This Is A New Release Of The Original 1891 Edition.

This Is A New Release Of The Original 1913 Edition.

This volume complements Lerna V: The Neolithic Pottery of Lerna, by K. D. Vitelli, and completes the primary publication of the results of the Neolithic remains retrieved during the excavations conducted by the American School of Classical Studies at Athens from 1952 through 1958 at Lerna in the Argolid. It presents the buildings and other features of the Neolithic settlement with listings of related pottery, minor objects, lithics, fauna, and a catalogue of the minor objects. The study reveals a small agricultural community of Middle Neolithic date with houses of mud brick on stone foundations and various storage and thermal installations with a few burials scattered among them. A small Final Neolithic presence is documented by two graves and a group of "ash pits" of uncertain use. A catalogue of the minor objects includes mostly utilitarian objects of typical forms in stone, bone, and terracotta, and a few objects of decorative (e.g., ear studs) and symbolic significance (terracotta "tangas" and figurines). Appendixes include lists of walls and pottery lots, the inventory/lot numbers of the lithics published elsewhere by J. Kozlowski et al. (1996), and a summary of the fauna by D. S. Reese that clarifies and amplifies the earlier faunal study by N.-G. Gejvall (Lerna I).

Sufism has become a lush spiritual experience in the everyday lives of millions the world over. For centuries, Sufism has evolved to form an integral path through the essence of life. Especially for the people of Pakistan, Sufism winds like a cool mystical stream nurturing a parched landscape. No one knows this better than Kamran Ahmad, Ph.D., scholar of Religion and Psychology in the United States and his native Pakistan. Yet today messages to Sufis abound from all sides - messages saying what religious life should look like, proposing that Sufis cast aside these deeply held beliefs. Those who would impose religious ideals on others don't seem to grasp the powerful spiritual roots in our daily life that run deeper than anything that can be prescribed. What's more, we may need to be reminded of these deep roots ourselves. In his landmark work Tareeqat, Dr. Kamran Ahmad peels back the veil to reveal this rich inner life in all its suppleness and strength. He bravely takes on critics who would leave secrets of the heart and soul untouched, unspoken. Tareeqat offers a spiritual richness that defies description and will leave you breathless. Dr. Ahmad maintains that the Sufi connection to spiritual essence remains an unspoken, unwritten truth. In Tareeqat, you will discover that a paradox has taken hold of the South Asian region, one that keeps us tacitly quiet about what matters most. In an unspoken language, the dictate decrees that matters of the spirit, secrets of the spirit, and secrets of the heart are taboo topics. They're not to be talked about, written about or argued about. They are to be experienced. They are to be lived as part of everyday life, much as a haunting melody weaves its magic in and out of consciousness. When you read Tareeqat, you will discover how strong and deep the spirit runs in our everyday lives and relationships. As you do, you will clearly see the path to recognize it for what it is, embrace it with love, live it with pride, in its eternal flow, in its ever-changing forms. You will gain the courage to see the richness of Sufism for all that it is, all it can be. And you will never look at life same way again.

Pen, Stylus, and Chisel: An Ancient Egypt Sourcebook helps students understand the world of the ancient Egyptians by introducing them to primary sources that cover a broader spectrum, both temporally and geographically, than most ancient Egyptian readers. Beginning with The Old Kingdom in the third millennium BCE, the book covers 3,000 years of history, progressing through the Middle Kingdom, New Kingdom, Late Kingdom, Persian Period, and ending with the Ptolemaic Dynasty in the first century BCE. Students will learn about the Egyptians' political ideas, social customs, religious views, economy, ethics, and forms of expression. The material includes documents written both by the Egyptians and by those who observed them, which gives students a well-rounded view of the Egyptian people, their history, and their culture. The book includes maps, introductions to the readings to place them in context and enhance comprehension, discussion questions to be used in class or as writing assignments, and a glossary. Pen, Stylus, and Chisel can be used in history and humanities courses on ancient Egypt.

What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colors? This richly illustrated book--the latest in the popular Looking At series--offers definitions and descriptions of these and many other Greek vase shapes, painters, and techniques encountered in museum exhibitions and publications on ancient Greek ceramics. Included is an essay on how to look at Greek vases and another on the conservation of ancient ceramics. These essays provide succinct explanations of the terms most frequently encountered by museum-goers. The concise definitions are divided into two sections, one on potters and painters and another on vase shapes and technical terms relating to the construction and decoration of the vases. Featuring numerous color illustrations of Greek vases, many from the Getty Museum's collection, Understanding Greek Vases is an indispensable guide for anyone wishing to obtain a greater understanding and enjoyment of Greek ceramics.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal's Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Essays in honour of Vincent Megaw on his 80th birthday.

Open-air rock-art forms one of the most widely distributed categories of prehistoric culture with examples recognized across the Old and New Worlds. It is also one of the most threatened features of human heritage and is susceptible to accelerated decay as a result of natural processes. Considering the specific case of the Coa Valley rock-art complex in Portugal, but also analysing case studies originating from other countries (Norway, Brazil, Southern USA and South Korea), this richly illustrated book addresses open-air rock-art natural degradation causes, suitable methods to assess current condition and the creation of urgency scales for conservation interventions.

This book examines Greek vase-paintings that depict humorous, burlesque, and irreverent images of Greek mythology and the gods. Many of the images present the gods and heroes as ridiculous and ugly. While the narrative content of some images may appear to be trivial, others address issues that are deeply serious. When placed against the background of the religious beliefs and social frameworks from which they spring, these images allow us to explore questions relating to their meaning in particular communities. Throughout, we see indications that Greek vase-painters developed their own comedic narratives and visual jokes. The images enhance our understanding of Greek society in just the same way as their more sober siblings in serious art. David Walsh is a Visiting Research Scholar in the School of Arts, Histories and Cultures at The University of Manchester."

This study deals with the significance of ritual scenes on 21st Dynasty coffins. The images on these coffins are studied as texts referring to the passage of the deceased to the next life. The aim of this study is also to argue how the Middle Kingdom Coffin Texts were replaced at this later date by such images on coffins. The work focusses on a group of coffins belonging to the priest known as PA-dj-imn, and date to the reign of the High Priest Pinudjem II. They were found in 1891 at the tomb of Bab el-Gassus, as part of the find generally known as the Second Find of Deir el-Bahri.