So many myths and legends. So many senators and Caesars. So many documents, archaeological finds, movie-made misconceptions, and scholarly histories. With so much information available on the civilization of ancient Rome, and more discoveries happening all the time, where do you start? The Romans: New Perspectives is the ideal starting point for investigating this extraordinary civilization-its remarkable rise and decline, the scope of its power and wealth, the details of everyday life for its people, and its signature contributions to human culture (food, architecture, government, public works, art, and more). The Romans takes readers from the establishment of the monarchy (circa 753 BCE) through the rise of the republic (circa 509 BCE), the imperial period, and ultimately to the fall of the empire and the coronation of the barbarian king Odoacer. It is an engaging account of current thinking on Roman life and culture informed by a number of dramatic recent discoveries. The book provides a coherent introduction to the field, while pointing the way toward further reading on specific topics and personalities. An extensive bibliography of all major English-language resources (print, electronic, online) on Roman civilization, along with lists of references for further study concluding each chapter Dozens of photographs and drawings, plus detailed maps of Rome and its empire as they evolved over time

This book explores the fascinating world of sex and gender roles in the classical period. It provides readers with essays that represent a range of perspectives on women, gender and sexuality in the ancient world. They are accessible to general readers whilst also challenging them to confront problems of evidence and interpretation, new theories and methodologies, and contemporary assumptions about gender and sexuality.

The essays cover a broad spectrum of scholarly perspectives, and trace the debates and themes of the field from the late 1960s to the late 1990s. They also address a range of literary and non-literary genres, including some non-canonical sources such as medical writings and inscriptions, to elucidate ancient ideas about sexuality and the discourses that shaped these ideas. The book also provides translations of primary sources to enable readers to confront the evidence for themselves and assess the methodology used by historians. It includes Greek literature and society, Roman culture and the legacy of classical myth for modern feminist scholars. It includes and examines not only women in antiquity but also masculinity and sexuality to provide a comprehensive account of this fascinating topic.

In The Art and Rhetoric of the Homeric Catalogue, Benjamin Sammons takes a fresh look at a familiar element of the Homeric epics -- the poetic catalogue. This study uncovers the great variety of functions fulfilled by the catalogue as a manner of speech within very different contexts, ranging from celebrated examples such as the poet's famous "Catalogue of Ships," to others less commonly treated under this rubric, such as catalogues within the speech and rhetoric of Homer's characters. Sammons shows that catalogue poetry is no ossified or primitive relic of the old tradition, but a living subgenre of poetry that is used by Homer in a creative and original way. He finds that catalogues may be used by the poet or his characters to reflect -- or distort -- the themes of the poem at large, to impose an interpretation on events as they unfold, and possibly to allude to competing poetic traditions or even contemporaneous poems. Throughout, the study focuses on how Homer uses his catalogue to talk about the epic genre itself: to explore the boundaries of the heroic world, the limits of heroic glory, and the ideals and realities of his own traditional role as an epic bard. Building on a renewed interest in the "literary list" in other disciplines, Sammons shows that Homer is not only one of the earliest known practitioners of the poetic catalogue, but one of the subtlest and most skillful.

While we know a great deal about naval strategies in the classical Greek and later Roman periods, our understanding of the period in between--the Hellenistic Age--has never been as complete. However, thanks to new physical evidence discovered in the past half-century and the construction of Olympias, a full-scale working model of an Athenian trieres (trireme) by the Hellenic Navy during the 1980s, we now have new insights into the evolution of naval warfare following the death of Alexander the Great. In what has been described as an ancient naval arms race, the successors of Alexander produced the largest warships of antiquity, some as long as 400 feet carrying as many as 4000 rowers and 3000 marines. Vast, impressive, and elaborate, these warships "of larger form"--as described by Livy--were built not just to simply convey power but to secure specific strategic objectives. When these particular factors disappeared, this "Macedonian" model of naval power also faded away--that is, until Cleopatra and Mark Antony made one brief, extravagant attempt to reestablish it, an endeavor Octavian put an end to once and for all at the battle of Actium. Representing the fruits of more than thirty years of research, The Age of Titans provides the most vibrant account to date of Hellenistic naval warfare.

In their practice of aemulatio, the mimicry of older models of writing, the Augustan poets often looked to the Greeks: Horace drew inspiration from the lyric poets, Virgil from Homer, and Ovid from Hesiod, Callimachus, and others. But by the time of the great Roman tragedian Seneca, the Augustan poets had supplanted the Greeks as the "classics" to which Seneca and his contemporaries referred. Indeed, Augustan poetry is a reservoir of language, motif, and thought for Seneca's writing. Strangely, however, there has not yet been a comprehensive study revealing the relationship between Seneca and his Augustan predecessors. Christopher Trinacty's Senecan Tragedy and the Reception of Augustan Poetry is the long-awaited answer to the call for such a study. Senecan Tragedy and the Reception of Augustan Poetry uniquely places Senecan tragedy in its Roman literary context, offering a further dimension to the motivations and meaning behind Seneca's writings. By reading Senecan tragedy through an intertextual lens, Trinacty reveals Seneca's awareness of his historical moment, in which the Augustan period was eroding steadily around him. Seneca, looking back to the poetry of Horace, Virgil, and Ovid, acts as a critical interpreter of both their work and their era. He deconstructs the language of the Augustan poets, refiguring it through the perspective of his tragic protagonists. In doing so, he positions himself as a critic of the Augustan tradition and reveals a poetic voice that often subverts the classical ethos of that tradition. Through this process of reappropriation Seneca reveals much about himself as a playwright and as a man: In the inventive manner in which he re-employs the Augustan poets' language, thought, and poetics within the tragic framework, Seneca gives his model works new-and uniquely Senecan-life. Trinacty's analysis sheds new light both on Seneca and on his Augustan predecessors. As such, Senecan Tragedy and the Reception of Augustan Poetry promises to be a groundbreaking contribution to the study of both Senecan tragedy and Augustan poetry.

In The History of the Destruction of Troy, Dares the Phrygian boldly claimed to be an eyewitness to the Trojan War, while challenging the accounts of two of the ancient world's most canonical poets, Homer and Virgil. For over a millennium, Dares' work was circulated as the first pagan history. It promised facts and only facts about what really happened at Troy - precise casualty figures, no mention of mythical phenomena, and a claim that Troy fell when Aeneas and other Trojans betrayed their city and opened its gates to the Greeks. But for all its intrigue, the work was as fake as it was sensational. From the late antique encyclopedist Isidore of Seville to Thomas Jefferson, The First Pagan Historian offers the first comprehensive account of Dares' rise and fall as a reliable and canonical guide to the distant past. Along the way, it reconstructs the central role of forgery in longstanding debates over the nature of history, fiction, criticism, philology, and myth, from ancient Rome to the Enlightenment.

This comprehensive exploration of language and literacy in the multi-lingual environment of Roman Palestine (c. 63 B.C.E. to 136 C.E.) is based on Michael Wise's extensive study of 145 Hebrew, Aramaic, Greek, and Nabataean contracts and letters preserved among the Bar Kokhba texts, a valuable cache of ancient Middle Eastern artifacts. His investigation of Judean documentary and epistolary culture derives for the first time numerical data concerning literacy rates, language choices, and writing fluency during the two-century span between Pompey's conquest and Hadrian's rule. He explores questions of who could read in these ancient times of Jesus and Hillel, what they read, and how language worked in this complex multi-tongued milieu. Included also is an analysis of the ways these documents were written and the interplay among authors, secretaries, and scribes. Additional analysis provides readers with a detailed picture of the people, families, and lives behind the texts.

De E apud Delphos - De Pythiae oraculis - De defectu oraculorum

Written by a group of leading scholars, this unique collection of essays investigates the views of both pagan and Christian philosophers on causation and the creation of the cosmos. Structured in two parts, the volume first looks at divine agency and how late antique thinkers, including the Stoics, Plotinus, Porphyry, Simplicius, Philoponus and Gregory of Nyssa, tackled questions such as: is the cosmos eternal? Did it come from nothing or from something pre-existing? How was it caused to come into existence? Is it material or immaterial? The second part looks at questions concerning human agency and responsibility, including the problem of evil and the nature of will, considering thinkers such as Plotinus, Porphyry, Proclus and Augustine. Highlighting some of the most important and interesting aspects of these philosophical debates, the volume will be of great interest to upper-level students and scholars of philosophy, classics, theology and ancient history.

Theodosius II (AD 408-450) was the longest reigning Roman emperor. Ever since Edward Gibbon, he has been dismissed as mediocre and ineffectual. Yet Theodosius ruled an empire which retained its integrity while the West was broken up by barbarian invasions. This book explores Theodosius' challenges and successes. Ten essays by leading scholars of late antiquity provide important new insights into the court at Constantinople, the literary and cultural vitality of the reign, and the presentation of imperial piety and power. Much attention has been directed towards the changes promoted by Constantine at the beginning of the fourth century; much less to their crystallisation under Theodosius II. This volume explores the working out of new conceptions of the Roman Empire - its history, its rulers and its God. A substantial introduction offers a new framework for thinking afresh about the long transition from the classical world to Byzantium.

A two volume masterpiece on ancient warfare
Little needs to be said here about the fascinating era of the Roman Empire of the first century B. C., or about one of the most outstanding military commanders in history, Gaius Julius Caesar. The military history of the period has always had its avid students and enthusiasts. It also has its notable historians and foremost among these was former soldier, Theodore Ayrault Dodge who was probably the first military historian to walk upon the ground on which all of the events about which he wrote in this classic work took place. Dodge's grasp of topography and its bearing on tactical issues makes this work indispensible. The Leonaur editors highly regard Dodge's works on the great captains of warfare through the ages and our edition of 'Warfare in the Age of Napoleon' is already available. 'Warfare in the Age of Gaius Julius Caesar' is our second offering in the series and it follows the model already established by its predecessor. Based on Dodge's academically ground-breaking work, 'Caesar, ' this unique two volume edition, like all of the author's 'great captains' series, benefits from numerous diagrams and maps that explain the campaigns, battles, marches, weapons, equipment, etc., in significant detail. The Leonaur editions have been substantially represented so that all the images-often small in the original editions-have been enlarged to the fullest degree to aid understanding. Volume two covers a five year period in considerable detail and concludes in 45 B. C., a year before Caesar's death. Chapters on Caesar the man and soldier and the art of war in the Roman Empire are also included. Highly Recommended.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

A prolific philosopher who also held Rome's highest political office, Cicero was uniquely qualified to write on political philosophy. In this book Professor Atkins provides a fresh interpretation of Cicero's central political dialogues - the Republic and Laws. Devoting careful attention to form as well as philosophy, Atkins argues that these dialogues together probe the limits of reason in political affairs and explore the resources available to the statesman given these limitations. He shows how Cicero appropriated and transformed Plato's thought to forge original and important works of political philosophy. The book demonstrates that Cicero's Republic and Laws are critical for understanding the history of the concepts of rights, the mixed constitution and natural law. It concludes by comparing Cicero's thought to the modern conservative tradition and argues that Cicero provides a perspective on utopia frequently absent from current philosophical treatments.

This volume examines human sexuality as an intrinsic element in the interpretation of complex colonial societies. While archaeological studies of the historic past have explored the dynamics of European colonialism, such work has largely ignored broader issues of sexuality, embodiment, commemoration, reproduction, and sensuality. Recently, however, scholars have begun to recognize these issues as essential components of colonization and imperialism. This book explores a variety of case studies, revealing the multifaceted intersections of colonialism and sexuality. Incorporating work that ranges from Phoenician diasporic communities of the eighth century to Britain's nineteenth-century Australian penal colonies to the contemporary maroon community of Brazil, this volume changes the way we understand the relationship between sexuality and colonial history.

AN IMPORTANT BRANCH OF EUROPEAN CIVIL LAW. Origianlly published: Grahamstown, Cape Colony: African Book Co., 1908. iv (new introduction), xv, 791 pp. With a New Introduction by Michael Hoeflich, John H. & John M. Kane Professor of Law, University of Kansas School of Law. Roman-Dutch law is a hybrid of medieval Dutch law, mainly Germanic in origin, and Roman law as defined by the Corpus Juris Civilis and its later reception. It was developed in Holland during the sixteenth, seventeenth and eighteenth centuries. Bynkershoek, Damhouder, Grotius and other Roman-Dutch jurists had a profound influence on the development of European civil law and were the primary source of civil-law study in America. The Dutch brought it to their colonies, most notably South Africa and Indonesia, and it became the basis of their post-colonial legal systems. This engagingly written history offers a thorough analysis of Roman-Dutch jurisprudence and its intellectual background. Wessels devotes a great deal of attention to its literature, and he analyzes several treatises at length. Valuable as an introduction to one of the most important legal systems in history, it is equally useful as a reference.
"On the whole, the work is deserving of high praise, both for its learning and its literary quality. It will prove a most illuminating adjunct to the standard authorities on this system of law." --JAMES MACKINTOSH, Juridical Review 20 (1908-1909) 370.
JOHANNES WILHELMUS WESSELS 1862-1936] was a judge of the Transvaal Supreme Court. His works include The Status of the Uitlander (1894), Codification of Law in South Africa (1927) and The Law of Contract in South Africa (1937).
MICHAEL H. HOEFLICH is the John H. & John M. Kane Professor of Law at the University of Kansas School of Law. He is the author of numerous books including Roman and Civil Law and the Development of Anglo-American Jurisprudence (1997), Legal Publishing in Antebellum America (2010), Sources of the History of the American Law of Lawyering (2007) and The Law in Postcards and Ephemera 1890-1962 (2012), the latter two published by The Lawbook Exchange, Ltd.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book examines the lyrical voice of Sophocles' heroes and argues that their identities are grounded in poetic identity and power. It begins by looking at how voice can be distinguished in Greek tragedy and by exploring ways that the language of tragedy was influenced by other kinds of poetry in late fifth-century Athens. In subsequent chapters, Professor Nooter undertakes close readings of Sophocles' plays to show how the voice of each hero is inflected by song and other markers of lyric poetry. She then argues that the heroes' lyrical voices set them apart from their communities and lend them the authority and abilities of poets. Close analysis of the Greek texts is supplemented by translations and discussions of poetic features more generally, such as apostrophe and address. This study offers new insight into the ways that Sophoclean tragedy inherits and refracts the traditions of other poetic genres.