This is a thorough academic tutorial of the Syriac language beginning with its history and ending with the learning of the language itself.

This book will be the second volume in the American Classical Studies series. The subject is Sextus Empiricus, one of the chief sources of information on ancient philosophy and one of the most influential authors in the history of skepticism. Sextus' works have had an extraordinary influence on western philosophy, and this book provides the first exhaustive and detailed study of their recovery, transmission, and intellectual influence through Late Antiquity, the Middle Ages, and the Renaissance. This study deals with Sextus' biography, as well as the history of the availability and reception of his works. It also contains an extensive bibliographical section, including editions, translations, and commentaries.

The essays collected in this volume apply an interdisciplinary approach to explore aspects of the relationship between animal and human in late antiquity. With a focus on ways that anthropozoological connections were defined in the emergent Christian religious discourse of the epoch, the authors contribute to our understanding of a thematic area largely neglected in previous research.

The Roman historian Livy saw the past as a storehouse of lessons. Jane Chaplin examines how his historical figures manipulate the shifting meaning of the past and reveals Livy's acute sensitivity to contemporary problems. Special emphasis is placed on Romans versus foreigners as students of the past, the competing claims of near and remote events, and history's relevance for current dilemmas.

Jon Lendon offers a bold new analysis of how Roman government worked in the first four centuries AD. A despotism rooted in force and fear enjoyed widespread support among the ruling classes of the provinces on the basis of an aristocratic culture of honour shared by rulers and ruled.

In a new interpretation of Parmenides philosophical poem On Nature, Vishwa Adluri considers Parmenides as a thinker of mortal singularity, a thinker who is concerned with the fate of irreducibly unique individuals. Adluri argues that the tripartite division of Parmenides poem allows the thinker to brilliantly hold together the paradox of speaking about being in time and articulates a tragic knowing: mortals may aspire to the transcendence of metaphysics, but are inescapably returned to their mortal condition.Parmenides.

The book covers Egyptian history from the Predynastic to the late Roman Period. It also introduces early contemporary literary references to ancient Egypt and uses a number of theoretical approaches to interrogate the archaeological and textual data.

Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.

This book demonstrates how the Romans constructed garden boundaries specifically in order to open up or undermine the division between a number of oppositions, such as inside/outside, sacred/profane, art/nature, and real/imagined. Using case studies from across literature and material and visual culture, Victoria Austen explores the perception of individual garden sites in response to their limits, and showcases how the Romans delighted in playing with concepts of boundedness and separation. Transculturally, the garden is understood as a marked-off and cultivated space. Distinct from their surroundings, gardens are material and symbolic spaces that constitute both universal and culturally specific ways of accommodating the natural world and expressing human attitudes and values. Although we define these spaces explicitly through the notions of separation and division, in many cases we are unable to make sense of the most basic distinction between 'garden' and 'not-garden'. In response to this ambiguity, Austen interrogates the notion of the 'boundary' as an essential characteristic of the Roman garden.

Here is a blueprint for a new interdisciplinary approach that decompartmentalizes disciplines for the study of this district of the Achaemenid Empire including Syria, Phoenicia, Palestine and Cyprus. Remarkable cultural evolutions and changes in this area need closer study: the introduction of coinage and the coin economy, the sources of tension over problems of power and identity, the emergence of city-states similar to the Greek city type, the development of mercenary armies, the opening up of the Western fringe of the Persian Empire to the Greek world. Completely new research initiatives can extensively modify the vision that classical and oriental specialists have traditionally formed of the history of the Persian Empire.>

The world's first known empires took shape in Mesopotamia between the eastern shores of the Mediterranean Sea and the Persian Gulf, beginning around 2350 BCE. The next 2,500 years witnessed sustained imperial growth, bringing a growing share of humanity under the control of ever-fewer states. Two thousand years ago, just four major powers--the Roman, Parthian, Kushan, and Han empires--ruled perhaps two-thirds of the earth's entire population. Yet despite empires' prominence in the early history of civilization, there have been surprisingly few attempts to study the dynamics of ancient empires in the western Old World comparatively. Such grand comparisons were popular in the eighteenth century, but scholars then had only Greek and Latin literature and the Hebrew Bible as evidence, and necessarily framed the problem in different, more limited, terms. Near Eastern texts, and knowledge of their languages, only appeared in large amounts in the later nineteenth century. Neither Karl Marx nor Max Weber could make much use of this material, and not until the 1920s were there enough archaeological data to make syntheses of early European and west Asian history possible. But one consequence of the increase in empirical knowledge was that twentieth-century scholars generally defined the disciplinary and geographical boundaries of their specialties more narrowly than their Enlightenment predecessors had done, shying away from large questions and cross-cultural comparisons. As a result, Greek and Roman empires have largely been studied in isolation from those of the Near East. This volume is designed to address these deficits and encourage dialogue across disciplinary boundaries by examining thefundamental features of the successive and partly overlapping imperial states that dominated much of the Near East and the Mediterranean in the first millennia BCE and CE.
A substantial introductory discussion of recent thought on the mechanisms of imperial state formation prefaces the five newly commissioned case studies of the Neo-Assyrian, Achaemenid Persian, Athenian, Roman, and Byzantine empires. A final chapter draws on the findings of evolutionary psychology to improve our understanding of ultimate causation in imperial predation and exploitation in a wide range of historical systems from all over the globe. Contributors include John Haldon, Jack Goldstein, Peter Bedford, Josef Wiesehofer, Ian Morris, Walter Scheidel, and Keith Hopkins, whose essay on Roman political economy was completed just before his death in 2004.

This sourcebook includes a rich and accessible selection of Roman original sources in translation ranging from the Regal Period through Republican and Imperial Rome to the late Empire and the coming of Christianity. From Roman goddesses to mortal women, imperial women to slaves and prostitutes, the volume brings new perspectives to the study of Roman women's lives. Literary sources comprise works by Livy, Catullus, Ovid, Juvenal and many others. Suggestions for further reading, a general bibliography, and an index of ancient authors and works are also included.

It has often been argued that Zerubbabel, the Jewish governor of Yehud at the time of the rebuilding of the temple (late 6th century BCE), was viewed by the prophets Haggai and Zechariah as the new king in the line of David. In this new study, Rose offers a contrary proposal for the interpretation of the oracles in Haggai 2 and Zechariah 3 and 6. He traces their background in the pre-exilic prophets, pays special attention to often neglected details of semantics and metaphor, and concludes that neither Haggai nor Zechariah designated Zerubbabel as the new king in Jerusalem. Instead, the oracles in Zechariah 3 and 6 should be seen as fully messianic.>

Les premieres fouilles archeologiques furent entreprises a Sinope entre 1951 et 1953. Des travaux ponctuels ont ensuite ete menes, mais ce n'est qu'au debut des annees 90 que Sinope a connu un regain d'interet et que l'activite archeologique s'est developpee a l'echelle internationale, avec tout d'abord les fouilles des ateliers amphoriques, puis divers programmes terrestres et sous-marins. Les Actes du Symposium international rassemblent les resultats de ces travaux, ainsi que les recherches consacrees a l'histoire de cette ville, depuis sa fondation jusqu'a la periode seldjoukide, a ses productions artisanales, a son commerce et a ses relations avec le reste de la mer Noire.

While modern students of Greek religion are alert to the occasion-boundedness of epiphanies and divinatory dreams in Greek polytheism, they are curiously indifferent to the generic parameters of the relevant textual representations on which they build their argument. Instead, generic questions are normally left to the literary critic, who in turn is less interested in religion. To evaluate the relation of epiphanies and divinatory dreams to Greek polytheism, the book investigates relevant representations through all major textual genres in pagan antiquity. The evidence of the investigated genres suggests that the 'epiphany-mindedness' of the Greeks, postulated by most modern critics, is largely an academic chimaera, a late-comer of Christianizing 19th-century-scholarship. It is primarily founded on a misinterpretation of Homer's notorious anthropomorphism (in the Iliad and Odyssey but also in the Homeric Hymns). This anthropomorphism, which is keenly absorbed by Greek drama and figural art, has very little to do with the religious lifeworld experience of the ancient Greeks, as it appears in other genres. By contrast, throughout all textual genres investigated here, divinatory dreams are represented as an ordinary and real part of the ancient Greeks' lifeworld experience.

"Greek Tragedy" sets ancient tragedy into its original theatrical, political and ritual context and applies modern critical approaches to understanding why tragedy continues to interest modern audiences.
An engaging introduction to Greek tragedy, its history, and its reception in the contemporary world with suggested readings for further study
Examines tragedy's relationship to democracy, religion, and myth
Explores contemporary approaches to scholarship, including structuralist, psychoanalytic, and feminist theory
Provides a thorough examination of contemporary performance practices
Includes detailed readings of selected plays