Leggett's classic text, Ancient and Medieval Dyes, is an informative and easy-to-read introduction to the most common animal and vegetable dyes used before the introduction of synthetic chemical dyes.

The oldest scriptures at the heart of every major religion make reference to a mysterious tree at the center of the world. Its fruits, guarded by an evil serpent, confer immortality. A nearby stream of water divides into four rivers flowing into the four cardinal directions. The vicinity of this tree is said to be the birthplace of the first human ancestors. This legend is the oldest, most widely dispersed, and most mysterious religious idea known to mankind. The Tree also appears with other symbols on artifacts found at the ancient city of Troy and on the oldest examples of Greek ceramic art. The decipherment of these Bronze Age symbols, described for the first time in this book, leads to the discovery of an archaic theme pervading much of world mythology. An understanding of this archetype, and of the natural phenomenon that inspired it, unlocks many of the mythological enigmas that for centuries have eluded interpretation.

This book is the first comprehensive study of the mausolea of the later Roman emperors. Constructed between ca. AD 244 and 450 and bridging the transition from paganism to Christianity within the empire, these important buildings shared a common design, that of domed rotunda. Mark Johnson examines the symbolism and function of the mausolea, demonstrating for the first time that these monuments served as temples and shrines to the divinized emperors. Through an examination of literary sources and the archaeological record, he identifies which buildings were built as imperial tombs. Each building is examined to determine its place in the development of the type as well as for its unique features within the group. Recognizing the strong relationship between the mausolea built for pagan and Christian emperors, Johnson also analyzes their important differences.

Secrets of the Serpent: In Search of the Sacred Past - Special Revised Edition, Featuring Two New Appendices by Philip Gardiner. Across time and across the world, an ancient serpent cult once dominated mankind. Then a great battle ensued and Christianity stamped it's authority on the face of the planet. Now, after years of research, the real religious history of the world can be told. In Secrets of the Serpent, Philip Gardiner for the first time reveals the world's most mysterious places were once sacred to the Serpent Cult. The history and mythology of the so-called reptilian agenda and alien visitation in ancient times now has a solid opponent - giving answers for the many symbols and myths often confused by those who believe in such things. In Secrets of the Serpent, the author reveals the real "bloodline" spoken of by Dan Brown in the Da Vinci Code - it was in fact a serpent bloodline. Philip Gardiner is the international best selling author of The Shining Ones, The Serpent Grail, Gnosis: The Secret of Solomon's Temple Revealed and Proof - Does God Exist? He has appeared on hundreds of radio and television programs worldwide speaking on religion and propaganda. He has infiltrated various secret societies and been initiated into Orders many people had thought were long forgotten. Committed to the constant struggle to uncover the real history of mankind and the unraveling of manipulative propaganda, he has come up against many obstacles and yet in his book, The Serpent Grail he reveals a truth about the Holy Grail that gained the backing of academia and scholars. The truth shall be found in the Secrets of the Serpent.

Edward Williams (1746-1826) also known by his Bardic name, 'Iolo Morganwg, ' was a Republican, Radical, Revolutionary, Pacifist, Abolitionist, Flutist, Song Writer, Jailbird, Lexicographer, Grammarian, Antiquarian, Encyclopaedist. Linguist, Debtor, Mediaevalist, Folklorist, Bird Watcher, Agriculturist, Master Mason, Bookshop Owner, Poet (in both Welsh and English) a Bard, a Druid, a Visionary, a 'Noble Savage, ' a 'Child of Nature, ' a 'Pagan' - in short, a true Herald of Wales He was also a 'fabulist' and 'invented' a whole cosmology and mythology relating to Stonehenge and the Druids, and the 'antient Britons, ' that is, the Welsh. He incorporated these 'discoveries' into the ceremonies of the Welsh National Festival of Poetry, the 'eisteddfods, ' which, quite authentically, date from pre-Christian times. Iolo proclaimed these 'mythologies' on Primrose Hill, Hampstead Heath, London, in 1792. They were formally recognized at the great Carmarthen 1819 Eisteddfod, and have lasted in the form laid down by Iolo to this very day. Iolo's vision of a united Wales continues to draw admirers not only from Wales but from many parts of the world, and have included, in their day, such figures as Tom Paine, 'Humanity's William Wilberforce, ' and 'General George Washington.'

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Illustrations remain one of the fundamental tools of archaeology, a means by which we share information and build ideas. Often treated as if they were neutral representations, archaeological illustrations are the convergence of science and the imagination. This volume, a collection of fourteen essays addressing the visual presentation of the Pre-Columbian past from the fifteenth century to the present day, explores and contextualizes the visual culture of archaeological illustration, addressing the intellectual history of the field and the relationship of archaeological illustration to other scientific disciplines and the fine arts.

Shortly after the death in 161 of Antoninus Pius, his sons dedicated a column to him as a funerary monument. The form of the column in general and the reliefs on the pedestal in particular raise problems central to the understanding of Roman art. In this first thorough study, illustrated with nearly 100 photographs, Lise Vogel restores the column to its rightful place as one of the major monuments of Roman art. In addition, she re-evaluates the meaning of the column of Antoninus Pius in the context of the development of second century Roman imperial sculpture.

1906. Illustrated. Contents: Early Italians; Raphael and Correggio; The Great Venetians; Later Italian Schools; Spanish Masters; Painters of the French and English Schools; Pastels and Miniatures, with Late German and Italian Pictures Hanging in Adjoining Rooms; Early Flemish, Dutch, and German Pictures: Durer and Holbein; Other Netherlandish and German Artists; Rubens and Van Dyck; Rembrandt and Some of His Contemporaries; Dutch Painters; and Modern German Masters. See other titles by this author available from Kessinger Publishing.

San Juan: Memoir of a City conducts readers through Puerto Rico's capital, guided by one of its most graceful and reflective writers, Edgardo Rodriguez Julia. No mere sightseeing tour, this is culture through immersion, a circuit of San Juan's historical and intellectual vistas as well as its architecture. In the allusive cityscape he recreates, Rodriguez Julia invokes the ghosts of his childhood, of San Juan's elder literati, and of characters from his own novels. On the most tangible level, the city is a place of cabarets and cockfighting clubs, flaneurs and beach bums, smoke-filled bars and honking automobiles. Poised between a colonial past and a commercial future, the San Juan he portrays feels at times perilously close to the pitfalls of modernization. Tenement houses and fading mansions yield to strip malls and Tastee Freezes; asphalt hems in jacarandas and palm trees. In Puerto Rico, he muses, life is not simply cruel, it is also busy erasing our tracks. Julia resists that erasure, thoughtfully etching a palimpsest that preserves images of the city where he grew up and rejoicing in the one where he still lives.

Employing the same methodology she has used in her previous studies of Greek sculpture, Brunilde Sismondo Ridgway critically scrutinizes most of the best-known pieces of Greek sculpture to determine what can be securely considered to have been produced during 200-100 B.C. Arguing that characterizations of the second century have been overly influenced by the dramatic Pergamon Altar, Ridgway begins afresh, examining architectural sculpture, statuary in the round, funerary and votive reliefs, and the difficult cases of sculptures known only, or primarily, through later copies, or found on Italian soil but probably made by Greek masters. Her exploration ultimately reveals a tentative but plausible picture of the artistic trends of this fascinating period.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This catalogue contains all the sculptures on display in the National Archaeological Museum of Athens, undoubtedly the most important collection of ancient Greek sculptures in the world. Each entry is supplemented by a full bibliography and is written not only for experts but also for the general reading public. A useful short introduction offers readers an overview of ancient Greek sculpture from the Archaic period to the end of Antiquity.
Included in this lavishly illustrated volume are the Poseidon of Artemision, a statue of the god brandishing his trident; a marble group of Aphrodite, Pan and Eros found on Delos; the Sounion Kouros, a colossal votive statue found in the sanctuary of Poseidon at Sounion; and the Roman statue of a young athlete, Diadoumenos.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Featuring decorative, religious, and utilitarian objects from the Geometric period to the Hellenistic Age, this is the ideal introduction to Greek sculpture Introducing eight centuries of Greek sculpture, this latest addition to The Met's compelling and widely acclaimed How to Read series traces this artistic tradition from its early manifestations in the Geometric period (ca. 900-700 BCE) through the groundbreaking creativity of the Archaic and Classical periods to the dramatic achievements of the Hellenistic Age (323-31 BCE). The 40 works of art featured represent a broad range of objects and materials, both sacred and utilitarian, in metal, marble, gold, ivory, and terracotta. Sculptures of deities and architectural elements are joined by depictions of athletes, animals, and performers, as well as by funerary reliefs, perfume vases, and jewelry. The accompanying text both provides insight into Greek art as a whole and illuminates centuries of Greek life. Detailed commentaries on each work and an overview of major themes in Greek art offer a fascinating, object-focused introduction to one of the most influential cultures in Western civilization. Published by The Metropolitan Museum of Art/Distributed by Yale University Press