The #1 testimony book that every Christian needs to read. As the Nazi madness swept across Europe, a quiet watchmaker's family in Holland risked everything for the sake of others, and for the love of Christ. Despite the danger and threat of discovery, the ten Boom family courageously offered shelter to persecuted Jews during the Nazi occupation of Holland. Then a trap brought about the family's arrest. Could God's love shine through, even in Ravensbruck?

During World War II, Allied casualty rates in the air were high. Of the roughly 125,000 who served as aircrew with Bomber Command, 59,423 were killed or missing and presumed killed-a fatality rate of 45.5%. With odds like that, it would be no surprise if there were as few atheists in cockpits as there were in foxholes; and indeed, many airmen faced their dangerous missions with beliefs and rituals ranging from the traditional to the outlandish. Military historian S. P. MacKenzie considers this phenomenon in Flying against Fate, a pioneering study of the important role that superstition played in combat flier morale among the Allies in World War II. Mining a wealth of documents as well as a trove of published and unpublished memoirs and diaries, MacKenzie examines the myriad forms combat fliers' suspicions assumed, from jinxes to premonitions. Most commonly, airmen carried amulets or talismans-lucky boots or a stuffed toy; a coin whose year numbers added up to thirteen; counterintuitively, a boomerang. Some performed rituals or avoided other acts, e.g., having a photo taken before a flight. Whatever seemed to work was worth sticking with, and a heightened risk often meant an upsurge in superstitious thought and behavior. MacKenzie delves into behavior analysis studies to help explain the psychology behind much of the behavior he documents-not slighting the large cohort of crew members and commanders who demurred. He also looks into the ways in which superstitious behavior was tolerated or even encouraged by those in command who saw it as a means of buttressing morale. The first in-depth exploration of just how varied and deeply felt superstitious beliefs were to tens of thousands of combat fliers, Flying against Fate expands our understanding of a major aspect of the psychology of war in the air and of World War II.

This book chronicles the lives and deaths of courageous Canadians. It also tells the inspiring story of how the citizens of Nelson of all ages, with help from surrounding communities, marshalled all their resources and devoted their civic life for six long years to help make victory possible. Their efforts prompted some to call Nelson "The Most Patriotic Town in B.C." And, Nelsons story highlights an important chapter of Canadian history -- the invaluable contribution to the Allied war effort made by countless small Canadian communities across the country.

This book is an intimate account of an ordinary individual's extraordinary life journey that transcends both cultural and social boundaries. Th e author was born and lived in Korea during his formative years, and has been living in the United States for the following 47 years. Th is individual's unique story of his environment is informative and his approach to his life time challenges highlights every passage of the book. Th e book is thoughtprovoking as well as enlightening...a rare gem in its subject, style, and exposition. This book enlightens and entertains its readers at the same time eff ortlessly.

In the First World War, civilian life played a fundamental part in the war effort; and music was no exception. Performing Propaganda looks at musical life in Paris during the First World War. This conflict was one in which civilian life played a fundamental part in the war effort; and music was no exception. The book examines how Western art music became a central part of the home-front war effort, employed by both musicians and government as a powerful tool of propaganda. It situates French art music of the First World War within its social, cultural and political context, and within the wider temporal framework of the Franco-Prussian and Second World Wars. Drawing on a diverse range of archival material, including concert and operatic programmes, the musical and daily press, documents detailing government involvement in musical activity, and police records, it explores how various facets of French musical life served, in very different ways, as propaganda. In short, it explores why music mattered during a period of prolonged conflict, whether as emotional catalyst, weapon, or tool. This book will be of interest to musicologists, to cultural historians working on early twentieth-century France, and to scholars of the First World War,as well as to a more general readership with an interest in music during times of adversity. RACHEL MOORE is a Leverhulme Early Career Fellow in Music, University of Oxford.

This study uses a comparative analysis of the Malayan Emergency, the American experience in Vietnam, and Operation IRAQI FREEDOM to examine the role and effectiveness of artillery units in complex counterinsurgency environments. Through this analysis, four factors emerge which impact the employment of artillery units: the counterinsurgency effort's requirement for indirect fires; constraints and limitations on indirect fires; the counterinsurgency effort's force organization; and the conversion cost of nonstandard roles for artillery units. In conclusion, the study offers five broadly descriptive fundamentals for employing artillery units in a counterinsurgency environment: invest in tactical leadership, exploit lessons learned, support the operational approach and strategic framework, maintain pragmatic fire support capability, and minimize collateral damage. Finally, the study examines the role of education for leaders in a counterinsurgency, and its influence on these imperative fundamentals.

The fall of 2016 saw the release of the widely popular First World War video game Battlefield 1. Upon the game's initial announcement and following its subsequent release, Battlefield 1 became the target of an online racist backlash that targeted the game's inclusion of soldiers of color. Across social media and online communities, players loudly proclaimed the historical inaccuracy of black soldiers in the game and called for changes to be made that correct what they considered to be a mistake that was influenced by a supposed political agenda. Through the introduction of the theoretical framework of the 'White Mythic Space', this book seeks to investigate the reasons behind the racist rejection of soldiers of color by Battlefield 1 players in order to answer the question: Why do individuals reject the presence of people of African descent in popular representations of history?

A great war correspondent reports from the Great War
Richard Harding Davis is well regarded as a writer of fiction, but it is for his work and writings as a journalist-particularly when covering the battle front-that posterity has awarded him the accolade 'the first famous American war correspondent.' Davis' first experience as a war correspondent was during the Spanish-American War and he later covered the Boer War in South Africa. The outbreak of the Great War saw him travelling to Europe and once there his pursuit of the story and vital information propelled him through many theatres of the conflict. The passage of time filters away those who have experienced momentous events until the few who are remembered are those who have left a written record. Each account is beyond value when their number is finite, but occasionally we are blessed not only with an invaluable account but also a fine author to convey it. By this time Davis had perfected his craft and these two books brought together by Leonaur for good value demonstrate that perfectly. They are augmented here with some of Davis' letters sent during the Great War. This was to be Davis' last campaign on returning home to New York he fell ill and died suddenly in 1916 aged just 52 years old. Available in softcover and hardback with dust jacket for collectors.

War in the East African bush
The First World War was inevitably a global conflict because the rush by the principal powers of Europe to establish trading bases and colonies, principally during the 19th century, guaranteed it would be so. In Africa, German and British settlers were close neighbours and at the outbreak of hostilities were ready for immediate confrontation. National and imperial forces were dispatched to augment local military operations. This book concerns the struggle for East Africa. It was written, drawing on memory and diary entries, by a British senior staff officer, a brigadier-general, who was central to the organisation of the British campaign and who has left posterity a concise, thorough and detailed historical overview of it from the British perspective. This book qualifies as a campaign history rather than a first hand account and is recommended to readers seeking that perspective on this interesting 'sideshow' theatre of the war.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.