures. Here are Allenby, Lawrence, Feisal and others. Renowned regiments pass through its pages-the stalwart Yeomanry, the indomitable and cheerful Londoners, the dashing Australian Light Horse as well as the early fighter and bomber crews of the emerging air force. An essential book for those who value the impression of a campaign told with the immediacy of first hand knowledge.

When Jerry Elmer turned eighteen at the height of the Vietnam War, he publicly refused to register for the draft, a felony then and now. Later he burglarized the offices of fourteen draft boards in three cities, destroying the files of men eligible to be drafted. After working almost twenty years in the peace movement, he attended law school, where he was the only convicted felon in Harvard's class of 1990.

This book is a blend of personal memoir, contemporary history, and astute political analysis. Elmer draws on a variety of sources, including never-before-released FBI files, and argues passionately for the practice of nonviolence. He describes the range of actions he took--from draft card burning to organizing draft board raids with Father Phil Berrigan; from vigils on the Capitol steps inside "tiger cages" used to torture Vietnamese political prisoners to jail time for protesting nuclear power plants; from a tour of the killing fields of Cambodia to meetings with Corazon Aquino in the Philippines.

A Vietnamese-language edition of "Felon for Peace" has also been published.

With a survey of the thirty Supreme Court cases that, in the opinion of U.S. Supreme Court justices and leading civics educators and legal historians, are the most important for American citizens to understand, The Pursuit of Justice is the perfect companion for those wishing to learn more about American civics and government. The cases range across three centuries of American history, including such landmarks as Marbury v. Madison (1803), which established the principle of judicial review; Scott v. Sandford (1857), which inflamed the slavery argument in the United States and led to the Civil War; Plessy v. Ferguson (1896), which memorialized the concept of separate but equal; and Brown v. Board of Education (1954), which overturned Plessy. Dealing with issues of particular concern to students, such as voting, school prayer, search and seizure, and affirmative action, and broad democratic concepts such as separation of powers, federalism, and separation of church and state, the book covers all the major cases specified in the national and state civics and American history standards.
For each case, there is an introductory essay providing historical background and legal commentary as well as excerpts from the decision(s); related documents such as briefs or evidence, with headnotes and/or marginal commentary, some possibly in facsimile; and features or sidebars on principal players in the decisions, whether attorneys, plaintiffs, defendants, or justices. An introductory essay defines the criteria for selecting the cases and setting them in the context of American history and government, and a concluding essay suggests the role that the Court will play in the future.

The Vietnam War left wounds that have taken three decades to heal-indeed some scars remain even today. In A Time for Peace, prominent American historian Robert D. Schulzinger sheds light on how deeply etched memories of this devastating conflict have altered America's political, social, and cultural landscape. Schulzinger examines the impact of the war from many angles. He traces the long, twisted, and painful path of reconciliation with Vietnam, the heated controversy over soldiers who were missing in action and how it resulted in years of false hope for military families, and the outcry over Maya Lin's design for the Vietnam Memorial in Washington. In addition, the book examines the influx of over a million Vietnam refugees and Amerasian children into the US and describes the plight of Vietnam veterans, many of whom returned home alienated, unhappy, and unappreciated, though some led productive post-war lives. Schulzinger looks at how the controversies of the war have continued to be fought in books and films, ranging from novels such as Going After Cacciato and Paco's Story to such movies as The Green Berets (directed by and starring John Wayne), The Deer Hunter, Apocalypse Now, and Rambo. Perhaps most important, the author explores the power of the Vietnam metaphor on foreign policy, particularly in Central America, Somalia, the Gulf War, and the war in Iraq. We see how the "lessons" of the war have been reinterpreted by different ends of the political spectrum. Using a vast array of sources-from government documents to memoirs, film, and fiction-A Time for Peace provides an illuminating account of a war that still looms large in the American imagination.

Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant 'archives' that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material - from partisan poems, graphic works and photography, to monuments and films - and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical "history of the oppressed" as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.

This soldier's pocketbook from 1944, and the tale of its creation, reveal a fascinating moment of history: a snapshot of prejudices, expectations, assumptions and fears. It was created in conditions of secrecy to prepare British and Allied soldiers for entering and occupying Germany - but at a time when even victory was not guaranteed. What would they face? How would they be treated? How would they manage a population they were used to thinking of only as "enemy combatants"?Part practical guide, part everyman's history of the German people, part propaganda tool, it is an instantly absorbing window on an uncertain time. It shows how the Allied civilian and military command wanted to condition the ordinary serviceman's thoughts about what he would encounter. Today's reader will find here opinionated comment and crude stereotype, but also subtle insights and humor - intentional and unintentional. The pocketbook says as much about the mindset of its British compilers as it does about the German people or about the Nazi regime that eventually the soldiers would topple. An illuminating introduction, drawing on the National Archives' unique original records, reveals the intelligence community's misgivings and disagreements about the content of the pocketbook as it went through its various stages.

A new edition of Primo Levi's classic memoir of the Holocaust, with an introduction by David Baddiel, author of Jews Don't Count 'With the moral stamina and intellectual pose of a twentieth-century Titan, this slightly built, dutiful, unassuming chemist set out systematically to remember the German hell on earth, steadfastly to think it through, and then to render it comprehensible in lucid, unpretentious prose... One of the greatest human testaments of the era' Philip Roth 'Levi's voice is especially affecting, so clear, firm and gentle, yet humane and apparently untouched by anger, bitterness or self-pity... If This Is a Man is miraculous, finding the human in every individual who traverses its pages' Philippe Sands 'The death of Primo Levi robs Italy of one of its finest writers... One of the few survivors of the Holocaust to speak of his experiences with a gentle voice' Guardian '[What] gave it such power... was the sheer, unmitigated truth of it; the sense of what a book could achieve in terms of expanding one's own knowledge and understanding at a single sitting... few writers have left such a legacy... A necessary book' Independent

The Oxford Handbook of the American Revolution introduces scholars, students and generally interested readers to the formative event in American history. In thirty-three individual essays, by thirty-three authorities on the Revolution, the Handbook provides readers with in-depth analysis of the Revolution's many sides, ranging from the military and diplomatic to the social and political; from the economic and financial, to the cultural and legal. Its cast of characters ranges far, including ordinary farmers and artisans, men and women, free and enslaved African Americans, Indians, and British and American statesmen and military leaders. Its geographic scope is equally broad. The Handbook offers readers an American Revolution whose geo-political and military impact ranged from the West Indies to the Mississippi Valley; from the British Isles to New England and from Nova Scotia to Florida. The American Revolution of the Handbook is, simply put, an event that far transcended the boundaries of what was to become the United States. In addition to a breadth of subject matter, the Handbook offers a broad range of interpretive and methodological approaches. Its authors include social historians, historians of politics and institutions, cultural historians, historians of diplomacy, imperial historians, ethnohistorians, and historians of gender and sexuality. Instead of privileging a single or even several interpretive perspectives, the Handbook attempts to capture the full scope of current revolutionary-era scholarship. Nothing comparable has been published in decades.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume II covers August 1914 through July 1915 on the Western Front, from the German advance on Paris to the first use of aeroplanes and zeppelins. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

The Finnish Civil War 1918 offers a rich account of the history and memory of the short conflict between socialist Reds and non-socialist Whites in the winter and spring of 1918. It also traces the legacy of the bloody war in Finnish society until today. The volume brings together established scholarship of political and social history with newer approaches stemming from the cultural history of war, memory studies, gender studies, history of emotions, psychohistory and oral history. The contributors provide readers with a solid discussion of the Civil War within its international and national frameworks. Among themes discussed are violence and terror, enemy images, Finnish irredentist campaigns in Soviet Karelia and the complex memory of the conflict. Besides a historical narrative, the volume discusses the current state of historiography of the Finnish Civil War. Contributors are Anders Ahlback, Pertti Haapala, Marianne Junila, Tiina Kinnunen, Tiina Lintunen, Aapo Roselius, Tauno Saarela, Juha Siltala, Tuomas Tepora and Marko Tikka.

An 'Old Contemptible' recounts the campaign of 1914
At the outbreak of the First World War, units of the British regular army-the B. E. F-were despatched to the continent to assist the French in an attempt to stem the tide of the advancing Imperial German Army as it marched inexorably towards Paris. The enemy viewed the 'Tommies' as 'that contemptible little army.' In that way peculiar to the British the insult became a byword for courage and honour as the highly trained and motivated soldiers in khaki demonstrated just what a contemptible little army could do. However, this was a war of attrition and despite the 'contemptibles' magnificent performance the 'grey horde' could not initially be halted. What followed was the memorable retreat from Mons. The author of this book was a subaltern officer serving in one of the county regiments of the B. E. F and chose as his title for this book the proudly worn designation 'Contemptible.' Although the book was written under a pseudonym it is widely believed that the writer was Arnold Gyde who served with the South Staffordshire Regiment and was one of the first British soldiers to set foot on the continent. Although the account of this vital aspect of the opening months of the conflict is presented in a 'factional' style it is clearly based on the author's first hand experiences.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.