The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume II covers August 1914 through July 1915 on the Western Front, from the German advance on Paris to the first use of aeroplanes and zeppelins. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).

An 'Old Contemptible' recounts the campaign of 1914
At the outbreak of the First World War, units of the British regular army-the B. E. F-were despatched to the continent to assist the French in an attempt to stem the tide of the advancing Imperial German Army as it marched inexorably towards Paris. The enemy viewed the 'Tommies' as 'that contemptible little army.' In that way peculiar to the British the insult became a byword for courage and honour as the highly trained and motivated soldiers in khaki demonstrated just what a contemptible little army could do. However, this was a war of attrition and despite the 'contemptibles' magnificent performance the 'grey horde' could not initially be halted. What followed was the memorable retreat from Mons. The author of this book was a subaltern officer serving in one of the county regiments of the B. E. F and chose as his title for this book the proudly worn designation 'Contemptible.' Although the book was written under a pseudonym it is widely believed that the writer was Arnold Gyde who served with the South Staffordshire Regiment and was one of the first British soldiers to set foot on the continent. Although the account of this vital aspect of the opening months of the conflict is presented in a 'factional' style it is clearly based on the author's first hand experiences.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

The Shelf2Life WWI Memoirs Collection is an engaging set of pre-1923 materials that describe life during the Great War through memoirs, letters and diaries. Poignant personal narratives from soldiers, doctors and nurses on the front lines to munitions workers and land girls on the home front, offer invaluable insight into the sacrifices men and women made for their country. Photographs and illustrations intensify stories of struggle and survival from the trenches, hospitals, prison camps and battlefields. The WWI Memoirs Collection captures the pride and fear of the war as experienced by combatants and non-combatants alike and provides historians, researchers and students extensive perspective on individual emotional responses to the war.

The first two books in an excellent trilogy of the Great War in the Middle East
W. T Massey was the foremost accredited journalist reporting on behalf of the London newspapers covering the Great War in the Middle East as it was fought against the Ottoman Turkish Empire, its German ally and the tribes of the region who threw in their lot with them. He possessed a deeply held conviction that this theatre of operations was far more important than those who only concerned themselves with the conflict in Europe believed. He was particularly aware of the hardships suffered by British and Colonial troops serving in difficult climates and over unrelenting terrain and he became, through his long association with the entire campaign, a champion of those who fought in it. This volume in the two book Leonaur edition-which covers the complete conflict from the war in the Western Desert against the Senussi to the actions at Aleppo and beyond-begins appropriately with the first book, 'The Desert Campaigns' and follows with the campaign that culminated in Allenby's historic walk into Jerusalem in 'How Jerusalem was Won.' Part history, part first hand account this is a valuable history imbued with the insight of one who was there.

On the evening of March 31, 1945, hours before the invasion of Okinawa, Max Stripe, Billy Thornhill, and five other crewmen manned the forward twin 40 mm mount of LST 791. Riley was stationed up in the Conn, tracking enemy planes from bogey reports that came in over the radio. An increase in air attacks could be expected at sunset and dawn because-for a brief time-aircraft could see the ships clearly, but it was difficult for the ships to see the planes. Suddenly, a group of transports astern of the 791 came under attack-tracers could be seen across the expanse of water and air. The job of the LST crew was to deliver the troops, tanks, and supplies to hostile beaches and, if necessary, defend those assets with their lives. All were ordinary men; they knew they had a job to do, and they did it. Succeeding so that they could return home to their families was their goal. In "Pacific LST 791, " Stephen C. Stripe, author and son of LST crewman Max Stripe, brings us the incredible true story of the vital actions of LST 791 and her crew in the Pacific Theater of WWII. Our admiration and thanks belong to this hardworking, gallant breed, for their heroic courage and sacrifice brought us hope, victory, and ultimately peace.

Two first accounts by early aviators
This special Leonaur 'good value' edition contains two accounts of the early days of powered flight. The first book, written just before the outbreak of the First World War, describes in depth the training of French military pilots up to the point where they are qualified. It contains much of historical interest and the process is explained, in considerable detail, from the trainee pilot's viewpoint as he grappled to master his machine. His numerous errors and how the aircraft performed as they were made are elaborated. The author came into contact with several types of aircraft and he describes the characteristics, performance and mechanics of each. So this book provides essential insights into the practicalities of being a fighter pilot in the imminent conflict. The second work is by a British pilot who was fully engaged in the air war over France. He was shot down and captured by the 'Bosch, ' he escaped and was again captured, and he underwent many other adventures before finally returning to his homeland. Accounts of pilots and aviation from the pioneer days of flying are comparatively few in number and these two short first hand narratives, essential reading for students of the subject, would have been unlikely to see republication as individual books.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

A young British soldier who went to war on two wheels
When the Great War broke out, the author of this book decided to leave his university studies and join the struggle. What attracted him immediately was the potential to combine his military service with his love of motorcycles and so it was that he found himself one of a select group of motorcycle despatch riders within the 5th Division of the 'Contemptible Little Army' that went to France and Belgium to halt the overwhelming numerical superiority of the advancing German Army. This book, an account of his experiences in the early months of the war, tells the story of a conflict of fluid manoeuvre and dogged retreat. Together with congested roads filled with military traffic and refugees, the ever present threat of artillery barrage and changing front lines the author had to constantly be aware of the presence of the deadly Uhlans-mounted German Lancers-who were always ready to pitch horseflesh against horsepower.

The First Crusade was arguably one of the most significant events of the Middle Ages. It was the only event to generate its own epic cycle, the Old French Crusade Cycle. The central trilogy at the heart of the Cycle describes the Crusade from its beginnings to the climactic battle of Ascalon, comprising the Chanson d'Antioche, the Chanson des Chetifs and the Chanson de Jerusalem. This translation of the Chetifs and the Jerusalem accompanies and completes the translation of the Antioche and makes the trilogy available to English readers in its entirety for the first time. The value of the trilogy lies above all in the insight it gives us to medieval perceptions of the Crusade. The events are portrayed as part of a divine plan where even outcasts and captives can achieve salvation through Crusade. This in turn underlies the value of the Cycle as a recruiting and propaganda tool. The trilogy gives a window onto the chivalric preoccupations of thirteenth-century France, exploring concerns about status, heroism and defeat. It portrays the material realities of the era in vivid detail: the minutiae of combat, smoke-filled halls, feasts, prisons and more. And the two newly translated poems are highly entertaining as well, featuring a lubricious Saracen lady not in the first flush of youth, a dragon inhabited by a devil, marauding monkeys, miracles and much more. The historian will find little new about the Crusade itself, but abundant material on how it was perceived, portrayed and performed. The translation is accompanied by an introduction examining the origins of the two poems and their wider place in the cycle. It is supported by extensive footnotes, a comprehensive index of names and places and translations of the main variants.

"Lean men, brown men, men from overseas,
Men from all the outer world; shy and ill at ease
" There were Canadian Mounties, American cowboys, Arctic explorers, adventurers, rogues, big game hunters and sportsmen. There were famous men like Cherry Kearton, the naturalist and explorer and the grand old man of Africa-Frederick Selous himself. All these men had come together under the Union Flag to do battle against colonial Imperial Germany in East Africa. They came under the command of Driscoll of Driscoll's Scouts who performed with renown during the Boer War. These were the men of the 25th Royal Fusiliers-The Legion of Frontiersmen-and their battlegrounds were to be the great plains of Africa rich in wildlife and elemental danger. This is their story through the years of the Great War told by one of their own officers in vivid detail. It is a story of campaigns and hardship which would be equal to the best of them and lay many a 'lean, brown man' in a shallow grave in the red earth before it was concluded.

In 1942, with a black-market chicken under his arm, Leo Marks left his father's famous bookshop, 84 Charing Cross Road, and went to war. He was twenty-two and a cryptopgraher of genius. In Between Silk and Cyanide, his critically acclaimed account of his time in SOE, Marks tells how he revolutionised the code-making techniques of the Allies, trained some of the most famous agents dropped into France including Violette Szabo and 'the White Rabbit', and why he wrote haunting verse including his 'The Life that I have' poem. He reveals for the first time the disastrous dimensions of the code war between SOE and the Germans in Holland; how the Germans were fooled into thinking a Secret Army was operating in the Fatherland itself, and how and why he broke General de Gaulle's secret code. Both thrilling and poignant, Marks's book is truly one of the last great Second World War memoirs.

The quantity of journalism produced during World War I was unlike anything the then-budding mass media had ever seen. Correspondents at the front were dispatching voluminous reports on a daily basis, and though much of it was subject to censorship, it all eventually became available. It remains the most extraordinary firsthand look at the war that we have. Published immediately after the cessation of hostilities and compiled from those original journalistic sources-American, British, French, German, and others-this is an astonishing contemporary perspective on the Great War. This replica of the first 1919 edition includes all the original maps, photos, and illustrations, lending an even greater immediacy to readers a century later. Volume I covers June through October 1914, from the causes of the war-including how the local matter of the assassination of Archduke Franz Ferdinand of Austria grew into a global conflagration and the various declarations of war among the world powers-through the early battles on the Western Front. American journalist and historian FRANCIS WHITING HALSEY (1851-1919) was literary editor of The New York Times from 1892 through 1896. He wrote and lectured extensively on history; his works include, as editor, the two-volume Great Epochs in American History Described by Famous Writers, From Columbus to Roosevelt (1912), and, as writer, the 10-volume Seeing Europe with Famous Authors (1914).