Many Americans know something about the Navajo code talkers in World War II - but little else about the military service of Native Americans, who have served in our armed forces since the American Revolution, and still serve in larger numbers than any other ethnic group. But, as we learn in this splendid work of historical restitution, code talking originated in World War I among Native soldiers whose extraordinary service resulted, at long last, in U.S. citizenship for all Native Americans. The first full account of these forgotten soldiers in our nation's military history, The First Code Talkers covers all known Native American code talkers of World War I - members of the Choctaw, Oklahoma Cherokee, Comanche, Osage, and Sioux nations, as well as the Eastern Band of Cherokee and Ho-Chunk, whose veterans have yet to receive congressional recognition. William C. Meadows, the foremost expert on the subject, describes how Native languages, which were essentially unknown outside tribal contexts and thus could be as effective as formal encrypted codes, came to be used for wartime communication. While more than thirty tribal groups were eventually involved in World Wars I and II, this volume focuses on Native Americans in the American Expeditionary Forces during the First World War. Drawing on nearly thirty years of research - in U.S. military and Native American archives, surviving accounts from code talkers and their commanding officers, family records, newspaper accounts, and fieldwork in descendant communities - the author explores the origins, use, and legacy of the code talkers. In the process, he highlights such noted decorated veterans as Otis Leader, Joseph Oklahombi, and Calvin Atchavit and scrutinizes numerous misconceptions and popular myths about code talking and the secrecy surrounding the practice. With appendixes that include a timeline of pertinent events, biographies of known code talkers, and related World War I data, this book is the first comprehensive work ever published on Native American code talkers in the Great War and their critical place in American military history.

Explores how writers, filmmakers and artists have attempted to reckon with the legacy of a devastating war The Iran-Iraq War was the longest conventional war of the 20th century. The memory of it may have faded in the wake of more recent wars in the region, but the harrowing facts remain: over one million soldiers and civilians dead, millions more permanently displaced and disabled, and an entire generation marked by prosthetic implants and teenage martyrdom. These same facts have been instrumentalized by agendas both foreign and domestic, but also aestheticized, defamiliarized, readdressed and reconciled by artists, writers, and filmmakers across an array of identities: linguistic (Arabic, Persian, Kurdish), religious (Shiite, Sunni, atheist), and political (Iranian, Iraqi, internationalist). Official discourses have unsurprisingly tried to dominate the process of production and distribution of war narratives. In doing so, they have ignored and silenced other voices. Centering on novels, films, memoirs, and poster art that gave aesthetic expression to the Iran-Iraq War, the essays gathered in this volume present multiple perspectives on the war's most complex and underrepresented narratives. These scholars do not naively claim to represent an authenticity lacking in official discourses of the war, but rather, they call into question the notion of authenticity itself. Finding, deciding upon, and creating a language that can convey any sort of truth at all-collective, national, or private-is the major preoccupation of the texts and critiques in this diverse collection.

When Jerry Elmer turned eighteen at the height of the Vietnam War, he publicly refused to register for the draft, a felony then and now. Later he burglarized the offices of fourteen draft boards in three cities, destroying the files of men eligible to be drafted. After working almost twenty years in the peace movement, he attended law school, where he was the only convicted felon in Harvard's class of 1990.

This book is a blend of personal memoir, contemporary history, and astute political analysis. Elmer draws on a variety of sources, including never-before-released FBI files, and argues passionately for the practice of nonviolence. He describes the range of actions he took--from draft card burning to organizing draft board raids with Father Phil Berrigan; from vigils on the Capitol steps inside "tiger cages" used to torture Vietnamese political prisoners to jail time for protesting nuclear power plants; from a tour of the killing fields of Cambodia to meetings with Corazon Aquino in the Philippines.

A Vietnamese-language edition of "Felon for Peace" has also been published.

More Than A Few Good Men tells the compelling soldiers story of Robert J. Driver's life from childhood to his retirement from the United States Marine Corps. Driver witnessed and was part of many extreme, and sometimes chilling, events. These actions come to life through Driver's own letters home to his wife, encompassing the challenge of boot camp, Officer's Candidate School, and his tours of duty in the Vietnam War. Driver collected declassified documents and information from many of the Marines he served with in Vietnam in order to provide the reader with this exceptionally detailed account. Driver's letters home offer a clear reckoning of the traumatic events of combat and the bravery of his young Marines. The book also features biographies of the many contributors. Driver's admiration for the men he fought with is evident-they were More Than A Few Good Men.

The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.

World War I was a global war originating in Europe that lasted from 1914 to 1918. Contemporaneously known as the Great War or "the war to end all wars", it led to the mobilisation of more than 70 million military personnel, including 60 million Europeans, making it one of the largest wars in history. This series of Eight volumes provides year by year analysis of the war that resulted in the death of more than 17 million deaths worldwide.

With Allied armies poised on the banks of the Rhine, Nazi Germany tottered on the brink of collapse. The ensuing battles on German soil-especially those in the so-called Ruhr Pocket-were as fierce and hard-fought as any in the European theater. Going well beyond previous accounts, Derek Zumbro chronicles this key military campaign from a unique and fresh perspective-that of the defeated German soldiers and civilians caught in the final maelstrom of the war's western front.

Best known for his translation of In Deadly Combat, the bestselling World War II memoir, Zumbro chronicles the relentless assault on the Ruhr Pocket through German eyes, as the Allied juggernaut battered the region's cities, villages, and homes into submission. He tells of children pressed into service by a desperate Nazi regime-and of even more desperate parents trying to save their sons from sacrifice at the eleventh hour. He also tells of unspeakable conditions suffered by foreign laborers, POWs, and political opponents in the Ruhr Valley and of the mass graves that gave Allied soldiers a grisly new understanding of their enemy.

Zumbro also recounts the story of Field Marshal Walter Model's final hours. His eventual suicide effectively ended the existence of the Wehrmacht's once-formidable Army Group B after being pursued, methodically encircled, and finally destroyed by U.S. and British forces. Through interviews with surviving members of Model's former staff, Zumbro has uncovered the attitudes-and harrowing experiences-of beleaguered officers that official records could never convey.

Other interviews with former soldiers reveal the extent to which Allied bombing contributed to the rapid deterioration of German combat effectiveness and tell of civilians begging soldiers to abandon the war. Zumbro's deep research reveals the identities of specific characters discussed in previous works but never identified, describes the final hours of German officers executed for the loss of the bridge at Remagen, and offers new insight into Model's acquiescence to Hitler in military affairs.

By taking us inside the first-hand experiences and memories of Germans from Reichsmarshals to Burgermeisters, Battle for the Ruhr gives a profound and harrowing ground-level view of the enormous destructive power of war.

When Jerry Elmer turned eighteen at the height of the Vietnam War, he publicly refused to register for the draft, a felony then and now. Later he burglarized the offices of fourteen draft boards in three cities, destroying the files of men eligible to be drafted. After working almost twenty years in the peace movement, he attended law school, where he was the only convicted felon in Harvard's class of 1990.

This book is a blend of personal memoir, contemporary history, and astute political analysis. Elmer draws on a variety of sources, including never-before-released FBI files, and argues passionately for the practice of nonviolence. He describes the range of actions he took--from draft card burning to organizing draft board raids with Father Phil Berrigan; from vigils on the Capitol steps inside "tiger cages" used to torture Vietnamese political prisoners to jail time for protesting nuclear power plants; from a tour of the killing fields of Cambodia to meetings with Corazon Aquino in the Philippines.

A Vietnamese-language edition of "Felon for Peace" has also been published.

With a survey of the thirty Supreme Court cases that, in the opinion of U.S. Supreme Court justices and leading civics educators and legal historians, are the most important for American citizens to understand, The Pursuit of Justice is the perfect companion for those wishing to learn more about American civics and government. The cases range across three centuries of American history, including such landmarks as Marbury v. Madison (1803), which established the principle of judicial review; Scott v. Sandford (1857), which inflamed the slavery argument in the United States and led to the Civil War; Plessy v. Ferguson (1896), which memorialized the concept of separate but equal; and Brown v. Board of Education (1954), which overturned Plessy. Dealing with issues of particular concern to students, such as voting, school prayer, search and seizure, and affirmative action, and broad democratic concepts such as separation of powers, federalism, and separation of church and state, the book covers all the major cases specified in the national and state civics and American history standards.
For each case, there is an introductory essay providing historical background and legal commentary as well as excerpts from the decision(s); related documents such as briefs or evidence, with headnotes and/or marginal commentary, some possibly in facsimile; and features or sidebars on principal players in the decisions, whether attorneys, plaintiffs, defendants, or justices. An introductory essay defines the criteria for selecting the cases and setting them in the context of American history and government, and a concluding essay suggests the role that the Court will play in the future.

The Vietnam War left wounds that have taken three decades to heal-indeed some scars remain even today. In A Time for Peace, prominent American historian Robert D. Schulzinger sheds light on how deeply etched memories of this devastating conflict have altered America's political, social, and cultural landscape. Schulzinger examines the impact of the war from many angles. He traces the long, twisted, and painful path of reconciliation with Vietnam, the heated controversy over soldiers who were missing in action and how it resulted in years of false hope for military families, and the outcry over Maya Lin's design for the Vietnam Memorial in Washington. In addition, the book examines the influx of over a million Vietnam refugees and Amerasian children into the US and describes the plight of Vietnam veterans, many of whom returned home alienated, unhappy, and unappreciated, though some led productive post-war lives. Schulzinger looks at how the controversies of the war have continued to be fought in books and films, ranging from novels such as Going After Cacciato and Paco's Story to such movies as The Green Berets (directed by and starring John Wayne), The Deer Hunter, Apocalypse Now, and Rambo. Perhaps most important, the author explores the power of the Vietnam metaphor on foreign policy, particularly in Central America, Somalia, the Gulf War, and the war in Iraq. We see how the "lessons" of the war have been reinterpreted by different ends of the political spectrum. Using a vast array of sources-from government documents to memoirs, film, and fiction-A Time for Peace provides an illuminating account of a war that still looms large in the American imagination.

Mere decades after the dissolution of Yugoslavia, the promise of European democracy seems to be out of joint. What has become of the once-shared memory of victory over fascism? Historical revisionism and nationalist propaganda in the post-Yugoslav context have tried to eradicate the legacy of partisan and socialist struggles, while Yugonostalgia commodifies the partisan/socialist past. It is against these dominant 'archives' that this book launches the partisan counter-archive, highlighting the symbolic power of artistic works that echo and envision partisan legacy and rupture. It comprises a body of works that emerged either during the people's liberation struggle or in later socialist periods, tracing a counter-archival surplus and revolutionary remainder that invents alternative protocols of remembrance and commemoration. The book covers rich (counter-)archival material - from partisan poems, graphic works and photography, to monuments and films - and ends by describing the recent revisionist un-doing of the partisan past. It contributes to the Yugoslav politico-aesthetical "history of the oppressed" as an alternative journey to the partisan past that retrieves revolutionary resources from the past for the present.

In this revised and extended edition of Napoleon and the Operational Art of War, the leading scholars of Napoleonic military history provide the most authoritative analysis of Napoleon's battlefield success and ultimate failure. Napoleon's development and mastery of the operational art of warfare is revealed as each chapter analyzes one Napoleonic war or major campaign of a war. To achieve this, the essays conform to the common themes of Napoleon's planning, his command and control, his execution of plans, and the response of his adversaries. Napoleon's sea power and the British response to the French challenge at sea is also investigated. Overall, this volume reflects the finest scholarship and cutting-edge research to be found in Napoleonic military history. Contributors include Jonathan Abel, Robert M. Citino, Phillip R. Cuccia, Huw J. Davies, Mark T. Gerges; John H. Gill; Jordan R. Hayworth, Kenneth G. Johnson, Michael V. Leggiere, Kevin D. McCranie, Alexander Mikaberidze, Frederick C. Schneid, John Severn, Dennis Showalter, Geoffrey Wawro, and John F. Weinzierl. See inside the book.

A new edition of Primo Levi's classic memoir of the Holocaust, with an introduction by David Baddiel, author of Jews Don't Count 'With the moral stamina and intellectual pose of a twentieth-century Titan, this slightly built, dutiful, unassuming chemist set out systematically to remember the German hell on earth, steadfastly to think it through, and then to render it comprehensible in lucid, unpretentious prose... One of the greatest human testaments of the era' Philip Roth 'Levi's voice is especially affecting, so clear, firm and gentle, yet humane and apparently untouched by anger, bitterness or self-pity... If This Is a Man is miraculous, finding the human in every individual who traverses its pages' Philippe Sands 'The death of Primo Levi robs Italy of one of its finest writers... One of the few survivors of the Holocaust to speak of his experiences with a gentle voice' Guardian '[What] gave it such power... was the sheer, unmitigated truth of it; the sense of what a book could achieve in terms of expanding one's own knowledge and understanding at a single sitting... few writers have left such a legacy... A necessary book' Independent

This soldier's pocketbook from 1944, and the tale of its creation, reveal a fascinating moment of history: a snapshot of prejudices, expectations, assumptions and fears. It was created in conditions of secrecy to prepare British and Allied soldiers for entering and occupying Germany - but at a time when even victory was not guaranteed. What would they face? How would they be treated? How would they manage a population they were used to thinking of only as "enemy combatants"?Part practical guide, part everyman's history of the German people, part propaganda tool, it is an instantly absorbing window on an uncertain time. It shows how the Allied civilian and military command wanted to condition the ordinary serviceman's thoughts about what he would encounter. Today's reader will find here opinionated comment and crude stereotype, but also subtle insights and humor - intentional and unintentional. The pocketbook says as much about the mindset of its British compilers as it does about the German people or about the Nazi regime that eventually the soldiers would topple. An illuminating introduction, drawing on the National Archives' unique original records, reveals the intelligence community's misgivings and disagreements about the content of the pocketbook as it went through its various stages.