Peter Liddel offers a fresh approach to the old problem of the nature of individual liberty in ancient Athens. He draws extensively on oratorical and epigraphical evidence from the late fourth century BC to analyse the ways in which ideas about liberty were reconciled with ideas about obligation, and examines how this reconciliation was negotiated, performed, and presented in the Athenian law-courts, assembly, and through the inscriptional mode of publication. Using modern political theory as a springboard, Liddel argues that the ancient Athenians held liberty to consist of the substantial obligations (political, financial, and military) of citizenship.

The Language of Atoms argues that ancient Epicurean writing on language offers a theory of performative language. Such a theory describes how languages acts, providing psychic therapy or creating new verbal meanings, rather than passively describing the nature of the universe. This observation allows us new insight into how Lucretius, our primary surviving Epicurean author, uses language in his great poem, De rerum natura (On the Nature of Things). The book begins with a double contention: on the one hand, while scholarship on Lucretius has looked to connect Lucretius' text to its larger cultural and historical context, it has never turned to speech act theory in this quest. This omission is striking at least in so far as speech act theory was developed precisely as a way of locating language (including texts) within a theory of action. The book studies Lucretius' work in the light of performative language, looking at promising, acts of naming, and the larger political implications of these linguistic acts. The Language of Atoms locates itself at the intersection of both older scholarly work on Epicureanism and recent developments on the reception history, and will thus offer scholars across the humanities a challenging new perspective on Lucretius' work.

This volume focuses on the reception of antiquity in the performing and visual arts from the Renaissance to the twenty-first century. It explores the tensions and relations of gender, sexuality, eroticism and power in reception. Such universal themes dictated plots and characters of myth and drama, but also served to portray historical figures, events and places from Classical history. Their changing reception and reinterpretation across time has created stereotypes, models of virtue or immoral conduct, that blend the original features from the ancient world with a diverse range of visual and performing arts of the modern era.The volume deconstructs these traditions and shows how arts of different periods interlink to form and transmit these images to modern audiences and viewers. Drawing on contributions from across Europe and the United States, a trademark of the book is the inclusive treatment of all the arts beyond the traditional limits of academic disciplines.

In ancient Greece and Rome, dreams were believed by many to offer insight into future events. Artemidorus' Oneirocritica, a treatise on dream-divination and compendium of dream-interpretations written in Ancient Greek in the mid-second to early-third centuries AD, is the only surviving text from antiquity that instructs its readers in the art of using dreams to predict the future. In it, Artemidorus discusses the nature of dreams and how to interpret them, and provides an encyclopaedic catalogue of interpretations of dreams relating to the natural, human, and divine worlds. In this volume, Harris-McCoy offers a revised Greek text of the Oneirocritica with facing English translation, a detailed introduction, and scholarly commentary. Seeking to demonstrate the richness and intelligence of this understudied text, he gives particular emphasis to the Oneirocritica's composition and construction, and its aesthetic, intellectual, and political foundations and context.

Richard Finn OP examines the significance of almsgiving in Churches of the later empire for the identity and status of the bishops, ascetics, and lay people who undertook practices which differed in kind and context from the almsgiving practised by pagans. It reveals how the almsgiving crucial in constructing the bishop's standing was a co-operative task where honour was shared but which exposed the bishop to criticism and rivalry. Finn details how practices gained meaning from a discourse which recast traditional virtues of generosity and justice to render almsgiving a benefaction and source of honour, and how this pattern of thought and conduct interacted with classical patterns to generate controversy. He argues that co-operation and competition in Christian almsgiving, together with the continued existence of traditional euergetism, meant that, contrary to the views of recent scholars, Christian alms did not turn bishops into the supreme patrons of their cities.

The mythological hero Orpheus occupied a central role in ancient Greek culture, but 'the son of Oeagrus' and 'Thracian musician' venerated by the Greeks has also become a prominent figure in a long tradition of classical reception of Greek myth. This book challenges our entrenched idea of Orpheus and demonstrates that in the Classical and Hellenistic periods depictions of his identity and image were not as unequivocal as we tend to believe today. Concentrating on Orpheus' ethnicity and geographical references in ancient sources, Tomasz Mojsik traces the development of, and changes in, the mythological image of the hero in Antiquity and sheds new light on contemporary constructions of cultural identity by locating the various versions of the mythical story within their socio-political contexts. Examination of the early literary sources prompts a reconsideration of the tradition which locates the tomb of the hero in Macedonian Pieria, and the volume argues for the emergence of this tradition as a reaction to the allegation of the barbarity and civilizational backwardness of the Macedonians throughout the wider Greek world. These assertions have important implications for Archelaus' Hellenizing policy and his commonly acknowledged sponsorship of the arts, which included his incorporating of the Muses into the cult of Zeus at the Olympia in Dium.

Shipley presents the first modern commentary on Plutarch's Life of Agesilaos (c.444-360 BC) together with the full Greek text and a bibliography. Plutarch's biographies have long been valued for their literary, philosophic, and historiographic content, and the Life of Agesilaos, king of Sparta for forty years after the Peloponnesian war, has special interest as an introduction to Greek history, society, and culture in the fourth century, a critical period that has received little attention compared with the fifth century in Athens.

Recent archaeological discoveries within the Upper Tigris region in Southeastern Turkey offer a unique opportunity to understand the dynamics of the Assyrian Empire borderlands. Within a few years most of the region will be irreversibly submerged, due to the construction of the Ilisu dam, the biggest hydroelectric power plant project in Turkey. It is of paramount importance to understand and record as much data as possible about the local communities and the foreign connections that flowered in this area.

This volume brings together the work of a wide range of international scholars on the most important themes in Plutarch's Greek and Roman Lives. It includes contributions on Plutarch's life and cultural milieu; his methodology; the chronological order of composition and the cross-references from one Life to another; on the possibility that several biographies were edited simultaneously; the methods Plutarch adopted to summarize his own reading and research; the choice of subjects and of sources; Plutarch's compositional techniques; and the criteria for selecting the Greek and Roman pairs. An introduction discusses the traditions of historiography which influenced Plutarch, and the background to Graeco-Roman biography, analysing Plutarch's sources and assessing how he used them. At the cusp between literature, philosophy, and history, Plutarch's biographies and these studies of them are of unique interest to scholars interested in all aspects of the ancient world.

This title offers discussion of themes such as spatiality, temporality and sovereignty in Latin literature, drawing upon key conteporary critical theorists. "Now and Rome" is about the way that sovereign power regulates the movement of information and the movement of bodies through space and time. Through a series of readings of three key Latin literary texts alongside six contemporary cultural theorists, Ika Willis argues for an understanding of sovereignty as a system which enforces certain rules for legibility, transmission and circulation on both information and bodies, redefining the relationship between the 'virtual' and the 'material'. This book is both innovative and important in that it brings together several key strands in recent thinking about sovereignty, history, space, and telecommunications, especially in the way it brings together 'textual' theories (reception, deconstruction) with political and spatial thinking. It also serves as a much-needed crossing-point between Classical Studies and cultural theory. "Continuum Studies in Classical Reception" presents scholarly monographs offering new and innovative research and debate to students and scholars in the reception of Classical Studies. Each volume will explore the appropriation, reconceptualization and recontextualization of various aspects of the Graeco-Roman world and its culture, looking at the impact of the ancient world on modernity. Research will also cover reception within antiquity, the theory and practice of translation, and reception theory.

In Western Ways, for the first time, the "foreign schools" in Rome and Athens, institutions dealing primarily with classical archaeology and art history, are discussed in historical terms as vehicles and figureheads of national scholarship. By emphasising the agency and role of individuals in relation to structures and tradition, the book shows how much may be gained by examining science and politics as two sides of the same coin. It sheds light on the scholarly organisation of foreign schools, and through them, on the organisation of classical archaeology and classical studies around the Mediterranean. With its breadth and depth of archival resources, Western Ways offers new perspectives on funding, national prestige and international collaboration in the world of scholarship, and places the foreign schools in a framework of nineteenth and twentieth century Italian and Greek history.

Herodotus, one of the earliest and greatest of Western prose authors, set out in the late fifth century BC to describe the world as he knew it - its peoples and their achievements, together with the causes and course of the great wars that brought the Greek cities into conflict with the empires of the Near East. Each subsequent generation of historians has sought to use his text and to measure their knowledge of these cultures against his words.
This commentary by leading scholars, originally published in Italian, has been fully revised by the original authors and has now been edited for English-speaking readers by Oswyn Murray and Alfonso Moreno. It is designed for use alongside the Oxford Classical Text of Herodotus, and will replace the century-old historical commentary of How and Wells (1912) as the most authoritative account of modern scholarship on Herodotus.
Books I-IV cover the history and cultures of Lydia, Egypt, Persia, and the nomads of Scythia and North Africa, in their contacts with the Greeks from mythical times to the start of the fifth century BC; these themes, with many digressions, are woven into an account of the expansion of the Persian Empire and its relations with the Greeks.

This book covers the prehistory of the Nile Valley from Nubia to the Mediterranean, during the period from the earliest hominid settlement, around 700,000 BC, to the beginnings of dynastic Egypt at the end of the fourth millennium BC. The author explores the prehistoric foundations pf many of the cultural traditions of Pharaonic Egypt.

The book focuses primarily on the fifteen millennia from 18,000 to 3,000 BC, when different cultures can be identified and the earliest forms of agriculture traced with some detail. Textile and ceramic production began at the end of the seventh millennium and were deployed with great skill and considerable sophistication by the beginning of the Predynastic Period at around 4,500 BC. By the Early Dynastic Period much that is considered characteristic of Ancient Egypt, such as cosmology and burial rites, was already established tradition.

This account of prehistoric Egypt will be welcomed as an outstanding narrative, combining both scholarship and accessibility.

Utilizing a great variety of previously unknown cuneiform tablets, "Ancient Babylonian Medicine: Theory and Practice" examines the way medicine was practiced by various Babylonian professionals of the 2nd and 1st millennium B.C. Represents the first overview of Babylonian medicine utilizing cuneiform sources, including archives of court letters, medical recipes, and commentaries written by ancient scholarsAttempts to reconcile the ways in which medicine and magic were relatedAssigns authorship to various types of medical literature that were previously considered anonymousRejects the approach of other scholars that have attempted to apply modern diagnostic methods to ancient illnesses