Seneca's Natural Questions is an eight-book disquisition on the nature of meteorological phenomena, ranging inter alia from rainbows to earthquakes, from comets to the winds, from the causes of snow and hail to the reasons why the Nile floods in summer. Much of this material had been treated in the earlier Greco-Roman meteorological tradition, but what notoriously sets Seneca's writing apart is his insertion of extended moralizing sections within his technical discourse. How, if at all, are these outbursts against the luxury and vice that are apparently rampant in Seneca's first-century CE Rome to be reconciled with his main meteorological agenda? In grappling with this familiar question, The Cosmic Viewpoint argues that Seneca is no blinkered or arid meteorological investigator, but a creative explorer into nature's workings who offers a highly idiosyncratic blend of physico-moral investigation across his eight books. At one level, his inquiry into nature impinges on human conduct and morality in its implicit propagation of the familiar Stoic ideal of living in accordance with nature: the moral deviants whom Seneca condemns in the course of the work offer egregious examples of living contrary to nature's balanced way. At a deeper level, however, The Cosmic Viewpoint stresses the literary qualities and complexities that are essential to Seneca's literary art of science: his technical enquiries initiate a form of engagement with nature which distances the reader from the ordinary involvements and fragmentations of everyday life, instead centering our existence in the cosmic whole. From a figurative standpoint, Seneca's meteorological theme raises our gaze from a terrestrial level of existence to a more intuitive plane where literal vision gives way to 'higher' conjecture and intuition: in striving to understand meteorological phenomena, we progress in an elevating direction - a conceptual climb that renders the Natural Questions no mere store of technical learning, but a work that actively promotes a change of perspective in its readership.

In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.

In recent decades literary approaches to drama have multiplied: new historical, intertextual, political, performative and metatheatrical, socio-linguistic, gender-driven, transgenre-driven. New information has been amassed, sometimes by re-examination of extant literary texts and material artifacts, at other times from new discoveries from the fields of archaeology, epigraphy, art history, and literary studies. The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From the birth of comedy in Greece to its end in Rome, from the Hellenistic diffusion of performances after the death of Menander to its artistic, scholarly, and literary receptions in the later Roman Empire, no topic is neglected. 41 essays spread across Greek Comedy, Roman Comedy, and the transmission and reception of Ancient comedy by an international team of experts offer cutting-edge guides through the immense terrain of the field, while an expert introduction surveys the major trends and shifts in scholarly study of comedy from the 1960s to today. The Handbook includes two detailed appendices that provide invaluable research tools for both scholars and students. The result offers Hellenists an excellent overview of the earliest reception and creative reuse of Greek New Comedy, Latinists a broad perspective of the evolution of Roman Comedy, and scholars and students of classics an excellent resource and tipping point for future interdisciplinary research.

In this new and authoritative history of the Roman republic, distinguished historian Klaus Bringmann traces the rise of a small city state near the Tiber estuary into a power that controlled the Italian peninsula and created the final Empire of antiquity, an Empire that was to become both the most enduring in the ancient world and to have the most far-reaching consequences for posterity.

Whilst this book is chronologically organized, giving the reader a clear sense of the historical progress and dynamics of Roman republican history, it also offers a coherent and authoritative overview of the culture, economics, religion and military might of the Roman empire, presented in an original and stimulating way.

Thoroughly referenced and illustrated throughout, with a wealth of primary sources from great Roman writers such as Cicero and Plutarch, "A History of the Roman Republic" will be essential reading for university students in history and classical studies. It will also appeal to a wider audience of general readers who are interested in the history of the Ancient world and its legacy.

This study presents a comprehensive treatment of a crucial aspect of Greek religion hitherto largely neglected in the English language. Simon Pulleyn makes a full examination of all the relevant literary and inscribed material available in order both to describe ancient Greek practices and to explain their significance.

Death and Burial uses archaeological and textual evidence to examine death and burial in Iron Age Israel and Aram. Despite dramatic differences in the religious systems of these peoples, this monograph demonstrates striking connections between their basic material and psychological frameworks for dealing with death.

This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The essays are authored by leading scholars in the fields of Egyptology, ancient Near Eastern studies, the Hebrew Bible, Judaica, classical Greek and Roman studies, early Christianity and patristics, and Coptology.
Throughout the book the essays examine the terms employed in descriptions of ancient magic. From this examination comes a clarification of magic as a polemical term of exclusion but also an understanding of the classical Egyptian and early Greek conceptions of magic as a more neutral category of inclusion.
This book should prove to be foundational for future scholarly studies of ancient magic and ritual power.
This publication has also been published in hardback (no longer available).

Situating the close relationship between Latin and music within its historical context, this volume presents an overview of Latin and music in the educational system of the time - schools, choir schools and universities - and the development and pervasive influence of musical humanism. This influence is seen primarily in the writings of music theorists, the documents of dedication found in music publications and above all in the settings of classical and Neo-Latin texts as well as in some liturgical and extra-liturgical ones. Discussion of this repertoire forms the centre of the volume. The emphasis is on practical matters: the study of Latin and music, and the music's composition, performance and reception.

Pompeius Trogus, a Romanized Gaul living in the age of Augustus, wrote a forty-four book universal history (The Philippic History) of the non-Roman Mediterranean world. This work was later abbreviated by M. Junianus Justinus. Alexander the Great's life has been examined in minute detail by scholars for many decades, but the period of chaos that ensued after his death in 323 BC has received much less attention. Few historical sources recount the history of this period consecutively. Justin's abbreviated epitome of the lost Philippic history of Pompeius Trogus is the only relatively continuous account we have left of the events that transpired in the 40 years from 323 BC. This volume supplies a historical analysis of this unique source for the difficult period of Alexander's Successors up to 297 BC, a full translation, and running commentary on Books 13-15.

Mystery Cults in Visual Representation in Graeco-Roman Antiquity aims to fill a gap in the study of mystery cults in Graeco-Roman Antiquity by focusing on images for investigating their ritual praxis. Nicole Belayche and Francesco Massa have gathered experts on visual language in order to illuminate cultic rituals renowned for both their "mysteries" and their images. This book tackles three interrelated questions. Focusing on the cult of Dionysus, it analyses whether, and how, images are used to depict mystery cults. The relationship between historiography and images of mystery cults is considered with a focus on the Mithraic and Isiac cults. Finally, turning to the cults of Dionysus and the Mother of the Gods, this work shows how depictions of specific cultic objects succeed in expressing mystery cults.

The classic account of the Peloponnesian War by Thucydides, translated by Richard Crawley. Himself an Athenian general who served in the war, Thucydides relates the invasions, treacheries, plagues, amazing speeches, ambitions, virtues, and emotions of the storied conflict between Athens and Sparta in a work that has the feel of a tragic drama. Though in part an analysis of war policy, The History of the Peloponnesian War is also a dramatic account of the rise and fall of Athens by an Athenian man.

The Romans founded colonies throughout Italy and the provinces from the early Republic through the high Empire. Far from being mere 'bulwarks of empire,' these colonies were established by diverse groups or magistrates for a range of reasons that responded to the cultural and political problems faced by the contemporary Roman state and populace. This project traces the diachronic changes in colonial foundation practices by contextualizing the literary, epigraphic, archaeological, and numismatic evidence with the overall perspective that evidence from one period of colonization should not be used analogistically to explain gaps in the evidence for a different period. The Roman colonies were not necessarily 'little Romes,' either structurally, juridically, or religiously, and therefore their role in the spread of Roman culture or the exercise of Roman imperialism was more complex than is sometimes acknowledged.

Trials for murder and manslaughter in ancient Athens are preserved in a singularly full and revealing record. The earliest surviving speeches were written for such proceedings, and the laws governing such trials - laws that tradition ascribes to Draco himself - also survive in large part. These documents bear witness to the birth of the jury trial and of democratic rhetoric. This book, the first study of its kind, offers a systematic interpretation of Draco's law and the legal reasoning that grew out of it. The author outlines the historical development (7th to 4th centuries BCE), and then analyses the surviving speeches to unravel the underlying issues and practical consequences.

Covering figures ranging from Catherine Monvoisin to Vlad the Impaler, and describing murders committed in ancient aristocracies to those attributed to vampires, witches, and werewolves, this book documents the historic reality of serial murder. The majority of serial murder studies support the consensus that serial murder is essentially an American crime-a flawed assumption, as the United States has existed for less than 250 years. What is far more likely is that the perverse urge to repeatedly and intentionally kill has existed throughout human history, and that a substantial percentage of serial murders throughout ancient times, the middle ages, and the pre-modern era were attributed to imaginative surrogate explanations: dragons, demons, vampires, werewolves, and witches. Legends, Monsters, or Serial Murderers? The Real Story Behind an Ancient Crime dispels the interrelated misconceptions that serial murder is an American crime and a relatively recent phenomenon, making the novel argument that serial murder is a historic reality-an unrecognized fact in ancient times. Noted serial murderers such as the Roman Locuta (The Poisoner); Gilles De Rais of France, a prolific serial killer of children; Andres Bichel of Bavaria; and Chinese aristocratic serial killer T'zu-Hsi are spotlighted. This book provides a unique perspective that integrates supernatural interpretations of serial killing with the history of true crime, reanimating mythic entities of horror stories and presenting them as real criminals.

Open worship of the Roman Emperor with sacrifice, priests, altar and temple was in theory contrary to official policy in Rome. The cult of the living emperor by less direct means, however, might be achieved in various ways: the offering of cult to his companion "genius" or the divine "numen" immanent within him; the elevation of the Imperial house to a level at which it became godlike; the formal placing of the emperor on a par with the gods by making dedications to him "ut deo"; the conversion of divinities of every kind into Augustan gods that served as the Emperor's helper and protector; the creation of Augustan Blessings and Virtues that personified the qualities and benefactions of the emperor. Volume II, 2 completes the preliminary set of studies with a select bibliography, indexes and corrigenda to Vols. I, 1-2 and II, 1.

Traditionally, in the year 312, the Roman emperor Constantine experienced a "vision of the Cross" that led him to convert to Christianity and to defeat his last rival to the imperial throne; and, in 394, a divine wind carried the emperor Theodosius to victory at the battle of the Frigidus River. Other stories heralded the discovery of the True Cross by Constantine's mother, Helena, and the rise of a new kind of miracle-maker in the deserts of Egypt and Syria. These miracle stories helped Christians understand the dizzying changes in their fortunes during the century. They also shed light on Christianity's conflict with other faiths and the darker turn it took in subsequent ages. In A Century of Miracles, historian H. A. Drake explores the role miracle stories played in helping Christians, pagans, and Jews think about themselves and each other. These stories, he concludes, bolstered Christian belief that their god wanted the empire to be Christian. Most importantly, they help explain how, after a century of trumpeting the power of their god, Christians were able to deal with their failure to protect the city of Rome from a barbarian sack by the Gothic army of Alaric in 410. Augustine's magnificent City of God eventually established a new theoretical basis for success, but in the meantime the popularity of miracle stories reassured the faithful - even when the miracles came to an end. A Century of Miracles provides an absorbing illumination of the pivotal fourth century as seen through the prism of a complex and decidedly mystical phenomenon.